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James Frey Reads AMERICAN CLASSICS

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Posted on November 7, 2019 by Editor

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James Frey AMERICAN CLASSICS

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Posted on October 27, 2019 by Editor

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476 by James Frey

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Posted on September 30, 2019 by Editor

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New Greta Van Fleet for A MILLION LITTLE PIECES Soundtrack

from Alternative Nation

Greta Van Fleet New Song “Always There” Revealed

By Brett Buchanan

Greta Van Fleet have reportedly recorded a new song titled “Always There” for the soundtrack of the film ‘A Million Littles Pieces.’ The film is set for release on December 6th, and is based on the 2005 book by James Frey. Greta Van Fleet singer Josh Kiszka squatted in a bathing suit photo yesterday, before later deleting it.

The book is described as, “At the age of 23, James Frey woke up on a plane to find his front teeth knocked out and his nose broken. He had no idea where the plane was headed nor any recollection of the past two weeks. An alcoholic for ten years and a crack addict for three, he checked into a treatment facility shortly after landing. There he was told he could either stop using or die before he reached age 24. This is Frey’s acclaimed account of his six weeks in rehab.” The film is starring Aaron Taylor-Johnson, Billy Bob Thornton, Odessa Young, Giovanni Ribisi, Juliette Lewis, and Charlie Hunnam. Sam Taylor-Johnson is the director of the film.

[ click to continue reading at Alternative Nation ]

Posted on September 27, 2019 by Editor

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Books As Art

from Roadtrippers

The art of traditional bookmaking lives on at the Book Club of California, a quiet paradise for bibliophiles

San Francisco’s century-old book club has more than 10,000 rare and letterpress-printed volumes on display

By Molly Fosco

The Albert Sperisen Library at the Book Club of California
The Albert Sperisen Library at the Book Club of California. | Photo: Molly Fosco

When I pick up a new book, I try to decide if the story is worth reading. Are the characters relatable? Is the plot exciting? Typically, I’m not checking whether the book was printed on a letterpress or if the end papers are hand-tipped. At the Book Club of California, however, it’s a very different story. 

No longer the exclusive members-only club it once was, the Book Club of California is a non-profit open to the public. It supports the art of bookmaking, typography, design, and literature about California history and the American West. Located in San Francisco’s bustling Union Square neighborhood, the club is housed inside the World Affairs Council Center, a place where people gather to discuss global issues. 

The rather unassuming building facade is easy to miss, but walking through the entrance of the wooden double doors on the fifth floor transports visitors back to early 20th-century San Francisco. 

Books as art

Thousands of books in glass-doored cabinets line the walls. Victorian-era couches, lamps, and dark wood tables decorate the room, and there’s even a working 19th-century Columbian printing press. A swanky bar that looks like it belongs on the Titanic sits in the corner. This isn’t a coincidence—the club was founded in 1912, the same year the ill-fated ship ended up at the bottom of the Atlantic Ocean. Luckily, the Book Club of California has fared much better.

[ click to continue reading at Roadtrippers ]

Posted on September 12, 2019 by Editor

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Prince

from The New Yorker

The Book of Prince

Prince had grand plans for his autobiography, but only a few months to live.

By Dan Piepenbring

“Funk is the opposite of magic,” Prince said. “Funk is about rules.”
© The Prince Estate

On January 29, 2016, Prince summoned me to his home, Paisley Park, to tell me about a book he wanted to write. He was looking for a collaborator. Paisley Park is in Chanhassen, Minnesota, about forty minutes southwest of Minneapolis. Prince treasured the privacy it afforded him. He once said, in an interview with Oprah Winfrey, that Minnesota is “so cold it keeps the bad people out.” Sure enough, when I landed, there was an entrenched layer of snow on the ground, and hardly anyone in sight.

Prince’s driver, Kim Pratt, picked me up at the airport in a black Cadillac Escalade. She was wearing a plastic diamond the size of a Ring Pop on her finger. “Sometimes you gotta femme it up,” she said. She dropped me off at the Country Inn & Suites, an unremarkable chain hotel in Chanhassen that served as a de-facto substation for Paisley. I was “on call” until further notice. A member of Prince’s team later told me that, over the years, Prince had paid for enough rooms there to have bought the place four times over.

