God Speaks
‘God’ speaks on upcoming memoir
According to Entertainment Weekly, the reason God inked a recent book deal with Simon & Schuster is because he’s “tired of being misinterpreted.”
The higher power recently spoke with EW about his upcoming memoir – as told to former “Daily Show” exec David Javerbaum – his Twitter account and (but of course!) Justin Bieber.
(It turns out that Javerbaum and God are represented by the same literary agency, according to a release from Simon & Schuster. He’s also co-authored “America: The Book” and “Earth: The Book,” as well as “What to Expect When You’re Expected: A Fetus’s Guide to the First Three Trimesters.”)
The interview with God, which EW notes was just maybe aided by Javerbaum, cites James Frey, the Brothers Grimm, Aesop and Hans Christian Andersen as literary influences. The memoir will apparently cover a variety of topics, including: “[t]he secret history of Adam and Steve; what it was like working with Moses, St. Peter, Mohammed and other legends of the field; which sports teams I truly root for (hint: Go Blue Jackets!); and, because I can see everyone at all times, I will have much to offer by way of celebrity gossip. It will be in a section that I will call ‘God-sip’!”
metal | chrome | ferrochrom | ferro
Shambroom @ Half Gallery
THE FLOWERS OF ROMANCE
by Charlie Finch
Most of the time, I’d rather have my good times happen by accident. Such was the case when I walked down Second Avenue on a cold evening a few weeks ago to visit the Half Gallery on Forsyth Street, which, since it combines the powers, formally and informally, of Bill Powers, James Frey, Andy Spade, Carter Burden, Cynthia Rowley, Olivier Zahm and others, probably has more celebrities per square foot than all the ersatz parties in Miami Beach during the first week of December.
Opening at Half was a painter named Donald Shambroom, who lives outside of Boston. It’s his first New York exhibition in 20 years and comprises a series of mournful paintings of orange gardenias, and one of an outstretched pink hand, bowing towards a gravestone, mockingly thanking George W. Bush on behalf of the war dead of the last decade.
I asked myself where I had met this Shambroom fellow before and, when a number of familiar faces arrived, realized that I had not seen him since he was painting at Yale in 1973. Memories, none mournful, flooded back of other marginally promising painters of our era (Dirk Nelson, Frank Cole), and the faces in the room identified themselves: here was the avant-garde guitarist Gary Lucas, sidekick of Captain Beefheart; there was Robert Rubin, who curates at the Bibliotheque National; and there was painter Dennis Kardon, he of the brash nudes and frequent mentions inArtnet Magazine.
Rosemary Roast Duck With Olive Relish
Futuristic Weaponry and “Red Dead Redemption”
Callan McAuliffe Talks Action in “I Am Number Four,” Futuristic Weaponry and “Red Dead Redemption”
“Going from shooting my friends online to actually shooting and blowing stuff up in I Am Number Four was pretty cool,” laughs Callan McAuliffe.
Callan got to live out every modern guy’s dream with his role as Sam in D.J. Caruso‘s I Am Number Four. He gets thrust into a paranoid, pulsating thrill ride rife with intense action and super cool weaponry.
I Am Number Four centers around John [Alex Pettyfer]. John has got something very special inside of him, but there’s a deadly enemy that wants to make sure he never realizes the full scope of his power. Three have already been knocked off, and he’s Number Four. Sam’s the outcast in John’s high school that’s along for the journey.
In this exclusive interview, Callan McAuliffe talks about I Am Number Four, getting to fire off some futuristic weaponry, favorite video games, film score and more!
MTV Does Music Again
Does MTV Care About Music Again? The MTV Music Meter Is A Good Start
Posted by Reid McCarter on December 16th, 2010 1:40 PM
We can be forgiven for thinking that, at times, MTV has lost touch with its roots. Between the constant parade of banal reality shows and Bigfoot-sighting frequency of music videos featured on the network it can seem as if the company has given up on actually trendsetting in the world of music. Luckily the release of the MTV Music Meter, an innovative and relevant new charting system, proves this theory wrong by displaying the company’s renewed commitment to current music.
