Pacino On Michael
Al Pacino on ‘The Godfather’: ‘It’s Taken Me a Lifetime to Accept It and Move On’
Fifty years later, the actor looks back on his breakthrough role: how he was cast, why he skipped the Oscars and what it all means to him now.
By Dave Itzkoff
It’s hard to imagine “The Godfather” without Al Pacino. His understated performance as Michael Corleone, who became a respectable war hero despite his corrupt family, goes almost unnoticed for the first hour of the film — until at last he asserts himself, gradually taking control of the Corleone criminal operation and the film along with it.
But there would be no Al Pacino without “The Godfather,” either. The actor was a rising star of New York theater with just one movie role, in the 1971 drug drama “The Panic in Needle Park,” when Francis Ford Coppola fought for him, against the wishes of Paramount Pictures, to play the ruminative prince of his Mafia epic. A half-century’s worth of pivotal cinematic roles followed, including two more turns as Michael Corleone in “The Godfather Part II” and “Part III.”
Duh
Listening to music really does chill people out, reduces anxiety
TORONTO, Ontario — Listening to music really does chill people out, a new study reveals. A team from Ryerson University says treatments integrating music and auditory beat stimulation are particularly effective in reducing anxiety in some patients.
Auditory beat stimulation (ABS) involves combinations of tones, played in one or both ears, designed to trigger changes to brain activity. Studies show cases of anxiety have been steadily increasing, particularly among teenagers and young adults, over recent decades.
Funny Lemmy
Picasso No NFT
Picasso’s Family Is at Odds With His Work Turning Into NFTs
More than 1,000 pieces of digital art are on the line
Last week, the artist—who died in 1973—was making headlines around the world with some unexpected news: His granddaughter Marina and her son Florian, a DJ and music producer, will mint more than 1,000 NFTs for sale based on Pablo’s work—specifically a large ceramic bowl he sculpted in 1958 that, until now, no one outside the family had known about or even seen. It’s big news for major art collectors and the crypto community, who constantly have their eyes on the big auction houses, eagerly awaiting a piece from one of the 20th-century greats to become available—even if it’s not something they can hang in a frame.
Originally, the main sale was to take place on a dedicated website hosted by the decentralized marketplace Origin Protocol. Matt Liu, Origin Protocol cofounder, explains, “For this particular drop, Marina and Florian Picasso’s team approached us, as they felt that [the] NFT platform Origin Story would offer them all the technology and branding capabilities needed to bring the entire sale to life in a big way.” The nuance of this particular platform? “Origin Story is a pretty incredible, first-of-its-kind platform that lowers the barrier of entry for all creators by offering a streamlined way to mint their own NFTs and sell them on the platform’s customizable storefronts,” Liu adds. There will be a sale of 1,000 NFTs on Man and the Beat, powered by Origin Story, and an auction of 10 exclusive NFTs on Nifty Gateway.
Insert Scrotum Here
Balldo
The “world’s first ball-dildo” is less of an erotic toy, more of a dadaist interrogation of the very concept of pleasure.
“WE DEFINITELY LIVE in the worst timeline, but I’m glad I get to see things like this,” my friend messaged me, along with a link to the Balldo. It took me a minute to comprehend what I was looking at. It’s a sex toy, and that’s about as clear as it gets. The company’s site described it as a “ball dildo” that allows you to “penetrate your partner with your balls,” which not only raised new questions, but unanswered so many questions about sex that I thought I previously understood.
I had to know more.
For anyone who doesn’t want to go down same rabbit hole, which includes multiple NSFW videos featuring both cartoon and real phalluses—the latter of which we won’t link to–here’s the short version of how the Balldo is supposed to work, according to its creators:
The skin of the human scrotum has a surprising number of nerve endings across its surface–an amount “comparable to the vulva,” Balldo’s marketing materials repeatedly remind the viewer. And yet, again according to Balldo’s marketing, said nerve endings have gone underutilized in sex. What—an exuberant voiceover asks two excited cartoon scientists and one inexplicably more excited cartoon naked man—could be done to solve this egregious oversight!?
“I did it for the attention.”
