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Bodhi Tree Gone

from The LA Weekly

Bodhi Tree Bookstore Is Closing: Bad News for Buddhists

By Gendy Alimurung

Bad news for Buddhists and others seeking enlightenment: the Bodhi Tree Bookstore is closing. Owners Phil Thompson and Stan Madson informed their staff last Wednesday that the cozy Melrose Avenue shop, a nationally renowned and much beloved spiritual center, will be shutting its doors in a year’s time.

After some eight months of discussion, Thompson and Madson decided to sell the property to a local business owner who leases space to several other nearby retailers. The Bodhi Tree opened in 1970. Land values in the area have risen dramatically since then. Meanwhile, the business of selling print books has been on a steady decline. For years, real estate agents had been circling the Bodhi Tree like vultures. In the end, selling the property became a much more profitable option than continuing to sell books.

Thompson and Madson started the bookstore when they were in their 30’s. They are now both in their early 70’s. They were aerospace engineers who left a life of science for one of contemplation and meditation.

“Twenty years ago we felt like it was an expanding situation,” says Madson. “We were concerned the store was getting too big. We had a staff of 100. Publishing was expanding. Spirituality was expanding. But what changed was that the market became widely dispersed.”

Books on Wicca and Astrology and Native American shamanism used to be tough to find. But now every Borders and Barnes & Noble carries a significant selection of religious, spiritual and New Age literature. And what can’t be bought at a bricks and mortar shop can undoubtedly be found online at Amazon. For cheap.

[ click to continue reading at LA Weekly ]

visit the Bodhi Tree website

Posted on January 14, 2010 by Editor

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Army Archerd Gone

from Deadline Hollywood

R.I.P. Army Archerd

By NIKKI FINKE

army archerdLongtime Variety columnist Army Archerd died this afternoon at Ronald Reagan UCLA Medical Center of a rare form of cancer. He was posting on his online column as recently as July 27th. But he was best known for his “Just for Variety” column in the print edition of Daily Variety from 1953 to 2005. And, long before Ryan Seacrest even held a microphone, Army was a fixture on the Red Carpet at the Academy Awards as the interviewer of record. Conventional wisdom had it that an Oscar campaign wouldn’t be successful without multiple mentions in Archerd’s column. Among his countless news exclusives was the tragic 1985 news that Rock Hudson had the AIDS virus. This, like everything showbiz, Army handled without sensation. Though Hudson’s publicist Dale Olson had tried to cover up Rock’s illness, Archerd learned of Hudson’s hospitalization in Paris and “wrote one of the most carefully written pieces I have ever seen,” Olson recalled to Variety when Army retired his print column. “That’s one of the secrets of Army’s success. He would do a story, even if it was a difficult personal story, and not write it like gossip. The message was there, but it was gentle. His column will really be missed. There is no way to replace Army Archerd.” I, too, thought Archerd one of the last true gentleman journalists working in Hollywood, and one of the most accurate. He was always sweet and supportive towards me. My condolences go out to his wife of many years, Selma.

Press-shy celebrities from Marlon Brando to Johnny Carson always sought out Archerd. According to a 2005 tribute to the journalist written when he retired as a print columnist, when Carson was about to celebrate his 25th anniversary on NBC in 1987, he told his publicist: “I’m not doing any interviews, because if I do one, I’ll have to do them all. But if Army calls, I’ll speak to him.”

[ click to continue reading at Deadline.com ]

Posted on September 8, 2009 by Editor

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Disco At The Bowl

from The Los Angeles Times

Posted on September 8, 2009 by Editor

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Mt. Wilson Observatory

from The LA Times

Mt. Wilson’s famous, and besieged, observatory

Man once viewed the heavens by flickering firelight; now a raging blaze threatens a site where stargazing history was made.

Tim Rutten, September 2, 2009

There has been tragedy and loss aplenty in the fire ravaging the Angeles National Forest, but it has been particularly poignant — and, somehow, humblingly circular — to watch what’s probably the first natural element man subdued to his purpose threatening one of the great monuments of modern science.

The 101-year-old observatory at the top of Mt. Wilson houses some of the most productive scientific instruments of the 20th century, and it continues to play a cutting-edge role in various branches of astronomy, though the ambient nighttime light rising from the metropolis that now sprawls up its foothills makes deep space observation too difficult. Paradoxically, it was the Los Angeles Basin’s inversion layer — and the “stable air” it created — that originally made the mountain a perfect site for the great telescopes that revolutionized mankind’s notion of its place in the universe.

Beginning in 1919, the astronomer Edwin Hubble used the Mt. Wilson Observatory’s famous 100-inch Hooker telescope to prove that our Milky Way was but one galaxy among billions of stellar aggregations coming to life and dying across the universe. It was through his observations on the mountain that Hubble also realized that creation’s most primal impulse, the force of that singular event we now call the Big Bang, continues to echo through our universe, creating new distances where none had existed just a moment before.

[ click to continue reading at LATimes.com ]

Posted on September 2, 2009 by Editor

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Herbie Gets His Due

from Lee Bailey’s EUR WEB

HERBIE HANCOCK JOINS L.A. PHILHARMONIC:

Jazz great named creative chair; begins two-year tenure in 2010.