The MTV Music Meter, only just launched in beta, puts the modern music charts where they belong — into the hands of a digital democracy. By accessing the Music Meter fans are able to view a daily list of the top 100 artists currently getting buzz around the internet and then carry on to check out any of the subject’s photos, videos, bios, tweets, music, similar artists and more.
The MTV Music Meter is, in this sense, just a charting system (albeit a more interactive one). What makes it noteworthy, however, is that it is a charting system that is determined by an algorithm (developed by MTV and EchoNest) that crawls the web for the most popular blog postings, video streams and other social media hype-machines. The daily top 100 is then composed from these findings, representing a traffic-driven approach to pop chart listings influenced by the real majority — that is, anyone with a computer and an opinion.
The Great Blake Edwards Gone
Director Blake Edwards dies at 88
December 16, 2010 | 10:01 am
Blake Edwards, the veteran writer-director whose films include the “Pink Panther” comedies, “Breakfast at Tiffany’s,” “Days of Wine and Roses” and “10” and whose legendary disputes with studio chiefs inspired his scathing Hollywood satire “S.O.B.” has died. He was 88.
Edwards, whose collaborations with his wife, Julie Andrews, included the 1982 comedy “Victor/Victoria,” died of of complications of pneumonia Wednesday evening at St. John’s Health Center in Santa Monica, said Gene Schwam, Edwards’ longtime publicist. Andrews and members of their immediate family were at his bedside.
Edwards scored his first box-office hit with “Operation Petticoat,” a 1959 comedy about a World War II submarine crew starring Cary Grant and Tony Curtis. But a turning point in Edwards’ film career came in 1961 with “Breakfast at Tiffany’s.”
Antikythera in LEGO®
Actually, Dianna Agron is a lot hotter than Hermione
‘I Am Number Four’ trailer: Is James Frey’s book-turned-film the next ‘Twilight’ or ‘Harry Potter’?
Dreamworks / In ‘I Am Number Four,’ Alex Pettyfer plays an alien who falls for ‘Glee’ star Dianna Agron.
With the “Harry Potter” franchise ending next summer and “Twilight” wrapping up a year later, it’s quite likely the wizard and vampire fads are on their way out. If so, a new sci-fi fantasy trend will have to take the reins.
Can we interest you in aliens, perhaps?
That’s the hook for “I Am Number Four,” the D.J. Caruso-directed film whose explosive second trailer was just released earlier this week.
Based on the novel co-written by “A Million Little Pieces” author James Frey (under the pen name Pittacus Lore), “Number Four” tells the story of a group of teen aliens who are hunted on Earth, but who can only be killed in a numerical sequence.
Stuff Mr. Rogers In Your Stockings
Statutory Rape In The Eye Of The Beholder
German man castrates teenage daughter’s 57-year-old boyfriend
An enraged father who disapproved of his daughter’s older boyfriend went to his home and castrated him with a bread knife.
Helmut Seifert, 47, an ethnic German originally from Russia, was enraged when he heard his 17-year-old daughter was having a relationship with Phillip Genscher, 57.
He went to police in the town of Bielefeld where he lives but officers said they were powerless to intervene.
“The man then recruited two work colleagues at his factory and then went to the house of the victim,” said police.
“The man was forced to remove his trousers and, fully conscious, he was castrated. The severed testicles were taken away by the perpetrator.”
The man was close to bleeding to death but managed to call police. His life was saved but he remains a eunuch for life.
Mona Lisa’s Eyes
The real-life Da Vinci Code: Historians discover tiny numbers and letters in the eyes of the Mona Lisa
By NICK PISA and LUKE SALKELD
Intrigue is usually focused on her enigmatic smile.
Hidden symbols: This eye is thought to contain L and V, the artist’s initials
But the Mona Lisa was at the centre of a new mystery yesterday after art detectives took a fresh look at the masterpiece – and noticed something in her eyes.
