Black Bonnie and Clyde

from MTV

QUEEN & SLIM INTRODUCES THE ‘BLACK BONNIE & CLYDE’

THE HARROWING AFTERMATH OF A TRAFFIC STOP GONE WRONG

by BRITTANY VINCENT

Daniel Kaluuya (Get Out) and newcomer Jodie Turner-Smith have joined forces for a harrowing new drama that looks like a terrifying story that could be a little too close to reality.

Queen & Slim, written by Lena Waithe (The Chi) and James Frey (A Million Little Pieces), follows a black couple (the titular “Queen” and “Slim”) who set out on their first date together when they’re forced to pull over for a minor traffic issue.

The Queen & Slim clip first appeared during the 2019 BET Awards on June 23, and it looks like a heavy story to take in, but well worth the potential discomfort it might cause some viewers due to the subject matter. Here’s to hoping the star couple finds something of a happy ending in the end, or at least as happy as it can be due to the happenings that kick the movie off.

Queen & Slim is set to debut in theaters on November 27, 2019.

[ click to continue reading at MTV ]

See also…
The Hollywood Reporter
Chicago Tribune
SlashFilm
Entertainment Weekly
Deadline
Vanity Fair

Malcolm X, MLK, Queen & Slim

from BET

Jodie Turner-Smith On Being The Malcolm X To Daniel Kaluuya’s MLK In ‘Queen & Slim’

The romantic drama from Lena Waithe explores a Black couple on a first date who find themselves on the run from the law.

Written by Jerry L. Barrow

Daniel Kaluuya and Jodie Turner-Smith on the set of 'Queen & Slim'

Jodie Turner-Smith runs her fingers through her reddish brown, low-cropped fro and smiles through the Louisiana heat. Shooting for her first feature film, Queen & Slim, has taken her from the freezing polar vortex of Ohio to the outskirts of New Orleans. A tiger-striped dress clings to her lithe frame revealing a bandage tied around her thigh. The late February sun has just hit its peak in the sky, but it looks like she’s already had a really long day. She’s pleasant and engaged, but the trauma of her character, Queen, is still visible in her eyes.

TV watchers may know Jodie as the genetically enhanced first officer, Melantha Jhirl, from Syfy’s space odyssey, Nightflyers. When word first got out about a “Black Bonnie & Clyde” film being produced by Lena Waithe and directed by Melina Matsoukas(the gifted eye behind Beyonce’s “Formation” and Nike’s “Equality” campaign) she made it a point to get an audition.

In the script written by Lena Waithe and based on an original idea by bestselling author James Frey, Queen is a defense attorney who goes on a date with Daniel Kaluuya’s(Get Out, Black Panther)working-class character, Slim, and things go from bad to worse as the couple find themselves on a very unforeseen road trip.

[ click to continue reading at BET ]

Queen & Slim BtS

from The Root

First Look: Behind the Scenes and on the Run With Queen & Slim

by Tonja Renée Stidhum

Staff Entertainment Writer Tonja Renée Stidhum on the set of Queen & Slim
Photo: The Root

Y’all. Meet Queen & Slim. And instantly fall in lust, love and lure.

Penned by Lena Waithe (from an original idea by A Million Little Pieces author James Frey, who approached her about it at an industry party) and helmed by Melina Matsoukas, at first glance, Queen & Slim looks to bolt its way into the likes of classics such as Bonnie & Clyde and Thelma & Louise. Except we won’t have to compare it to those films anymore, we’ll have our own—and it’ll be black as fuck.

Two days after the 2019 Academy Awards, I hopped on a plane to New Orleans to visit the set of Queen & Slim with a bunch of other black-ass journalists on a mission to get the scoop from Waithe, Matsoukas, Kaluuya, Turner-Smith, and costume designer Shiona Turini. From that slick-ass Pontiac 400 (which Kaluuya drove around; there wasn’t a process trailer!) to the gritty cloth of their wardrobe, we immediately felt a part of the world Matsoukas and her crew had created. I was so geeked, I almost forgot about that oppressive ass humidity.

[ click to read full article at The Root ]

Queen & Slim & Police Violence

from COMPLEX

Lena Waithe’s ‘Queen & Slim’ Takes Aim at Police Violence

BY KHAL

Jodie Turner-Smith, Melina Matsoukas, Donna Langley, Lena Waithe, and Daniel Kaluuya
Image via Getty/Alberto E. Rodriguez

When you’re Living While Black in America, life can come at you fast. There are countless stories of black folk minding their own business and being harassed, assaulted, or gunned down by the police. Rarely do you hear of those roles being reversed—or, at the very least, a situation where an interaction between a black person and a police officer ends with the officer being gunned down. That’s the premise of Queen & Slim, the Daniel Kaluuya-starring project that’s been whispered about for the last six months (and received major buzz during CinemaCon back in April). This film marks the first feature-length project for multi-hyphenate Lena Waithe and Melina Matsoukas (who serve as writer and director, respectively).

The week before Mardi Gras, Universal Pictures sent a select group of African American journalists and outlets to New Orleans to visit the set of what’s been described as a “black Bonnie & Clyde.” The film (which hits theaters on November 27, 2019) is essentially a road movie, taking viewers on a cross-country trek with a black couple featuring the eponymous Queen & Slim—portrayed by fresh-faced Jodie Turner-Smith and Kaluuya respectively—who are on the run from police after their terrible first date turns into a traffic stop that  ends with a cop being killed—but Waithe has described it in the past as “protest art.”