The Los Angeles Philharmonic has tapped Herbie Hancock as its new creative chair for jazz, a post that oversees jazz programming at the Walt Disney Concert Hall and the Hollywood Bowl.

 

According to Variety, the Grammy winner is scheduled to begin a two-year tenure starting with the 2010 season. He will succeed Christian McBride, who has held the post since 2006.

[ click to read at eurweb.com ]

Posted on August 7, 2009 by Editor

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Emmy & ATAS: “I was just thinking what an interesting concept it is to eliminate the writer from the artistic process.”

from FishbowlLA @ MediaBistro

Emmy Format Shift Angers Writers

1emmy_award_lg.jpgThe Emmy awards announced Thursday plans for a change in the format of the ceremony. Eight of the 28 Emmy categories will be pre-taped, in order to shave minutes off the lengthy program time. Two of the categories excluded from the ceremony are for writing, and given that there are only four writing categories in the Emmys to start with, There’s understandably some resentment. More than 100 television writers have signed a letter protesting the changes. James Hibberd at The Hollywood Reporterhas the letter, and further details:

We, the undersigned showrunners and executive producers of television’s current line-up of programs, oppose the Academy of Television Arts and Science’s decision to remove writing awards from the live telecast. This decision conveys a fundamental understatement of the importance of writers in the creation of television programming and a symbolic attack on the primacy of writing in our industry.

[ click to read full post at MediaBistro ]

Posted on August 4, 2009 by Editor

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“Sicko Porn Star” In A Headline

from The NY Daily News

Sicko porn star arrested outside L.A. for stalking two teenage girls

BY SIMONE WEICHSELBAUM
DAILY NEWS POLICE BUREAU

Wednesday, July 22nd 2009, 4:00 AM

A porn star once busted for allegedly flashing women on New York subways was arrested outside Los Angeles for stalking two teenage girls, officials said Tuesday.

California Highway Patrol officers cuffed Ken Hoyt, 44, at his Hollywood home on Friday after cops said he followed two young girls in his car, Officer Luis Mendoza said.

“They were in the vehicle running errands,” Mendoza said. The driver “tried to get away from his vehicle. She feared for her life. She knew that the person was up to no good.”

Hoyt - who starred in adult videos such as “Sexcetera” and “Big Gulp” - was charged with stalking and failure to re-register as a sex offender when he moved from New York to California, authorities said.

[ click to continue reading at the NY Daily News ]

Posted on July 26, 2009 by Editor

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This Special Sauce May Be Contaminated

from the San Jose Mercury News

Woman found dead in machine at SoCal food processor that supplies McDonald’s

 

Associated Press

Posted: 07/21/2009 08:31:31 PM PDT

Updated: 07/21/2009 08:50:12 PM PDT

 

INDUSTRY, Calif. — A 40-year-old woman has been found dead in a machine at a Southern California food processing plant that is a major supplier for McDonald’s restaurants.

Los Angeles County sheriff’s detectives say the woman’s body was found early Tuesday at Golden State Foods in the City of Industry. Investigators believe her death was accidental.

No other details were given about her death or about the woman except that she was an employee.

The Irvine-based company has distribution centers across the nation. Its Web site says the company supplies McDonald’s and developed the sauce for the restaurant’s Big Mac in the 1960s.

[ click to continue reading at the SJ Merc ]

Posted on July 23, 2009 by Editor

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Saving The Watts Towers

from The LA Times

Strapped city wants donors for Watts Towers conservation

11:33 AM, July 17, 2009

WattsTowersThe Watts Towers may be a unique and symbolically rich work of folk art, but it is also a world-class money trap, vulnerable to earthquakes and the elements, and constantly in need of repair.

There’s been long-simmering discontent among some of the most intense admirers of Simon Rodia’s 100-foot-tall structure who say the city doesn’t spend nearly enough on its upkeep and criticize the quality of conservation work carried out by L.A.’s Department of Cultural Affairs.

WattsTowersDetail1Rodia, an uneducated Italian immigrant stonemason, labored on the towers alone for more than 30 years, starting in 1921, creating a triple-spired skeleton of steel and wire, fleshing it out with concrete and adorning its surfaces with colorful bits of glass, pottery, tile and seashells. It adds up to a national landmark that is, for many, an inspirational example of what one committed person can achieve.

“I had in mind to do something big, and I did,” Rodia said — as extensive a public explanation as he ever gave.

[ click to continue reading at The LA Times ]

Posted on July 20, 2009 by Editor

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Beck interviews Waits

from Beck.com

Tom Waits x Beck Hansen : Pt. 1

Irrelevant Topics in a new section featuring conversations between musicians, artists, writers, etc. on various subjects, without promotional pretext or editorial direction. For the first in this series of conversations, the legendary musician and performer, Tom Waits agreed lend an hour of his time to talk about anything and nothing in particular. 

Here is Pt. 1 of that conversation.

Tom Waits: How you doin’?