Hidden in the dark paint of her pupils are tiny letters and numbers, placed there by the artist Leonardo da Vinci and revealed only now thanks to high- magnification techniques.
Interview With God
EW exclusive: God the Almighty dishes on his new memoir, Twitter page, and Justin Bieber
Image Credit: Mehau Kulyk/SPL/Getty Images
Sometimes as an entertainment journalist, you’ll get a great interview assignment, whether it’s Matt Damon or Michael Caine, but rarely are you offered a one-on-one with a figure so prestigious, so well-known, and with such staying power as I was recently. In order to promote His upcoming memoir from Simon & Schuster, as well as His recently launched Twitter page, the big cheese Himself, God, deigned to speak from the heavens directly into the ear of this humble servant of Time, Inc. (All right, he may have had some help from former executive producer of The Daily Show David Javerbaum.) Like many in my field, I’ve interviewed aliens before, but this is a totally different deal. Read our entire sacrilicious exchange below.
ENTERTAINMENT WEEKLY: Why a memoir, and why now?
GOD:
Lo, I grew weary of being misinterpreted, and blasphemed, and relegated to sneeze detail; and I longed to telleth all; and it was a matter of urgency, for on April 23, 2013, I shall bring about on Earth an event of such cataclysmic… well, ye will have to read the book.
Nice tease. And what other topics will Thee be addressing?
My topics shall include: The secret history of Adam and Steve; what it was like working with Moses, St. Peter, Mohammed, and other legends of the field; which sports teams I truly root for (hint: Go Blue Jackets!); and, because I can see everyone at all times, I will have much to offer by way of celebrity gossip. It will be in a section that I will call “God-sip”! Getteth it?
Yes.
Like “gossip,” but with “God”?
It’s very clever.
I make this covenant with ye, Keith: This will be a juicier book of revelations than any since The Book of Revelation.
Literarily speaking, who are your influences?
Aesop, The Brothers Grimm, Hans Christian Andersen, and James Frey.
SOUR MIRROR – The Most Incredible Music Video Ever Created
Keith Richards De-flowers Librarian Named Marie
Keith Richards Kills Orchid (and His Dream of Becoming Librarian)
Posted By: Deb Sperling
It seems that, even though the rest of us aren’t allowed to so much as close our eyes at the New York Public Library, Keith Richards can do whatever he wants.
Shortly before giving a talk at the Cullman Center, the Rolling Stone lit up a cigarette in Deputy Director Marie d’Origny’s office. He then stubbed it out on a clay saucer he grabbed from underneath her precious orchid. Just to make sure the famously hard-to-care-for flower was really dead, he had someone open the office window to let in a breeze.
IMAX for I AM NUMBER FOUR
DreamWorks’ “I Am Number Four” and “Real Steel” to unspool on digital screens in 2011
TORONTO — Imax Corp. has pacted with DreamWorks Studios and The Walt Disney Studios to release two Touchstone Pictures releases, I Am Number Four and Real Steel.
“The inclusion of two live-action DreamWorks titles in our 2011 slate enables us to expand the range of content available to Imax theatres and extend our brand deeper into our growing 18-34 audience segment,” Imax CEO Richard L. Gelfond said in a statement.
D.J. Caruso‘s I Am Number Four, set to be released on Feb. 18, 2011, is an action thriller about an extraordinary teen, played by Alex Pettyfer, who is hunted by ruthless enemies.
Timothy Olyphant and Dianna Agron (Glee) also star.
When The Butt Drag Goes Bad
“Richard plays the creepiest, twitchiest guitar solo we’ve ever heard.”
New Full-length trailer: I AM NUMBER FOUR
‘I Am Number Four’: Trailer
By WSJ Staff
The first project from James Frey’s so-called “fiction factory,” “I Am Number Four,” is set to hit the big screen soon. The film adaptation of the bestselling fantasy book tells the story of nine baby aliens who are raised on Earth. Frey wrote the book along with co-author Jobie Hughes. Here’s a look at the trailer.
