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Alex Pettyfer Number Four For Sure

from The Hollywood Reporter

Alex Pettyfer is ‘Number Four’



Pettyfer_alex_200Alex Pettyfer, the British-born actor making his American debut by starring in “Beastly,” has nabbed the lead role in “I Am Number Four,” DreamWorks’ adaptation of the upcoming young-adult science-fiction book by James Frey and Jobie Hughes.

“Four” revolves around a group of nine aliens who escaped their home planet just before it was annihilated by a rival species. Hiding out on Earth, the title character (Pettyfer) disguises himself as a human high schooler, only to discover that he is still being hunted by his planet’s enemy.

“Smallville” creators Al Gough and Miles Millar wrote the screenplay, adapting what HarperCollins Children’s Books, which published the book in the fall, plans on being a six-book series.

Michael Bay is producing with Steven Spielberg. Chris Bender and J.C. Spink exec produce along with David Valdes.

[ click to continue reading at THR ]

Posted on March 31, 2010 by Editor

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Heavy: The Last Homeless Man In Times Square

from The New York Times

Times Square’s Homeless Holdout, Not Budging

Michael Appleton for The New York Times


Heavy, as he is known, is said to be the only person still living on the streets of Times Square.

Published: March 29, 2010

As long as there have been homeless people sleeping in Times Square, there have been social workers and city officials trying to persuade them to leave.

In the past, the homeless were offered a free ride to one of the city’s warehouselike shelters. These days, workers for nonprofit groups help people move into apartments, keeping track as the number of the chronically homeless in Times Square goes down.

According to their records, by 2005, there were only 55. Last summer, it was down to 7.

Now there is one.

His name is Heavy, and he has lived on the streets of Times Square for decades. Day after day, he has politely declined offers of housing, explaining that he is a protector of the neighborhood and cannot possibly leave, the workers who visit him every day said.

Yet they are determined to get through to Heavy, the last homeless holdout in Times Square.

[ click to continue reading at ]

Posted on March 30, 2010 by Editor

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Erotic Capital

from Prospect Magazine

Have you got erotic capital?


It can be just as valuable as a university degree—especially for women

Katie Price, aka Jordan, does not owe her astonishing success to university

Michelle and Barack Obama have it. Carla Bruni and David Beckham have it. Jordan has even made a career from it. So great is the advantage “erotic capital” can bring to the labour market—especially in sport, the arts, media and advertising—that it often outweighs educational qualifications.It’s a term I coined to refer to a nebulous but crucial combination of physical and social attractiveness. Properly understood, erotic capital is what economists call a “personal asset,” ready to take its place alongside economic, cultural, human and social capital. It is just (if not more) as important for social mobility and success.

Erotic capital goes beyond beauty to include sex appeal, charm and social skills, physical fitness and liveliness, sexual competence and skills in self-presentation, such as face-painting, hairstyles, clothing and all the other arts of self-adornment. Most studies capture only one facet of it: photographs measure beauty or sex appeal, psychologists measure confidence and social skills, sex researchers ask about seduction skills and numbers of partners. Yet women have long excelled at such arts: that’s why they tend to be more dressed up than men at parties. They make more effort to develop the “soft skills” of charm, empathy, persuasion, deploying emotional intelligence and “emotional labour.” Indeed, the final element of erotic capital is unique to women: bearing children.

click to continue reading at Prospect ]

Posted on March 30, 2010 by Editor

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Time To Jump On The Home Butchering Bandwagon

from TIME Magazine

Behind the Home-Butchering Craze


 The thud of heavy knives bashing bones, the splat of dead muscle hitting the table, the twisting of heads off bodies and the ripping of flesh from limp, cold limbs. Is this a nightmare vision from the makers of Saw or Hostel? An autopsy? No, it’s actually the scene at a home kitchen near you, as more and more young Americans are taking a DIY approach to meat. It’s part home economics, part politics and certainly at least part fad. But it’s changing the way many Americans approach meat, chop by succulent chop.

(See pictures of what makes you eat more food.)

Many of the young pioneers of this latest culinary trend may not even realize that butchers, like milkmen and iceboxes, were a mainstay of American culture for most of our history. The rise of supermarkets in the 1960s and ’70s, and the general decline of the blue-collar trades throughout the postwar years, contributed to the near extinction of the retail butcher — that gruff but lovable lug in a white apron who stood behind a counter and cut up chops for your dinner, and whom you knew as well as your baker and, yes, your banker. Butchers mattered in people’s lives, because they were part of the food supply. And they’re not coming back.

