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Bret Easton Ouch V Kathryn Hot-elow

from E!

Bret Easton Ellis Rips Kathryn Bigelow in Sexist Rant: Zero Dark Thirty Director Overrated Because She’s “Hot”

Bret Easton Ellis, Kathryn Bigelow

Joe Kohen/WireImage, Cindy Ord/Getty Images

Bret Easton Ellis has never been one to hold back his opinions on Twitter (see: Paris HiltonMatt Bomer).

Now, he’s directing his 140-character vitriol at a most unlikely of targets: Zero Dark Thirtyhelmer Kathryn Bigelow.

The motormouthed author took to Twitter Wednesday night to slam the filmmaker—the first woman to win an Oscar for Best Director—for her success mainly because of her gender.

Oh, yes: He went there.

[ click to continue reading at E! ]

Posted on December 6, 2012 by Editor

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The Greatest Hip-Hop Album Ever

from LA Weekly

The Making of The Chronic

By Ben Westhoff

Dr. Dre’s seminal 1992 album, The Chronic, turns 20 next month. Though a sensation upon its release, the raw-but-melodic work’s legend has only grown in the ensuing decades, and today seemingly every MC-producer duo fancies itself the next Dre and Snoop Dogg. It has become the most influential rap work ever made, and perhaps even the greatest, as Jeff Weiss argues.

See also: *Top 20 Greatest L.A. Rap Albums
*The Chronic: The Greatest Album In Rap History

But it almost never happened. Despite the success Dre had experienced with N.W.A, he was entangled in contractual problems with his former crewmate Eazy-E’s label. For that reason, as well as Death Row’s dodgy reputation, The Chronic had a hard time finding release. It took the shepherding of renegade upstart Interscope Records, the financing of convicted drug kingpin Michael Harris and the steady hand of Suge Knight, an intimidating former defensive end, to give it life.

Xenon Pictures,Welcome to Death Row: The Rise and Fall of Death Row Records, tells the story of Knight’s infamous imprint, as well as the rise of Snoop and Tupac Shakur. Its producers — Jeff Scheftel, Leigh Savidge and Steve Housden — gained unprecedented access to Harris while he was behind bars. They also spoke with some 100 other figures associated with the label, from publicists and drug dealers to Chronic performers.

[ click to continue reading at ]

Posted on December 1, 2012 by Editor

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Big Cool (and can run over any stupid Metro bus that pulls out in front of it)

from The LA Times

Shuttle treks across L.A., headed for its space

Shuttle tripLooking like a behemoth out of a Hollywood film, space shuttle Endeavour makes its way down Manchester Boulevard.(Jay L. Clendenin/Los Angeles Times)

By Kate Mather, Andrew Khouri and Christine Mai-Duc, Los Angeles Times

The space shuttle Endeavour arrived in Los Angeles last month with an air of majesty, soaring over ocean and mountains, swooping past the Hollywood sign and Disneyland, and dazzling crowds gazing up from the ground.

Endeavour lost a little of that grandeur Friday, towed by four trailers, inching down city streets from Los Angeles International Airport toward its new life as an exhibit at the California Science Center. But it was greeted with fanfare by large crowds who marveled at its sheer size against the city backdrop.

[ click to continue reading at The LA Times ]

Posted on October 12, 2012 by Editor

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World’s Greatest Lyricist Gone

from The LA Times

Celebrating iconic songwriter Hal David

Hal David, who helped pen iconic tunes like “Raindrops Keep Fallin’ On My Head” and “(They Long to Be) Close to You” has died. He was 91.

By Gerrick D. Kennedy

Hal David
Lyricist Hal David died at Cedars-Sinai Medical Center in Los Angeles on Saturday of complications from a stroke.(Paul Buck / EPA / September 1, 2012)

Hal David, the lyricist of pop music standards such as “Raindrops Keep Fallin’ On My Head” and “(They Long to Be) Close to You” has died. He was 91.

David and his longtime partner composer Burt Bacharach etched an indelible footprint on the American songbook when they penned dozens of top 40 hits.

WATCH: 10 iconic Hal David songs

The two crafted a slew of memorable singles in the 1960s and early 1970s for a range of artists including Dionne Warwick,the Carpenters, Dusty Springfield, Gene Pitney and Tom Jones.

Some of the standards in the Bacharach-David catalog include “Walk on By,” “Do You Know the Way to San Jose,” “I Say a Little Prayer” and “One Less Bell to Answer” – and dozens more that were hits on radio and on soundtracks to film and TV for decades.