“I can’t always make it to the marches or the rallies,” Waithe explained during a break in shooting, primarily due to how often she’s working on shows like The Chi or other projects she’s involved in. “When I sit down at my computer, that’s me. That’s my rallying cry. That’s me trying to figure out who we are.” Waithe also understands why some might compare the film to Bonnie & Clyde or Thelma & Louise, but she had a different classic in mind. “It’s such a huge compliment. Bonnie & Clyde changed the conversation. Thelma & Louise is iconic. But the thing that they aren’t realizing is another reference for me would be Set It Off. In terms of black people being at a very difficult place with their back being against the wall and nothing that they [can] do [but] to keep going.”

[ click to continue reading at COMPLEX ]

Ten Greatest Films – Not Bad

from FAR OUT

The 10 greatest films of all time according to 358 acclaimed filmmakers

by Far Out Staff

Martin Scorsese’s hand-drawn storyboards for 'Taxi Driver'

For decades now Orson Welles iconic film Citizen Kane has remained top of the pile, the general consensus being that the mystery drama examining the life and legacy of Charles Foster Kane is arguably the greatest film ever made. However, in the most recent edition of the director’s poll Welles’ effort had dipped down to third spot with the surprise revelation that Yasujiro Ozu film Tokyo Story has emerged victorious on this occasion. 

Ozu’s 1953 film, telling the story of an ageing couple who travel to Tokyo to visit their grown children, is said to be loosely based on the 1937 American film, Make Way for Tomorrow, directed by Leo McCarey. 

The film takes place in 1953 post-war Japan, a few years after the new Civil Code at a time when Japan’s bustling re-growth and embraced Western ideals with some older Japanese traditions began to fall by the wayside. Ozu himself called Tokyo Story “the film that tends most strongly to melodrama.”

Here’s the full list which has been decided by 358 directors: 

1. Tokyo Story – Yasujiro Ozu, 1953.
2. 2001: A Space Odyssey – Stanley Kubrick, 1968.
– 2. Citizen Kane – Orson Welles, 1941.
4. 8 ½ – Federico Fellini, 1963.
5. Taxi Driver – Martin Scorsese, 1976.
6. Apocalypse Now – Francis Ford Coppola, 1979.
7. The Godfather – Francis Ford, Coppola, 1972.
– 7. Vertigo – Alfred Hitchcock, 1958.
9. Mirror – Andrei Tarkovsky, 1974.
10. Bicycle Thieves – Vittorio De Sica, 1949.

[ click to continue reading at FAR OUT ]

Alien Human Anthropologist Aliens

from GAIA

Professor: UFOs, Aliens Are Human Anthropologists From Future

By: Gaia Staff 

In a recent experiment, scientists reversed the arrow of time for a split second, simulating the possibility of time travel using quantum particles called qubits. The experiment was a far cry from achieving time travel anytime in the near future, but if it provides even a modicum of possibility it would support Dr. Michael P. Masters’ theory that UFOs and aliens might just be future anthropologists traveling back in time to study their ancestors — us.

Masters completed his Ph.D. in Anthropology at the Ohio State University and is currently a professor of biological anthropology at Montana Tech. His resume also cites coursework in astrobiology, astronomy, and physics – needless to say, he has some pretty relevant credentials.

In his book Identified Flying Objects: A Multidisciplinary Scientific Approach to the UFO Phenomenon, Masters explores the evolution of humans in relation to our hominin ancestors, and our likely progression as a species moving forward. Based on the trajectory of our physical, intellectual, and technological development, he says he believes the common trope of the hairless, large-headed, technologically advanced alien is likely where evolution is leading us.

Humans have evolved to become (relatively) hairless creatures compared to our ancestors and many anthropologists believe we’ll eventually lose it entirely as it doesn’t really serve much of a function anymore, save aesthetics. Add to that the fact that our skull size has doubled and tripled to support a larger brain compared to the smaller cranium of ancestors like Homo erectus and Australopithecus, respectively.

“The phenomenon may be our own distant descendants coming back through time to study us in their own evolutionary past,” Masters told a local television station in his home state of Montana. “The extra-tempestrials are ubiquitously reported as being bipedal, upright-walking, five fingers on each hand and foot, bi-lateral symmetry, that they have two eyes, a mouth, a nose, and they can communicate with us in our own languages.”

[ click to continue reading at GAIA ]

Dogs Are Manipulating Us

from France 24

Masters of manipulation: the evolution of ‘puppy dog eyes’

Ever wondered how dogs learned to use their “puppy eyes” to bend us to their will?

It turns out our pet pooches have evolved human-like eyebrow muscles, which let them make the sad faces that melt our hearts, according to a new study published on Monday in the Proceedings of the National Academy of Sciences (PNAS).

It involved dissecting the cadavers of domestic dogs and comparing them to those of wild wolves, our best friends’ ancestors, whom they branched off from around 33,000 years ago (don’t worry, no animals were killed for the research).

A separate part of the study saw scientists videotaping two-minute interactions between dogs and a human stranger, then repeating the experiment with wolves, to closely track how much they used a specific muscle around the eye that produced an inner eyebrow raise.

The researchers found two muscles around the eye were routinely present and well formed in the domestic dogs, but not the wolves, and only dogs produced high-intensity eyebrow movements as they gazed at the human.