My agent had put me up for the job but hadn’t refrained from telling me the obvious: at twenty-nine, I was extremely unlikely to get it. In my hotel room, I turned the television on. I turned the television off. I had a mint tea. I felt that I was joining a long and august line of people who’d been made to wait by Prince, people who had sat in rooms in this same hotel, maybe in this very room, quietly freaking out just as I was quietly freaking out.

A few weeks earlier, Prince had hosted editors from three publishing houses at Paisley, and declared his intention to write a memoir called “The Beautiful Ones,” after one of the most naked, aching songs in his catalogue. For as far back as he could remember, he told the group, he’d written music to imagine—and reimagine—himself. Being an artist was a constant evolution. Early on, he’d recognized the inherent mystery of this process. “ ‘Mystery’ is a word for a reason,” he’d said. “It has a purpose.” The right book would add new layers to his mystery even as it stripped others away. He offered only one formal guideline: it had to be the biggest music book of all time.

[ click to continue reading in The New Yorker ]

Posted on September 10, 2019 by Editor

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A MILLION LITTLE PIECES – In UK Theatres Today

Posted on August 30, 2019 by Editor

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More ST-J on A MILLION LITTLE PIECES

from The Guardian

Sam Taylor-Johnson: ‘I’ve lost people very dear to me through addiction’

The film-maker on adapting James Frey’s controversial rehab memoir A Million Little Pieces, whether she’s still making art and the joy of chickens.

by Tim Lewis

Since leaving the art world to become a film-maker, Sam Taylor-Johnson has shown impressive range. Her debut feature film, Nowhere Boy (2009), was a tender depiction of John Lennon’s childhood. She followed it with the less tender Fifty Shades of Greyin 2015. Now she’s back with A Million Little Pieces, an adaptation of James Frey’s scandalous semi-memoir about his rehab after years as an alcoholic and drug addict. Taylor-Johnson co-wrote the screenplay with her husband, Aaron Taylor-Johnson, who also stars in the film. They live, most of the time, in Los Angeles.

You read A Million Little Pieces when it came out in 2003. It obviously stayed with you?
Yeah, it did. I remember reading it and being really overtaken by it; I think is the right word. I was in the world with him and on the journey. Then when it got optioned by whatever studio it was and it was going to be made into a big movie and there was this director and that director, I’d always have a tinge of jealousy. Even though I wasn’t a film-maker then, I’d be like: “What an amazing piece of material to have.” So I tracked it for a long time and I’d always keep my ear to the ground.

[ click to continue reading at The Guardian ]

Posted on August 25, 2019 by Editor

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Frey and Taylor-Johnson on A MILLION LITTLE PIECES

from Vogue UK

“We Were Living And Breathing It”: Sam Taylor-Johnson On Making A Million Little Pieces With Her Husband

by LIAM FREEMAN

JEFF GROS

Vogue sat down with James Frey, author of the infamous 2003 memoir A Million Little Pieces, and his friend Sam Taylor-Johnson, who has directed her husband Aaron Taylor-Johnson in a hotly-anticipated film adaptation hitting cinemas next week.

The response to James Frey’s 2003 memoir A Million Little Pieces is the stuff most authors only dream of. His unflinching retelling of his alcoholism, drug addiction and subsequent rehabilitation, aged just 23, spent 15 consecutive weeks on the New York Times bestseller list. Three years later, in 2006, controversy hit when it was revealed that Frey had embellished certain details. Yet, while he was publicly criticised for this – in particular by one of his most ardent supporters, Oprah Winfrey; at the time, A Million Little Pieces was the fastest-selling book in her television books club’s 10-year history – his captive audience only grew, and to date it’s sold more than 10 million copies worldwide.

Frey sold the film rights to A Million Little Pieces in the early 2000s, however, the movie was never made. Until now. Directed and co-written by Sam Taylor-Johnson, a friend of Frey’s and director of Nowhere Boy and Fifty Shades of Grey, the film debuted at the 2018 Toronto International Film Festival. Taylor-Johnson collaborated on the script with her husband Aaron Taylor-Johnson, who stars as Frey, and he’s joined on screen by Charlie Hunnam, Juliette Lewis and Odessa Young as Frey’s fellow patient and girlfriend Lily.

Vogue sat down with Frey and Sam Taylor-Johnson to hear about the making of the long-awaited big screen adaptation.