The Great Fracturing of American Attention
Why resisting distraction is one of the foundational challenges of this moment
By Megan Garber
Last month, as Delta Flight 1580 made its way from Utah to Oregon, Michael Demarre approached one of the plane’s emergency-exit doors. He removed the door’s plastic covering, a federal report of the events alleges, and tugged at the handle that would release its hatch. A nearby flight attendant, realizing what he was doing, stopped him. Fellow passengers spent the rest of the flight watching him to ensure that he remained in his seat. After the plane landed, investigators asked him the obvious question: Why? COVID vaccines, he told an agent. His goal, he said, had been to make enough of a scene that people would begin filming him. He’d wanted their screens to publicize his feelings.
I did it for the attention: As explanations go, it’s an American classic. The grim irony of Demarre’s gambit—his lawyer has not commented publicly on the incident—is that it paid off. He made headlines. He got the publicity he wanted. I’m giving him even more now, I know. But I mention him because his exploit serves as a useful corollary. Recent years have seen the rise of a new mini-genre of literature: works arguing that one of the many emergencies Americans are living through right now is a widespread crisis of attention. The books vary widely in focus and tone, but share, at their foundations, an essential line of argument: Attention, that atomic unit of democracy, will shape our fate.
Post-Beeple
One Year After Beeple, the NFT Has Changed Artists. Has It Changed Art?
Hardly at all.
By Blake Gopnik
Around 1425, the Florentine artist Masaccio painted the first major works in one-point perspective. That revolutionized what artists could do ever after.
In Paris in 1839, Louis-Jacques-Mandé Daguerre demonstrated his new photographic invention. It changed the nature of visual representation and museum walls haven’t been the same since.
On March 11, 2021, all of one year ago, Mike Winkelmann, whose nom d’artiste is Beeple, sold a collage of computer illustrations for $69 million simply because that collage came attached to a digital certificate called an NFT. That colossal price launched a mad scramble among creators of all kinds — illustrators, musicians, photographers, even a few veteran avant-gardists — to join the NFT gold rush.
In the 12 months since, something like $44 billion has been spent on about six million NFTs, usually issued to certify digital creations but sometimes for physical objects like paintings and sculptures.
Hot Basquiat
Basquiat Is Hotter Than Warhol—and Now a Billionaire Wants to Sell a 1982 Work for $70 Million
Collector Yusaku Maezawa is auctioning off his wall-size Basquiat, featuring a devilish figure, at Phillips this spring
By Kelly Crow
A billionaire who recently rocketed to the International Space Station said he is sending one of his prized Jean-Michel Basquiat paintings to auction this spring for an estimated $70 million. The move hints at the shifting whims of the world’s wealthy but also underscores the continuing strength of the art market overall.
Yusaku Maezawa wasn’t well-known in art circles when he paid Christie’s a record-breaking $57.3 million for his untitled 1982 Basquiat six years ago. The collector reveled in the win by posting an image on his Instagram account, shrugging off the typical discretion exercised by some top buyers.
Now, the fashion mogul behind e-commerce site Zozotown said he is ready to resell his breakout Basquiat, enlisting boutique auctioneer Phillips to offer up the painting in May in New York. The 16-foot-wide work is splashed with red and salmon hues and features a horned devil-like figure that curators have suggested could be the former New York graffiti artist’s conflicted self-portrait.
[ click to continue reading at WSJ ]
Autopocalypse
Death by robots? Study finds automation is ruining people’s lives — and raising mortality rates!
NEW HAVEN, Conn. — Death by robots might seem like an unusual cause of death, but as robots replace people on factory floors, there has been a rise of suicides and drug overdoses — especially in people between 45 to 54. A new study found a link between automation of U.S. manufacturing and an increased mortality rate among working-class adults.
Automation is partially responsible for a decline in U.S. manufacturing jobs. Prior research has estimated a loss of 420,000 to 750,000 jobs during the 1990s and 2000s, most of which were manufacturing jobs.
“For decades, manufacturers in the United States have turned to automation to remain competitive in a global marketplace, but this technological innovation has reduced the number of quality jobs available to adults without a college degree — a group that has faced increased mortality in recent years,” says lead author Rourke O’Brien, assistant professor of sociology in Yale’s Faculty of Arts and Sciences in a media release. “Our analysis shows that automation exacts a toll on the health of individuals both directly — by reducing employment, wages, and access to healthcare — as well as indirectly, by reducing the economic vitality of the broader community.”