“It makes the eye look larger, which is similar to human infants,” Professor Anne Burrows of Duquesne University in Pittsburgh, who was one of the co-authors, told AFP. “It triggers a nurturing response in people.”

[ click to continue reading at France 24 ]

Gloria Vanderbilt Gone

from AP

Gloria Vanderbilt, heiress, jeans queen, dies at 95

By ULA ILNYTZKY

NEW YORK (AP) — Gloria Vanderbilt, the intrepid heiress, artist and romantic who began her extraordinary life as the “poor little rich girl” of the Great Depression, survived family tragedy and multiple marriages and reigned during the 1970s and ’80s as a designer jeans pioneer, died Monday at the age of 95.

Vanderbilt was the great-great-granddaughter of financier Cornelius Vanderbilt and the mother of CNN newsman Anderson Cooper, who announced her death via a first-person obituary that aired on the network Monday morning.

“Gloria Vanderbilt was an extraordinary woman, who loved life, and lived it on her own terms,” Cooper said in a statement. “She was a painter, a writer, and designer but also a remarkable mother, wife, and friend. She was 95 years old, but ask anyone close to her, and they’d tell you, she was the youngest person they knew, the coolest, and most modern.”

Her life was chronicled in sensational headlines from her childhood through four marriages and three divorces. She married for the first time at 17, causing her aunt to disinherit her. Her husbands included Leopold Stokowski, the celebrated conductor, and Sidney Lumet, the award-winning movie and television director. In 1988, she witnessed the suicide of one of her four sons.

[ click to continue reading at AP ]

Pissing On Montauk

from The New York Times

The Legend of the Ridiculously Long Montauk Bathroom Line

It was a quirky rite of passage, until the queues at Surf Lodge spilled onto the street and its septic system leaked into a pond.

By Alyson Krueger

The new bathrooms await the summer people.
The new bathrooms await the summer people.
Credit Johnny Milano for The New York Times

Last summer, on a typical weekend at Surf Lodge in Montauk, Jaden Smith performed Saturday night while the surfer Evan Valiere cheered him on and Tiffany Trump and Naomi Biden posed for photos — with each other. The next day, the rapper Lupe Fiasco would draw almost 400 people at a packed, outdoor performance; some guests showed up on kayaks to watch from nearby Fort Pond. It was so crowded that the guest list ceased to make a difference. 

“Last year it was politician year, all the kids,” said Alan Rish, a spokesman for Surf Lodge. “Malia Obama comes every year over the Fourth of July for her birthday.”

The Surf Lodge, a casual-chic hotel and lounge known for free concerts and its outdoor deck, attracts celebrities like Rosario Dawson and Jon Bon Jovi, as well as local fishermen and weekenders.

But in recent years, Surf Lodge has also been known for something else: Its ridiculously long bathroom lines. The queues for the four tiny women’s stalls were the stuff of local legend, curving into the lobby and at times out the main entrance, creating fire hazards. V.I.P.s with security details would have to notify a staff member in order to be escorted to a “secret bathroom” (which a lot of people seemed to know about) in the manager’s office.

“So much of my daily job involved people needing to pee,” said Jonny Lennon, a bouncer who has been with Surf Lodge since it opened 11 years ago.

There were also environmental concerns. The few overused bathrooms relied on an old septic system that hadn’t been renovated since the 1940s. “Nitrogen from waste was leaking into the pond,” said Councilwoman Sylvia Overby, deputy supervisor of East Hampton, referring to Fort Pond, the 181-acre body of water behind the lodge where the concertgoers on kayaks sometimes congregate.

[ click to continue reading at NYT ]

F†cking Bees

from KQED

What Started the Biggest Fire in California History? Yellowjackets, and a Man With a Hammer

By Dan Brekke

Teenage resident of Clearlake Oaks fought to save his home as the Ranch Fire advanced through the area on Aug. 4, 2018, a week after it started on a ranch near the Mendocino County community of Potter Valley.   (Noah Berger/AFP-Getty Images)

What did it take to start the biggest wildland fire in California history? A rancher attempting a simple chore, a nest of angry yellowjackets and some very bad luck.

Cal Fire reported Thursday that its investigation of the Ranch Fire, which started last July 27 near Clear Lake and eventually burned a sprawling expanse of forest and grassland 13 times the size of San Francisco, was touched off by an unidentified man trying to hammer a metal stake into the ground.

The agency’s report says investigators determined that the hammering threw off sparks or hot fragments that ignited a small patch of dry grass that was 2 to 3 feet tall. The blaze surged uphill despite the panicked efforts of the man who told arriving investigators he had started it.

The man called firefighters to his property just off Highway 20, northeast of Clear Lake and south of the Mendocino County community of Potter Valley, and told them the fire began with what sounded like a straightforward ranch job.

The previous winter, a 50- to 60-foot length of fabric that was suspended over several water tanks as a sunshade blew down in a storm. The rancher’s daughter had complained last July that water in the tanks was too hot for livestock to drink, the man told investigators. So late on the morning of July 27, he drove up the hill from his home with tools and supplies to reinstall the sunshade.

The rancher told Cal Fire that when he picked up the fabric, he disturbed a yellowjackets’ nest underground and was confronted with a swarm of the stinging insects. Since he’s allergic to bees, he said, he backed off for about an hour to let the yellowjackets calm down.

