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Chainsmokers 3BLACKDOT Emo

from Variety

Chainsmokers Get Behind Scripted Film Set in Emo Music Scene, ‘Every Nite Is Emo Nite’ (EXCLUSIVE)

By Chris Willman

Emo Night feature film

The EDM-pop duo the Chainsmokers is among the backers of a scripted feature film, “Every Nite Is Emo Nite,” that is in development with the goal of placing fictional characters amid the real-life setting of the Emo Nite events that have gained in popularity after beginning on L.A.’s club circuit.

Participating in the development of a screenplay by Brandon Zuck are the Chainsmokers’ production company, Kick the Habit Productions; 3BLACKDOT, which recently announced a three-picture deal for horror films with Eli Roth and rapper Curtis “50 Cent” Jackson; Five All in the Fifth; and Emo Nite’s co-founders.

Although emo is not the Chainsmokers’ signature genre, the members of the duo, Drew Taggart and Alex Pall, said in a joint statement to Variety that “emo music has greatly influenced our lives, taste and the music we make. The community around the music is one of a kind, and we’re excited to showcase Brandon’s amazing story for the world to see.” 

Taggart and Pall’s producer partners in Kick the Habit are Dan Marcus and Adam Alpert. The producers for 3BD are James Frey, Reginald Cash and Mitchell Smith. The Five All in the Fifth producers on the project are Douglas Banker and Alex Garinger.

[ click to read entire article at Variety ]

Posted on June 11, 2021 by Editor

Filed under Bright Shiny News, Culture Music Art, Projects | | No Comments »

Hell, I’m not a punk.

from Inside Hook

Richard Hell on New York City and Revisiting “Destiny Street” (Twice)

The legendary musician reflects on his final album

BY CHRIS COTONOU

Richard Hell reflects on "Destiny Street."
Richard Hell reflects on “Destiny Street.” Roberta Bayley

Richard Hell doesn’t like being called a punk. It’s surprising, considering he’s remembered as a punk innovator. He’s a man who defined New York’s 1970s CBGB era, influenced the Sex Pistols and was a member of some of the greatest punk bands of all time: Television, The Heartbreakers and The Voidoids — before walking away from it all. But he’s sure: “I’m not a punk.”

Speaking to InsideHook from his home, Hell is an introspective person. He has already lived three or four different lives outside of music, having arrived in New York as a poet, then a publisher, an author, an actor and a film critic. He has even directed a short film. But it’s the records where he solidified his status as an icon: that skinny, bare-chested frame on the cover of Blank Generation, the hazy, mischievous glare — tired after weeks, maybe months, of shenanigans. And his singing, which was more playful and debonair than his growling punk contemporaries, set him apart. 

[ click to continue reading at Inside Hook ]

Posted on June 10, 2021 by Editor

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Koons Dada Beeple

from NEWSWEEK

Don’t Dismiss Digital Art

by MAX RASKIN, ADJUNCT PROFESSOR OF LAW, NEW YORK UNIVERSITY

A woman looks at a NFT
A woman looks at a NFT by Ryoji Ikeda titled “A Single Number That Has 10,000,086 Digits” during a media preview on June 4, 2021, at Sotheby’s for the Natively Digital: A Curated NFT Sale Online Auction to take place June 10, 2021. TIMOTHY A. CLARY/AFP VIA GETTY IMAGES

Art is now digital, and a debate is raging: Are non-fungible tokens (NFTs) worth the exorbitant prices they are selling for? The simple answer is yes. If someone voluntarily pays a huge amount for something, he values it more than the money he hands over. Others may disagree with his choice, but that’s what makes a free society.

How else could you explain an “invisible” sculpture that recently sold for over $18,000? Price is guided by scarcity and subjective valuation—not by the cost of raw materials and labor or objective truth. Sculpturist Jeff Koons broke a record several years ago selling a rabbit statue made of stainless steel for $91 million. If you broke down his creation into scrap, it’d be worth a few feet of train track. Yet this was heralded as a wise investment in the art world.

With money machines around the world humming, it is not surprising that pieces of digital art have been selling at record prices. More money is chasing fewer goods, which causes prices to rise. A virtual collage from the artist known as Beeple recently sold at Christie’s for $69 million.

[ click to continue reading at NEWSWEEK ]

Posted on June 9, 2021 by Editor

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The Future of The Car is The Skateboard

from The Wall Street Journal

The Future of Classic Porsches and Jaguars? Electrification

Owners of vintage sports cars and hot rods are giving them a second life by installing recycled Tesla powertrains. Dan Neil gets the lowdown on EV conversions.

By Dan Neil

ZOOM SCHOOL San Diego-based Zelectric’s Tesla-powered 1968 Porsche 912. Its 500-hp drive unit is installed between the rear wheels. The upper part of the former engine bay has been transformed into trunk space. Steering and brakes are unassisted. PHOTO: ZELECTRIC

“She called me on Monday to tell me how much she loved it,” Mr. Davis said, “and in the next breath how she could not wait for me to get it out of her garage. It reeked of gasoline and was dripping oil on the floor. It’s hard to start. It’s got two chokes, an old four-speed transmission. So what happens? Her passion, her dream of the car fades away.”

“When she gets it back,” Mr. Davis said, “she can just press the pedal and go.”