[ click to continue reading at Study Finds ]
All Hands On Deck
Steam Deck Hands On: Valve Successfully Frees PC Gaming From the Desktop
Available today, the Steam Deck trades raw power for the impressive ability to make your PC gaming library portable.
By Jordan Minor
As someone who flew across the country to pick up a Steam Machine, only for Valve’s first attempt at merging gaming PCs and console concepts to go up in smoke, it’s telling that I’m still excited for the Steam Deck (starting at $399). After months of speculation and anticipation, we finally got our hands on Valve’s high-powered handheld gaming PC, a device that ships today to the first customers that preordered it. We’ll need more time for a full review, but here are our thorough first impressions of the Steam Deck, a handheld that delivers new joys to PC gamers who are willing to compromise on old standards.
The Steam Deck is big, but not that big. The 7-inch, 720p screen is roughly on par with what the Nintendo Switch offers, complete with a prominent bezel. The thicker main body (1.9 inches vs. 0.5 inches) is where you’ll find the volume buttons and microSD card slot and USB-C charging port. I wouldn’t want to drop the unit, but it feels sturdy enough that I wouldn’t immediately freak out if I did.
[ click to continue reading at PC Mag ]
Cloudocracy
Our New Cloud-Based Ruling Class
by YANIS VAROUFAKIS
Capital is everywhere, yet capitalism is on the wane. In an era when the owners of a new form of “command capital” have gained exorbitant power over everyone else, including traditional capitalists, this is no contradiction.
ATHENS – Once upon a time, capital goods were just the manufactured means of production. Robinson Crusoe’s salvaged fishing gear, a farmer’s plough, and a smith’s furnace were goods that helped produce a larger catch, more food, and shiny steel tools. Then, capitalism came along and vested owners of capital with two new powers: The power to compel those without capital to work for a wage, and agenda-setting power in policymaking institutions. Today, however, a new form of capital is emerging and is forging a new ruling class, perhaps even a new mode of production.
At the beginning of this change was free-to-air commercial television. The programming itself could not be commodified, so it was used to attract viewers’ attention before selling it to advertisers. Programs’ sponsors used their access to people’s attention to do something audacious: harness emotions (which had escaped commodification) to the task of deepening… commodification.
The essence of the advertiser’s job was captured in a line spoken by Don Draper, the fictional protagonist in the television serial Mad Men, set in the advertising industry of the 1960s. Coaching his protégé, Peggy, on how to think about the Hershey chocolate bar their firm was peddling, Draper caught the spirit of the times:
“You don’t buy a Hershey bar for a couple of ounces of chocolate. You buy it to recapture the feeling of being loved that you knew when your dad bought you one for mowing the lawn.”
Salumeria
A Look Inside the Curing Room at Chicago’s Lardon, Quite Possibly America’s Finest Salumeria
Chef Chris Thompson breaks down the process behind his immaculate cured meats
BY EMILY MONACO
Vegetarians, you may want to look away
It’s 33 degrees today in Chicago — a good temperature for butchering, according to Lardon chef Chris Thompson, but not for curing, a task best carried out at about twice that. But the temperature won’t stop Thompson from his regular Thursday morning routine: putting up coppa, finocchiona and more for the pork-focused menu at his Logan Square restaurant, which decidedly and unapologetically breaks with plant-forward dining trends.
Thompson proudly leads the way through the curing room, a tight squeeze rendered even tighter thanks to the plethora of bresaola, prosciutto, salami and more hanging within — meats Thompson proudly refers to as his “babies.”
“We probably have over 3,000 pounds of meat in here, right now,” he says with a grin, most of which comes from whole hogs raised locally and humanely by Trent Sparrow of Catalpa Grove in Dwight, Illinois.
Three Pietas
Michelangelo’s three ‘pietas’ united in historic first
Florence (Italy) (AFP) – It is admired the world over as an exquisite depiction of maternal grief. But Michelangelo’s “Pieta” has overshadowed two other moving sculptures on the same subject by the Renaissance giant.
That is why Florence’s Opera del Duomo museum in Italy is putting on display together for the first time all three versions of the Virgin Mary mourning over the body of her son Jesus Christ.
