Gagosian and Shaq In The Hamptons
Larry Gagosian and Shaq to Produce Film About the Struggles of a Black Basketball Team in the Hamptons
The basketball-centric film deals with issues of race in the Hamptons.
Shaquille O’Neal is being interviewed at “30 For 30: This Magic Moment” premiere in New York City. Courtesy of Matthew Eisman/Getty Images for Tribeca Film Festival.
At first glance, it might seem like a strange pairing: Mega-gallerist Larry Gagosian signs on to produce a documentary about a local basketball team—with legendary NBA Lakers center Shaquille O’Neal?
It’s not as random as a collaboration as you might think, however. The film, Killer Bees, follows the Bridgehampton School basketball team in their quest to defend their 2015 state championship title.
According to the official synopsis, the documentary goes beyond the court and “explores how Bridgehampton’s African American community came to exist in the heart of the Hamptons and its struggle to survive.”
The true story stands in stark contrast to the public perception of Long Island’s East End as a summer playground for the rich and powerful, where artists and collectors gather to party and escape the stifling city heat. Given that inherent tension, support of the film by members of the art world seems natural.
Catchin’ the COK With Spielberg And The Boys
Robot Sushi
This robot can make sushi in a matter of seconds
As robots get more advanced, they will likely take over many jobs in the future — including those of sushi chefs.
For a sneak peak at this impending automation, look no further than a new creation from robotics manufacturer Kawasaki. The robot can make sushi in under a minute.
First spotted by Gizmodo, the video shows a miraculous bot that assembles nigiri, the traditional type of sushi in which a piece of raw fish sits on a little ball of rice.
One robotic arm — on the right in the video below — clinches the sides of the pressed bundles of rice and moves completed nigiri pieces to a wooden block. The arm on the left picks up tubes of wasabi and squeezes a little bit onto the rice. It also picks up a small vacuum, which it then uses to lift up the fish and place it on the rice.
LA Timelapse
R2-D2 Gone
‘Star Wars’ Kenny Baker Dies: R2-D2 Actor Was 81
by Greg Evans
Kenny Baker, the 3-foot, 8-inch actor who played beloved robot R2-D2 in six Star Wars films beginning with the 1977 original, has died at his home in Preston, England following a lengthy illness. He was 81.
The British Baker had roles in Time Bandits and The Elephant Man, TV’s The Goodies, among others, but it’s his work inside Star Wars‘ beeping, whirring little white, silver and blue robot that brought him worldwide and lasting fame. (Coincidentally, TCM aired Time Bandits Saturday afternoon as part of the channel’s 24-hour tribute to actor Ralph Richardson).
“He did extremely well in his life,” Shield said. “He was very ill for the last few years so we had been expecting it. He had been looked after by one of his nephews who found him on Saturday morning.”
Baker played R2-D2 in Star Wars, The Empire Strikes Back, Return of the Jediand the three prequels that kicked off in 1999.
Shield said her uncle was told as a child that he “probably wouldn’t survive through puberty, being a little person in those times, they didn’t have a very good life expectancy.”
Awesome.
It Came From NYC
‘It Came From NYC’ Remembers When White Zombie Ruled Noise Rock (Not Hot Topic)
By Ron Hart
White Zombie. (Photo: Jay Brown)
For many who grew up in the New York City area during the Koch and Dinkins eras, the local underground was always a din of rust, rage and creativity informed by the squalor of its surroundings. Sunday afternoons at CBGB and Saturday nights on the Bowery were a far saltier way to spend your weekend, proving to be more like an exercise in survival than a casual opportunity to catch a show on a free day.
Fifteen or more years on, it’s hard to imagine such cultural inhabitation existing on the sanitized streets of this rapidly gentrified metropolis, a place where Vampire Weekend and Animal Collective would’ve been held at knifepoint in a dark alley near the Williamsburg Bridge and jacked for their vintage Hush Puppies.