[ click to read full article at ]

Posted on September 4, 2012 by Editor

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Steel Pulse Does Doheny Days

Posted on August 22, 2012 by Editor

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Sacks On Smack

from The New Yorker

[ click to continue reading at The New Yorker ]

Posted on August 21, 2012 by Editor

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Holy Sh!t. Tony Scott Gone.

from TMZ

Director Tony Scott Commits Suicide – Jumps Off L.A. Bridge


Famed director Tony Scott — who directed “Top Gun” among many other major films — jumped to his death today off an L.A. bridge … this according to the L.A. County Coroner.According to the Coroner, 68-year-old Scott — Ridley Scott’s brother — jumped from the Vincent Thomas Bridge spanning San Pedro and Terminal Island around 12:30pm.

U.S. Coast Guard Lt. Jennifer Osburn said a suicide note was found in Scott’s Toyota Prius, which was parked on one of the eastbound lanes of the bridge.

Scott directed such films as “Top Gun,” “Beverly Hills Cop II,” “Enemy of the State,” and “The Taking of Pelham 123.”

[ click to continue reading at ]

Posted on August 19, 2012 by Editor

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Richard Zanuck Gone

from Variety

Producer Richard Zanuck dies at 77

Oscar winner behind ‘Driving Miss Daisy’ also shaped ‘Jaws’ and six Tim Burton films


Richard Zanuck, the son of legendary 20th Century Fox mogul Darryl F. Zanuck who carved out his own career as the Oscar-winning producer of “Driving Miss Daisy,” the blockbuster “Jaws” and several Tim Burton films, including “Alice in Wonderland,” died Friday in Los Angeles from a heart attack. He was 77.

[ click to continue reading at Variety ]

Posted on July 13, 2012 by Editor

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One of the goals is to have people dancing in the museum.

from The New York Observer

Hot Stuff! Jeffrey Deitch on James Murphy’s ‘Fire in the Disco’ Show at L.A. MOCA

By Michael H. Miller

Mr. Murphy. (Courtesy PMC)The Museum of Contemporary Art in Los Angeles has scheduled an exhibition called “Fire in the Disco,” which will look at the history of disco and its impact on art, fashion and music. It will be co-curated by former LCD Soundsystem frontman James Murphy and the museum hopes for it to open in time for the next programming season. Word of the show was first hinted at in a New York Times profile of Mr. Murphy last week that said he had been talking with MOCA’s director Jeffrey Deitch. Mr. Deitch confirmed the news on the phone with us Monday evening.

“There aren’t that many of these cultural movements that within a few years spread all around the world,” Mr. Deitch said of the exhibition’s subject. “Like Cubism, within a few years of its invention in Paris, it’s everywhere. And disco is sort of this unlikely candidate for this. It emerges in subcultures in lofts in downtown New York and basements in Paris, but it sweeps the world very quickly and encompasses fashion, film, art, and has great social impact in addition to its musical impact. It has a tremendous impact on gay liberation, on the connection between black, white, Hispanic. It became a universal language.”

click to continue reading at ]

Posted on July 12, 2012 by Editor

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Terminator 5 – Creep Of The Crawlers

from The New York Times

Venice Beach Bodybuilders Fear Google Is Kicking Sand at Them

Monica Almeida/The New York Times

A painting for sale on the boardwalk in the Venice section of Los Angeles, where Google has set up offices and may lease more space. More Photos »


LOS ANGELES — This city’s boardwalk community of Venice has long celebrated its seediness, accepting — embracing, really — the kind of sensory assaults that would faze more conventional places: beachfront bodybuilders, ragamuffin street vendors, tattoo artists, Hare Krishna chanters, skateboarders, drug dealers, gangs, homeless encampments, rowdy tourists, film crews and, more recently, a colony of medical marijuana dispensaries.

But Venice might have met its match in what many see as its most unsettling threat yet: Google.

“As soon as I walked in, they said: ‘You heard about Google? Why don’t you have your staff look into this?’ ” former Gov. Arnold Schwarzenegger, who began his professional career as a bodybuilder here 44 years ago, said after he emerged from a throng of worried muscle-bound admirers at Gold’s Gym. “It’s this conspiracy theory: ‘Google is coming! They are going to take over and wipe out our bodybuilding.’ ”

In November, Google moved an army of sales and technology employees into 100,000 square feet in two Venice buildings. It is negotiating leases on another 100,000 square feet, according to real estate agents. That includes the 31,000-square-foot expanse that is Gold’s Gym, the very bodybuilding symbol of Venice, if not the universe, where Mr. Schwarzenegger stopped by the other morning.