The Tuscan museum’s original “Bandini” goes on show Thursday alongside casts of the “Pieta” and “Rondanini”, which are on loan from the Vatican Museums.
The Mouth Of The South
Q&A: Ted Turner Biographer Porter Bibb
All the drama around CNN and Jeff Zucker got me thinking about Ted Turner. I called up Porter Bibb, who wrote the best-selling 1993 biography of CNN founder Ted Turner, Ted Turner: It Ain’t As Easy as It Looks. Bibb told me about how he came to be Turner’s biographer, and, most interestingly, Turner’s unsparing, unfavorable thoughts about CNN under recently-ousted Jeff Zucker, and John Malone’s relationship to Turner.
Turner’s life — his father’s suicide, winning the America’s Cup, turning a rinky-dink Atlanta station at the end of the dial into a media powerhouse, his marriage to Jane Fonda — is the raw material for a great TV series. In the age of streaming, Bibb thinks Turner’s full life is better suited for a multi-part limited series, though he compares the possibilities not unfairly to Scorsese’s Howard Hughes biopic, The Aviator. (Interested? Ping me and I’ll put you in touch with Bibb, who controls the rights).
The book was optioned years ago to a couple of Turner executives, but rights eventually reverted to Bibb. A few others have kicked the tires, including Oliver Stone. But as Bibb explains, he’s feeling a new eagerness to see something come to screen both because of the timeliness of the story and Turner’s declining health.
Bibb was Rolling Stone’s first publisher where he recruited high school buddy Hunter Thompson to write for Jann Wenner’s publication; now he’s an investment banker (currently at Mediatech Capital Partners) specializing in media deals for 40 years.
Nandi Bushnell
Trigger Art
Great art is supposed to be ‘triggering’
The rise of trigger warnings is a threat to artistic freedom.
by Ella Whelan
What ‘triggers’ us in art is subjective. At the opening night of JM Synge’s Playboy of the Western World in Dublin in 1907, audience members were triggered into rioting, including throwing projectiles at the stage, because of its shocking content – including a portrayal of patricide and scenes involving ladies’ knickers. Sinn Féin leader Arthur Griffith described the play as ‘a vile and inhuman story told in the foulest language we have ever listened to from a public platform’. WB Yeats, who had not expected such a reaction, berated the audience for having ‘disgraced yourselves again’. Synge, however, was quietly triumphant, writing to his fiancé the morning after: ‘It is better any day to have the row we had last night, than to have your play fizzling out in half-hearted applause. Now we’ll be talked about.’
Almost 115 years later, the idea that art can and should surprise us in shocking or even hurtful ways feels like a thing of the past. The art world today is often so terrified of unruly audiences, who these days take to hurling tweets instead of rotten fruit, that trigger warnings are now ubiquitous. They have become a means of controlling and anticipating what kind of reaction a piece might elicit.
The Bard
Selema Masekela Is on a Mission to Return Surf Culture to the People
The bard of the action sports world chats about African surf culture, his career highlights, and his secret love for Miranda Lambert
BY DANNY AGNEW
Selema MasekelaIan – Drachman/Mami Wata
For anyone familiar with the world of action sports, Selema Masekela needs no introduction. The legendary sports commentator was ESPN’s host of both the X Games and Winter X Games for 13 years, has covered both the Olympics and World Cup for NBC Sports, and served as both host and executive producer of VICELAND’s docu-series Vice World of Sports. His voice and visage are inextricably linked with some of the most — if you’ll pardon the expression — “holy shit” sporting moments of the last quarter century.
The son of famed South African jazz musician Hugh Masekela (and an accomplished musician in his own right), Selema has also spent a significant portion of his life on the African continent and has of late been hard at work on Afrocentric surf apparel brand Mami Wata. The term “Mami Wata” translates to “Mother Water” (or “Mother Ocean”) and serves as a powerful moniker to invoke the brand’s celebration of African surf culture as well as their mission to create jobs, grow economies and support youth surf therapy organizations on the African continent. In addition to their range of eye-catching tees, hoodies and boardshorts (all designed and produced in South Africa), Mami Wata also supports said organizations via the book AFROSURF, described as “a visual mindbomb packed with over 200 photos, 50 essays, surfer profiles, thought pieces, poems, playlists, photos, illustrations, ephemera, recipes, and a mini comic, all wrapped in design that captures the diversity and character of Africa.” It’s a dope read and we highly recommend picking up a copy.