Gasoline-to-EV conversions are not new. I met a JPL scientist in Pasadena, Calif., who had done the same to his MG British sports car in 1965, using lead-acid batteries. Facebook and the website EValbum.com document decades of such projects, from mild to wild, mowers to dragsters, by over-functioning DIY Quixotes.

[ click to continue reading at WSJ ]

Posted on June 8, 2021 by Editor

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Willie

from The Wall Street Journal

Why Willie Nelson Is America’s Favorite Outlaw

At 88, Willie Nelson is still singing, writing, championing the causes he believes in—and staying true to his renegade Texas roots

By Alan Light

PHOTO: MARK SELIGER

Being stuck at home has been brutal for many of us, but it’s different for Willie Nelson. He’s spent most of his life on a tour bus, logging over 100 shows a year for decades; his signature song is “On the Road Again.” The guy wasn’t trained to be an indoor cat.

His response to quarantine has been a schedule and productivity that would be daunting for someone half his age. In the past year, Nelson has released two albums—First Rose of Spring and, more recently, That’s Life, songs from Frank Sinatra’s catalog; written his 10th book, Willie Nelson’s Letters to America; organized and performed at multiple livestream benefits (including the 35th annual concert for Farm Aid, an organization he helped found); delivered a keynote address at the (virtual) South by Southwest festival; recorded a version of “I’ll Be Seeing You” as a PSA for Covid vaccination; launched a new cannabis convention; and turned up on additional duets and recordings. It’s not the same as being on the bus, but it’s not a bad showing for a guy who turned 88 in April.

[ click to continue reading at WSJ ]

Posted on June 4, 2021 by Editor

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Even Cooler Than NFT

from HypeBeast

Italian Artist Salvatore Garau Has Just Sold an Invisible Sculpture for $18,000 USD

Made from “air and spirit.”

By Ambrose Leung

Italian artist Salvatore Garau has just sold an invisible sculpture for $18,000 USD. The Io Sono (I am) sculpture, as the artist explains, exists but just not in material form, and is actually more like a “vacuum.”

The 67-year-old went on to elaborate that, “the vacuum is nothing more than a space full of energy, and even if we empty it and there is nothing left, according to the Heisenberg uncertainty principle, that ‘nothing’ has a weight. Therefore, it has energy that is condensed and transformed into particles, that is, into us.” Much like how we “shape a god we’ve never seen.”

The “sculpture” is intended to be displayed in a 5×5-foot square and must be displayed in a private space free from obstructions where lighting and climate control are not required. Reiterating that even if you can’t see it, it does exist, Garau included a certificate of authentication to the purchaser.

[ click to continue reading at HYPEBEAST ]

Posted on June 3, 2021 by Editor

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Super-prodigy

from Fox 5 NY

Piano prodigy practices for Carnegie Hall performance

By Stacey Delikat

GREENWICH, Conn. – Her fingers may be small, her tiny feet far from the pedals, but Brigitte Xie has some massive talent.

Xie is just 3 years old but in six months she has progressed more on the piano than some people do over the course of years.

“She is really exceptional,” said Felicia Feng Zhang, her teacher. “She listens so well. When I demonstrate, she really watches what I did and imitates well.”

Last summer as the pandemic wore on, Xie’s parents, Nicole Sun and Tao Xie of Ridgefield, Connecticut, were looking for something to keep their toddler busy. They connected with Zhang, an award-winning piano teacher. After a few online lessons, Xie’s parents brought her to Zhang’s Greenwich studio for in-person lessons.

[ click to continue reading at Fox 5 NY ]

Posted on June 1, 2021 by Editor

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Steve Forte Shows His Hand

from The LA Times via MSN

The world’s greatest cardsharp reveals all

by Kevin Pang

Fremont Street, once the world capital of swank, used to be Steve Forte’s turf.

But on a spring day, he was just another face in a crowd, snaking through two relics of downtown Las Vegas, Binion’s and the Four Queens casino. No one bothered the man many consider the greatest card handler who ever lived.

Within the world of casino experts and magicians, Forte handles a deck of playing cards the way Roger Federer wields a tennis racket. Not just among the best, but the best, full stop. In his hands, cards appear to shuffle but remain in perfect order. Cards apparently dealt from the top of the deck are taken invisibly from the bottom.

After years of being a reclusive figure, the 65-year-old Forte has published “Gambling Sleight of Hand,” his life’s work of underground card moves in a two-volume book of nearly 1,100 pages. Among sleight-of-hand aficionados, the book was a once-in-a-lifetime sensation: Even at $300, the first printing of 1,000 sold out in one week.

On this day, Forte agreed to visit places he doesn’t have much use for now. But soon enough, he showed his skill, making jaw-dropping observations about the games unfolding around him.

[ click to continue reading at MSN ]

Posted on May 31, 2021 by Editor

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Thermometer Fun

from TIME

Melting Butter, Poisonous Mushrooms and the Strange History of the Invention of the Thermometer

BY PHIL JAEKL

Placement of a thermometer on an outside wall. Figure 1 from 'Traittez de barometres, thermometres, et notiometres, ou hygrometres' by Joachim d'Alence, Published in 1688.
Placement of a thermometer on an outside wall. Figure 1 from ‘Traittez de barometres, thermometres, et notiometres, ou hygrometres’ by Joachim d’Alence, Published in 1688. Photo12/Universal Images Group/Getty Imahes

In the early 17th century, during the the Scientific Revolution, when the frontiers of discovery were marked by new ways to quantify natural phenomena, Galileo Galilei was forging new, innovative and empirically based methods in astronomy, physics and engineering. He also got humanity started toward a lesser known but crucial advance: the ability to measure heat.

