French Director Gaspar Noé on America’s Fear of the Penis
“The fear of the penis in the United States still shocks me,” he said. “In many ways, the Western world is turning Victorian.”
By Noel Ransome
Near the end of my chat with Gaspar Noé, I ask him why he’s so comfortable with pushing narrative boundaries in film. He replied he doesn’t believe he’s pushing anything compared to what came before. So I remind him of cinema’s growing sensitivity to controversial representations of sexuality in 2019. The French director—whose latest film Climax (which is co-produced by VICE Studios), is a journey with a dance troupe lured into hallucinogenic states to the point of injury and death—decides to answer in the most Noé way possible.
“The fear of the penis in the United States still shocks me,” he lets out during a phone exchange. “In many ways, the Western world is turning Victorian.”
If you’ve ever seen a film by Gaspar Noé, it would be downright disappointing not to hear the word “penis” leave his mouth. The director is famed with his ability to unsettle viewers with equal parts beauty, sexuality and terror. You’ll see it in works such as Irreversible , Love, Enter the Void, and now in Climax set for a March 1 limited release—zero penises guaranteed.
It takes a special kind of mind to come up with films that explore the dark depths of the human psyche. And thankfully, I got a chance to listen to the ideas that a mind like that will throw at you when questioned. Whether it was drugs, directing or “the penis,” Noé was a man comfortable speaking about it all.