(See pictures of gourmet food trucks.)

But the service they provided is, thanks to recession economics and a very of-the-moment mood for getting engaged with how and what you eat. At specialty shops like Brooklyn’s Meat Hook, hipster parents and earnest “gastronauts” attend cult butcher Tom Mylan’s weekly lessons in how to cut up animals.

[ click to continue reading at ]

Posted on March 30, 2010 by Editor

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Oprah Foes & Art School

from artnet


Mar. 26, 2010 

Fancy a spot under the wing of youthquake photography superstar Ryan McGinley? What about with author-turned-Oprah foe-turned-art dealer James Frey? Or how about with brainyArtforum editor Tim Griffin? Well, those are the kinds of opportunities that 80+ School of Visual Arts photography BFA students got with the most recent round of the institution’s “Mentors” program. The pairings are set up by photography department chair Stephen Frailey, who chooses mentorships based on the direction of the student’s work. As to the structure of the mentorships, it is described as “variable” in character, depending on what kind of sparks fly between participants. The artistic results of the 2010 collaborations are currently on view in a show at the SVA’s Visual Arts Gallery at 601 West 26 Street, Mar. 19-Apr. 3, 2010.

Worthy figures who donated their time as SVA mentors include critic-curators Vince Aletti (teamed with Aaron Boldt), Mia Fineman (Alex Bush) and Neville Wakefield (Nathaniel C. Shannon); artists Tina Barney (Dani Saul), Gregory Crewdson (Michelle Labriola), Tim Davis (Carly Planker), Liz Deschenes (Inga Moren), Adam Fuss (Katherine Schweitzer),K8 Hardy (Kelly Hopper), Laurel Nakadate (Kyle Ganson) and Taryn Simon (James Thomas Josephs); and dealers Jen Bekman(Elizabeth Ribuffo), Bonnie Benrubi (Anna DePalma), Yossi Milo (Matt Kushan), Yancey Richardson (Helen Ann Michelsen) and Julie Saul (Stephanie DelMonte).

[ click to read at ]

Posted on March 29, 2010 by Editor

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May The Hagoromo Be With You

Posted on March 29, 2010 by Editor

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Telly @ Half Gallery


click to visit Half Gallery ]

Posted on March 26, 2010 by Editor

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Kandinsky Kandinsky Kandinsky

from the NY Daily News


[ click to view full slideshow of Kandinsky at ]

Posted on March 26, 2010 by Editor

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“I Am Number Four” for Pettyfer


Alex Pettyfer Just Got Offered Two Movies, Won’t Confirm That ‘I Am Number Four’ Is One Of Them

Posted 3/22/10 3:30 pm ET by Adam Rosenberg in News

All signs are pointing to Alex Pettyfer having a great year. You’ll see him — sort of — this summer in “Beastly,” a modern-day retelling of “Beauty and the Beast.” I say “sort of” because Pettyfer has the film’s “beast” role, which means he’s probably going to be fairly unrecognizable.

We’ll be seeing more of him soon enough though; some big things are happening for the young actor, as he told MTV’s Larry Carroll last week at ShoWest.

“I can’t really say at the moment, but I’ve got two movies that I think I just got offered today. So I might shoot them back-to-back,” he said. “But I’m not gonna say anything, I’m just going to keep my fingers crossed.”

FilmDrunk, some of my favorite movie guys on the web, reported last week that Pettyfer is in negotiations to star in “I Am Number Four,” an adaptation of the young adult sci-fi novel co-written by James Frey. So of course Larry had to ask Pettyfer to confirmed. And… he waffled.

“You don’t wanna jinx it. Don’t jinx it,” Vanessa Hudgens, his “Beastly” co-star, whispered beside him. A bit more waffling followed. “Don’t jinx it,” she said in a lilting, sing-song voice.