[ click to continue reading at ]

Posted on June 19, 2012 by Editor

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Rodney King Gone (Thanks, Rodney – though still we do not listen.)

from The LA Times

Rodney King was haunted by memories, daunted by pain

The 1991 beating by LAPD officers and years of drug and alcohol abuse left Rodney King unmoored. But he sought a new beginning.

By Kurt Streeter, Los Angeles Times

Rodney King
Rodney King was working hard to mend personal relationships that had frayed during two decades of instability and trouble. (Francine Orr / Los Angeles Times / October 3, 2008)

Rodney King spoke candidly of death. I recall a time last March when he and I were walking through his Rialto home. He looked at photos of the LAPD officers who’d beaten him. Without prompting, he opened up. “I’m just glad I survived what he did to me,” he said, speaking of one of the officers, Stacey Koon. He held his two fingers about a quarter-inch apart. “I was this close to death,” he said. “This close.”

He went on to say there were long moments that night in Lake View Terrace in 1991 when it felt as if he had, in fact, died. Moments when it seemed he was outside his body, looking down at a scene of horror below. King explained how, as boots and batons fell, as electricity from Tasers ripped through his body, he thought of what it was like for African slaves to withstanding whippings. The thought of what they went through helped him stay alive.

Make no mistake, that wasn’t the only time Rodney King could have died. He was extremely candid about his addiction to drugs and alcohol; about the damage he’d done to his body and how addiction could have cost him his life on several occasions. He felt lucky to have survived moments like the time in 2003 when he sped down a street in Rialto, high on PCP, and crashed into a tree.

He compared himself to a cat. “They’ve only got nine lives,” he said. “I don’t want to get to nine.”

[ click to continue reading at ]

Posted on June 17, 2012 by Editor

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The Kings Kill The Devils

Posted on June 11, 2012 by Editor

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from The Guardian

[ click to continue reading at The Guardian ]

Posted on June 8, 2012 by Editor

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Porno Colosseo

from The LA Times

Porn video shot on Coliseum grounds

It’s unclear how the filmmaker got access to the taxpayer-owned stadium or permission to use its field lights.

By Paul Pringle and Rong-Gong Lin II, Los Angeles Times

The Los Angeles Memorial Coliseum field is the place where the USC Trojans play football, two Summer Olympics were staged, John F. Kennedy accepted the Democratic presidential nomination and Pope John Paul II celebrated Mass.

It was also a location for “The Gangbang Girl #32,” a hard-core pornographic movie that featured 40 minutes of group sex on the gridiron turf, The Times has learned.

The filming at the taxpayer-owned stadium was done at night, with the Coliseum‘s towering lights blazing and its rows of distinctive red and white seats framing many of the scenes. The video also shows the stadium’s signature tunnel, which the Trojan team charges through at the start of games, as well as a sliver of the iconic peristyle, the arched entrance to the Coliseum.

“I was just in awe that we were at the Coliseum,” said a star of the film, who goes by the name Mr. Marcus. “I’ve made movies for about 20 years and I’ve done a lot of things, but that one really stands out.… I mean, who gets to have sex on the Coliseum floor?”

[ click to continue reading at ]

Posted on May 31, 2012 by Editor

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“between my cat and my pups, i’m about to f**n kill things”

from CBS Los Angeles

Hawk Snatches Shanna Moakler’s Dog From Her Calabasas Home

pooch.jpgCALABASAS (CBS) — Former Miss USA and Playboy model Shanna Moakler says one of her dogs is missing and another is under veterinary care after the animals were attacked by a hawk at her Calabasas home.

“A eagle attacked my 2 chi’s today, my girl pup is at the vet, my boy is missing, between my cat and my pups, i’m about to f**n kill things,” she tweeted Monday, but later referred to the animal as a hawk.

“Not gonna lie, feel like hunting hawks today… don’t feel bad about it either,” she tweeted Wednesday.

[ click to continue reading at CBS LA ]

Posted on April 26, 2012 by Editor

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THR: James Frey’s Full Fathom Five Taps Todd Cohen as Film & TV President

from The Hollywood Reporter

James Frey’s Full Fathom Five Taps Todd Cohen as Film & TV President

Cohen will oversee the company’s push into movies, TV and digital.