BH: Good, I’m good.

TW: Are we up and runnin’?

BH: Yeah I think so. Hey, I wanted to ask you about being from Los Angeles. You grew up there…

TW: Yeah, Whittier, La Habra, Downey, that whole area. Yeah, Los Lobos, they’re from Whittier. So is Nixon. I remember Nixon’s market. He had his own family market.

BH: He was? For some reason I thought he was from the Midwest.

TW: No, California, and we used to get a visit every year from the Oscar Meyer wiener mobile, which was an enormous vehicle shaped like a hot dog. The driver was a Dwarf, and the wiener mobile would broadcast music while he sang the song “I wish I was an Oscar Meyer wiener.” He drew quite a crowd. Pretty exciting for a shopping center.

BH: That car is still driving around. I see it from time to time.

TW: You see the Oscar Meyer wiener mobile?

BH: I’ve seen it parked.

TW: They used to pass out little whistles that were about two inches long and it had three notes available. (Laughs.) Whittier lore.

BH: I was born in the McArthur park area.

TW: You remember when they drained McArthur Park, the lake? 

BH: I do, yeah…

TW: They found unbelievable things: Cars, human bones, weaponry.

BH: They should have done an exhibit.

TW: I don’t know why they didn’t. I thought that’s why they drained it.

BH: I’d always heard that when they drained the Echo Park Lake they found an amateur submarine.

TW: Oh, my God.

BH: I don’t know if that was lore.

TW: You mean a homemade submarine?

BH: Yeah, I think it was older too, from the early days of “home submarine building.” I don’t know if that subculture still exists?

TW: That was the East Kids.

BH: There’s so many different versions of the city.

TW: It is pretty international. Drive over here and you’re in Russia. Here, Indonesia, the Philippines, Central America. It’s pretty wild that way.

BH: I think of the city as a sort of mirage. If you look at pictures of the city a hundred years ago it’s just a bunch of weeds and desert dust. Its not really supposed to be here. I was always fascinated by the city it was meant to be. I guess it was a place created by developers. It’s not really like a city where some people roam around and then they find a good piece of land, and then they test it out for a while and make sure there is water so they don’t die, and then they decide to make a city. I started looking at some pictures…Beverly Hills was originally supposed to be called Morocco Junction. I started thinking, if they’d gone with that name we’d be in a whole other situation. I was wondering if there were any things that you remember? It seems like it’s shed its skin so many times.

TW: Well, cars choked everything. I know originally there was a red line that ran from San Bernardino all the way to the ocean and for 35 Cents you could ride a streetcar you know from…

[ click to continue reading a fascinating interview with these two geniuses ]

Posted on July 18, 2009 by Editor

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Julius Shulman Gone

from the LA Times

 

Posted on July 17, 2009 by Editor

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The Man Who Gave Us HAROLD AND MAUDE

from The Los Angeles Times

 

Hal Ashby, turbulent genius of the ’70s

 

Classic Hollywood:

AMPAS

A special Academy of Motion Picture Arts and Sciences salutes Oscar winning film editor and director Hal Ashby on Thursday, June 25, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. The conversation will be followed by a screening of Ashby’s 1971 bittersweet romance “Harold and Maude.”

The late director’s brief run, including ‘Harold and Maude,’ ‘The Last Detail’ and ‘Coming Home,’ put him in the upper strata of filmmakers.

June 24, 2009

Hal Ashby is the cinematic equivalent of a supernova. The director’s work burned startlingly bright for a brief period in the 1970s — before his demons, including drug abuse, got the better of him, extinguishing his star shortly before his death in 1988.

Now, the director of such seminal films as “The Last Detail,” “Shampoo,” “Coming Home” and “Being There” is being rediscovered in a confluence of upcoming events (not to mention the biography “Being Hal Ashby: Life of a Hollywood Rebel” by Nick Dawson, which published in March). On Thursday, the Academy of Motion Picture Arts and Sciences pays tribute with a screening of his eccentric 1971 love story, “Harold and Maude.”

Jon Voight, who won an Oscar for 1978’s “Coming Home,” will join Judd Apatow, Cameron Crowe, Seth Rogen, Oscar-winning scribe Diablo Cody and Variety editor Peter Bart at the Samuel Goldwyn Theater for a panel discussion and Yusuf Islam will perform two songs from “Harold and Maude” that he recorded as Cat Stevens. The academy will then screen Ashby’s work at the Linwood Dunn Theater beginning with “The Landlord” and “Shampoo” on Friday and continuing with other films through Sunday.

[ click to continue reading at The LA Times ]

Posted on June 27, 2009 by Editor

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Rat Press Re-dressed

from Shelf-Awareness

Rat Press: Hollywood Director Moonlights as Publisher

ratpress.jpgBy day Brett Ratner is a Hollywood producer, director and photographer. At night, he moonlights as the publisher of Rat Press. “It’s a one-man operation,” he said. “I do everything, basically,” including editing books in his bedroom.