During this era, a flurry of measuring devices and units of measurement were invented, eventually forging the standard units we have in place today. Galileo is credited with the invention of the thermoscope, a device for gauging heat. But it’s not the same as a thermometer. It couldn’t measure—meter—temperature because it had no scale.

Around 1612, with a name so nice he used it twice, Venetian scholar Santorio Santorio made crucial conceptual advances to the thermoscope. He’s been credited with adding a scale—an advancement about as fundamental as the invention of the device itself. The early thermoscopes basically consisted of a vertically oriented glass tube with a bulb at the top and a base suspended in a pool of liquid such as water, which ran up a length of the column. As the temperature of the air in the bulb increased, its expansion changed the height of the liquid in the column. Santorio’s writings indicate that he set the maximum by heating the thermoscope’s bulb with a candle flame, and he set the minimum by contacting it with melting snow.

[ click to continue reading at TIME ]

Posted on May 30, 2021 by Editor

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Mo Spin

from WIRED

One Man’s Amazing Journey to the Center of the Bowling Ball

Mo Pinel spent a career reshaping the ball’s inner core to harness the power of physics. He revolutionized the sport—and spared no critics along the way.

by BRENDAN I. KOERNER

diptych with half of a bowling ball with its core visible on the left side and a closeup of a bowling Tshirt that says MO.
PHOTOGRAPH: ELIZABETH RENSTROM

THE SWEET CLANG of scattering pins echoed through Western Bowl, a cavernous 68-lane bowling alley on the edge of Cincinnati. It was day one of the 1993 Super Hoinke, a Thanksgiving weekend tournament that drew hundreds of the nation’s top amateurs—teachers, accountants, and truck drivers who excelled at the art of scoring strikes. They came to the Super Hoinke (“HOING-key”) to vie for a $100,000 grand prize and bowling-world fame.

Between games, many bowlers drifted to the alley’s pro shop to soak in the wisdom of Maurice “Mo” Pinel, a star ball designer for the sporting-goods giant AMF. Pinel had come to Cincinnati to promote his latest creation, the Sumo. The bowling ball had launched the year before, backed by a TV commercial featuring a ginormous Japanese wrestler bellyflopping down a lane, with the tagline “Flat out, more power than you’ve ever seen in a bowling center.” The ball had quickly become a sensation, hailed for the way it naturally darted sideways across the lane—a quality known as flare. To congratulate Pinel on the sale of the 100,000th Sumo, AMF had given him a chunky medallion embossed with writing in kanji, a bauble that dangled from his neck as he held court at the Super Hoinke.

The paunchy, shaggy-haired Pinel spent hours regaling the pro-shop crowd with his opinions on the Sumo and all things ball-related. His blunt commentary, delivered in the thick Brooklynese of his youth, ranged from the correct technique for drilling finger holes to his rival designers’ failure to appreciate Newton’s second law. The audience lapped up his acerbic takes on how to improve the sport’s most essential piece of equipment.

Fifteen-year-old Ronald Hickland Jr. was among the enthralled. A gifted math and science student who was falling in love with bowling, Hickland was captivated by Pinel’s zest for breaking down the technical minutiae of why balls roll the way they do. He was equally impressed by the flashiness of Pinel’s jewelry: In addition to the gaudy kanji necklace, Pinel sported a top-of-the-line Movado wristwatch—a luxury he was able to afford thanks to the $3-per-ball royalty he was getting from AMF.

[ click to continue reading at WIRED ]

Posted on May 29, 2021 by Editor

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Tasmanian Devils Return

from DNYUZ

In Australia, Births of Tasmanian Devils Are a Milestone After 3,000 Years

MELBOURNE, Australia — Pink, hairless, deaf and blind, the roughly month-old joeys were but the size of a shelled peanut.

Yet they were a momentous discovery for the conservationists who had set off across a dense eucalyptus forest in the dawn mist in hopes of finding them. About 3,000 years after Tasmanian devils were wiped out on the Australian mainland, seven babies were born earlier this month on the continent in their natural terrain.

“It was very moving,” said Tim Faulkner, the president of Aussie Ark, the conservation group that has been leading attempts to re-establish populations of the devils, long after they were eliminated on the mainland, most likely by wild Australian dogs, known as dingoes.

[ click to continue reading at dnyuz ]

Posted on May 27, 2021 by Editor

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No More Love

from The Spectator

The sexual counterrevolution is coming

America’s young elite is turning against free love

by Mary Harrington

sexual

Charlotte is a 23-year-old Harvard graduate. Beautiful and willowy, she grew up in — her words — ‘a super-liberal environment’. You might expect to find her Instagram full of sexy, pouting pictures. But Charlotte has deleted all the bikini photos from her online life. And six months ago, she embraced ‘modest dress’: nothing that exposes her collarbones or shoulders and nothing that reveals her legs above the knee.