[ click to continue reading at Vogue ]

Posted on August 22, 2019 by Editor

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A MILLION LITTLE PIECES Director on FIFTY SHADES

from THE LIST

Sam Taylor-Johnson would never want to repeat Fifty Shades directing experience

Sam Taylor-Johnson
Sam Taylor-Johnson

Sam Taylor-Johnson says she had an “intense and maddening” experience while working on the first instalment of the Fifty Shades of Grey’ film series

Sam Taylor-Johnson would “never want to repeat” the time she spent working on ‘Fifty Shades of Grey’.

The 52-year-old filmmaker, who is married to Aaron Taylor-Johnson, 29, confessed that her intense experience directing the first instalment of the erotic drama film series, based on the novel trilogy by E.L James, is not one she wishes to repeat. 

In an interview with the Sunday Times’ Stella magazine, she said: “Making that movie taught me so much that I didn’t want to learn and I would never want to repeat those lessons, but it did make me focus on what I do want to do.

“It was an intense; maddening experience – but then, would I have made this movie had not gone through that? It’s that thing of never looking back.”

The ‘Nowhere Boy’ director recently worked on 2018 drama film, ‘A Million Little Pieces’ – based on the novel by James Frey – which follows a young drug-addled writer coming to the end of his time at a detox facility.

Sam’s husband Aaron plays James and Sam revealed that after reading the book originally following its publication in 2003, she knew immediately that she wanted to transform the story into a film.

[ click to continue reading at THE LIST ]

Posted on August 20, 2019 by Editor

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A MILLION LITTLE PIECES – Official Trailer

from Vanity Fair

A Million Little Pieces: James Frey’s Notorious Memoir Goes to Hollywood

Watch the exclusive trailer for the upcoming movie, directed by Sam Taylor-Johnson and starring Aaron Taylor-Johnson.

[ click to view at Vanity Fair ]

Posted on August 8, 2019 by Editor

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Toni Morrison Gone

from AP

World mourns the death of Nobel laureate Toni Morrison

By HILLEL ITALIE

NEW YORK (AP) — Nobel laureate Toni Morrison, a pioneer and reigning giant of modern literature whose imaginative power in “Beloved,” ″Song of Solomon” and other works transformed American letters by dramatizing the pursuit of freedom within the boundaries of race, has died at age 88.

“Toni Morrison passed away peacefully last night surrounded by family and friends,” the family announced. “The consummate writer who treasured the written word, whether her own, her students or others, she read voraciously and was most at home when writing.”

Few authors rose in such rapid, spectacular style. She was nearly 40 when her first novel, “The Bluest Eye,” was published. By her early 60s, after just six novels, she had become the first black woman to receive the Nobel literature prize, praised in 1993 by the Swedish academy for her “visionary force” and for her delving into “language itself, a language she wants to liberate” from categories of black and white. In 2012, Barack Obama awarded her a Presidential Medal of Freedom.

“Her writing was not just beautiful but meaningful — a challenge to our conscience and a call to greater empathy,” Obama wrote Tuesday on his Facebook page. “She was as good a storyteller, as captivating, in person as she was on the page.”

[ click to continue reading at AP ]

Posted on August 6, 2019 by Editor

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“I could puke every time I hear it.”

from the Guardian

From everyteen to annoying: are today’s young readers turning on The Catcher in the Rye?

JD Salinger’s Holden Caulfield once seemed the universal voice of teenage angst, but now he’s too quaint for young people. Can we learn to love it again, asks Dana Czapnik

by Dana Czapnik

A first edition from 1951.
 Falling out of favour … A first edition from 1951. Photograph: Roberto Brosan/Time & Life Pictures/Getty

ere’s a thought. Teen angst, once regarded as stubbornly generic, is actually a product of each person’s unique circumstances: gender, race, class, era. Angst is universal, but the content of it is particular.

This might explain why Holden Caulfield, once the universal everyteen, does not speak to this generation in the way he’s spoken to young people in the past. Electric Literature gave this explanation of The Catcher in the Rye’s datedness: “If you’re a white, relatively affluent, permanently grouchy young man with no real problems at all, it’s extraordinarily relatable. The problem comes when you’re not. Where’s The Catcher in the Rye for the majority of readers who are too non-young, non-white, and non-male to be able to stand listening to Holden Caulfield feel sorry for himself?”

On the one hand, Yes! On the other, Oof!