[ click to continue reading at ]

Posted on March 24, 2010 by Editor

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Asia In NYC

from The New York Times


[ click to read The Week Ahead blog in the NY Times ]

Posted on March 23, 2010 by Editor

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Bacon Flavored Vodka

from FOX News

Black Rock Spirits Bakon Vodka – Dear lord, it really does taste like bacon. Floating over the top of that familiar vodka burn is pure smoked porky goodness. In fact, the bacon flavors are a bit too pronounced to make this vodka to sip straight up, let alone as a shot. However, it begs to be mixed creatively. When paired with the right ingredients, there’s all sorts of fun to be had. Not surprisingly, it makes for what is quite possibly the best Bloody Mary of all time.

Better yet, 1.5 ounces of Bakon with a raw oyster and a few dashes of Tabasco just begs to be a remedy for a brutal morning after. For mixed company, a better approach might be to swap the usual vodka in a Mudslide for the pig-laden variety, blending 1 ounce each of Kahlua, Bailey’s and Bakon over ice for an incredibly creamy pork-bomb. Just don’t forget to check if any of your guests keep Kosher before you do.

[ click to read full article at ]

Posted on March 21, 2010 by Editor

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Sockeye salmon with green garlic, fava beans

from The LA Times

Sockeye salmon with green garlic, fava beans

Sockeye salmon with green garlic, favasSockeye salmon with green garlic is a lovely and deeply colorful dish that tastes grand. (Los Angeles Times/Kirk McKoy)

[ click for full recipe at ]

Posted on March 17, 2010 by Editor

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The Curator Shaq


NBA Star Shaq Attacks Art World

Basketball star Shaquille O’Neal has forayed into the art world as the curator of the exhibit “Size DOES Matter,” on view at New York City’s FLAG Art Foundation through May 27.

The exhibition, which explores the concept of size through art, features pieces such as Ron Mueck’s “Big Man” sculpture and tiny versions of O’Neal and the Obama family in the eye of a needle, conceived by artist Willard Wigan. Other artists represented include Chuck Close, Jeff Koons, Elizabeth Peyton, Corban Walker and Cindy Sherman.

Stephanie Roach, director of the FLAG Art Foundation, says O’Neal was selected to curate the exhibit because he represents “size not only physically but in terms of how he views life.”

[ click to read at ]

Posted on March 17, 2010 by Editor

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Bacon Flavored Toothpicks

Order Now @ Gidget’s Gadgets ]

Posted on March 17, 2010 by Editor

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Mon nom est Henri

Avec nos remerciements à Mme Catherine Delors
author of “For The King” (March ’10/Dutton Adult)

Posted on March 16, 2010 by Editor

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Now Cocaine is Causing Global Warming. Al Gore’s Carbon Footprint From College Revised Upward.

from The Mirror UK

Cocaine users ‘making global warming worse’

Cocaine users were last night accused of helping to make global warming worse.

MPs on the home affairs select committee said the drug was devastating Colombian rainforests because trees are knocked down to grow coca plants.

image courtesy of Foreign Policy

Group chairman Keith Vaz said: “We were horrified to learn for every few lines of cocaine snorted in a London club, four square metres of rainforest is destroyed.”

Un Office on Drugs and Crime chief Antonio Maria Costa added: “Europeans know they shouldn’t buy blood diamonds or clothes made by slaves in sweatshops.

“Yet with cocaine the opposite occurs. Worse still, models who wouldn’t dare to wear a tiger fur coat show no qualms about flaunting their cocaine use.”

[ click to continue reading at The Mirror ]

Posted on March 15, 2010 by Editor

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The Best Half-day Ticket Of The Season

from The New York Times

A 12-Hour Play, and Endless Bragging Rights

Every theater season has its must-must-must-see show, the snob hit that separates the true sophisticates (at least in their own minds) from the cultural chaff. New York will have a doozy of a contender this July: a 12-hour production of a grim Dostoyevsky novel that will be performed only twice, in Italian (with English supertitles), in a warehouse on Governors Island, reachable only after a ferry trip and a 20-minute walk.

Andrea Boccalini - Ivan Alovisio, left, one of the actors in “The Demons,” directed by Peter Stein, right.Golf carts will be available for patrons who want to avoid the hike; otherwise, comfort-food theater this is not.

Nor will the show, “The Demons,” be an easy ticket, setting the stage for I-was-there bragging rights that a certain brand of New Yorker finds irresistible.