Narayan is seven years older than Charlotte. He is what matchmaking 18th-century matrons might have described as ‘very eligible’: a clean-living, highly educated and charismatic single guy with a well-paid job in tech. He’s the embodiment of Jane Austen’s famous observation that ‘a single man in possession of a good fortune, must be in want of a wife’. And contra all the modern laments about single men preferring to play the field, Narayan actually wants to get married.

Narayan and his close male friends are all around the same age. They’re all elite guys working in tech and finance — and all either dating to marry, or already married. In what amounts to an informal 21st-century marriage brokerage, they and the wives of already-married members of their friend group collude to track down potential partners. But they’re picky — and Narayan is blunt about the criteria. It’s not just about being educated, ambitious or pretty. ‘Guys who say they don’t care about their wife’s sexual history are straight-up lying,’ he tells me. All the men in his group, he says, would strongly prefer their future wives to be virgins on marriage. Some categorically rule out women who aren’t: ‘No hymen, no diamond’.

[ click to continue reading at The Spectator ]

Posted on May 25, 2021 by Editor

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Musk v. Bezos

from WaPo via San Francisco Chronicle

The rivalry between Elon Musk and Jeff Bezos already was intense. Now it’s extending to the moon.

by Christian Davenport

SpaceX CEO Elon Musk.
Washington Post photo by Jonathan Newton

WASHINGTON – In a flyer distributed on Capitol Hill last week, Elon Musk’s SpaceX warned that legislation now being considered would reward “Jeff Bezos with a $10 billion sole-source hand-out” that would tie up NASA’s moon plans and hand “space leadership to China.”

Bezos’ Blue Origin space company countered quickly and forcefully: “Lie.” “Lie.” “Lie,” it said of each of the allegations in SpaceX’s paper. And added: “What is Elon Musk afraid of … a little competition?” (Bezos owns The Washington Post.)

The dueling documents are the latest point of tension in a long-simmering rivalry between the world’s two wealthiest men and billionaire “space barons” who have sparred on and off for years in their quest to privatize human space exploration. Musk and Bezos have fought over a launch pad at the Kennedy Space Center, battled over a patent over landing rockets and have argued over which of them actually pulled off that feat first.

Musk’s SpaceX and Bezos’ Amazon also are competing to put thousands of satellites in Earth orbit that could beam Internet signals to ground stations on Earth.

[ click to continue reading at chron.com ]

Posted on May 24, 2021 by Editor

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FutureSports

from WIRED

Gaming Influencers Are the Future of Esports

Top players have left pro leagues to pursue streaming full-time as the industry veers more toward content creators.

esport athlete head in hands in frustration
There’s a reason esports pros are called athletes: It’s a tough job, mentally and physically. Now, some top gamers are walking away.PHOTOGRAPH: RIOT GAMES/GETTY IMAGES

LUCAS “MENDO” HÅKANSSON was playing video games for work, but he was not having a good time. He’d sacrificed a lot to be a pro gamer, dropping out of high school to practice Overwatch for up to 18 hours a day. When the Houston Outlaws tapped him to play Overwatch professionally in 2017, he was thrilled. It seemed like his efforts had finally earned him his dream job. Then, reality struck.

There’s a reason why esports pros are called athletes. Håkansson’s schedule with the Outlaws was rigid. He woke up, warmed up, and then spent the rest of the day practicing Overwatch in a tiny, windowless room. “It was honestly a miserable experience being there,” he said. His contract limited when he could stream on Twitch; he says he had to keep the focus on the league, not himself. And always, there was the looming fear that if Activision Blizzard, Overwatch’s publisher, tweaked the game too much, he’d have to relearn his top characters—or be out of a job.

After a season in the Overwatch League, Håkansson quit esports to become a full-time content creator instead. He was quickly signed by another esports organization, Team Liquid—not just to compete, but to grow his celebrity as a gaming influencer. These days he plays another shooter, Riot Games’ Valorant, on Twitch, where he has 621,000 followers. Håkansson says he is happier and more stable now, and although the Overwatch League has increased its focus on player well-being, he predicts that more athletes will follow his path. (The league did not respond to our request for comment.) “I think that most people who can, will, if they haven’t already. And a lot of people already have.”

[ click to continue reading at WIRED ]

Posted on May 23, 2021 by Editor

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RW GTA

from AP

Street racing surges across US amid coronavirus pandemic

By ANDREW SELSKY

Jaye Sanford, a 52-year-old mother of two, was driving home in suburban Atlanta on Nov. 21 when a man in a Dodge Challenger muscle car who was allegedly street racing crashed into her head-on, killing her.

She is one of the many victims of a surge in street racing that has taken root across America during the coronavirus pandemic, prompting police crackdowns and bills aimed at harsher punishments.

Experts say TV shows and movies glorifying street racing had already fueled interest in recent years. Then shutdowns associated with the pandemic cleared normally clogged highways as commuters worked from home.

[ click to continue reading at AP ]

Posted on May 19, 2021 by Editor

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Picasso 103

from France 24

Picasso painting sells for $103 mn in New York: auction house

The painting 'Femme assise près d'une fenêtre (Marie-Thérèse)' is the fifth one by Pablo Picasso to sell for more than $100 million
The painting ‘Femme assise près d’une fenêtre (Marie-Thérèse)’ is the fifth one by Pablo Picasso to sell for more than $100 million DANIEL LEAL-OLIVAS AFP/File

Pablo Picasso’s “Woman sitting by a window (Marie-Therese)” sold Thursday for $103.4 million at Christie’s in New York, the auction house said.