In spite of the grit, or arguably because of it, this period marked one of the city’s most fruitful times in underground music, a time when some of the most savage and innovative acts in metal, punk and hardcore converged on the stages of such fabled venues as The Pyramid Club, L’Amour and ABC No Rio. Pussy Galore. Cop Shoot Cop. Swans. Unsane. Live Skull. Sonic Youth. White Zombie.
Wait, what?
That’s right, kids. Before they became the Beavis-approved, platinum-certified, Grammy-nominated alt-metal juggernaut of the 1990s, White Zombie first existed as a noise band assembled by a quartet of students from New York’s Parsons School of Design in search of a way to conjure the elements of Butthole Surfers, Black Flag, The Doors, The Birthday Party and X into one cacophonous brew. When those passions were cross-referenced with the interests of frontman Rob Straker (now Zombie), particularly his love for both The Misfits and Italian horror films, the band’s image stuck out from the masses of torn denim like a fluorescent green thumb.
Cate Blanchett’s Melting Face
Perseid Outburst Tonight
Perseid Meteor Shower This Week May Develop Outburst – August 11th and 12th
This Thursday and Friday, there will be one of the best annual meteor showers you and your family can watch – the Perseids. And some experts are even predicting that there might be a meteor “outburst” this year – where the number of shooting stars increases beyond the usual rates.
This is a complicated year for watching the Perseid meteor shower, because the evening sky has a roughly half-lit-up moon in it, making it more difficult to catch the faint “shooting stars.” So if you can wait until the Moon sets (between midnight and 1 am), you should have better viewing in the pre-dawn darkness. That’s great advice for people on vacation or camping trips (and for insomniacs,) but probably not useful for those who have to get up for work! (If you are watching before midnight, one suggestion is to get into a moon shadow – a place where something blocks your view of the Moon and it’s easier to scan the sky.)
The best night is the evening of Thursday, Aug. 11 and morning of Friday, Aug. 12th, although there could be significantly more meteors in the sky on the night before and the night after, too. Meteors or “shooting stars” (which have nothing to do with stars) are pieces of cosmic dust and dirt hitting the Earth’s atmosphere at high speed and making a flash of light as they burn up. These flashes could happen anywhere in the sky, so it’s best to view the shower from a dark, wide-open place. See the list at the end for viewing suggestions.
American Antwoord
The Future Of The Bucket List
People could soon be able to have virtual sex with their biggest idols, claims expert
Dreams of a night with your favourite celebrity could soon become a reality
BY JOSHUA HAIGH
Fancy sharing a night with Bieber?
Fans could soon be getting closer to their idols than ever before.
New technology has meant that ultrasound waves can create the sensation of feeling rain, wind or even holding an object.
We’ve all been desperate to meet some of the worlds most famous celebrities – but what if it was possible to take it further than that?
BBC filmmaker Ted Harrison has claimed that it could just be a few short years before developments mean that they can create the feeling of human touch.
He explained: “It could well be possible to book a life-size, lifelike virtual Elvis for a birthday party in the same way that today an Elvis lookalike can be hired.
“If technology could simulate contact, what ethical and moral issues would this raise?”
Troll Troll Everywhere
Summer’s civil war: How did pop culture get so negative?
By Brian Truitt
Kanye West jumped onstage after Taylor Swift won for best female video at the 2009 MTV Video Music Awards. (Photo: Christopher Polk, Getty Images)
The biggest civil war of summer was supposed to be Captain America and Iron Man facing off in a superhero popcorn movie. But in the past few months, battle lines have been drawn all over pop culture, with tempers flaring, cooler heads not prevailing and hate spewing everywhere, mostly on the Internet.
There was DC vs. Marvel as fanboys and fangirls hotly debated comic-book franchises. Old-school Ghostbusters fans vs. the new reboot’s female stars. Kanye West and Kim Kardashian vs. Taylor Swift in a he said/she said war involving lyrics and Snapchat videos. Those who were excited to see Suicide Squad vs. the critics who reviled it, with RottenTomatoes.com becoming ground zero for trench warfare.