Among those who quickly bought tickets on Wednesday was David Coats, a member of the Friends of Lincoln Center. He’s a theater director in Saratoga Springs, N.Y., who is a fan of the Dostoyevsky novel and of the production’s director, the German auteur Peter Stein, and an even bigger fan of what he called theater as an adventure. Mr. Coats said on Thursday that he relished the idea of trekking out to Governors Island and testing his stamina with the marathon performance (which will be broken up by meal and bathroom breaks).

In Mr. Coats’s view “The Demons” will be a relief from the onslaught of films, music and television shows that clutter American culture. “This will be like going on an adventurous foreign trip without needing a passport,” said Mr. Coats, who will attend with his wife, Alma Becker, a guest artist at Skidmore College. “We’ve been to Berlin and just missed a Stein production there. We were in Moscow and just missed Stein there. Our colleagues and other theater people have spoken so highly of Stein, so we want in on the conversation.”

[ click to continue reading at ]

Posted on March 13, 2010 by Editor

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Alice in Dali-land

from Uncommon Nonsense

Dali’s Adventures In Wonderland

   Posted by: Kenneth Rougeau   

Surrealist Salvador Dali was certainly one of the most influential & well known painters of the 20th century, but it’s not so widely known that he was also a gifted filmmaker, photographer, writer and illustrator. Eccentric by nature, it is no surprise that Dali was drawn to creating works to illustrate stories that touched upon his own surrealistic sensibilities, such tales as Dante’s Divine Comedy, Don Quixote, Macbeth, and of course Lewis Carroll’s Alice In Wonderland.

Down The Rabbit Hole by Salvador Dali

Dali created a series of 13 lithographs depicting Alice’s adventures (published in 1969 by Press-Random House), each vibrant and bizarre with a dreamy, almost child-like splatter-art feel to them, a bit like Ralph Steadman without the psychotic edginess (I love Ralph’s work). Alice, depicted as a girl jumping rope, is shown in each colorful image of the series as she travels through a dreamlike world of nonsense populated by an unusual cast of unlikely characters.

[ click for more reading and lithos at Uncommon Nonsense ]

Posted on March 12, 2010 by Editor

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Skylight Books LA – Just Like Shangri-La

Go Buy Some Books @ Skylight

Posted on March 12, 2010 by Editor

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How Long Before Dr. Drew Starts Picking Over The Corpse Of Corey Haim

from New York Press

Haim On You, Dr. Drew

Posted By: Tony O’Neill

- They say there are certain inevitabilities in life. As the old cliché goes taxes and death are two of them, and here’s another: As soon as a celebrity dies of a drug overdose, Dr. Drew Pinsky will appear on my television screen before the body has even had time to cool, trying to sell whatever reality show crap he’s hustling this week.

Corey Haim died this morning of an overdose. If Dr Drew hasn’t already booked himself on The View before I am even done typing this, I’m taking bets on how long it is before he appears, like a grave robber relieving the corpse of gold teeth, to give his usual sales pitch, all dressed up as a faux-concerned “Although Corey Haim wasn’t a patient of mine, blah blah blah” speech. I have many problems with Dr. Drew. The first is that he is rather indiscriminate about who he decides is an addict. Anybody who has ever smoked pot, drank booze or even had sex is apparently an addict, so long as they are desperate enough to debase themselves on one of his reality shows. This season on Celebrity Rehab, as well as having real addicts like Mike Starr from Alice in Chains, and Tom Sizemore, we also had people like Kari Ann Peniche (best known for, uh, being in Sex Rehab with Dr. Drew) who was there because she knew how to play the role of the reality show villain really well, and Lisa D’Amato who was apparently a contestant on America’s Next Top Model, who liked to have a drink now and then. She wasn’t as hilariously pouty or dramatic as Ms. Peniche, so I guess they needed D’Amato to make up numbers.

This dearth of actual addicts is not just because it’s season three and Drew is running out of fresh meat. In season one he had Jaimee Foxworth from Family Matters, in rehab supposedly because she was “addicted” to marijuana. (Her appearance on this reality show was nothing to do with her porno career tanking, I’ll bet.) When she came in Drew warned her—with a straight face, no less—that she might expect some “heroin-like” withdrawal effects when she stopped smoking. Which might have played in the 1930s when all most people knew about pot came from the insane fantasies of Harry J. Anslinger and movies like Reefer Madness, but in 2010 a statement like that just serves to totally undermine whatever credibility the doctor has. Remember this is a man who appeared in Wild Hogs with Tim Allen, so he doesn’t have a whole lot to start off with.