I’ve had conversations about Catcher with undergraduate students in creative writing classes I’ve taught, and every one has complained about disliking Holden. In my limited network of young people, Catcher is not only no longer beloved, it has become something even more tragic: uncool.

But is it as simple as Electric Literature posits – that if you’re not white, privileged and male, it’s hard to see yourself in Holden? After all, this is partly why I wrote my coming-of-age novel The Falconer, told from the perspective of a young woman in early 1990s New York. Maybe hating on Holden has turned into its own form of adolescent rebellion. Catcher was an incendiary novel when it was first published and was banned from many school districts. Reading it once felt subversive; now it’s a reliable presence on most curriculums. And once adults tell you something’s good, aren’t you supposed to hate it?

But it’s not just girls and kids of colour who are turned off by Holden; I have found that my white, male students didn’t like him either.

[ click to continue reading at The Guardian ]

Posted on August 1, 2019 by Editor

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Thanks

from The Fix

Silencing that Voice 

By Boozemusings Co…

In the last few months of my long and illustrious drinking career, there was a voice that began to whisper melodically to me. I heard it’s song nightly near the end of the second bottle of wine. The voice was darkly magical, very seductive and beautiful, and I was luckily still present enough to find it terrifying.

That voice said,

” you are mine” “we are a team” “we are beautiful together” “we are powerful together” “everything is us” “nothing else matters” “nothing else matter” “nothing else matters” ….

I did not stop drinking four years ago because I was troubled by hangovers or weight gain. I was the classic high functioning alcoholic, still at the stage where no one knew but my kids and husband. I was fit, healthy and outwardly together. I was an admirably successful closet drunk.

The reason that I stopped drinking was that voice.

That seductive whisper of

“nothing else matters” “nothing else matters” “nothing else matters”.

That voice was addiction. That voice was death. I knew that if that voice had a chance to grow it would win and I would not only lose everything, I wouldn’t care that I had.

I read a lot of addiction and recovery biographies in my first sober months. Reading stories of women like me who had loved drinking but fought to stop and were surprised to find empowerment in sobriety, really helped me stay on track and look forward with hope. But of all the brave recovery biographies that I read the one that spoke to me the most was not written by a woman like me. It wasn’t the story of a high functioning middle-aged mom who drank to black-out most nights and hopped back on the hamster wheel each morning. The story that mirrored my love affair with the effect of the drug and the seductive voice in my head was written by James Frey. His biography, A Million Little Pieces, begins with him at 23, half-dead from his raging addictions to everything lethal, wheeled into rehab by his desperate parents. That was the story that was my “ah-ha!” moment from beginning to end.

[ click to continue reading at The Fix ]

Posted on July 17, 2019 by Editor

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Roth, Frey, Easton-Ellis

from Facebook

Posted on July 6, 2019 by Editor

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BRIGHT SHINY MORNING (New French Edition)

from Facebook

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Posted on June 10, 2019 by Editor

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Decadent U.

from Esquire

The Secret Oral History of Bennington: The 1980s’ Most Decadent College

Fall, 1982. A new freshman class arrives at arty, louche, and expensive Bennington College. Among the druggies, rebels, heirs, and posers: future Gen X literary stars Donna Tartt, Bret Easton Ellis, and Jonathan Lethem. What happened over the next four years would spark scandal, myth, and some of the authors’ greatest novels. Return to a campus and an era like no other.

BY LILI ANOLIK

image
Kate Aichele/Bennington College; Mark Norris (Tartt and Lethem);
Ian Gittler (Ellis).

What Café du Dôme was to the Lost Generation, the dining hall at Bennington College was to Generation X—i.e., the Lost Generation Revisited. The Moveable Feast had moved ahead six decades and across the Atlantic, and while, of course, southwestern Vermont wasn’t Paris, somehow, in the early-to-mid eighties, it was, was just as sly, louche, low-down, and darkly perdu. And speaking of sly, louche, low-down, and darkly perdu, check out the habitués. Seated around the table, ready to gorge on the conversation if not the food (cocaine, the Pernod of its era, is a notorious appetite suppressant), berets swapped for sunglasses, were the neo F. Scott Fitzgerald, Ernest Hemingway, and Djuna Barnes: Bret Easton Ellis, future writer of American Psycho and charter member of the literary Brat Pack; Jonathan Lethem, future writer of The Fortress of Solitude and MacArthur genius; and Donna Tartt, future writer of The Secret History and winner of the Pulitzer Prize for The Goldfinch. All three were in the class of 1986. All three were a long way from home—Los Angeles, Brooklyn, and Grenada, Mississippi, respectively. All three were, at various times, infatuated and disappointed with one another, their friendships stimulated and fueled by rivalry. And all three would mythologize Bennington—the baroque wickedness, the malignant glamour, the corruption so profound as to be exactly what is meant by the word decadence—in their fiction that, as it turns out, wasn’t quite, and thereby become myths themselves.