The painting, completed in 1932, was sold for $90 million, which rose to $103.4 million when fees and commissions were added, after 19 minutes of bidding, Christie’s said.

The sale confirms the vitality of the art market despite the Covid-19 pandemic — but also the special status of Picasso, who was born in 1881 and died in 1973.

[ click to continue reading at France 24 ]

Posted on May 18, 2021 by Editor

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Einstein Gone Wild

from Study Finds

Newly discovered letter reveals Albert Einstein’s views on birds, bees, and physics

by John Anderer

Einstein letter
Letter by Albert Einstein, validated by The Hebrew University of Jerusalem, where Einstein bequeathed his notes, letters and records. Click to enlarge. (Photo: Dyer et al. 2021, J Comp Physiol A / The Hebrew University of Jerusalem.)

MELBOURNE, Australia — No single individual may be more synonymous with the term “genius” than Albert Einstein. Born in Germany, but forced to flee Europe during the Nazi occupation, Einstein ended up becoming one of the greatest physicists of all time. Now, a letter he wrote in 1949 has been discovered, revealing some of Einstein’s thoughts on various topics.

In the letter, Einstein discusses possible connections between physics, biology, and wildlife. In other words, can scientists make new breakthroughs by studying how animals such as birds and bees move and fly around? This letter may date back over 70 years, but modern physicists are still debating that question.

Moreover, recent discoveries pertaining to migratory birds actually appear to corroborate what Einstein wrote all those years ago. In short, Einstein was correct in theorizing that animals can provide us with some clues about how physics works.

[ click to continue reading at Study Finds ]

Posted on May 16, 2021 by Editor

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The Flynt File

from VICE

‘Fuck This Court’: We Obtained Larry Flynt’s FBI File and It’s Pretty Wild

The 322-page file contains a litany of events from John DeLorean’s cocaine bust to an alleged effort by Flynt to blow himself up in front of the Supreme Court.

By Irving Alpert

Screen Shot 2021-05-12 at 9.49.53 PM.png

When Hustler magazine publisher Larry Flynt died on Feb. 10 at the age of 78, it signaled the end of an era where a misogynistic smut peddler could be viewed as a kind of antihero.

It’s hard to laud someone who built his empire by unabashedly treating women like pieces of meat, but as a First Amendment warrior, Flynt won important legal victories while sticking his thumb in the eye of the powers that be.

Over the decades, Flynt took on America’s morality police or anyone he felt to be hypocritical on matters of sex, engaging in what the Washington Post once referred to as “Dirt Bag Journalism.” This involved offering millions to anyone who could prove an extramarital affair with a high-ranking government official, such as in 1998, when he took down then-House speaker designate and staunch Clinton impeachment backer Bob Livingston. In 2017, Flynt offered $10 million for information leading to Donald Trump’s impeachment and removal from office. 

Many know Flynt best from the Oscar-winning 1996 Milos Forman film “The People vs. Larry Flynt,” in which he was portrayed as a rakish rogue by Woody Harrelson. The movie went a long way toward softening Flynt’s image as a tawdry yet charismatic freedom fighter, while sanding off the more grotesque aspects of his personality.  

To the FBI, he was a person of interest.

[ click to continue reading at VICE ]

Posted on May 15, 2021 by Editor

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Cerne Abbas

from The New Yorker

The Mysterious Origins of the Cerne Abbas Giant

On a hillside ages ago, people inscribed a naked man with a twenty-six-foot-long erect penis. Why did they do it?

By Rebecca Mead

The sun was still low in the sky on the spring morning last year when Martin Papworth, an archeologist for the National Trust, arrived in the village of Cerne Abbas. Setting off along a wooded path at the foot of Giant Hill, he carried in each hand a bucket loaded with excavation tools. Cerne Abbas, in a picturesque valley in Dorset, about three hours southwest of London, is an ancient settlement. At one end of the village, beneath a meadow abutting a burial ground, lie the foundations of what was, a thousand years ago, a thriving abbey. Close by is a spring-fed well named for St. Augustine, a monk who was sent by Rome in the sixth century to convert Britain to Christianity, and who became the first Archbishop of Canterbury. According to legend, he caused the spring to stream forth by striking the ground with his staff. Atop Giant Hill lies an earthwork, possibly dating from the Iron Age: a rectangular enclosure, known as the Trendle, that may have been a temple or a burial mound. The object of Papworth’s interest was another mysterious man-made part of the landscape: the Cerne Giant, an enormous figure of a naked, armed man, carved into the chalk of the hillside.

The Cerne Giant is so imposing that he is best viewed from the opposite crest of the valley, or from the air. He is a hundred and eighty feet tall, about as high as a twenty-story apartment building. Held aloft in his right hand is a large, knobby club; his left arm stretches across the slope. Drawn in an outline formed by trenches packed with chalk, he has primitive but expressive facial features, with a line for a mouth and circles for eyes. His raised eyebrows were perhaps intended to indicate ferocity, but they might equally be taken for a look of confusion. His torso is well defined, with lines for ribs and circles for nipples; a line across his waist has been understood to represent a belt. Most well defined of all is his penis, which is erect, and measures twenty-six feet in length. Were the giant not protectively fenced off, a visitor could comfortably lie down within the member and take in the idyllic vista beyond.