But no, instead of getting into all of that—which is a whole article in and of itself—lets just sit back in wonder at the shamelessness of a man who thinks that news of another untimely celebrity death is the perfect opportunity to boost his ratings. If anyone has actually gone though rehab (full disclosure: I have, for a monstrous heroin/crack/meth rampage which took up most of my late teens and twenties) they will know that the rehab in Celebrity Rehab bears no more resemblance to a real rehab than the set of Rock of Love: Charm School did to a Swedish finishing school for young ladies. Instead what we see on Celebrity Rehab is more like a drug den for people whose addiction is to being on TV. And Dr. Drew, for all of his empathetic looks, nods and pseudo-wisdom on the subject of addiction is not the dispassionate clinician he likes to portray, but the instead the dealer, doling out another hit of public exposure and kinda-sorta fame to his jonseing clients.

I would love to see what Dr Drew thinks of prohibition itself, and whether he thinks that lives could be saved be decriminalizing drug use and moving to a more progressive position on the whole matter. There is plenty of evidence to suggest that prescribing heroin to heroin addicts leads to much better success rates than either methadone or prison, and that criminalizing a huge segment of our population for smoking an herb as benign as marijuana is costly, counterproductive and ineffective. But just like the drug cartels and the politicians, the Dr. Drews of this world need the status quo to be preserved. After all, in a post-prohibition society Dr. Drew couldn’t build his empire by pathologizing and exploiting drug users. Maybe then he could get back to what he was best at: sitting around with Adam Corolla and telling us whether we really can catch crabs from toilet seats.

Tony O’Neill is the author of the novels Down and Out in Murder Mile and the forthcoming Sick City.

[ click to read at ]

Posted on March 11, 2010 by Editor

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Cutesy Caravaggio v. Manly Michelangelo

from The New York Times

An Italian Antihero’s Time to Shine

ROME — By at least one amusing new metric, Michelangelo’s unofficial 500-year run at the top of the Italian art charts has ended. Caravaggio, who somehow found time to paint when he wasn’t brawling, scandalizing pooh-bahs, chasing women (and men), murdering a tennis opponent with a dagger to the groin, fleeing police assassins or getting his face mutilated by one of his many enemies, has bumped him from his perch.

That’s according to an art historian at the University of Toronto, Philip Sohm. He has studied the number of writings (books, catalogs and scholarly papers) on both of them during the last 50 years. Mr. Sohm has found that Caravaggio has gradually, if unevenly, overtaken Michelangelo.

He has charts to prove it.

The change, most obvious since the mid-1980s, doesn’t exactly mean Michelangelo has dropped down the memory hole. To judge from the throngs still jamming the Sistine Chapel and lining up outside the Accademia in Florence to check out “David,” his popularity hasn’t dwindled much.

But, charts or no charts, Mr. Sohm has touched on something. Caravaggiomania, as he calls it, implies not just that art history doctoral students may finally be struggling to think up anything fresh to say about Michelangelo. It suggests that the whole classical tradition in which Michelangelo was steeped is becoming ever more foreign and therefore seemingly less germane, even to many educated people. His otherworldly muscle men, casting the damned into hell or straining to emerge from thick blocks of veined marble, aspired to an abstract and bygone ideal of the sublime, grounded in Renaissance rhetoric, which, for postwar generations, now belongs with the poetry of Alexander Pope or plays by Corneille as admirable but culturally remote splendors.

[ click to continue reading at ]

Posted on March 11, 2010 by Editor

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Chef Nobu’s Pan-Fried Salmon With Genmai Salsa

from ABC News & Chef Nobu

click for full recipe

[ click to continue recipe at ABC News ]

Posted on March 11, 2010 by Editor

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The Music Of The Web


[ click to play the CodeOrgan ]

Posted on March 10, 2010 by Editor

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BookCourt Launches “Cousin Corrine’s Reminder”

from the NY Daily News

Indie bookstore set to launch literary journal

BookCourt Brooklyn

Who says print is dead?

Brooklyn’s growing literary landscape will get a new addition in a few weeks when Cobble Hill indie bookstore BookCourt launches its own journal.