Every prodigy needs his or her very own Gertrude Stein or Sherwood Anderson—i.e., a mentor and model. Bennington had those in profusion, teachers who were also artists: journalist Joe McGinniss; novelists and short-story writers Nicholas Delbanco and Arturo Vivante; and poet, mystic, and self-chronicler Claude Fredericks. And then there were the supporting figures (and fellow students), so fascinating they threatened to eclipse the main: writers Jill Eisenstadt, David Lipsky, Lawrence David, Reginald Shepherd; Brixton Smith Start, lead guitarist of post-punk British band the Fall; and Quintana Roo Dunne, only child of Joan Didion and John Gregory Dunne.

So grab a tray, pull up a chair, and try not to look like you’re eavesdropping.

[ click to continue reading at Esquire ]

Posted on May 31, 2019 by Editor

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Naked Bookseller Gone

from the Parker Pioneer

Quartzsite’s ‘Naked Bookseller’ Paul Winer dies

By John Gutekunst and Brandon Bowers

Long-time Quartzsite resident Paul Winer died the evening of May 7 at his home. He was 75 years old.

Winer was best known as the owner of Reader’s Oasis Books in Quartzsite, where he gained notoriety as the “naked bookseller.” He was also a professional entertainer and musician. He was even an artist, drawing a comic strip on local events entitled “As the Crow Flies.”

Long-time Quartzsite resident Paul Winer died the evening of May 7 at his home. He was 75 years old.

Winer was best known as the owner of Reader’s Oasis Books in Quartzsite, where he gained notoriety as the “naked bookseller.” He was also a professional entertainer and musician. He was even an artist, drawing a comic strip on local events entitled “As the Crow Flies.”

[ click to continue reading at the Pioneer ]

Posted on May 8, 2019 by Editor

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Robot Authors

from The Guardian

The rise of robot authors: is the writing on the wall for human novelists?

Artificial intelligence can now write fiction and journalism. But does it measure up to George Orwell – and can it report on Brexit?

by Steven Poole

An industrial robot writes out the Bible. Photograph: Amy Cicconi/Alamy

Will androids write novels about electric sheep? The dream, or nightmare, of totally machine-generated prose seemed to have come one step closer with the recent announcement of an artificial intelligence that could produce, all by itself, plausible news stories or fiction. It was the brainchild of OpenAI – a nonprofit lab backed by Elon Musk and other tech entrepreneurs – which slyly alarmed the literati by announcing that the AI (called GPT2) was too dangerous for them to release into the wild, because it could be employed to create “deepfakes for text”. “Due to our concerns about malicious applications of the technology,” they said, “we are not releasing the trained model.” Are machine-learning entities going to be the new weapons of information terrorism, or will they just put humble midlist novelists out of business?

Let’s first take a step back. AI has been the next big thing for so long that it’s easy to assume “artificial intelligence” now exists. It doesn’t, if by “intelligence” we mean what we sometimes encounter in our fellow humans. GPT2 is just using methods of statistical analysis, trained on huge amounts of human-written text – 40GB of web pages, in this case, that received recommendations from Reddit readers – to predict what ought to come next. This probabilistic approach is how Google Translate works, and also the method behind Gmail’s automatic replies (“OK.” “See you then.” “That’s fine!”) It can be eerily good, but it is not as intelligent as, say, a bee.

Right now, novelists don’t seem to have much to fear. Fed the opening line of George Orwell’s Nineteen Eighty-Four – “It was a bright cold day in April, and the clocks were striking thirteen” – the machine continued the narrative as follows: “I was in my car on my way to a new job in Seattle. I put the gas in, put the key in, and then I let it run. I just imagined what the day would be like. A hundred years from now. In 2045, I was a teacher in some school in a poor part of rural China. I started with Chinese history and history of science.”