[ click to continue reading at The New Yorker ]

Posted on May 14, 2021 by Editor

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Colorado River Redux

from Audubon

Reconnecting the Colorado River to the Sea

Binational Water Conservation Making the Colorado River More Sustainable for People and Birds

By Jennifer Pitt

Delivery of water for the environment in the Colorado River Delta, May 3, 2021. Photo: Adrián Salcedo, Restauremos el Colorado

The Colorado River is flowing again in its delta. This is a big deal for a river that has not flowed through its delta in most years since the 1960s, resulting in an ecosystem that is severely desiccated and devastated.

Thanks to commitments from the United States and Mexico in the Colorado River binational agreement—Minute 323 –  35,000 acre-feet of water (11.4 billion gallons) dedicated to create environmental benefits will be delivered to the river from May 1 to October 11. The expectation is that this will create and support habitat for birds like the Yellow-billed Cuckoo, Yuma Ridgway’s Rail, and Vermilion Flycatcher, and give life to the many plants and animals in this ribbon oasis of green in the midst of the Sonoran Desert.

[ click to continue reading at Audubon ]

Posted on May 13, 2021 by Editor

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The Secret Scream

from Architectural Digest

Revealed: The Secret History Behind Edvard Munch’s The Scream

A previously unnoticed sentence etched in a top corner of the painting has scholars debating who wrote the words, and why they might’ve done it

By Nick Mafi

man next to painting
Edvard Munch’s The Scream was completed by the Norwegian artist in 1893. Photo: Getty Images/Oli Scarff

There are perhaps a handful of paintings so iconic, they’ve come to represent images of our time: Van Gogh’s Starry Night, Picasso’s Guernica, da Vinci’s Mona Lisa, and Munch’s The Scream are a few that come to mind. So well researched are these works, that nearly nothing new is left to explore with them; we visualize them in the same way as a can of Coca-Cola or McDonald’s Golden Arches. But what happens when something new, something previously unnoticed grabs our attention? For The Scream, Edvard Munch’s best-known painting, a tiny inscription consisting of eight words, written in pencil, at the upper left corner of its frame is getting attention like never before.

“Could only have been painted by a madman”: Eight words written in Norwegian have stirred a debate among scholars and art fans alike, raising the question, “Who wrote these words?” Some have argued it could only have been Munch who inscribed the ominous sentence, while others contend it must’ve been the hand of a vandal who etched them onto the canvas. But it’s not just who scribbled the words into the top of the painting, but why? Before concluding this, we must consider the artist in question.

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Posted on May 11, 2021 by Editor

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The da Vinci Bear

from Reuters

Da Vinci’s ‘Head of Bear’ drawing seen fetching up to $16 mln

Leonardo da Vinci's (1452-1519) "Head of a bear" drawing is seen in this undated handout image. Copyright Christie's2021/Handout via REUTERS

A drawing of a bear’s head by Leonardo da Vinci is seen fetching up to $16.7 million, potentially setting a record, when it heads to auction in July, Christie’s said on Saturday.

Measuring 7 cm (just under 3 inches) squared, “Head of a Bear” is a silverpoint drawing on a pink-beige paper. The auction house says it is “one of less than eight surviving drawings by Leonardo still in private hands outside of the British Royal Collection and the Devonshire Collections at Chatsworth”.

It will lead Christie’s “Exceptional Sale” on July 8 in London with a price estimate of 8 million to 12 million pounds ($11.14 million – $16.71 million).

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Posted on May 10, 2021 by Editor

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Next Up

from France 24

The music festival refusing to bow to Covid

Belgrade (AFP)

Tickets for the festival are already on sale with the date marked as July 8-11
Tickets for the festival are already on sale with the date marked as July 8-11 ANDREJ ISAKOVIC AFP/File

Pulsating crowds, booming open-air sound systems, megastars lapping up the adoration of thousands — music festivals are fast receding into distant memory thanks to Covid, but one event in Serbia is refusing to yield.

The Exit Festival — one of Europe’s biggest with organisers saying 200,000 attended in 2019 — is aiming to become the first such event to go ahead in Europe since the pandemic began.

Other big names on the circuit like Glastonbury, Lollapalooza and Hellfest have already cancelled this year because of the virus.

But Exit spokesman Sanjin Djukic claimed medical experts had agreed it was possible to hold the event safely if visitors produced vaccination certificates or negative test results.

“We can say with absolute certainty that visiting Exit will be a lot safer than going into a bar or getting on a bus,” he told AFP.

[ click to continue reading at France 24 ]

Posted on May 9, 2021 by Editor

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Barbershop

from SPIN

Seventh Heaven

Barbershop quartets are more than meets the ear

by Jonathan Rowe 

Met Quartet Servicing Barber Shop Owner
CREDIT: Bettmann / Contributor

Don’t let a century’s worth of pop culture fool you — the best of the best barbershop quartets have five voices.

Sure, four striped-shirt, straw-hatted, bow-tied bodies — but five voices. The second tenor sets the stage with a lead melody line, which the first tenor lays a high harmony on. The baritone singer handles mid-range, while the bass, the deepest voice of the four, lays a solid foundation. But when the overtones of these four pitch-perfect voices unite and merge, an invisible fifth voice emerges from the ether, an everywhere-but-nowhere aural apparition not unlike the effect of Buddhist monks chanting in a massive ancient temple. This unified fifth-voice phenomenon is known as harmonic coincidence, though it is nowhere near a coincidence, accident or fluke.