When he returned, he brought a claw hammer and a metal stake that he intended to use to plug the small hole leading to the yellowjackets’ nest.

[ click to continue reading at KQED ]

Rural Radio Gone (Almost)

from The Guardian

America’s rural radio stations are vanishing – and taking the country’s soul with them

At a time when local newspapers are disappearing, the loss of a radio station leaves a community with another cultural and informational gap

by Debbie Weingarten in Willcox, Arizona

 In the kill zone of the radio tower with the dungeon in the background in Willcox. Photograph: Cassidy Araiza/The Guardian

When I arrive at the radio station, Mark Lucke is standing in the doorway, looking out at the spitting, winter rain. He’s slim and stoic, with sad, almost haunted, eyes. The first thing he asks is if I’d like to see “the dungeon”. Who wouldn’t?

Lucke pulls on a Steeler’s jacket and a baseball cap over brown hair that falls halfway down his back, and leads me across the five-acre yard. Out here, 90 miles east of Tucson, the desert is a long sweep of brush the color of beach sand. Lucke seems to slip through the rainy day like a ghost.

The radio station, whose call letters are KHIL, has long been the daily soundtrack for this frontier town (population 3,500) that prides itself on its cowboy culture and quiet pace of life. But six decades after the founding of the station, the property is in foreclosure, with utility disconnect notices coming nearly every month.

Small-town radio is fizzling nationwide, as stations struggle to attract advertisement dollars. And as station owners are forced to sell, media conglomerates snap up rural frequencies for rock-bottom prices, for the sole purpose of relocating them to urban areas. In a more affluent market, they can be flipped for a higher price. With limited frequencies available, larger broadcasters purchase as many as possible – especially those higher on the dial – in a race not dissimilar to a real estate grab.

The “dungeon” turns out to be benign – just the original radio station building. Lucke explains that country music star Tanya Tucker “used to hang out here with the jocks”. This was before she recorded Delta Dawn at the age of 13 and left Willcox to produce a slew of hits, which landed her in the Country Music Hall of Fame. Her familiar drawl can still be heard at the top of every hour on KHIL, saying, “Hello, Willcox. This is Tanya Tucker, and you’re listening to the station I always listened to when I was a kid.”

Except for a washing machine and stacking radio conductors, the dungeon is empty. From here, in a feat of electrical wiring, several radio stations (four of which are run by Lucke) are connected to the 5,000-watt radio tower behind the dungeon, and pushed out into the sky.

KHIL was founded in 1958 by Rex Allen, who gained notoriety as the last of the singing cowboys. On the silver screen, The Arizona Cowboy could be seen strumming a guitar from the back of his horse, until the genre came to a close in 1954. He would go on to narrate a plethora of Disney movies, including Charlotte’s Web, and for years was the voice behind Ford truck and Purina Dog Chow commercials.

Allen – who died in 1999 – is now immortalized by a statue in the historic downtown. Born 31 December 1920 to Horace and Faye Allen in Willcox, Rex Elvie Allen was cross-eyed at birth, reads the plaque below the statue.

[ click to continue reading at The Guardian ]

New Missing Link Found

from The Sun

‘Missing link’ in human evolution found after 30,000-year-old remains are dug up – rewriting history of first American settlers

By Charlotte Edwards

 Native American ancestors crossed over a now submerged land bridge called the Bering Strait from Siberia to North America
Native American ancestors crossed over a now submerged land bridge called the Bering Strait from Siberia to North America

NEWLY discovered ancient teeth dating back 31,000 years are evidence of a new ethnic group in human history – and could change everything we know about the first American settlers.

Living in extreme arctic conditions in Siberia during the last Ice Age, the previously-undiscovered group is being hailed by scientists as a “missing link in evolution”.

The ancient people have been named as ‘Ancient North Siberians’ and the new study suggests that they would have survived in harsh conditions by hunting woolly mammoths, woolly rhinoceroses and bison.

They were discovered thanks to DNA analysis of two ancient milk teeth, found buried deep at the Yana Rhinoceros Horn archaeological site in Russia.

Professor Eske Willerslev, who led the study, said: “The Yana site 31,000 years ago was an Arctic steppe – more rich in plant diversity than today and dominated by varies forbs and grasses, there were very few trees if any. The animal life was very different than today.

“It was more like what we know from the African savanna with mammoth, woolly rhino, horses, bison, wolves and lions. The Ancient North Siberians were hunting these particularly rhino and mammoth.”

[ click to continue reading at The Sun ]

Madonna

from The New York Times

Madonna at Sixty

The original queen of pop on aging, inspiration and why she refuses to cede control.

By Vanessa Grigoriadis

Madonna and her six children. Creditvia Instagram

The night before the Billboard Music Awards in Las Vegas in May, Madonna was sitting in the arena attached to the MGM Grand hotel, staring at a double of herself. The double, who was standing on the stage many yards away, was younger and looked Asian but wore a similar lace minidress and a wig in Madonna’s current hairstyle, a ’30s movie star’s crimped blond waves. “It’s always the second person with the wig — she wants to see it,” a stage designer said, adding that when she makes a decision, she is definitive. “Madonna wants 10 options, but when she says it’s the one, it’s the one.”