[ click to continue reading at The Guardian ]

Posted on April 21, 2019 by Editor

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Books Are Alive!

from TIME

Stop Saying Books Are Dead. They’re More Alive Than Ever

BY LISA LUCAS

/ David Steinberger and Lisa Lucas / Getty Images

Lisa Lucas is the executive director of the National Book Foundation, the presenter of the National Book Awards and a non-profit that celebrates the best literature in America, expands its audience, and ensures that books have a prominent place in American culture

“The book is dead,” is a refrain I hear constantly. I’ll run into people on the subway, in a taxi, in an airport, or wherever I might be and when I tell them what I do, they ask me “do people even still read anymore?” This simple question implies the very work I do at the National Book Foundation may not be worthwhile—or even possible. It’s generally a casual statement, a throwaway remark, a comment repeated so often that it’s taken as fact. The book is obviously dead, or at least dying, right? 

False. When people tell me that fighting for books is fighting a futile battle, that’s the moment my optimism kicks in. That’s the moment I power up my very deepest belief in literature. A person who wants to challenge or lament the death of reading with me is a person looking for a fight and, I think, a person who wants to be convinced otherwise. This gives me hope. I’m here for this fight.

[ click to continue reading at TIME ]

Posted on April 20, 2019 by Editor

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Miles Millar & Alfred Gough in conversation w/ James Frey

Posted on April 9, 2019 by Editor

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Emma Roberts Reads KATERINA

from Just Jared

Emma Roberts Is All Smiles After Purchasing James Frey’s ‘Katerina’ in LA!

Emma Roberts Is All Smiles After Purchasing James Frey's 'Katerina' in LA!

Emma Roberts has some holiday reading in store!

The 27-year-old American Horror Storyactress was spotted heading out after purchasing a copy of James Frey‘s Katerina on Wednesday (December 26) in Los Angeles.

The novel, released earlier in 2018, is described as a sweeping love story alternating between 1992 Paris and Los Angeles in 2018.

[ click to continue reading at JustJared.com ]

Posted on December 27, 2018 by Editor

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Great Expectations

from WIRED

THE ‘FUTURE BOOK’ IS HERE, BUT IT’S NOT WHAT WE EXPECTED

by  

HOTLITTLEPOTATO; GETTY IMAGES

THE FUTURE BOOK was meant to be interactive, moving, alive. Its pages were supposed to be lush with whirling doodads, responsive, hands-on. The old paperback Zork choose-your-own-adventures were just the start. The Future Book would change depending on where you were, how you were feeling. It would incorporate your very environment into its story—the name of the coffee shop you were sitting at, your best friend’s birthday. It would be sly, maybe a little creepy. Definitely programmable. Ulysses would extend indefinitely in any direction you wanted to explore; just tap and some unique, mega-mind-blowing sui generis path of Joycean machine-learned words would wend itself out before your very eyes.

Prognostications about how technology would affect the form of paper books have been with us for centuries. Each new medium was poised to deform or murder the book: newspapers, photography, radio, movies, television, videogames, the internet.

Some viewed the intersection of books and technology more positively: In 1945, Vannevar Bush wrote in The Atlantic: “Wholly new forms of encyclopedias will appear, ready made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified.”

Researcher Alan Kay created a cardboard prototype of a tablet-like device in 1968. He called it the “Dynabook,” saying, “We created a new kind of medium for boosting human thought, for amplifying human intellectual endeavor. We thought it could be as significant as Gutenberg’s invention of the printing press 500 years ago.”

[ click to continue reading at WIRED ]

Posted on December 24, 2018 by Editor

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GMA: KATERINA on Best Books of 2018 List

from ABC News/Good Morning America

Best books of 2018 make great gifts for the holidays

By TONY MORRISON & ALISON EHRLICH via GMA

PHOTO: Best BooksGMA, ABC News Photo Illustration

A perfectly selected book as a gift for the holidays can make you the most thoughtful of gift-givers.

Whether you’re looking for something new to pick up for yourself or stumped by what to get that very special bookworm in your life, check out our list of best reads of 2018. It’s curated by our “GMA” Book Editor, including what we just can’t wait to get our hands on in the New Year.