“It seemed like a natural step, with all of the great ideas that flow through this establishment,” said Zach Zook, the Court St. store’s general manager and the journal’s executive editor.

The twice-yearly publication, dubbed “Cousin Corrine’s Reminder,” will feature more than 150 pages of fiction and photography from local and international artists and authors, as well as a graphics section curated by Brooklyn comic book author Dean Haspiel.

“You’ll be seeing essays and pictures, and then you’ll come to the literary equivalent of the Sunday comics,” Haspiel said.

The journal is the first publication of Zook’s independent book imprint, Cousin Corrine, named for a relative who bequeathed the seed money for the store to his parents, Mary Gannett and Henry Zook. Zach Zook is also hoping to publish first-run fiction paperbacks, pocket-sized photo books and maybe even a children’s line.

For the first edition, Haspiel teamed with “Motherless Brooklyn” writer Jonathan Lethem on a piece that chronicles Lethem’s daily walk to work along Nevins St.

Controversial author James Frey is contributing what he describes as “this weird little dictionary” of Hollywood jobs, which offers a biting commentary on the entertainment industry.

Frey said he wanted to give back to BookCourt for its support, even after the 2006 controversy over the truth of bits of his best-selling memoir “A Million Little Pieces” and his resulting feud with Oprah Winfrey. Plus, he said, he’s a fan of independent bookstores.

“They’re an important part of literary culture,” Frey said. “It’s the same reason I don’t want all the diners in New York to go away and be replaced by McDonald’s.”

Posted on March 10, 2010 by Editor

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BookHampton Amagansett Gone

from The Sag Harbor Express

BookHampton Closes Amagansett Store

web Bookhampton3

After two years of business in Amagansett Square, BookHampton may have closed its Amagansett location, but its Sag Harbor store, pictured here with manager Sarah Doherty and Barry Lisee, is still going strong. Hampton owner Charline Spektor this week announced the independent bookstore would close the location, citing economics and “the surprising lack of foot-traffic in Amagansett.”

“East Hampton is a thriving store and they were too close together,” Spektor said on Tuesday. She added in addition to the East Hampton branch of BookHampton, both the Sag Harbor and Southampton locations continue to operate successfully.

BookHampton at Amagansett Square was originally conceived as a store to focus on children, keeping in character with Amagansett’s family-centric community, although the location maintained a collection of other genres of literature as well as DVDs, merchandise and CDs. Spektor said on Tuesday all three remaining BookHampton locations, in particular Sag Harbor, continue to operate with full children’s sections.

[ click to continue reading at ]

Posted on March 10, 2010 by Editor

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The Rico Suave Bandit

from The LA Times

Wily dodges point to single culprit in high-profile Los Angeles heists

Thefts that depend on role playing and charm point to a single burglar being the likely suspect in heists of jewelry and cash from sports teams, a salsa band and a sugar baron in town for the Oscars.

By Andrew Blankstein and Richard Winton

For the “Rico Suave” bandit, the weapons of choice are charm, disguise and the power of persuasion.

In August, the man slicked back his hair and pretended to be a member of a salsa band playing the Greek Theatre. He talked a clerk at the Wilshire Grand hotel into giving him the keys to the band’s room and made off with $9,000. On his way out, he gave the clerk the band’s CD.

A few weeks later, he donned a Chivas soccer jersey and hugged members of the Mexican team as they left another downtown L.A. hotel, the Marriott, on a team bus. Then, posing as a member of the team’s entourage, he persuaded a hotel clerk to give him the team’s room keys, making off with $10,000.

Now, detectives are investigating whether the bandit has made his biggest score yet, at the Four Seasons Hotel on Oscar weekend.

[ click to continue reading at The LA Times ]

Posted on March 10, 2010 by Editor

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Two-Minute Cover Design

Posted on March 10, 2010 by Editor

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More Dead Novel


RIP: The novel

A book that defends plagiarism, champions faked memoirs and declares fiction dead has the literary world up in arms


David Shields’ new book, “Reality Hunger: A Manifesto,” is, depending upon whom you ask, a condemnation of the novel, a celebration of the sort of remixing and collage writing that often gets slammed as plagiarism, an indictment of plot, or a defense of memoirists who fabricate. Given his infatuation with playful writing (although a playfulness so earnestly willed seems an oxymoron), Shields shouldn’t be dismayed to learn that tracking responses to “Reality Hunger” across the Web is significantly more stimulating than the book itself. When you throw that many bombs, you can expect to choke on the smoke.