Full Fathom Five, the multi-platform intellectual property company founded by author James Frey,has tapped Todd Cohen as its president of film and television. He will head the company’s new Los Angeles office.

Cohen, who most recently served as vp of scripted television at Reveille, will oversee Full Fathom Five’s push into movies, TV and digital. According to the company, Cohen “will guide the company’s current projects through development and production as well as look to expand Full Fathom Five through partnerships with outside producers.“

At Reveille, Cohen worked on NBC’s The Office, Showtime’s The Tudors and ABC’s Ugly Betty. Cohen also developed, packaged and produced comedy, drama and unscripted programming for network and cable, as well as for digital platforms. He joined the company in 2004.

Full Fathom Five is best known for creating the hit book series I Am Number Four, which was adapted into a DreamWorks movie in 2011. The company is designed to be an IP generator and has already created over three dozen books, television shows, movies and video games. Several are already in development at CBS, HBO, 20th Century Fox and Sony.

CHICAGO TRIBUNE: Full Fathom Five taps Cohen: Ex-Reveille exec to lead film, TV efforts

DEADLINE HOLLYWOOD: James Frey’s Full Fathom Five Hires Todd Cohen As President Of Film And Television

[ click to read article at The Hollywood Reporter ]

Posted on April 7, 2012 by Editor

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Studio Peckinpah To Be Razed and Replaced With Boring

from The Los Angeles Times

Storied West Hollywood studio buildings to be demolished

The studio lot, once owned by Mary Pickford and Douglas Fairbanks, has had many names and housed many productions over the years. Its new owner intends to raze and replace several buildings.

By Bob Pool, Los Angeles Times

Mary Pickford and Douglas Fairbanks worked there. So did Charlie ChaplinMarilyn Monroe,Elizabeth TaylorClark GableMarlon Brando and practically everyone else.

Soon, though, wrecking crews will be at work at the storied West Hollywood movie lot at the corner of Santa Monica Boulevard and Formosa Avenue.

Once known as the Warner Hollywood Studio, it’s now called “The Lot.” Its new owner, CIM Group, intends to raze its aging wooden office buildings and sound-dubbing stages and replace them with glass-and-steel structures.

According to West Hollywood planning officials, the first phase of work involves the demolition of the studio’s Pickford Building — built in 1927 and remodeled in 1936 — and Goldwyn Building, which was built in 1932 and is used for sound editing.

Later phases will involve the removal of the studio’s Writers Building, Fairbanks Building and Editorial Building and a block-long row of production offices that line Santa Monica Boulevard. Replacement buildings will rise to six stories.

The redevelopment plans have riled many in the entertainment industry, particularly those who know the studio from past film shoots and television programs.

[ click to read full article at ]

Posted on March 26, 2012 by Editor

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There’s A Moon Over Terrywood Tonight

from the NY Daily News

Funky moon over Hollywood

Terry Richardson’s fete Friday night was the only Oscar weekend party we know of where a guest dropped his pants and mooned the red carpet, or where the host signed a fan’s breasts.


The opening of the fashion photographer’s solo art exhibition, “Terrywood,” brought out celebs, rappers, rockers, porn stars, models, gallerists and everyone in between. James Franco showed up in a trucker hat while Lindsay Lohan worked an “Alice in Wonderland”-on-Mars look in a pale green frock with purple squiggles. Paz de la Huerta and hotelier Vikram Chatwal mugged for cameras, and Chatwal hoisted the “Boardwalk Empire” star into his arms between smooches.

[ click to read at ]

Posted on February 27, 2012 by Editor

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from stupidDOPE

Terry Richardson – OHWOW “Terrywood” Exhibition

Terry Richardson ‘Terrywood’ Exhibition at OHWOW Los Angeles 0 500x370 Terry Richardson   OHWOW “Terrywood” Exhibition

OHWOW is a gallery, publisher, and creative community with gallery and retail locations in New York CityLos Angeles and Miami. The Los Angeles OHWOW gallery started out as a laundromat and now, has become a niche for the artistic and art patrons in the area.  Edgy pop fashion photographer Terry Richardson was born in NYC but was raised in Hollywood, California.  Coming in February 2012, Richardson will show tribute to the location with his “Terrywood” Exhibit.