Rat Press had its beginnings nearly a decade ago when Ratner published Naked Pictures of My Ex-Girlfriends by Mark Helfrich. Several years later he wrote a book of his own, Hillhaven Lodge: The Photo Booth Pictures, with powerHouse Books. Ratner has now re-launched Rat Press, creating a new logo and signing on with Perseus Distribution. The company aims to publish works “from the most prolific individuals in film” that consumers “never have the opportunity to see in a theater” and in a variety of formats. Titles will include biographies, interviews, novels, scripts, photos and artwork.

“Brett is a passionate book lover, and he’s done a wonderful job of bringing the film and book industries together,” said Tyson Cornell, director of marketing and publicity at Book Soup in Los Angeles. Ratner, whose big-screen work includes directing X-Men: The Last Stand and the film adaptation of Thomas Harris’ novelRed Dragon, acknowledges that “there is definitely a synergy” between the book and movie markets and envisions a wide readership for the books. “They call movies that reach many audiences four quadrant movies,” he said. “These are four quadrant books” that will appeal to film students, movie buffs, pop culture enthusiasts and those who like reading historical books and biographies.

[ click to continue reading at Shelf-Awareness.com ]

[ click to visit Rat Press ]

Posted on June 20, 2009 by Editor

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Top Hat of Couture

from the NY Observer

The Sultan of Stains

By Spencer Morgan

John Mahdessian prefers not to be called a dry cleaner.

“That’s a fuckin’ insult,” he said, between pulls off a Marlboro Light on a recently Sunday morning. “That’s like calling a world-renowned surgeon a doctor.”

We were outside the nail salon next door to the Madame Paulette flagship, first opened by Mr. Mahdessian’s great-uncle Andy as a mom-and-pop dry cleaner in 1958, when it was named for Andy’s wife, a French gal who worked as the seamstress. It recently underwent a massive $500,000 renovation and now occupies half the block.

Mr. Mahdessian, 43, is president of what is now called the Madame Paulette Organization, “the world’s leading custom couture cleaner.” The jovial, self-described “eligible bachelor with a spotless reputation” has been married to his business since taking the reins from his father, Noubar, 20 years ago. (“He thinks girls are like shirts: You have to change them every two weeks,” Noubar said wryly.)

John works six days a week. Sundays he treats himself to a mani-pedi and a massage.

[ click to continue reading at Observer.com ]

Posted on June 10, 2009 by Editor

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“Because then the actresses used to be dressed to the gills.”

from The LA Times

Susan Farley / For The Times

COLUMN ONE

The typist’s tale of ‘Last Tycoon’

Years after ‘Gatsby,’ F. Scott Fitzgerald’s secretary got to witness the second act of an author who didn’t believe in them.

By David L. Ulin
June 8, 2009

Frances Kroll RingAll these years later, Frances Kroll Ring can still see it, the afternoon she filled out an application at Rusty’s Employment Agency on Hollywood Boulevard and drove to Encino to meet a writer who was looking for a secretary.

It was April 1939, and she was 22, a Bronx transplant with typing and dictation skills. She’d been in Southern California for a little more than a year, coming west to help her father, a New York furrier, set up shop on Wilshire Boulevard. “Everybody said, ‘You’re a furrier? What are you doing in Southern California?’ ” Ring remembers. “But he knew the studios used furs. Because then the actresses used to be dressed to the gills.”

[ click to continue at LATimes.com ]

Posted on June 8, 2009 by Editor

Filed under Literary News, Los Angeles | | 1 Comment »

Please Vote Now For Beatnik, Jr. in Hard Rock Cafe’s Battle of the Bands

MY COUSIN’S BAND IS ONE STEP AWAY FROM WINNING A NATIONAL BATTLE OF THE BANDS COMPETITION !

http://www.VoteBeatnikJr.com

My cousin Andy has been a struggling musician in L.A. for the past 3 1/2 years. Last month his band won the L. A. Hard Rock Cafe Ambassador’s of Rock battle of the bands competition. They have now played at the Sunset Blvd House of Blues and The Viper Room. Next they competed against 20 other Hard Rock Cafe winners from around the country and they are now in the finals with 4 other bands. The winner of this competition will be sent to London later this month to play in a music festival that features Bruce Springsteen, Dave Matthews, Eric Clapton and others.

The final winner will be decided based upon internet voting. As of right now Beatnik Jr. is in 2nd place.

Please, please, please, click on the link above and vote for Beatnik Jr. and if you really want to help. It only takes a few seconds. If they become famous you can say that you helped them get there!

FYI - if you view the video, Andy is the drummer.

Rock on!
Suzi

http://www.VoteBeatnikJr.com

Posted on June 1, 2009 by JF

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Apropos Props To The Americans

from the Los Angeles Times

American art gets a higher profile in U.S. museums

The Huntington Library's early 20th century gallery features works of the Arts and Crafts movement.

TIM STREET-PORTER, THE HUNTINGTON LIBRARY

The Huntington Library’s early 20th century gallery features works of the Arts and Crafts movement.

The Huntington, the Met and museums in Boston, Kansas City and Detroit are showcasing stateside talent with revamped exhibit spaces.

