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Rodrigo Corral

from Slate

Sometimes You Can Judge a Book by Its Cover

Graphic designer Rodrigo Corral explains how he comes up with iconic book-jacket art.

BY RUMAAN ALAM

A bearded, smiling man.
Rodrigo Corral Anna Kassoway

On this week’s episode of Working, Rumaan Alam spoke with graphic designer and creative director Rodrigo Corral. They discussed his work designing book-cover art, where he looks for inspiration for designs, and how he corresponds with authors when creating a cover for their work. This partial transcript has been edited and condensed for clarity.

Rumaan Alam: I’ve wanted for a long time to talk to someone for this show who designs book jackets. Just to establish for our listeners some of your work, because I think that a lot of people are going to know your work, I’m going to mention the cover of James Frey’s A Million Little Pieces, which shows a hand covered in sprinkles against a pale blue backdrop; or I’ll mention John Green’s The Fault in Our Stars, which has a black cloud sitting on top of a white cloud with this lettering that looks like chalk on a blackboard; or I’ll mention Junot Díaz’s The Brief Wondrous Life of Oscar Wao, which has a spray-painted silhouette that looks like graffiti, but it also looks like a Rorschach test.

If you go to the bookstore right now in this country, you’re going to see paperback editions of Rachel Cusk’s OutlineTransit, and Kudos which each have these arresting photographs on the cover: a seashell perched in the sand, a praying mantis trapped in a plastic cup, a view from an airplane window.

I’m only mentioning a few of your designs, but I think this gives a sense of what it is that you’ve done that really caught my attention, which is book design. What does the brief look like when you’re designing a book jacket, and how is that different than when the task is to design a hotel logo or an illustration for a magazine article?

[ click to continue reading interview at Slate ]

Posted on September 23, 2021 by Editor

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