Madonna was observing Madonna to make sure Madonna was doing everything perfectly. Up on the stage set of a funky urban street with lampposts and a tiled bar, the double hit her marks and held a fist up to her mouth like a faux microphone for a rendition of “Medellín,” the on-trend, Latin-inflected song that Madonna would be singing. Madonna looked at a TV and assessed the augmented-reality part of the show, in which four additional virtual Madonnas, one playing an accordion and another dressed like a bride, would materialize in the televised awards performance out of thin air. Nearby, guys bowed heads and said cryptic things like “Where’s the digital key?” and “I need the alpha channel” to one another, tensely.

All the fake Madonnas ran through the song a few times before Madonna skipped enthusiastically to the stage. The sex bomb at 60 was slightly less than bionic and wore a Swarovski-crystal-encrusted patch over her left eye (“It’s fashion, darling,” an onlooker explained when I asked why she chose to wear it). Afterward, Madonna mused about something being off, and the next time she messed up the part where she stood on a table and gyrated her legs in and out in a move called “the butterfly” while popping her head in each direction. But by the third run-through she seemed ecstatic. “It’s so nice to see her smile,” Megan Lawson, a choreographer, said from under a black bolero hat, “and have it be a genuine smile.”

The AR part of Madonna’s performance was a feat, devised by some of the people who worked on this year’s Super Bowl, and the next night at the awards show she danced boldly despite the eye patch, which had to be difficult, peripheral-vision-speaking. But she wasn’t incorporating fireworks, a marching band and flying backup dancers, as Taylor Swift did; she didn’t hand out special bracelets to every person in the audience, then activate them to beam a thousand points of light, as the Jonas Brothers did; she wasn’t in a leotard and rolling around on the floor simulating a lesbian make-out session, as Halsey did, though the reason Halsey did that has a lot to do with Madonna doing it first. When the people in the audience lost their minds that night, they lost them almost exclusively for the K-pop band BTS, whose smooth hip-hop moves have birthed a million memes. For Madonna, they rose to their feet and took their phones out to commemorate “the time they saw Madonna” but seemed to scream loudest for the gyrating butterfly part, which was a little skanky, and that pleased them.

[ click to continue reading at NYT ]

Can you turn up the heat, darling?

from Metro

The sun has ‘reached solar minimum’ and its surface is ominously calm

by Jasper Hamill

This recent Nasa image shows the face of the sun looking blanker than usual

This solar slowdown often causes temporary cooling in Earth’s atmosphere.

Climate change deniers often hail this cooling as evidence that the heating of our world is about to go into reverse.

Sadly, this is very unlikely to be true because the sun follows an 11-year cycle, meaning it will simply spring back to life in the coming years.

However, once activity ramps up, the sun will be rocked by an increased number of gigantic ‘monster’ explosions, Nasa warned last week.

Eruptions from the face of our star are called ‘prominences’ and cause vast amounts of superhot gas to shoot into space, often forming beautiful loops on the solar surface.

During the solar minimum, the number of flares and sunspots is dramatically reduced.

When the sun leaps back from its minimum after roughly 11 years, we’re likely to see more and more ferocious explosions on the sun.

[ click to continue reading at Metro ]

It’s Coming

from Axios

1 big thing: Media companies wade into betting

By Sara Fischer

Illustration: Aïda Amer/Axios

The legalization of sports betting has opened up new business opportunities, and ethical challenges, for some of America’s biggest media companies.

Why it matters: Striking the right balance between leaning into betting — and not alienating casual fans or compromising journalistic principles — will force the establishment of new media boundaries.

Driving the news: Fox announced the most aggressive push into domestic sports betting this month with the introduction of “Fox Bet,” an online betting app.

  • Fox Corp. is buying 5% of Canadian gaming and online gambling company Stars Group Inc. for $236 million. In doing so, it will be starting its own sports wagering platform, a major step for a U.S. sports broadcaster.
  • And in December, mobile sports app theScore announced that it planned to launch its own mobile sports book, beginning in New Jersey.

Between the lines: Other TV networks with sports broadcast rights are taking a more cautious approach.

[ continue reading at Axios ]

$15k for Play

from The Hollywood Reporter

How Top Gamers Earn Up to $15,000 an Hour

by Patrick Shanley

SOURCE: Twitch

A new lawsuit reveals the high stakes in gaming as brands like Coca-Cola and Bud Light push the hourly income of popular streamers as high as five figures: “It’s become something nobody predicted.”

A decade ago, Benjamin Lupo’s hobby of playing video games was just that. Today, a gamer like Lupo could earn as much as $15,000 an hour broadcasting his gaming to the nearly 3  million people who follow him on live-streaming platform Twitch. 

Lupo, who goes by the online avatar DrLupo, says it took him “two full years of streaming 40-plus hours a week” while working a regular job before he felt comfortable gaming “full time.” Now considered one of the world’s most popular gamers, he’s part of a burgeoning cottage industry of streamers who are profiting from the booming business of video games. 

Over the past five years, the gaming industry has more than doubled, rocketing to $43.8  billion in revenue in 2018, according to the NPD Group. Skilled gamers — buoyed by the rise of streaming platforms like Google’s YouTube and Amazon’s Twitch — have turned into stars who can not only attract millions of fans but also earn millions of dollars. Top Twitch streamer Tyler “Ninja” Blevins, for example, has said he made $10  million in 2018 playing online game Fortnite.

“There’s been incredible [revenue] growth across the board,” says Mike Aragon, who oversees Twitch’s partnerships with streamers as senior vp content. “The entire ecosystem has become more mainstream.”