By Suzanne Muchnic
May 30, 2009

Long the stepchild of a Eurocentric art world, American art is finding new favor at home as a growing number of institutions showcase work from Colonial times to World War II.

Today, the Huntington in San Marino will join the Metropolitan Museum of Art and museums around the country when it unveils a renovated and expanded gallery devoted to American art.

[ click to continue reading at the LA Times ]

Posted on May 30, 2009 by Editor

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Support Book Soup The Best Book Shop in LA

visit BookSoup.com and buy some stuff

Posted on May 24, 2009 by Editor

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Gehry on L.A

from the LA Times

Gehry on L.A., art (and Gehry)

Guggenheim Bilbao

Guggenheim Museum Bilbao,1997. Photo by ©David Heald, The Solomon R. Guggenheim Foundation, New York

NOT THE MET: Gehry calls his Guggenheim Bilbao “an antidote to the Metropolitan Museum syndrome.”

The book ‘Conversations With Frank Gehry’ serves as a blueprint for his mind-set, philosophies and the making of many of his major works.

April 18, 2009

In “Conversations With Frank Gehry,” Los Angeles writer Barbara Isenberg talks with the Pritzker Prize-winning architect, who’s behind such iconic buildings as Walt Disney Concert Hall and Guggenheim Bilbao. They cover his life, pivotal career moments, including the competition for Bilbao, and influences. Following are exclusive excerpts from the book, published by Alfred A. Knopf, which goes on sale Tuesday.

Is there a Los Angeles style of architecture?

Los Angeles has an incredible light and a forgiving climate. You don’t have to use double glazing, and you don’t have to think about snow loads and snow conditions. The further south you go, the more open you can get. But the generation after me is working all over the world, like I am, so we’ve had to adapt to other climates. I had to adapt to a northern climate in Bilbao.

Do you take a Los Angeles sensibility with you?

It’s not so contrived. You just go for the bigger picture, I think. At least I do.

[ click to continue reading at LATimes.com ]

Posted on April 19, 2009 by Editor

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Insatiable Gone

from NBC

Adult Star Marilyn Chambers Found Dead

Updated 12:43 PM PDT, Mon, Apr 13, 2009

Related Topics: Marilyn Chambers | Pornography

Famed adult film star Marilyn Chambers was found dead in her home in the Canyon Country area, authorities said Monday, and an autopsy was pending to determine how she died.

The 56-year old broke into the porn industry by appearing in the 1972 film “Behind the Green Door,” the first widely released pornographic film in the United States.

Her appearance in the film cost the then-aspiring model and actress her job as Procter & Gamble’s Ivory Snow detergent girl, appearing on the soapbox with a baby and the caption “99 & 44/100% pure.”

The Providence, R.I., native had a bit part in the 1970 Barbra Streisand film “The Owl and the Pussycat,” but after establishing herself as a pornographic film star, she was never able to break into mainstream films.

Copyright City News Service

[ click to read full article at NBCLosAngeles.com ]

Posted on April 13, 2009 by Editor

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“Señora, you’ve earned a spot in heaven.”

from the Los Angeles Times

HECTOR TOBAR:

Outpost of literature feeds the body and the mind

Bookstore and restaurant

 

Stefano Paltera, For The Times

Sandra Romero of Mama’s Hot Tamales offered space to Librería Hispanoamérica in hopes that they can help one another survive the economic downturn.

Hector Tobar, March 24, 2009

Somewhere up in poet heaven, Roque Dalton is a happy man.

Just across the street from MacArthur Park, the town square of Central American immigrants in Los Angeles, a tiny storefront has an entire shelf dedicated to the works of the Salvadoran writer, who died in 1975.

Dalton’s poems celebrate the tenacity of Salvadorans and their diaspora across the Americas. If his books had eyes, they could look through the store’s glass window and see his countrymen hawking snow cones and tacos outside.

The Chilean poet Pablo Neruda lives inside the Librería Hispanoamérica too. His “Twenty Love Poems and a Song of Despair” is a popular item there, as is the work of another Nobel laureate, the Guatemalan novelist Miguel Angel Asturias.

Spotting great literature in the shadow of the park’s aging palm trees, in a corner of the city once infamous for the sale of crack cocaine and sex, felt at first like stumbling upon a mirage.

One of the local alcoholics thought so too. First, he wandered over from the park’s lawns and skeptically inspected the freshly swept sidewalks in front of the bookstore. Then, persuaded they were real, he stepped inside.

“Señora, you’ve earned a spot in heaven,” he told owner Aura Quezada. “Because in this place where everyone opens liquor stores, you have opened a bookstore.”

[ click to continue reading at the LA Times ]

Posted on March 25, 2009 by Editor

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The Art Of The Wait

from the LA Times

Waiting tables is an art: 4 veteran L.A. servers who know

Seasoned pros take a craftsmanlike approach to their jobs at landmark L.A. restaurants.