We’re not privy as to what the exhibit will display on its February debut, but if Terry’s previous fashion photos are any indication the exhibition that is dedicated to Hollywood life should be one to see. Terrywood will show at the OHWOW gallery from February 24-March 31, 2012. OHWOW is located at 937 N. La Cienega Blvd – Los Angeles, CA 90069.

[ click to read at ]

Posted on February 24, 2012 by Editor

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No Bareback! No Peace!

from the Los Angeles Times

Porn industry may boogie out of L.A. over condom law

Producers weigh taking legal action or moving out of town when a Los Angeles measure requiring performers to wear condoms takes effect March 5.

The AIDS Healthcare Foundation demonstrates last February near the L.A. site of an adult film awards show.(Francine Orr / Los Angeles Times)

By Rong-Gong Lin II, Los Angeles Times – February 21, 2012

For decades, the nation’s pornographic film industry found a happy, largely accepting home in Los Angeles.

Producers operated lucrative businesses in anonymous office parks in the San Fernando Valley. Available in the city were a steady supply of actors and film production talent as well as opulent mansions that often served as theatrical backdrops. By one estimate, at least 5% of on-location shoots were for adult films.

But this coexistence has been suddenly shaken by sweeping health regulations that, starting March 5, will require porn performers to wear condoms while on location.

It’s a debate that pits the desire to protect the health of porn actors against the freedom to make films that audiences want to see.

[ click to read full article at ]

Posted on February 21, 2012 by Editor

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Laemmle Sunset 5 Gone

from the LA Times

Laemmle Theatres to vacate Sunset 5; Sundance to take over lease

It’s the end of an era for a West Hollywood movie house that has been a mainstay of the independent cinema scene for the last 20 years.


Laemmle Theatres will stop operating the Sunset 5 at the end of the month after being unable to come to terms with the landlord on a new lease.

Robert Redford’s Sundance Cinemas will take over the five-screen complex Dec. 1 and will temporarily close it for renovations, with plans to reopen in late spring. This marks the entry of Westlake Village-based exhibitor into the Los Angeles area. Sundance Cinemas operates theaters in Madison, Wis., San Francisco and Houston.

Although the Sunset 5 will remain operational, the loss of Laemmle as its programmer marks a significant shift for the independent film business in the Los Angeles area. Filmmakers such as Catherine Hardwicke  (“Thirteen”), Bryan Singer (“The Usual Suspects”) and Bill Condon (“Gods and Monsters”) had their films premiere at the movie house on Sunset Boulevard near Crescent Heights.

[ click to continue reading at ]

Posted on November 9, 2011 by Editor

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Hollywood Pioneer Sue Mengers Gone

from Vanity Fair

Sue Mengers

With a client list that included Ali MacGraw, Gene Hackman, and Barbra Streisand, Sue Mengers, the first superagent, ruled 1970s Hollywood with her brash, no-nonsense style. Herewith, the expert deal-maker dishes on insects, Paris Hilton, and sleeping.

Jack Nicholson

Which living person do you most admire? 
 My plumber.

What is the trait you most deplore in yourself? 
 There’s not enough paper …

What is the trait you most deplore in others? 
 Lack of humor.

What is your greatest extravagance? 

What is the quality you most like in a man? 
 That he breathes.

What is the quality you most like in a woman? 

What do you most value in your friends? 
 Utter devotion.

Who are your heroes in real life? 

How would you like to die? 
 I think I already have.

What is your motto? 
 “Tomorrow may not be another day.”

[ click to read the full Proust at Vanity Fair ]

Posted on October 16, 2011 by Editor

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340-ton, 21-foot-high solid granite boulder crawls 120 miles to Los Angeles

from The New York Times

How Do You Move a 340-Ton Artwork? Very Carefully

Monica Almeida/The New York Times

Published: October 7, 2011

RIVERSIDE, Calif. — It is just under 60 miles from the Stone Valley Quarry here — an expanse of dust, boulders, roaring bulldozers and cut granite hillsides — to the lush campus of the Los Angeles County Museum of Art on Museum Mile. Behind a pile of rocks the other afternoon, out of sight from the road, workers scurried around a 340-ton, 21-foot-high solid granite boulder, trussed with red steel girders, gleaming under the desert sun. If all goes well, this boulder will be hovering over a cut in the earth on the grounds of the museum, and be open for viewing, by the end of November.

