James Frey Official Website
Join the JAMES FREY mailing list

Who said public art can’t be fun?

from New York Magazine

When the Low Went Very High

Who said public art can’t be fun?

By Jerry Saltz

[Jeff] Koons’s work has always stood apart for its one-at-a-time perfection, epic theatricality, a corrupted, almost sick drive for purification, and an obsession with traditional artistic values. His work embodies our time and our America: It’s big, bright, shiny, colorful, crowd-pleasing, heat-seeking, impeccably produced, polished, popular, expensive, and extroverted—while also being abrasive, creepily sexualized, fussy, twisted, and, let’s face it, ditzy. He doesn’t go in for the savvy art-about-art gestures that occupy so many current artists. And his work retains the essential ingredient that, to my mind, is necessary to all great art: strangeness.

You can see this in his glorious phantasmagorical masterpiece, the large-scale topiary sculpture Puppy. This 40-foot visitor from another aesthetic dimension appeared in New York in the first year of the new millennium. It assumed the form of a West Highland white terrier constructed of stainless steel and 23 tons of soil, swathed in more than 70,000 flowers that were kept alive by an internal irrigation system.

[ click to read full article at ]

Posted on January 4, 2010 by Editor

Filed under Culture Music Art | | No Comments »