By Betty Hallock5:01 PM PDT, March 17, 2009

Good waiters — no, they haven’t disappeared, no matter how it might seem to anyone who has felt like just another check average.

maitre.pngMeet old school: Vladimir Bezak, Manny Felix, Sergio Guerra and Pablo Zelaya. Among them, they have provided more than 100 years of service to countless diners across Los Angeles, their days measured in ice-cold dry martinis and perfectly cooked medium-rare steaks. Wars (including those against calories and carbohydrates) have been waged, presidents (and chefs) have come and gone, and meanwhile, they’ve looked after their customers down to the last detail, special requests indulged, cups of coffee refilled.”

Good service is a craft,” Guerra says. “This is my profession, it’s my living.”

They are, in Los Angeles, a rare breed — career waiters, veteran career waiters. While at many restaurants it can be hard to get your server’s attention when you don’t have a spoon for your soup or you may have to suffer the yadda-yadda-yadda of introductions and upselling and instructions, these are consummate waiters who, always gracious, know exactly how to make you feel taken care of, without being oppressed. 

[ click to continue reading at the LA Times ]

Posted on March 22, 2009 by Editor

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Negrohead Mountain Renamed

from The LA Times

A heightened profile for one of L.A.’s black pioneers

Naming Ballard Mountain

Mel Melcon / Los Angeles Times

L.A. County officials are recommending that Negrohead Mountain be named Ballard Mountain, in honor of John Ballard, a pioneering black settler in Agoura.

 

Early settlers in the Agoura area named Negrohead Mountain after John Ballard, a former slave who moved there in the 1880s. Now L.A. County wants to put Ballard’s actual name on the 2,031-foot peak.

By Bob Pool
February 24, 2009

Negrohead Mountain is an unlikely memorial to a former slave who made a name for himself at the western end of Los Angeles County. More than 120 years ago, pioneers in the Santa Monica Mountains named the peak for John Ballard, the first black man to settle in the hills above Malibu.

Ballard was a former Kentucky slave who had won his freedom and come to Los Angeles in 1859. In the sleepy, emerging city, he had a successful delivery service and quickly became a landowner. Soon he was active in civic affairs: He was a founder of the city’s first African Methodist Episcopal Church.

The arrival of the railroad triggered a land boom in Los Angeles in the 1880s, boosting property values and bringing the city its first sense of class structure and the beginnings of segregation.

Ballard packed up his family and moved about 50 miles west to the snug valley in the middle of the Santa Monica range. He settled first on 160 acres — space that eventually doubled in size when one of his seven children, daughter Alice, claimed an adjoining plot.

Besides raising livestock and a few crops, Ballard collected firewood in the nearby mountains and sold it in Los Angeles.

He also worked at blacksmithing and other chores on the Russell Ranch, a sprawling cattle spread at what is now Westlake Village. He would travel by mule or buggy several miles through Triunfo Canyon to get there.

J.H. Russell, who had grown up on his family’s ranch and as a boy rode his horse to Ballard’s rickety cabin to mooch biscuits smothered with wild grapes preserved in honey by Ballard’s wife, remembered the scene well in his 1963 book, “Heads and Tails . . . and Odds and Ends.”

“The Ballard house was something to behold. It was built of willow poles, rocks, mud and Babcock Buggy signs (”Best on Earth”), Maier & Zobelein Lager Beer signs and any other kind of sign the old man picked up. Hardly a Sunday passed where there were not several buggies, spring wagons and loads of people going down the canyon to see the place,” he wrote.

Ballard was powerfully built — he could hoist 100-pound bags of barley with one hand — and traveled in a wagon pulled by five mules and “sometimes a cow or horse hitched up with the five,” Russell recounted.

[ click to continue reading at LATimes.com ]

Posted on February 28, 2009 by Editor

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Art Collection On Uptick

from the LA Times

Red ButtonsThe Huntington Library, Art Collections and Botanical Gardens

ACQUISITION: U.S. artist Reginald Marsh’s “ Red Buttons” (1936) is among works picked up by the Huntington.

ART

 

L.A. museums’ collections grow despite poor economy

Philanthropists’ generosity and the hard work of museum staffs and support groups turn 2008 into a surprisingly good year for acquisitions.

By Suzanne Muchnic February 11, 2009

 

As Los Angeles art museums face the future in a down economy, building their collections may not be the highest priority, but it’s a big worry.

 

Will art acquisition funds dwindle to nothing? Will once-dependable patrons stop writing checks when curators pass the hat for art purchases? Will potential art gifts go to market? Will more museums pool resources to make joint purchases, as the Los Angeles County Museum of Art and the Fowler Museum at UCLA recently did to buy a huge tapestry-like construction made by African artist El Anatsui using metal castoffs?

 

No one knows, and not only because it’s impossible to predict the length and force of the ongoing financial storm. Cash donations for acquisitions can be expected to plummet, but gifts of art are less predictable. In good times and bad, artworks come to museums in various ways — from friends and complete strangers.

 

[ click to continue reading at the LA Times ]

Posted on February 16, 2009 by Editor

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Murder Lives In Los Feliz

from the LA Times

On a Los Feliz hill, murder — then mystery

Los Feliz mansion

Genaro Molina / Los Angeles Times

The hilltop Los Feliz mansion where Dr. Harold Perelson killed his wife and then himself in 1959. It has sat vacant ever since.