The piece, known as “Levitated Mass,” by Michael Heizer, a California-born sculptor known for huge outdoor installations that make extensive use of earth and rock, is by any measure an ambitious and brash use of outdoor space. But more ambitious might be the logistics of moving Mr. Heizer’s rock, which was dynamited out of a hillside, from here to there. It is a trip that will take the boulder through the heart of one of the most congested urban centers in the country: nine nights at six miles an hour, through 120 miles of roads, highways, bridges, overpasses, overhead wires, alarmingly low-hanging traffic lights and sharp turns.

The effort, nearly five years in the planning (though Mr. Heizer has been making sketches of it as far back as the late 1960s), feels nothing short of a military movement: an incursion through a bewildering thicket of state, city and county regulations and a region with a notoriously difficult street grid. Even the matter of where to pull over each day is a challenge; this is not a Motel 6 kind of trip.

[ click to continue reading at ]

Posted on October 9, 2011 by Editor

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Apocalyptic Porn Bunker

from CBS Los Angeles

LA Porn Studio Begins Construction On ‘Post-Apocalyptic’ Underground Bunker

ti5th LA Porn Studio Begins Construction On Post Apocalyptic Underground Bunker

San Fernando Valley-based porn studio Pink Visual said the bunker is envisioned as “far more than a mere bomb shelter or subterranean survivalist enclave”, complete with a digital studio, gun racks and a rotating hydraulic stage.
(courtesy Pink Visual) 

LOS ANGELES (CBS) — A San Fernando Valley adult entertainment studio began construction this month on what it calls a “post-apocalyptic” underground bunker in anticipation of a global catastrophe rumored to take place in late 2012.A spokesman for Van Nuys-based Pink Visual said the bunker will be “far more than a mere bomb shelter or subterranean survivalist enclave” with amenities such as multiple fully-stocked bars, an enormous performing stage and a sophisticated content production studio.

“Our goal is nothing less than to survive the apocalypse to come in comfort and luxury,” said Pink Visual spokesman Quentin Boyer, “whether that catastrophe takes the form of fireballs flung earthward by an all-seeing deity, extended torrential rainfall, Biblical rapture, an earthquake-driven mega-tsunami, radioactive flesh-eating zombies, or some combination of the above.”

[ click to continue reading at CBS LA ]

Posted on September 19, 2011 by Editor

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ALBERT REYES: The Art of The Rattling Wall – August 13


The Art of The Rattling Wall

Please join PEN Center USA and Narrow Books at Synchronicity on August 13, 2011, at 7 p.m. for the opening of ALBERT REYES: THE ART OF THE RATTLING WALL. The Rattling Wall is a Los Angeles-based literary journal specializing in short fiction, travel essays, and poetry. ALBERT REYES: THE ART OF THE RATTLING WALL will feature the artwork that appears in the journal’s inaugural issue, as well as new work. The show will run from August 13-27, 2011.

Albert Reyes has a distinctive artistic approach inspired not only by street art, comic books, and American pop culture; but also by contemporary and classical “high art.” His drawings and illustrations incorporate everything from icons of corporate America to Hollywood stars, to mass media, to politics, to consumerism. Reyes has exhibited at the Pacific Design Center, Giant Robot (Los Angeles, San Francisco, and New York), Black Market Gallery, Art Basel Miami Beach, and Shepard Fairey’s Subliminal Projects and Studio Number One galleries. His artwork has appeared in the New York Times: Year In Ideas, Swindle, Chicano Art Magazine, Giant Robot Magazine, and on “Jimmy Kimmel Live” and CNN.

The Rattling Wall, Issue 1, includes work by Tod Goldberg, Libby Flores, Tony Hoagland, Joseph Mattson, Kyle G. Dargan, Eric Layer, Stacey Waite, Neal Pollack, Lou Mathews, Don Winslow, Matthew Zapruder, Alisa Slaughter, James Greer, Eloise Klein Healy, Blake Butler, Jessica Garrison, Allison Burnett, Samantha Dunn, Brando Skyhorse, and James Frey. The Rattling Wall is edited by Michelle Meyering.

[ click to continue reading at SYNCHRONICITY ]

Posted on August 12, 2011 by Editor

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Sherwood Schwartz Gone

from the LA Times

[ click to read more at the LA Times ]

Posted on July 12, 2011 by Editor

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Lamenting the lack of “satirical clarity”…

from The New York Times

Notes of a Screenwriter, Mad as Hell

United Artists

The screenwriter Paddy Chayefsky(1923-1981) won an Academy Award for his jeremiad “Network” (1976), starring Faye Dunaway.