The Rock ‘n Roll GOAT
Xbombing
SpaceX’s Starlink Satellites Are Photobombing Astronomy Images, Study Says
Streaks left by passing satellites mar observatories’ celestial images, potentially hinder spotting of dangerous asteroids
By Aylin Woodward
As the armada of satellites circling Earth grows, a new study shows that astronomy images are being marred by streaks of reflected sunlight left by the fast-moving objects.
SpaceX alone launched nearly 150 of its expanding fleet of Starlink telecommunications satellites in the past month.
For the study, published Jan. 14 in the Astrophysical Journal Letters, researchers examined the effects of Starlink satellites on about 300,000 images taken by an instrument at the Palomar Observatory in Southern California. Between November 2019 and September 2021, they noted a 35-fold increase in the number of corrupted images.
Gold Cube
Mystery as gold cube worth $11.7million ‘pops up’ in NYC’s Central Park – and it has its own security guards
A MYSTERIOUS gold cube worth an estimated $11.7million appeared in New York’s Central Park on Wednesday morning accompanied by its very own security detail.
The cube, composed of 186 kilograms of pure 24-karat gold, was rolled out in front of a snowy Naumburg Bandshell at 5am in the morning surrounded by photographers and NYPD officers.
The hollow gold block is the creation of 43-year-old German artist Niclas Castello, who has branded it the “Castello Cube.”
The 410-pound work is not for sale but was used as publicity for the launch of accompanying cryptocurrency, the Castello Coin.
Magnet Fishing
Florida boy reels in .50-caliber Barrett sniper rifles while fishing
By Sarah Sicard
Over a balmy winter weekend in South Miami-Dade, Florida, a young boy and his grandfather set out to fish along a canal. What they reeled in weren’t fish, but holy mackerel were they a catch.
Duane Smith was shocked when his grandson Allen Cadwalader pulled in two .50-caliber Barrett sniper rifles while magnet fishing, the Miami Herald reported.
Smith and Cadwalader went out with magnetic rods after viewing a YouTube video on it, and decided to drop lines in the C-102 canal.
“We ended up with two pounds of scrap metal and 40 pounds of gun,” Smith told the Miami Herald, adding, “I figured, since it was our first time, this was beginner’s luck.”
Pilbarra
Is the Pilbara the oldest place on Earth?
by Dan Avila
(Credit: Dan Avila)
Dating to around 3.6 billion years ago, the Pilbara region of Western Australia is home to the fossilised evidence of the Earth’s oldest lifeforms.I
In recent years, science has confirmed what Aboriginal Australians, the world’s oldest continuous living culture, always knew: the Pilbara region of Western Australia is among the oldest places on Earth.
The Pilbara began to form more than 3.6 billion years ago and its vast landscape of deep pindan reds and endless panoramas, which stretches from the west coast to the Northern Territory border, is an ancient, forbidding place. For those travelling to the region for the first time, the initial sense of space and solitude can be daunting: it’s roughly double the size of Great Britain, but with a population of just 61,000, it is one of the most sparsely populated regions on Earth.
Trappedverse
My Family Is Trapped in the Metaverse
Virtual reality isn’t great, but it’s a lot better than dealing with everything else out there.
by Adrienne So
ON A WHIM, I recently started rewatching Ready Player One, the Steven Spielberg adaptation of Ernest Cline’s seminal novel about a future in which virtual reality is the real world. In the opening scene, protagonist Wade Watts clambers around a ramshackle trailer park before placing a headset on his face. Everyone has largely abandoned the decrepit, rundown reality for the Oasis—a virtual world of limitless possibilities, where everyone can do, be, or look like pretty much anything they want.
If you’d asked me if we were close to Ready Player One a year ago, I would’ve snorted and listed any of the objections my more skeptical colleagues have noted. However, on a recent Saturday afternoon, my husband put on the Meta Quest 2 VR headset to play Puzzling Places, a 3D puzzling game, while our children played with their stuffed animals and I sorted laundry.