 

Inside a mansion, it’s as if time stopped in 1959 when a doctor killed his wife and then himself. Gifts still sit, unopened. Why?

By Bob Pool, February 6, 2009

It’s a murder mystery that has puzzled a Los Feliz neighborhood since 1959. The criminal-case part was solved quickly enough. Homicide investigators found that Dr. Harold Perelson bludgeoned his wife to death with a ball-peen hammer, savagely beat their 18-year-old daughter and then fatally poisoned himself by gulping a glass of acid.

Authorities removed two other children from the sprawling hillside estate that overlooks downtown Los Angeles, locked the front door to the 5,050-square-foot mansion, and left.

Fifty years later, the Glendower Place home remains empty. On the outside, the mansion itself appears to be slowly decaying.

The estate’s terraced grounds are pockmarked by gopher holes and overgrown with grass that sprouted after recent rains — growth that neighbors know will turn brown when summer returns. A pond is partly filled with rainwater. Weeds poke through cracks in a curving asphalt driveway. Through grimy, cracked windows, one can see dust-covered furniture, including a 1950s-style television set, seemingly frozen in time. What appear to be gaily wrapped Christmas gifts sit on a table.

[ click to continue reading at LATimes.com ]

Posted on February 7, 2009 by Editor

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Jonesy’s Jukebox Gone

from the LA Times

POP MUSIC

‘Jonesy’s Jukebox’ runs out of nickels

The demise of Indie 103.1 leaves Sex Pistol Steve Jones, host of the unorthodox but beloved show, without a day job.

By Geoff Boucher, February 4, 2009

jonesy.jpgIt’s come to this — a Sex Pistol drives a Prius. On a recent crisp afternoon, Steve Jones, the guitar architect of London punk in its primacy, zipped down Hollywood Boulevard in his shiny white hybrid Toyota, which is customized with a rooftop image of her majesty Queen Elizabeth, a safety pin jutting from her lip. And you thought punk rock was dead.

Even with the distraction of nubile young tourists strolling up the Walk of Fame, Jones was in a melancholy mood. You see, like so many people in America these days, the 53-year-old rock star turned radio DJ is looking for a job.

“It’s weird not to have somewhere to go,” Jones said. “And wherever I do go next won’t be the same, I know that.”

Jones joined the ranks of the unemployed on Jan. 17, when Indie 103.1, the scruffy but revered L.A. rock station, became a victim of a vicious downturn in advertising revenue. For five years, the Sex Pistol had been the gloriously unpolished voice of “Jonesy’s Jukebox,” an eccentric and unpredictable two-hour lunchtime show on which he played any obscure record he wanted, chatted up famous guests or just, well, whistled.

[ click to continue reading at LATimes.com ]

Posted on February 5, 2009 by Editor

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The Informers

from The New York Times

Injecting a Taste of the Flush and Flashy ’80s Into Sundance

Van Redin/Senator Entertainment

Mickey Rourke in “The Informers,” a film showing at Sundance that was adapted from a book of Bret Easton Ellis stories.

By MICHAEL CIEPLY

LOS ANGELES — From a glass-walled penthouse above the Sunset Strip it is impossible not to observe that times have changed.

Just down the street, the original Spago restaurant, that emblem of the flush 1980s, is an empty shell. And here in the penthouse offices of Senator Entertainment, Bret Easton Ellis, another symbol of those super-slick times, is sprawled in a soft chair, wearing decidedly unslick running shoes and sweats.

Mr. Ellis, now 44, was 21 when he chronicled this city’s high life in “Less Than Zero” (1985), his debut novel.

Asked last week whether he missed any of it — the heat, the flash, the coke-blurred frenzy of Los Angeles past — he shuddered. “Oh, no,” he said, and appeared to mean it. “I don’t miss it at all.”

Still, Mr. Ellis and Senator are bringing a bit of that lost world to the Sundance Film Festival next week.

On Jan. 22 they are planning a premiere screening of “The Informers,” directed by Gregor Jordan and based on Mr. Ellis’s collection of stories of the same title. Written during his college years, the stories describe the beautiful wreckage of lives in and around the expensive part of Los Angeles, about 1983.

The film has sex. “I think Amber Heard wears a dress once in the entire movie,” Mark Urman, Senator’s president of distribution, said. He was speaking of a young actress, last seen in “Pineapple Express,” who spends much of “The Informers” undressed, and in bed.

The movie — “a guilty pleasure,” Mr. Urman calls it — also has drugs, alienation and enough glam-rock to set it apart from other work at this year’s festival, which begins on Thursday in Park City, Utah, and runs through Jan. 25.