[ click to continue reading at THR ]

They’re Coming.

from Stars And Stripes

The Navy tracks UFO sightings. Scientists explain what’s really going on.

By TOM AVRIL

NOGA AMI-RAV/STARS AND STRIPES ILLUSTRATION

(Tribune News Service) — The Navy caused a bit of a sensation this spring when it implemented a formal process for pilots to report unexplained aerial phenomena – what most people call UFOs – after being accused in the past of not taking such reports seriously.

Alas for those who might be tempted to make the leap, such sightings are not evidence of life on other planets.

No one doubts that the pilots are seeing something, but psychologists and specialists in aviation medicine say there are plenty of reasonable explanations for such sightings other than extraterrestrial beings. Earthly sources of light reflected by clouds or haze, for example, or optical illusions wrought by fatigue after staring through a cockpit window for hours on end.

Another possibility is that the pilots were seeing some sort of experimental drone or other advanced technology about which they had not been briefed. Or, the objects were simply satellites, such as those launched in May by the Elon Musk-founded company SpaceX, which prompted a flurry of UFO reports from puzzled observers, the news agency AFP reported.

[ click to contine reading at Stars And Stripes ]

We Don’t Need Another Satellite

from NYT via MSN

After SpaceX Starlink Launch, a Fear of Satellites That Outnumber All Visible Stars

by Shannon Hall

Last month, SpaceX successfully launched 60 500-pound satellites into space. Soon amateur skywatchers started sharing images of those satellites in night skies, igniting an uproar among astronomers who fear that the planned orbiting cluster will wreak havoc on scientific research and trash our view of the cosmos.

The main issue is that those 60 satellites are merely a drop in the bucket. SpaceX anticipates launching thousands of satellites — creating a mega-constellation of false stars collectively called Starlink that will connect the entire planet to the internet, and introduce a new line of business for the private spaceflight company.

While astronomers agree that global internet service is a worthy goal, the satellites are bright — too bright.

[ click to continue reading at MSN ]

Decadent U.

from Esquire

The Secret Oral History of Bennington: The 1980s’ Most Decadent College

Fall, 1982. A new freshman class arrives at arty, louche, and expensive Bennington College. Among the druggies, rebels, heirs, and posers: future Gen X literary stars Donna Tartt, Bret Easton Ellis, and Jonathan Lethem. What happened over the next four years would spark scandal, myth, and some of the authors’ greatest novels. Return to a campus and an era like no other.

BY LILI ANOLIK

image
Kate Aichele/Bennington College; Mark Norris (Tartt and Lethem);
Ian Gittler (Ellis).

What Café du Dôme was to the Lost Generation, the dining hall at Bennington College was to Generation X—i.e., the Lost Generation Revisited. The Moveable Feast had moved ahead six decades and across the Atlantic, and while, of course, southwestern Vermont wasn’t Paris, somehow, in the early-to-mid eighties, it was, was just as sly, louche, low-down, and darkly perdu. And speaking of sly, louche, low-down, and darkly perdu, check out the habitués. Seated around the table, ready to gorge on the conversation if not the food (cocaine, the Pernod of its era, is a notorious appetite suppressant), berets swapped for sunglasses, were the neo F. Scott Fitzgerald, Ernest Hemingway, and Djuna Barnes: Bret Easton Ellis, future writer of American Psycho and charter member of the literary Brat Pack; Jonathan Lethem, future writer of The Fortress of Solitude and MacArthur genius; and Donna Tartt, future writer of The Secret History and winner of the Pulitzer Prize for The Goldfinch. All three were in the class of 1986. All three were a long way from home—Los Angeles, Brooklyn, and Grenada, Mississippi, respectively. All three were, at various times, infatuated and disappointed with one another, their friendships stimulated and fueled by rivalry. And all three would mythologize Bennington—the baroque wickedness, the malignant glamour, the corruption so profound as to be exactly what is meant by the word decadence—in their fiction that, as it turns out, wasn’t quite, and thereby become myths themselves.

Every prodigy needs his or her very own Gertrude Stein or Sherwood Anderson—i.e., a mentor and model. Bennington had those in profusion, teachers who were also artists: journalist Joe McGinniss; novelists and short-story writers Nicholas Delbanco and Arturo Vivante; and poet, mystic, and self-chronicler Claude Fredericks. And then there were the supporting figures (and fellow students), so fascinating they threatened to eclipse the main: writers Jill Eisenstadt, David Lipsky, Lawrence David, Reginald Shepherd; Brixton Smith Start, lead guitarist of post-punk British band the Fall; and Quintana Roo Dunne, only child of Joan Didion and John Gregory Dunne.

So grab a tray, pull up a chair, and try not to look like you’re eavesdropping.

[ click to continue reading at Esquire ]

Nostrawarhol

from AP

California show explores Warhol’s social, tech foreshadowing

By KATIE OYAN

SAN FRANCISCO (AP) — Before Instagram and Facebook, before selfies and filters that perfect selfies, there was Andy Warhol, using his art to imbue friends, family, celebrities — even himself — with a certain mystique.

A retrospective of Warhol’s work on display in San Francisco captures the artist’s ability to use paintings, drawings, photographs and other mediums to create buzz-worthy personas the way people do now using social media.

The idea of personal branding, “of how we can be who we want to be,” was something Warhol was trading on more than a half-century ago, said Donna De Salvo, deputy director for international initiatives and senior curator at New York’s Whitney Museum of American Art, where the exhibit originated . “He had a real understanding of something about American culture, which is now more global.”