After lunch, my 6-year-old daughter was allowed to spend a half-hour in Google’s Tilt Brush, a 3D drawing app where she created a frosty winter scene, complete with falling snow and snowmen named Lisa and Tom. My 4-year-old watched, enraptured, as the headset cast to the screen. After dinner, I caught my husband putting the headset on again. I told him to charge it when he was done because I was going to try a few new games with my coworker in an hour.
B-O-L-O-G-N-A Mask
Oscar Mayer bologna-inspired face mask hydrates and horrifies
My bologna face mask has a first name.
by Amanda Kooser
Maybe don’t wear this out in public.Oscar Mayer
I have no idea what’s in bologna. The off-pink deli meat is something I haven’t thought about since childhood. Then along comes meat-maker Oscar Mayer with a bologna face mask, and I’m now having deep thoughts about lunch and self-care.
Scratching sound. Rewind. Bologna face mask?! Oscar Mayer, never one to shy away from flashy marketing moves, is selling a $4.99 Bologna Hydrogel Sheet Face Mask on US Amazon as of today, for as long as supplies last.
Oscar Mayer is riffing on the playful idea of biting out eye and mouth shapes from a piece of bologna and then holding it over your face like a mask. Where did this bizarre ritual come from? I don’t know and I’m afraid to ask, but it sounds like a very American thing to do.
First Sleep, Second Sleep
The forgotten medieval habit of ‘two sleeps’
By Zaria Gorvett
It was around 23:00 on 13 April 1699, in a small village in the north of England. Nine-year-old Jane Rowth blinked her eyes open and squinted out into the moody evening shadows. She and her mother had just awoken from a short sleep.
Mrs Rowth got up and went over to the fireside of their modest home, where she began smoking a pipe. Just then, two men appeared by the window. They called out and instructed her to get ready to go with them.
As Jane later explained to a courtroom, her mother had evidently been expecting the visitors. She went with them freely – but first whispered to her daughter to “lye still, and shee would come againe in the morning”. Perhaps Mrs Rowth had some nocturnal task to complete. Or maybe she was in trouble, and knew that leaving the house was a risk.
Either way, Jane’s mother didn’t get to keep her promise – she never returned home. That night, Mrs Rowth was brutally murdered, and her body was discovered in the following days. The crime was never solved.
Nearly 300 years later, in the early 1990s, the historian Roger Ekirch walked through the arched entranceway to the Public Record Office in London – an imposing gothic building that housed the UK’s National Archives from 1838 until 2003. There, among the endless rows of ancient vellum papers and manuscripts, he found Jane’s testimony. And something about it struck him as odd.
Originally, Ekirch had been researching a book about the history of night-time, and at the time he had been looking through records that spanned the era between the early Middle Ages and the Industrial Revolution. He was dreading writing the chapter on sleep, thinking that it was not only a universal necessity – but a biological constant. He was sceptical that he’d find anything new.
So far, he had found court depositions particularly illuminating. “They’re a wonderful source for social historians,” says Ekirch, a professor at Virginia Tech, US. “They comment upon activity that’s oftentimes unrelated to the crime itself.”
But as he read through Jane’s criminal deposition, two words seemed to carry an echo of a particularly tantalising detail of life in the 17th Century, which he had never encountered before – “first sleep”.
[ click to continue reading at BBC ]
The Beautiful Model
The Standard Model of particle physics: The absolutely amazing theory of almost everything
The Standard Model. What a dull name for the most accurate scientific theory known to human beings.
More than a quarter of the Nobel Prizes in physics of the last century are direct inputs to or direct results of the Standard Model. Yet its name suggests that if you can afford a few extra dollars a month you should buy the upgrade. As a theoretical physicist, I’d prefer The Absolutely Amazing Theory of Almost Everything. That’s what the Standard Model really is.
Many recall the excitement among scientists and media over the 2012 discovery of the Higgs boson. But that much-ballyhooed event didn’t come out of the blue – it capped a five-decade undefeated streak for the Standard Model. Every fundamental force but gravity is included in it. Every attempt to overturn it to demonstrate in the laboratory that it must be substantially reworked – and there have been many over the past 50 years – has failed.