Summoning what former Barbershop Harmony Society President Art Merrill calls, “the voice of the angels,” takes well more than four peppy singers with dreamy voices. In fact, should one of the four mortals as much as drift off-pitch, the heavenly house of cards drops.

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Posted on May 8, 2021 by Editor

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Alpha Betas Red Head Intervention Map!

Posted on May 7, 2021 by Editor

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Lounging, Diving, Floating, Dreaming

from Architectural Digest

Dive Into the History of the Swimming Pool in Photography

A new book is filled with iconic images of pools from the last 100 years

By Stefanie Waldek

Slve Sundsb Think Tanks Frank June 1998 on the cover of Pools Lounging Diving Floating Dreaming Picturing Life at the...
Sølve Sundsbø, Think Tanks, Frank, June 1998, on the cover of Pools: Lounging, Diving, Floating, Dreaming: Picturing Life at the Swimming Pool. “The cover image of the book was shot by Sølve Sundsbø in the 1990s,” says Stoppard. “I asked him why the pool is so popular in photography and he said, ‘It almost invites you to take a photograph. It’s a premade studio.’ I think that’s very true.” Photo: Sølve Sundsbø/Rizzoli

For the better part of the last century, photographers of all kinds have been drawn toward pools, whether for the way their reflective forms are captured by cameras or their role in social gatherings. The resulting images are the subject of Pools: Lounging, Diving, Floating, Dreaming: Picturing Life at the Swimming Pool ($65, Rizzoli), edited by writer Lou Stoppard.

“I’ve wanted to do this book for years, so I’ve been collecting great pool photographs for a very long time,” Stoppard tells AD. “Part of this was to show the way that the swimming pool has remained a seductive place for photographers as years have passed. It sounds negative to call it a trope, but in a way, it is. Pool pictures litter the history of photography.”

[ click to continue reading at AD ]

Posted on May 5, 2021 by Editor

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Tarantino To The Rescue

from DEADLINE

Quentin Tarantino’s New Beverly Cinema Sets Reopening Date

By Anthony D’Alessandro

More good news for LA moviegoers: Revival house New Beverly Cinema has set a reopening date of June 1 per its Twitter account. No further details were provided about the cinema’s upcoming schedule.

The 300-seat theater opened in 1929 at Beverly Boulevard near LaBrea Boulevard in Los Angeles. The two-time Oscar winner Quentin Tarantino subsidized New Beverly owner Sherman Torgan to the tune of $5K per month to keep the location open; Torgan, who passed away in 2007, owned the theater at 7165 Beverly Blvd since 1978. Tarantino became the new landlord in the wake of Torgan’s passing, holding the line on developers who yearned to turn the venue into a Supercuts. In 2014, Tarantino became head curator with a mandate that only 16MM and 35MM prints would be shown, and jettisoning the digital projector installed by Torgan’s son Michael. The cinema reopened in December 2018 after year long enhancements.

[ click to continue reading at DEADLINE ]

Posted on May 4, 2021 by Editor

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Eli Broad Gone

from DEADLINE

Eli Broad Dies: Billionaire Businessman, Philanthropist, Founder of L.A.’s Broad Museum Was 87

By Tom Tapp

Eli Broad

Businessman, philanthropist and art collector Eli Broad, who left an indelible imprint on Los Angeles’ cultural scene, died today at age 87.

Broad died at Cedars-Sinai Medical Center following a long illness, according to Suzi Emmerling, spokeswoman for the Eli and Edythe Broad Foundation.

Broad made his fortune building single-family homes. A New York native, he parlayed a loan from his in-laws into a homebuilding empire. He and Donald Bruce Kaufman founded KB (Kaufman & Broad) Homes in Detroit in 1956 when Broad was barely 20 years old. The firm went on to become the largest independent builder of single-family homes in the United States. It built more than 600,000 homes in the postwar boom, many of them in Southern California. He later bought Sun Life Insurance, morphing it into annuities giant SunAmerica. He sold it for $18 billion in stock in 1998. He was the first person to develop two Fortune 500 companies in different industries.

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Posted on May 1, 2021 by Editor

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Thank you, Mr. Hockney

from DNYUZ

New David Hockney Billboards to Brighten 4 Cities in May

New David Hockney Billboards to Brighten 4 Cities in May

Two suns will appear in four cities during the month of May — the real sun in the sky, of course, but also the chrysanthemum-like depiction of it in a video by the British artist David Hockney. The 2½-minute animation will be broadcast on digital billboards in Times Square in New York and prominent locations in London, Tokyo and Seoul.

Hockney’s dawning of a new day in a color-saturated landscape springs from his experience in early mornings looking out the kitchen window of his house in Normandy, France, where he has lived since 2019, carefully observing and creating art from his surroundings.

[ click to continue reading at DNYUZ ]

Posted on April 29, 2021 by Editor

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The Origin of Medina Spirit

from Kentucky Derby

Tales from the Crib: Medina Spirit

by Kellie Reilly/Brisnet.com

A newborn who needed help, a $1,000 yearling whose small breeder had to sell, a cheap recruit for a hardscrabble talent scout, a juvenile purchase inspired by friendship – Medina Spirit’s story is ready-made for cinema.