And then there’s the presidential race, where two weeks of conventions featured political parties calling each other out and cable news coverage showcased surrogates of Donald Trump and Hillary Clinton sniping at one another 24/7.
“What I see right now is the whole world seems to be going to hell in a handbasket, and that’s creating a lot of tension and anger,” says Devin Faraci, editor in chief of film site Birth.Movies.Death. “That stuff leaks out into every possible direction. We’re in that weird position where everything sort of seems terrible and so as a result, people become negative and combative.”
It’s not as much people hating things as it is feverishly defending what they like, figures Mike Ryan, senior entertainment writer for Uproxx.com. “And if something or someone gets in the way of what they’re defending, watch out.”
Foos
Hipster Hipster Everywhere
Same old, same old. How the hipster aesthetic is taking over the world
Industrial furniture, stripped floors and Edison bulbs: why must we aspire to such bland monotony?
By Kyle Chayka
The Fortitude Coffee shop in Edinburgh. Photograph: Murdo MacLeod for the Observer
Go to Shoreditch Grind, near a roundabout in the middle of London’s hipster district. It’s a coffee shop with rough-hewn wooden tables, plentiful sunlight from wide windows, and austere pendant lighting. Then head to Takk in Manchester. It’s a coffee shop with a big glass storefront, reclaimed wood furniture, and hanging Edison bulbs. Compare the two: You might not even know you’re in different spaces.
It’s no accident that these places look similar. Though they’re not part of a chain and don’t have their interior design directed by a single corporate overlord, these coffee shops have a way of mimicking the same tired style, a hipster reduction obsessed with a superficial sense of history and the remnants of industrial machinery that once occupied the neighbourhoods they take over. And it’s not just London and Manchester – this style is spreading across the world, from Bangkok to Beijing, Seoul to San Francisco.
It’s not just coffee shops, either. Everywhere you go, seemingly hip, unique spaces have a way of looking the same, whether it’s bars or restaurants, fashion boutiques or shared office spaces. A coffee roaster resembles a WeWork office space. How can all that homogeneity possibly be cool?
In an essay for the American tech website The Verge, I called this style “AirSpace”. It’s marked by an easily recognisable mix of symbols – like reclaimed wood, Edison bulbs, and refurbished industrial lighting – that’s meant to provide familiar, comforting surroundings for a wealthy, mobile elite, who want to feel like they’re visiting somewhere “authentic” while they travel, but who actually just crave more of the same: more rustic interiors and sans-serif logos and splashes of cliche accent colours on rugs and walls.
Moon Express
A start-up’s race to harvest the moon’s treasures
In a race against global superpowers, Moon Express — a private venture founded by billionaire entrepreneur Naveen Jain, space technology guru Dr. Barney Pell and space futurist Dr. Bob Richards — has cleared a path for private U.S . companies looking to explore and commercialize space.
Today the company is the first private enterprise in history to receive U.S. government approval to travel beyond Earth’s orbit and undertake a deep space mission. The goal: to land a robotic spacecraft on the moon’s surface in 2017 and analyze and explore its valuable resources that can be used on Earth.
The landmark ruling issued by the Federal Aviation Administration’s Office of Commercial Space Transportation provides for interagency approval of the Moon Express 2017 lunar mission under the authority of the Secretary of Transportation, NASA, National Oceanic and Atmospheric Administration and other federal agencies to review and license commercial payloads missions in outer space. It adds a series of voluntary disclosures to help the federal government fulfill its supervisory obligations under the Outer Space Treaty and ensure U.S. national security.
Moon Express required this special ruling because the U.S. government has no standard method in place that would authorize and license private commercial mission operations to outer space, including the moon.
“This is as much a giant leap for government as it is for private enterprise,” said Charles Chafer, CEO of Space Services Holdings and co-founder of Celestis, a space burial service.
Millions are at stake for Moon Express. As part of Google’s Lunar XPRIZE competition, the company stands to be awarded $20 million if it successfully lands a commercial spacecraft on the moon, travels 500 meters across its surface and sends high-definition images and video back to Earth.