“The Kiss Quotient,” by Helen Hoang

“Sadie,” by Courtney Summers

“Bad Blood: Secrets and Lies in a Silicon Valley Startup,” by John Carreyrou

“Katerina,” by James Frey

[ click to continue reading list at ABC ]

Posted on December 23, 2018 by Editor

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Signed Copy of KATERINA @ Powell’s

click to visit at Powell’s

[ click to get at Powell’s ]

Posted on September 23, 2018 by Editor

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KATERINA on New York Post Must-read List

from The New York Post

This week’s must-read books

By Mackenzie Dawson

Katerina
James Frey (Gallery/Scout Press)
Set in 1992 Paris and 2018 Los Angeles, a love story between a young writer and a young model, both on the verge of fame. Twenty-five years later, the writer receives an anonymous message that draws him back to that relationship and all the magic of that earlier time.

[ click to continue reading at NYP ]

Posted on September 17, 2018 by Editor

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GAWKER Alive

from VARIETY

Gawker Set to Relaunch Under New Owner Bryan Goldberg (EXCLUSIVE)

Amanda Hale hired as publisher for new iteration of the media gossip blog

by TODD SPANGLER

Gawker Logo

Gawker will rise from the ashes in a new iteration of the website to be launched next year, Variety has learned.

The reborn Gawker comes under the ownership of Bryan Goldberg, founder and CEO of Bustle Digital Group, who was the winning bidder for the remaining assets of Gawker Media in July. Goldberg paid $1.35 million for the media gossip blog, which has been dormant for over two years after Gawker Media was sued into bankruptcy by Silicon Valley billionaire Peter Thiel.

In a memo to Bustle staff Tuesday obtained by Variety, Goldberg said he has hired Amanda Hale as the new publisher of Gawker. Based in New York, Hale most recently was chief revenue officer of The Outline, the culture website founded by Joshua Topolsky (who previously worked at Bloomberg Media and The Verge) that recently laid off one-fourth of its staff.

Goldberg is targeting the Gawker relaunch for early 2019. “We won’t recreate Gawker exactly as it was, but we will build upon Gawker’s legacy and triumphs — and learn from its missteps,” he wrote in the memo. “In so doing, we aim to create something new, vibrant, highly relevant, and worth visiting daily.”

[ click to continue reading at VARIETY ]

Posted on September 11, 2018 by Editor

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Sam Taylor-Johnson on A MILLION LITTLE PIECES

from Vanity Fair

Sam Taylor-Johnson on “the Dream” of Directing Husband Aaron in A Million Little Pieces

The adaptation of James Frey’s book—debuting at the Toronto Film Festival on Sunday—is the couple’s first collaboration since Nowhere Boy.

by JULIE MILLER

Aaron Taylor-Johnson stars as James Frey in *A Million Little Pieces*.Jeff Gros

Since making 2009’s brilliant John Lennon biopic Nowhere Boy, director Sam Taylor-Johnson and actor Aaron Taylor-Johnson had been looking for an excuse to work together again.

But their personal collaborations complicated reunion possibilities for several years. Sam and Aaron fell in love after making the movie, got married, and had two daughters. (Sam also has two older daughters from her first marriage.) Rather than leave the kids in the care of strangers, husband and wife took turns making movies—with Sam adapting E.L. James’s bodice-ripping best-seller Fifty Shades of Grey into an artful blockbuster; and Aaron cycling through genres in Anna Karenina,Godzilla, Avengers: Age of Ultron, and Nocturnal Animals.

Last year, though, the stars finally re-aligned for the Taylor-Johnsons. Sam signed on to direct an adaptation of James Frey’s 2003 book, A Million Little Pieces. And Aaron coincidentally had a gap in his schedule.

“The minute I knew he was available, it was clear that Aaron would be James. Absolutely, without question,” Sam said in an interview ahead of A Million Little Pieces’ premiere at the Toronto Film Festival. “I think it was serendipitous timing that he was available, the book rights were available, and the timing was perfect. . . . This was the dream since we first worked together. After [Nowhere Boy], we would both go to work on different projects, and I’d say, in my mind, ‘I’m leaving the best actor at home.’”

[ click to continue reading at VF ]

Posted on September 10, 2018 by Editor

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Stay gold, Ponyboy

from The New York Times

The Enduring Spell of ‘The Outsiders’

S. E. Hinton’s 1967 coming-of-age novel credited teenagers with a rich interior life. Here, a tribute to the book that created young adult fiction as we know it today.