[ click to continue reading at AP ]

Alie Rivier Gutman to VP at Andrew Stearn Productions

from Deadline

Andrew Stearn Launches Production Company With Overall Deal At ABC Studios

By Nellie Andreeva

Alie Rivier Gutman

Former Working Title Television U.S. and John Wells Productions president Andrew Stearn is launching his own production company, Andrew Stearn Productions. It will be based at ABC Studios, a division of Disney Television Studios, with an overall deal.

At ABC Studios, Stearn will be joined by Alie Rivier Gutman, whom he has hired as VP for Andrew Stearn Prods. She most recently served as Director of Development and Production for James Frey’s Full Fathom Five, where she worked in TV and film on projects including the series Relationship Status (Verizon Go90),American Gothic (CBS), The Kicks(Amazon) and the feature film Eat, Brains, Love. 

[ click to continue reading at Deadline ]

Scully, I’m on my way.

from Sputnik News

Paging Agent Mulder: UFO Hunter Spies New Underground Base Near Area 51 

The conspiracy buff also directed his attention toward the two fields located near the suspected underground facility, speculating that these crops might be part of some genetic research programme.

While the US Air Force facility known as Area 51 has already become the staple of conspiracy theories regarding extraterrestrial spacecraft and alien lifeforms, famous UFO hunter Scott C. Waring now claims that a new underground installation is being constructed in the vicinity.

According to Waring, who had apparently stumbled upon this discovery while studying satellite maps, the new facility is located 55 miles to the north-east of Area 51’s perimeter.

[ click to continue reading at Sputnik News ]

Nasty Curves

from FiveThirtyEight

MLB Curves And Sliders Have Gotten Alarmingly Nasty

By Travis Sawchik

Cleveland Indians v. Houston Astros
Trevor Bauer has turned to pitch design to create more movement on his breaking pitches. LOREN ELLIOTT / MLB PHOTOS VIA GETTY IMAGES

Major League Baseball seems to be on an unstoppable pathway to more and more strikeouts. After a record share of plate appearances ended in a strikeout last season (22.3 percent), this season is winding up to set another record: If the to-date strikeout rate of 23 percent holds or increases over the season, it would mark the 12th straight year of a record set for strikeout rate.

Fastball velocity is often cited as the source of the strikeout surge, along with hitters willing to trade contact for power. The constantly increasing fastball velocities of recent years are such a concern that MLB is partnering with the independent Atlantic League next year to move the mound back by 2 feet — to 62 feet, 6 inches from home plate. Still, there may be another culprit behind all of the K’s: Breaking balls have never moved more. According to a FiveThirtyEight analysis of PITCHf/x and Statcast data at Baseball Prospectus, sliders and curveballs this season are darting away from bats at their greatest levels in the pitch-tracking era (since 2008).

[ click to continue reading at FiveThirtyEight.com ]

That’s no asteroid, it’s an asteroid with a moon

from CBS News

A massive asteroid with its own moon trailing behind will pass by Earth this weekend

BY BRIAN PASCUS

1999 kw4 nasa
NASA rendering of KW4 1999 asteroid with moon following 

An asteroid nearly a mile wide with a moon of its own is expected to pass by Earth this weekend, traveling at 48,000 mph. The space rock, known as asteroid 1999 KW4, was discovered 20 years ago and is so large that it is orbited by a moon.

On Saturday evening, 1999 KW4 will make its closest approach to Earth. It will be visible until May 27. Because it carries a large moon along with it, the asteroid is technically designated as a binary system. 

A binary system is defined as two celestial objects close enough to orbit each other, according to NASA.

[ click to continue reading at CBS ]

The Jersey Man

from Inside Hook

How the Dean of Sports Uniforms Stitched Together His Online Dynasty

Paul Lukas looks back on 20 years of Uni Watch, the preeminent website for all things jerseys and uniforms

BY EVAN BLEIER

Uni Watch is obsessed with the laundry of sports.

Uni Watch is obsessed with the laundry of sports.

Paul Lukas lives for the laundry of sports.

Lukas is the man behind Uni Watch, a website where fans of sports uniforms congregate to dissect the minutiae of logos and stitches instead of play calls and pitches in an obsessive and informed manner. The 55-year-old, whose first sports fashion/design column appeared in the sports section of the now-defunct Village Voice20 years ago this month (May 26), concurs with Seinfeld’s assessment.

“It’s true because the players come and go,” Lukas tells InsideHook. “They get traded, they retire, they leave via free agency or whatever and we keep rooting for whoever is wearing that uniform, whoever that person is. Your team could be really good one year and really bad another year, but you stay loyal to that team and to that uniform. That’s a really uncommon thing and a really powerful form of brand loyalty, frankly.”

While he may not have realized it when he was worrying about the stirrups of his Little League uniform or doodling team logos in the margins of his notebook instead of paying attention in class as a kid, Lukas already sensed the connection between livery and loyalty.

“I’ve always been interested in uniforms. I guess because it’s really what we end up rooting for,”  Lukas says. “I don’t think I could have articulated it that way when I was a kid or when I was geeking out over my first Little League uniform or anything like that, but I think the seeds of it were there.”