[ click to continue reading at NYTimes.com ]

Posted on January 15, 2009 by Editor

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Hey, Mickey, you’re so fine…

Mickey Rourke wins Best Actor Golden Globe. Fantastic.

mickeyrourke.jpg

Posted on January 11, 2009 by Editor

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Father Of The Brat Pack Gone

from the LA Times

Ned Tanen, Movie Executive With a Taste for Youth Films, Dies at 77

By WILLIAM GRIMES

Ned Tanen, a studio executive who seemed to have a Midas touch in bringing youth-oriented films like “American Graffiti” and “Animal House” to the screen, died at his home in Santa Monica, Calif., on Monday. He was 77.

tanen.png
[Mr. Tanen] compiled an enviable record of box-office hits and critical successes, based in no small part on his talent for identifying films that would appeal to young ticket-buyers, including “E.T.: The Extraterrestrial.” After his studio career, he independently produced films by John Hughes, including “Sixteen Candles” and “The Breakfast Club.”

In 1980 he helped Universal set a Hollywood record of $290 million for a single studio’s box-office receipts with films like “Coal Miner’s Daughter,” “The Blues Brothers” and “Smokey and the Bandit II,” then broke it two years later. At Paramount, films like “Pretty in Pink,” “Top Gun” and “Crocodile Dundee,”all released in 1986, earned $600 million, giving Paramount more than double the gross revenues of its nearest competitor. The studio finished first the next year as well.

In the early 1970s, after working as a production supervisor on Milos Forman’s film “Taking Off,” he went into film production full time, helping to develop projects like “American Graffiti,” “The Deer Hunter,” “Smokey and the Bandit” and “Jaws” for Universal, MCA’s film subsidiary.

In 1976 he became president of Universal’s film-producing division, and two years later he was named president of Universal Pictures, its distribution arm. In December 1982, riding a wave of hits, as well as critical successes like “Melvin and Howard” and “Missing,” he resigned from Universal, saying he was exhausted and, he told The Wall Street Journal, tired of playing “the Hollywood game.”

[ click to continue reading at LATimes.com ]

Posted on January 11, 2009 by Editor

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Robert Graham Gone

from the LA Times

Robert Graham, L.A.’s masterful sculptor

Graham, who died last Saturday, was the city’s premier public artist and a sculptor whose works reflected the subtle spirit of Los Angeles itself.

Tim Rutten
January 3, 2009

 

Though every artist’s death diminishes us, Robert Graham’s loss impoverishes Los Angeles in a deep and particular way.

Graham, who died last Saturday at the age of 70 after a serious illness, was not simply the city’s premier public artist, he was a sculptor whose works reflected the subtle spirit of Los Angeles itself. Washington may have his magnificent contributions to the Roosevelt Memorial, New York his towering tribute to Duke Ellington, Detroit his starkly powerful Joe Louis fist and Kansas City its massive bust of Charlie Parker — but Graham and his art belong in an intimate and specific way to Los Angeles.

Here, generations will contemplate his monumental bronze doors and exquisite Madonna at the Cathedral of Our Lady of the Angels, his “Olympic Gateway” outside the Los Angeles Memorial Coliseum, his “dancers” at Wells Fargo Plaza, the “Source Figure” and fountain atop the downtown library steps and his heroic torsos in Venice and Beverly Hills.

Graham’s work is of this city in a way only those who are themselves fully at home here can read. If you’re attuned to the moods of this place, you know that there are four seasons for those who can see them: You know the wildflowers that follow the winter rains and signal the spring that comes early and passes quickly into summer. You understand how autumn piles the sycamore leaves in dusty briers and burnishes the afternoon light into butterscotch tones.

[ click to continue reading this excellent piece by Tim Rutten ]

Posted on January 5, 2009 by Editor

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RuPaul Redux

from World of Wonder

rupaul.jpg 

 [ click to visit WorldOfWonder.net ]

Posted on December 24, 2008 by Editor

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Opie At The Gug

from the Los Angeles Times

opie.jpg 

 [ click to continue reading in the LA Times ]

Posted on December 14, 2008 by Editor

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Legendary L.A. Eatery and Its Shrine To Rock God Urine

from the LA Times Pop & Hiss music blog

Barney’s Beanery: Jim Morrison peed here (on the bar)

02:05 PM PT, Nov 27 2008

Jimmorrison_2You have to be really, really famous — no, legendary — to make a restaurant want to put up a memorial plaque marking the exact spot on its bar where you peed in the 1960s. You’d have to be the kind of guy who Val Kilmer played in a movie, the kind of guy who needs guards stationed to this very day – at your grave – to protect it from being completely covered in joints, urine and whiskey. The kind of guy whose filthy leather pants (that you never took off and probably wore without underwear) are enshrined at the Hard Rock Cafe.

In short, you’d have to be Jim Morrison, and the place that wants to make a shrine to something arguably really uncool that you did (like peeing on its bar) would have to be West Hollywood’s equally legendary (well, sort of) Barney’s Beanery.

Consider Barney’s the ultimate L.A. roadhouse (with a menu of greasy offerings so lengthy that it shames “War and Peace”) and consider this forthcoming plaque a birthday present to Morrison, who would have turned 65 on Dec. 8.

To mark the event Barney’s is throwing a birthday bash for the Lizard King.

[ click to read at Pop & Hiss ]

Posted on December 3, 2008 by Editor

Filed under Los Angeles | | 1 Comment »

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