In short, the Standard Model answers this question: What is everything made of, and how does it hold together?
Pokerbots
How A.I. Conquered Poker
Good poker players have always known that they need to maintain a balance between bluffing and playing it straight. Now they can do so perfectly.
By Keith Romer
Last November in the cavernous Amazon Room of Las Vegas’s Rio casino, two dozen men dressed mostly in sweatshirts and baseball caps sat around three well-worn poker tables playing Texas Hold ’em. Occasionally a few passers-by stopped to watch the action, but otherwise the players pushed their chips back and forth in dingy obscurity. Except for the taut, electric stillness with which they held themselves during a hand, there was no outward sign that these were the greatest poker players in the world, nor that they were, as the poker saying goes, “playing for houses,” or at least hefty down payments. This was the first day of a three-day tournament whose official name was the World Series of Poker Super High Roller, though the participants simply called it “the 250K,” after the $250,000 each had put up to enter it.
At one table, a professional player named Seth Davies covertly peeled up the edges of his cards to consider the hand he had just been dealt: the six and seven of diamonds. Over several hours of play, Davies had managed to grow his starting stack of 1.5 million in tournament chips to well over two million, some of which he now slid forward as a raise. A 33-year-old former college baseball player with a trimmed light brown beard, Davies sat upright, intensely following the action as it moved around the table. Two men called his bet before Dan Smith, a fellow pro with a round face, mustache and whimsically worn cowboy hat, put in a hefty reraise. Only Davies called.
Autonomyverse
Enter the Metaverse
Unlike the Internet, the dawning digital environment promises autonomy from the physical world.
by Bruno Maçães
It is no coincidence that the metaverse as a practical project emerged out of the experience of the Covid-19 pandemic. The concept is older, tracing its origins to such science fiction classics as Neal Stephenson’s Snow Crash, but the last two years have transformed it into an actual business proposition, capable of dictating a name change for Facebook (now Meta) and moving billions of dollars in capital markets.
The great migration to digital during the pandemic showed the enormous advantages of being able to work and live within an artificial, secondary universe. In this universe, the laws of space and time no longer apply, or at least they can be bent, enhancing human powers in ways still to explore: an end to long commutes and the achievement of measurable increases in productivity; the ability to participate in meetings and conferences on different continents and on the same day; and children still able to attend school, even amid the worst public-health emergency in a century.
Unfortunately, the limits of digital experience were no less apparent. A lot gets lost when human interaction takes place on a screen. The results of remote schooling have so far proved mixed, at best. A digital work environment soon revealed itself as considerably more exhausting than the real counterpart. Human beings are built for the kind of immersive interaction that takes place in the physical world, where all five senses get involved. Some of our mental abilities, including memory, suffer markedly when we are reduced to disembodied egos on Zoom. As for entertainment, digital experiences are still so far from the actual fun of going to a restaurant or a music concert that nothing one tried on the Internet during the lockdowns measured up.
Microsoft Blizzard
Microsoft to Purchase Activision Blizzard for $68.7 Billion
Microsoft says the acquisition will help “provide building blocks for the metaverse.”
IGN initially reported that Kotick would remain as Activision Blizzard CEO, but has updated their story to say that Kotick’s future at the company remains unclear.
Microsoft has agreed to buy video game giant Activision Blizzard in an all-cash deal for $68.7 billion, further propelling the company’s expansion into the metaverse.
Activision is home to some of the world’s most popular video games including the Call of Duty franchise and Candy Crush. For Microsoft, which owns the gaming and console-maker XBox, the deal, if completed, will represent its largest acquisition in history. The Wall Street Journal first reported the news.
Andre Leon Talley Gone
ANDRE LEON TALLEY DEAD AT 73
Fashion icon Andre Leon Talley has died at 73 … TMZ has learned.
A source with direct knowledge tells us Vogue’s former creative director and one-time editor-at-large passed away Tuesday at a hospital in White Plains, NY. It’s currently unclear exactly what he was battling in the hospital.
Talley was instrumental to Vogue’s vision and direction in the ’80s and ’90s, when he worked his way up the magazine ranks to eventually become the news director — which he helmed from ’83 to ’87 — and then ascended to Vogue’s creative director in ’88.