LAMENTING the lack of “satirical clarity” in the screenplay he was laboring on in the early 1970s, Paddy Chayefsky was mad at himself and American television viewers at large. He was seeing the venomous spirit of the era of Watergate and the Vietnam War infiltrate every program the broadcast networks offered, from their news shows to their sitcoms, and he concluded in a typewritten note to himself that the American people “don’t want jolly, happy family type shows like Eye Witness News”; no, he wrote, “the American people are angry and want angry shows.” He had set out to write a comedy, but if his film script was funny at all, he said, “the only joke we have going for us is the idea of ANGER.”

In the following months, Chayefsky channeled that fury and his intense frustration with television — the medium he described in another note as “an indestructible and terrifying giant that is stronger than the government” — into the screenplay for “Network,” his dark satire about an unstable news anchor and a broadcasting company and a viewing public all too happy to follow him over the brink of sanity.

“Network,” directed by Sidney Lumet and released in 1976, won four Academy Awards, including Oscars for Chayefsky’s script, Faye Dunaway’s performance as a cynical programming executive and Peter Finch’s frenetic portrayal of Howard Beale, the troubled “mad prophet of the airwaves.”

Thirty-five years later, “Network” remains an incendiary if influential film, and its screenplay is still admired as much for its predictive accuracy as for its vehemence: a relentless sense of purpose that is even more palpable in the files Chayefsky left behind upon his death in 1981.

[ click to continue reading at ]

Posted on May 22, 2011 by Editor

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from The LA Times

The opening celebration for ‘The Rattling Wall’


Maybe all readings should let the bar open before getting underway.

Whether it was helped by the wine and beer or not, Wednesday night’s kickoff of the new literary journal “The Rattling Wall” was a festive celebration. Held at the Hammer Museum, the room was filled to its 250-person capacity, with stylish young literati, well-heeled PEN stalwarts, and the contributors, who fell, demographically, somewhere between the two.

The Rattling Wall” is a print literary journal published biannually, supported by PEN Center USA West, and edited by PEN’s program director Michelle Meyering. The first issue, which includes a whopping 36 contributors, features fiction by James Frey, Blake Butler and Tod Goldberg; poetry by Tony Hoagland and Matthew Zapruder; and travel essays by Samantha Dunn and Don Winslow.

Although most of Wednesday night’s readers hail from the West Coast, Meyering hinted at the magazine’s ambitions when she told the audience that she looked forward to “building a national community of readers and writers around the journal.”

[ click to continue reading at The LA Times ]

Posted on May 13, 2011 by Editor

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The Rattling Wall

from Blogging Los Angeles

The Rattling Wall: New LA-based Literary Journal

May 3, 2011 at 11:34 am in BooksLA

I’m not one of those Angelinos who will claim that our literary culture rivals that of New York (sorry people, it just doesn’t–we can still love LA and concede secondary status on pizza and publishers). Nonetheless, we do have a pretty vibrant community of writers and readers. I’ve written about Chaparral and What Books Press here before, and I’m always happy to see news of a new journal or press.

On that note, The Rattling Wall is set to launch this month, and the inaugural issue looks delightful with offerings from Albert Reyes, Tony Hoagland, James Frey, and Neal Pollack, among others. They’re having a release party at the Hammer a week from tomorrow.

[ click to continue reading at ]

Posted on May 3, 2011 by Editor

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The Era of Classic Citrus Carton Art

from The Los Angeles Times


Southern California’s great citrus had its crate advertising

For decades, citrus growers labeled their wooden crates with colorful brand names and images, letting consumers know that the oranges, lemons and grapefruit were something special.

 The Three Star brand logo, designed in 1934 by the Carton Label Co. for the Murphy Ranch in East Whittier, reflects the “Commercial Art” era in label design. (Gordon McClelland / March 27, 2011)

By Alison Bell, Special to the Los Angeles Times

They’re bright. They’re bold. They’re eye-catching.

California orange crate labels are viewed as quaint kitchen decor today, but there was a time when the colorful logos were cutting-edge innovations in national marketing.