[ click to continue reading at InsideHook.com ]

The Forever Wrong

from The Atlantic

The Peculiar Blindness of Experts

Credentialed authorities are comically bad at predicting the future. But reliable forecasting is possible.

by DAVID EPSTEIN

NA KIM

The bet was on, and it was over the fate of humanity. On one side was the Stanford biologist Paul R. Ehrlich. In his 1968 best seller, The Population Bomb, Ehrlich insisted that it was too late to prevent a doomsday apocalypse resulting from overpopulation. Resource shortages would cause hundreds of millions of starvation deaths within a decade. It was cold, hard math: The human population was growing exponentially; the food supply was not. Ehrlich was an accomplished butterfly specialist. He knew that nature did not regulate animal populations delicately. Populations exploded, blowing past the available resources, and then crashed.

In his book, Ehrlich played out hypothetical scenarios that represented “the kinds of disasters that will occur.” In the worst-case scenario, famine rages across the planet. Russia, China, and the United States are dragged into nuclear war, and the resulting environmental degradation soon extinguishes the human race. In the “cheerful” scenario, population controls begin. Famine spreads, and countries teeter, but the major death wave ends in the mid-1980s. Only half a billion or so people die of starvation. “I challenge you to create one more optimistic,” Ehrlich wrote, adding that he would not count scenarios involving benevolent aliens bearing care packages.

The economist Julian Simon took up Ehrlich’s challenge. Technology—water-control techniques, hybridized seeds, management strategies—had revolutionized agriculture, and global crop yields were increasing. To Simon, more people meant more good ideas about how to achieve a sustainable future. So he proposed a wager. Ehrlich could choose five metals that he expected to become more expensive as resources were depleted and chaos ensued over the next decade. Both men agreed that commodity prices were a fine proxy for the effects of population growth, and they set the stakes at $1,000 worth of Ehrlich’s five metals. If, 10 years hence, prices had gone down, Ehrlich would have to pay the difference in value to Simon. If prices went up, Simon would be on the hook for the difference. The bet was made official in 1980.

[ click to continue reading at The Atlantic ]

Melina’s Closet

from COVETEUR

WE ONCE RAIDED MELINA MATSOUKAS’ CLOSET 

And it was just as cool as we imagined. Los Angeles. In Partnership with BET.

by Laurel Pantin

Think of pretty much any music video you’ve loved in the past few years, and odds are director Melina Matsoukas is behind it. We’re talking Beyoncé’s “Formation,” Rihanna’s “We Found Love” (for which she was the first female director ever to win a Grammy), Snoop Dogg’s “Sensual Seduction” (yaaas), and Lady GaGa’s “Just Dance.” Matsoukas is the realest of deals, and also the coolest person you could ever hope to spend an afternoon with.

But if you thought directing ground-breaking music videos would be enough for most people, you’d find that “most people” doesn’t apply to Matsoukas. She just wrapped the forthcoming film Queen & Slim, written by Lena Waithe and James Frey, and has garnered much well-deserved praise for her work on Insecure. 

[ click to continue reading at COVETEUR ]

8,000-year-old Lox

from Nautilus

The English Word That Hasn’t Changed in Sound or Meaning in 8,000 Years

BY SEVINDJ NURKIYAZOVA

The word lox was one of the clues that eventually led linguists to discover who the Proto-Indo-Europeans were, and where they lived. Photograph by Helen Cook / Flickr

One of my favorite words is lox,” says Gregory Guy, a professor of linguistics at New York University. There is hardly a more quintessential New York food than a lox bagel—a century-old popular appetizing store, Russ & Daughters, calls it “The Classic.” But Guy, who has lived in the city for the past 17 years, is passionate about lox for a different reason. “The pronunciation in the Proto-Indo-European was probably ‘lox,’ and that’s exactly how it is pronounced in modern English,” he says. “Then, it meant salmon, and now it specifically means ‘smoked salmon.’ It’s really cool that that word hasn’t changed its pronunciation at all in 8,000 years and still refers to a particular fish.”

How scholars have traced the word’s pronunciation over thousands of years is also really cool. The story goes back to Thomas Young, also known as “The Last Person Who Knew Everything.” The 18th-century British polymath came up with the wave theory of light, first described astigmatism, and played a key role in deciphering the Rosetta Stone. Like some people before him, Young noticed eerie similarities between Indic and European languages. He went further, analyzing 400 languages spread across continents and millennia and proved that the overlap between some of them was too extensive to be an accident. A single coincidence meant nothing, but each additional one increased the chance of an underlying connection. In 1813, Young declared that all those languages belong to one family. He named it “Indo-European.”

Today, roughly half the world’s population speaks an Indo-European language. That family includes 440 languages spoken across the globe, including English. The word yoga, for example, which comes from Sanskrit, the language of ancient India, is a distant relative of the English word yoke. The nature of this relationship puzzled historical linguists for two centuries.

In modern English, well over half of all words are borrowed from other languages. To trace how language changes over time, linguists developed an ingenious toolkit. “Some parts of vocabulary are more stable and don’t change as much. The linguistic term [for these words] is ‘a core vocabulary.’ These are numbers, colors, family relations like ‘mother,’ ‘father,’ ‘sister,’ ‘brother,’ and basic verbs like ‘walk’ and ‘see,’ says Guy. “If you look at words of that sort in different languages, it becomes fairly clear which ones are related and which ones are not. For example, take the English word for number two, which is dva in Russian and deux in French, or the word night, which is nacht in German and noch in Russian.”

[ click to continue reading at Nautilus ]

Archives