[ click to continue reading at Salon ]

Posted on March 10, 2010 by Editor

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“Today’s changes won’t be noticed by our readers.”

from The Wrap

Variety Drops Chief Film and Theater Critics

Updated: Todd McCarthy and David Rooney are cut as the trade moves to trim costs

Todd McCarthy and David RooneyThe evisceration of Variety continues.

On Monday, the trade let go chief film critic Todd McCarthy and chief theater critic David Rooney. Longtime film critic Derek Elley also was cut, as was features editor/indie film reporter Sharon Swart, along with several copy and design desk employees.

In a memo to Variety staff, the trade’s group editor, Tim Gray, said all three critics have been asked to work as freelancers for the moribund trade.

However, McCarthy told TheWrap he has made no such arrangement, at least not yet.

“It’s sad,” McCarthy said. “It’s the end of something. You can say it’s the end, or you can say it’s the end of the way it’s always been done.”

Reaction from the film community was characterized by shock and dismay, with Roger Ebert tweeting, “Variety fires Todd McCarthy and I cancel my subscription. He was my reason to read the paper. RIP, schmucks.”

Still, in his memo, Gray insisted, “Today’s changes won’t be noticed by readers. Our goal is the same: To maintain, or improve, our quality coverage.

[ click to continue reading at The Wrap ]

Posted on March 9, 2010 by Editor

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The Butcher Of Oz

from The Coolhunter


[ click to continue reading at ]

Posted on March 9, 2010 by Editor

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Richard Phillips @ Haunch Of Venison

from Papermag

“Your History Is Not Our History” Opens at Haunch of Venison

By Elizabeth Thompson

richard-phillips-jeffrey-deitch.jpgInstalling “Your History is Not Our History: New York in the 1980s” at Haunch of Venison gallery felt like Christmas morning for artist Richard Phillips, who organized the show with artist David Salle. “The crates came and it was was like opening present after present after present,” Phillips said at the show’s opening Friday night, as guests including Julian Schnabel, Francesco Clemente, Jeffrey Deitch, Jerry Saltz, Cynthia Rowley, Kim Gordon, Thurston Moore, and James Frey, took in Prince’s and Salle’s re-telling of the ’80s art world in New York City, a time period during which they believe artists’ work is often mis-remembered as being oppositional of one another and representative of exclusive critical positions.

Instead, via pieces by Salle, Schnabel, Jean-Michel Basquiat, Sherrie Levine, Jeff Koons, and Eric Fischl among other luminaries from the ’80s, “Your History is Not Our History,” highlights the shared attributes of works from the time period, in this case, the sound rejection of authority and a sense of radicalism Phillips said was palpable at gallery shows.

[ click to continue reading at ]

Posted on March 8, 2010 by Editor

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Good Riddance To Print

from The New York Times

Former Book Designer Says Good Riddance to Print

A series of book

Craig Mod discusses a series of book “interfaces” that could make the transition from print to digital.

A recent blog post by Craig Mod, a self-titled computer programmer, book designer and book publisher, offers a thoughtful and distinctive perspective on the move of books from paper to interactive devices like Apple’s iPad.

Mr. Mod summarizes his argument in the subtitle of his post: “Print is dying. Digital is surging. Everyone is confused. Good riddance.”

Mr. Mod divides content broadly into two categories: content where the form is important, such as poetry or text with graphics, and content where form is divorced from layout, which he says applies to most novels and non-fiction.

This kind of thinking makes a key point: instead of arguing about pixels versus paper, as many book lovers tend to do, it is more useful to focus on whether the technology is a good match for the content.

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Posted on March 8, 2010 by Editor

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Guns Don’t Give You Balls

from The San Jose Mercury News

Teen shoots his own testicles

Times-Herald staff report

scrot.jpgA Vallejo teenager allegedly shot himself in the testicles Thursday afternoon, police said.

Police said the 17-year-old, whose name is being withheld because he’s a minor, walked into Kaiser Permanente Vallejo Medical Center at about 5:45 p.m. with a gunshot wound.

The gun is still outstanding, police said, and the teen has not been cooperative.

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Posted on March 8, 2010 by Editor

Filed under Weirdness | | No Comments »

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