Packinghouses often created three different labels: one for high-grade fruit, one for mid-grade and one for the bottom of the barrel — citrus that was small, poorly textured or off-color. The fruit in this last category didn’t necessarily taste bad, but it looked bad. Growers sometimes chose scruffy dogs or ugly old ladies to represent these grades. One Villa Park brand, “Camouflage,” carried the slogan: “The Quality is Inside.” Another brand, “Mutt,” proclaimed: “Not much for looks, but ripe, sweet & juicy.”

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Posted on March 27, 2011 by Editor

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from The NY Times Asked & Answered

Asked & Answered | OHWOW


From left, Al Moran and Aaron Bondaroff.
photo by Curtis Buchanan – From left: Al Moran and Aaron Bondaroff.

Downtown is a state of mind for the art impresarios Aaron Bondaroff and Al Moran, whether they’re selling Statue of Liberty figurines by Kembra Pfahler at a pop-up shop in Athens, Greece, or recreating the Ludlow Street watering hole Max Fish at a bar in Miami (bar staff included). After descending upon Los Angeles last year with a one-night-only Halloween Neckface show that drew 5,000 people, this weekend the two introduced the new L.A. home of their OHWOW gallery. Opening Saturday in a 4,000-square-foot, ivy-covered former Laundromat on La Cienega Boulevard in West Hollywood, OHWOW presented “Noblesse Oblige,” the first L.A. exhibition from Scott Campbell, who is as well known for the work he’s inked into the flesh of Marc Jacobs, Terry Richardson and others as he is for the intricate 3-D pieces he cuts into sheets of United States currency. “Noblesse Oblige” — an ironic battle cry for Campbell’s backwoods Louisiana kin and a phrase he has tattooed on his neck — also finds the artist working with neon, etching onto 24-karat gold plates, and drawing on the insides of ostrich eggs. We caught up with Bondaroff and Moran in the Rafael de Cardenas-designed space to discuss the bigger picture.

[ click to continue reading at Asked & Answered ]

Posted on March 21, 2011 by Editor

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SMEAR Being Tagged By The Man

from The LA Times

Graffiti artist’s past is tagging behind him

Cristian Gheorghiu scrawled ragged images and his nickname, ‘Smear,’ on L.A.’s lampposts, walls and riverbeds. Now that his gallery career is taking off, an injunction is threatening to bar him from profiting from art bearing his telltale ‘tag.’

His past tags behind him
Graffiti artist Cristian Gheorghiu, emblazoned with his street nickname “Smear,” in his East Hollywood garage studio. Gheorghiu is gaining acclaim as an artist and is trying to make amends for his past mistakes. (Brian van der Brug, Los Angeles Times / February 25, 2011)

For years Cristian Gheorghiu craved the thrill of the chase. Spray-paint can in hand, he lived on the edge, always a step ahead of the law.

His canvas was L.A.’s lampposts, brick walls and concrete riverbeds where he scrawled ragged images and his own nickname, “Smear” — probably thousands of times.

The graffiti made him a subculture sensation. Fans compared his art to that of another graffiti artist, the critically acclaimedJean-Michel Basquiat.

But just as the East Hollywood graffiti artist’s career was taking off, his past has threatened to overtake him.

First came jail and a whopping fine. Now, City Atty. Carmen Trutanich is seeking a one-of-a-kind court injunction to bar Gheorghiu from profiting from art bearing his telltale “tag.”

[ click to continue reading at ]

Posted on March 16, 2011 by Editor

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Influence In Pink

from The Washington Post

John Hughes and the art his movies inspired

By Jen Chaney

Yesterday was a day of great significance for anyone who ever admired Andie Walsh, reviled Steff and wanted to hang out at Traxx.

Feb. 28, 2011 marked the 25th anniversary of the release of “Pretty in Pink,” the teen classic written by John Hughes about a thrift-store-chic girl (Molly Ringwald), a pastel-preppy guy (Andrew McCarthy) and the pompadoured geek (Jon Cryer) who wants to drive them apart.

In honor of that anniversary, as well as the genius of John Hughes in general, I recently visited to Gallery 1988, a Santa Monica, Calif., art gallery currently hosting the exhibit “The Road to Shermer: A Tribute to John Hughes.” The exhibit features paintings, posters, drawings and mixed media creations inspired by Hughes’s films, from “Ferris Bueller’s Day Off” to “The Breakfast Club” to “Planes, Trains and Automobiles.” And yes, “Pretty in Pink” is well-represented, too.

[ click to continue reading at The Washington Post ]

Posted on March 1, 2011 by Editor

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