And that’s even before his improbable rise for Hall of Fame trainer Bob Baffert. Outlasting his higher-profile stablemates Life Is Good and Concert Tour on the trail, Medina Spirit is Baffert’s last remaining hope for a record-breaking seventh Kentucky Derby (G1) win in 2021.

Medina Spirit was bred in Florida by Gail Rice, whose tiny broodmare band varies from one to four at a given time, including partnerships. His dam, Mongolian Changa, was a $9,000 yearling purchase by Gail’s former husband, trainer Wayne Rice. 

[ click to continue reading at KentuckyDerby.com ]

Posted on April 28, 2021 by Editor

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“what-the-hell-is-going-on-and-how-did-I-get-here”

from Vanity Fair

Andrew McCarthy Recalls the Heady Days of the Brat Pack

The Pretty in Pink and St. Elmo’s Fire star has a new memoir, Brat: An ’80s Story.

BY ANDREW MCCARTHY

Lowe Tom Cruise and Estevez at the 1982 premiere of In the Custody of Strangers.
Lowe, Tom Cruise, and Estevez at the 1982 premiere of In the Custody of Strangers. BY FRANK EDWARDS/FOTOS INTERNATIONAL/GETTY IMAGES.

It had been narrowed down to four actors for the two lead roles. We were broken into pairs. I was teamed with an impossibly handsome young actor named Rob Lowe who was auditioning to play my rich roommate and the son of the woman with whom my character would have an affair. The film was called Class.

I was back in the dizzy and disorienting world of “what-the-hell-is-going-on-and-how-did-I-get-here,” which suited my character perfectly. Rob and I were sent off to spend an hour together in an effort to create chemistry while the other pair of actors were put through their paces. We wandered through the nearby Water Tower Place, where I was soon to shoot a memorable (at least to me) love scene in a glass elevator.

Rob had recently costarred in his first film, Francis Ford Coppola’s soon to be released movie adaptation of The Outsiders. He held forth from a place of Hollywood experience as we drifted over the polished marble of the mall, killing time. He spoke of Tom and Matt and pasta dinners with Francis. I was unsure just who he was talking about, but nodded my head anyway. I wondered how much of Rob’s banter was simply whistling in the dark and how much was a belief in his destiny, while another part of me simply envied his apparent ease and confidence. I said little. While a charming bravado may have been Rob’s preferred method of making himself ready, mine was to go quiet and become hyper-observant—both of those around me and of myself. I don’t believe either one of us thought to actually rehearse the scenes together.

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Posted on April 27, 2021 by Editor

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Summer of Soul

from PASTE

See the Transcendent First Trailer for Sundance-Awarded, Questlove-Directed Documentary Summer of Soul

By Jim Vorel

After a triumphant premiere at the 2021 Sundance Film Festival, where it won both the Grand Jury Prize and the Audience Award, music documentary Summer of Soul is headed to Hulu on July 2 in conjunction with Disney’s new BIPOC Creator Initiative. The film is the feature filmmaking debut of none other than Roots legend Ahmir “Questlove” Thompson, cataloging a powerful but sadly forgotten chapter in American musical history—the Harlem Cultural Festival of 1969. As the synopsis reads:

In his acclaimed debut as a filmmaker, Ahmir “Questlove” Thompson presents a powerful and transporting documentary—part music film, part historical record created around an epic event that celebrated Black history, culture and fashion. Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park). The footage was never seen and largely forgotten-until now. SUMMER OF SOUL shines a light on the importance of history to our spiritual well-being and stands as a testament to the healing power of music during times of unrest, both past and present. The feature includes never-before-seen concert performances by Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Ray Baretto, Abbey Lincoln & Max Roach and more.

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Posted on April 26, 2021 by Editor

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Malaise Motors

from Car Bibles

Malaise Motors Is Your Safe Space to Love Cars That People Hate

Malaise-era cars haven’t had a huge fanbase, but it does exist!

BY KEVIN WILLIAMS

Monte Carlo

Facebook car groups can be a hot mess. Half of them seem like they’re full of dunderheads asking the same easily Googleable basic questions, and the other half is full of know-it-alls who lambast anyone who doesn’t align completely with their tastes. It’s easy for a group to become toxic or boring, then fade away into nothing. Malaise Motors is, refreshingly, neither.

The Malaise Motors Facebook group is dedicated to cars from the “Malaise” era, which this group defines as 1972 to 1995.

What is Malaise, you ask? To make a long story short, the U.S. had a horrible air pollution problem in the 1960s and ’70s – smoggy air was a common sight in many American cities. The Clean Air Act of 1972, created to clear up hazy skies, introduced limits on how much pollution engines could emit. The side effect, though, is that these emissions restrictions also severely limited output from engines.

Suddenly, a 350 horsepower V8 was now making 160 HP because the era’s automotive technology couldn’t really reconcile making power without making pollution. The group considers the mandate of OBDII, the universal computerized diagnostic system virtually every car made since ’96 has, as the end of Malaise. The group calls OBDII the “beginning the modern era of engine management and emissions control.”

[ click to continue reading at Car Bibles ]

Posted on April 25, 2021 by Editor

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