By Lena Dunham

IT WAS FRESHMAN year of college and I fancied myself someone, well, fancy. Someone who loved fancy books and fancy men. Fancy bags and fancy restaurants. I was working overtime to appear unfazed, and it was moving along about as smoothly as the Sochi Olympics. Across the Intro to Genealogy classroom sat a boy who looked like a man but was, by virtue of being 19, still a boy — dark hair and dark eyes, a denim jacket so stiff it looked starched. He barely spoke but knew all the answers, while I spoke all the time and knew none.

I was leaving in the spring, transferring to a school that my mother considered more “academically rigorous,” and it was my soon-to-be-outta-here sense of abandon that allowed me to approach him one day after class: “Hey, did you know you look like the lead singer of the Cure?”

He looked at me quizzically. “Who’s that?” he asked. I stuttered — the fact was, I didn’t actually know. I’d seen a photo of Robert Smith in another kid’s dorm room and wasn’t expecting to be questioned, but instead to receive the kind of insider approval that usually accompanied a display of hipster knowledge. (This was the privilege of not having to consider the consequences of any action, great or small, that is endemic to upper-middle-class white girls everywhere.) I stammered: “Your hair is … I mean, your faces both kind of look …” He stared.

I changed tactics.

“I’m transferring,” I haughtily informed him.

“Oh, are you?” He jutted his chin out toward me: “O.K., then … stay gold, Ponyboy.”

[ click to continue reading at NYT ]

Posted on September 8, 2018 by Editor

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Join Me On Tour – Join Me On Instagram

CLICK HERE FOR THE TOUR SCHEDULE

Posted on September 6, 2018 by Editor

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Best Books of 2018: KATERINA by JAMES FREY

from Esquire

The Best Books of 2018 (So Far)

Get your to-read list ready: 2018 is already a good year for reading.

BY

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We may live in challenging times, and there’s no better escape than through a good book. From new novels from beloved writers to compelling non-fiction examinations of our modern world, 2018 has already delivered some excellent reads.

KATERINA BY JAMES FREY

Would you respond to a cryptic Facebook message from an unrecognized user? Forty-two-year-old novelist-turned-screenwriter Jay does. He’s ambivalent about the messages at first, but their familiar tone piques his interest and reminds him of someone important from his past. Thus, begins this sexy and electric novel that flips between modern-day Los Angeles and Paris in 1992—back when Jay was 21 and burning with the desire to make art that was going to change the world. Frey, perhaps best known for his controversial book A Million Little Pieces, has penned a compulsive novel that speaks directly to the scandal that blew up his own life.

CLICK TO BUY KATERINA on Amazon

[ click to read the rest of the Best 2018 Books at Esquire ]

Posted on August 27, 2018 by Editor

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KATERINA Tour Schedule

My first tour in awhile – looking forward to seeing you all again….

Click here to pick up a copy of KATERINA – bring it to a reading and I’ll sign it for you.

Posted on August 20, 2018 by Editor

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James Frey Reads from KATERINA in New Canaan

from New Canaan’s Hamlet Hub

Authors @ New Canaan Library Presents James Frey, Introducing New Novel, Katerina

by Katherine Blance

New Canaan Library welcomes bestselling author James Frey, speaking about his latest novel, Katerina, on Wednesday, September 26 at 6:30 p.m. in the Adrian Lamb Room. Copies of the book will be available for purchase, courtesy of Elm Street Books. Please register online at newcanaanlibrary.org.

From the New York Times bestselling author of A Million Little Pieces and Bright Shiny Morning comes Katerina, James Frey’s highly anticipated new novel. Set in both 1992 Paris and contemporary Los Angeles, Katerina tells the story of a young writer and a young model on the verge of fame in 1992, both reckless, impulsive, and deeply in love. Twenty-five years later, the writer is rich and famous and numb – until he receives an anonymous message that draws him back to the life, and possibly to the love, he abandoned years prior.

James Frey is originally from Cleveland, Ohio. He is the bestselling author of A Million Little Pieces, My Friend Leonard, Bright Shiny Morning and The Final Testament of the Holy Bible. He is married and lives in Connecticut.

[ click to continue reading at Hamlet Hub ]

Posted on August 15, 2018 by Editor

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