Anchovy and Bleu Cheese Toasts
Rolling In The Deep
Gawker Artists
“An art brand”: Gawker Artists looks at the image beyond the display ad
Five years ago, Chris Batty, until this week Gawker’s vice president of sales and marketing, was looking to fill un-purchased ad space on the site. He wanted to forgo the “horrendous creative” of ad networks that litter sites with penny stocks and would keep his sales teams pushing buttons instead of building relationships. Batty sought something prettier, more intimate, more unique for the company’s growing real estate. At the time, he was living with a woman who worked for Christie’s art house, and he prodded her to find artists to fill the empty space. She didn’t act on Batty’s inspiration, but he did — bringing images of artists’ work to stand alongside Gawker’s blog posts.
The result was a workaround that gave Gawker full control over its pages’ aesthetics. Born as a stopgap to complement blog posts, Gawker Artists is now taking on an unexpected life of its own — it became a standalone site in 2006 — in large part by thinking of art not merely as a pretty placeholder for text but as something that could survive on its own. Something that could be modeled and monetized. “Gawker Artists is an art brand rather than an editorial brand,” Gawker Media’s director of marketing, Erin Pettigrew, points out. That’s a major distinction in an industry that uses the word “art” as shorthand for photos, infographics, cartoons, and any other visual.
G.A. curators — working with more than 1,400 artists with 35,000 images — tailor and export work to media partners like Elle, Curbed, and The Atlantic. They hang pieces at Gawker’s notoriously bit-focused office, and are in talks to curate work for the headquarters of another high-profile startup. G.A. organizes sponsored exhibitions and events and collaborates with brands on creative projects. Soon, it will launch an art shop that sells limited-edition prints.
I AM NUMBER FOUR Street Sheet
Mo’ Picasso
Staggering Picasso trove turns up in France
PARIS – Pablo Picasso almost never stopped creating, leaving thousands of drawings, paintings and sculptures that lure crowds to museums and mansions worldwide. Now, a retired electrician says that 271 of the master’s creations have been sitting for decades in his garage.
Picasso’s heirs are claiming theft, the art world is savoring what appears to be an authentic find, and the workman, who installed burglar alarms for Picasso, is defending what he calls a gift from the most renowned artist of the 20th century.
Picasso’s son and other heirs say they were approached by electrician Pierre Le Guennec in September to authenticate the undocumented art from Picasso’s signature Cubist period.
Instead, they filed a suit for illegal possession of the works — all but alleging theft by a man not known to be among the artist’s friends. Police raided the electrician’s French Riviera home last month, questioned him and his wife and confiscated the disputed artworks.
New One Sheet for I AM NUMBER FOUR
Terry Richardson’s Diary
Live Group Sex Tonight
Rauschenberg: “More than 6,000 works of art, some of preposterous size and ambition.”
Fruitful Talent Who Made Art World Multiply
Fred R. Conrad/The New York Times
“Robert Rauschenberg,” a survey at Gagosian Gallery, includes “Palladian Xmas” (1980), with acrylic, fabric and collage on wood. More Photos »
By HOLLAND COTTER
Robert Rauschenberg, the subject of a chock-a-block time capsule of a show at Gagosian Gallery in Chelsea, was an optimist and a doer. He not only did what artists normally do: make paintings, sculptures, prints and photographs. He also did the work of performers, musicians, philanthropists and career politicians.
He danced, composed, gave away money and initiated diplomatic missions, always on behalf of art. He believed that if he, or we, or anyone could just produce enough art, then art and life would be the same thing, and the world would change for the better. So, committed universal citizen that he was, he kept trying to make enough.
He made a lot. He was blessed with sunny energy, immense talent and an unstoppable creative flow, the equivalent of stream of consciousness in literature. For years on end, that stream rushed forward, turning whatever it swept up — childhood memories, art history, street junk, nature, the daily news — into gold. Then for stretches, and quite lengthy ones, it meandered and pooled. Even then, the flow never stopped. In a six-decade career, Rauschenberg turned out more than 6,000 works of art, some of preposterous size and ambition.