Easton Ellis Goes Off Again
Read Bret Easton Ellis’ excoriating monologue on social justice warriors and political correctness
‘Oh, little snowflakes, when did you all become grandmothers and society matrons, clutching your pearls in horror at someone who has an opinion about something, a way of expressing themselves, that’s not the mirror image of yours?’
By Christopher Hooton | @christophhooton
If you’ve been listening to Bret Easton Ellis’ excellent podcast over the past couple of years, you’ll know that an anger, a disbelief, an exhaustion with political correctness and online hive mind mobmentality has been rumbling in the writer for some time.
The podcast is mainly focused on film, and the issue of social media and modern journalistic discourse bleeds into this area as it has had an unquestionable effect on artistic output in the past couple of years. On a previous episode, guest and Bored To Deathcreator Jonathan Ames confessed to having recently pulled out of writing an article for a publication simply because he feared the often overwhelming online backlash writers now face.
In the latest instalment but one, ahead of a very interesting, not-unrelated, interview with The Invitation director Karyn Kusama which I implore you to listen to, Bret let rip with an opening monologue calling out the “authoritarian language police”, with “your strict set of little rules and manufactured outrage, demanding apologies from every sandwich or salad you didn’t like”.
The American Psycho author would probably be the first to admit that he went a little too far at times, and has previously confessed to delighting in stoking controversy and acting the contrarian on Twitter, but there’s some incredibly cogent stuff in there about the paradoxically fascist aspect to the ‘this is the only opinion you are allowed to hold’ tacit rules of leftist social media.
It starts with a discussion of recent controversy over an LA Weekly profile – I hate to have to do this and the context is really necessary here, but if you’re short on time, the main thrust of this 2000-word essay begins where I’ve added these arrows: >>>
Alternatively, you can listen to the podcast in full here.
Eastwood Goes Off Again
Clint Eastwood on Donald Trump’s Racism: ‘Just F—ing Get Over It’
“When I grew up, those things weren’t called racist,” says actor, director and producer who would vote for GOP nominee over Hillary Clinton
Clint Eastwood thinks America’s “pussy generation” needs to “just f–ing get over” Donald Trump’s “racism.”
In an interview with Esquire published Wednesday, the actor/director/producer said young America — which he has dubbed both the “kiss-ass” and “pussy” generation — needs to stop throwing the word “racist” around so freely.
“[Trump’s] onto something, because secretly everybody’s getting tired of political correctness, kissing up,” he said. “We’re really in a pussy generation. Everybody’s walking on eggshells. We see people accusing people of being racist and all kinds of stuff. When I grew up, those things weren’t called racist.”
Deep Space Industries
The Prospector-1 spacecraft will survey and land on an asteroid
Deep Space Industries announced today its plans to fly the world’s first commercial interplanetary mining mission. Prospector-1™ will fly to and rendezvous with a near-Earth asteroid, and investigate the object to determine its value as a source of space resources. This mission is an important step in the company’s overall plans to harvest and supply in-space resources to support the growing space economy.
“Deep Space Industries has worked diligently to get to this point, and now we can say with confidence that we have the right technology, the right team and the right plan to execute this historic mission,” said Rick Tumlinson, chairman of the board and co-founder of Deep Space Industries. “Building on our Prospector-X mission, Prospector-1 will be the next step on our way to harvesting asteroid resources.”
Recently, Deep Space Industries and its partner, the government of Luxembourg, announced plans to build and fly Prospector-X™, an experimental mission to low-Earth orbit that will test key technologies needed for low-cost exploration spacecraft. This precursor mission is scheduled to launch in 2017. Then, before the end of this decade, Prospector-1 will travel beyond Earth’s orbit to begin the first space mining exploration mission.
Do Not Swallow
Ruscha Does Sunset
How Ed Ruscha Photographed Every Building On The Sunset Strip
BY JULIA WICK
For his iconic book “Every Building on the Sunset Strip”, Ruscha used a motorized camera to shoot a “long picture” of the Sunset Strip. (Via YouTube)
Contemporary artist Ed Ruscha has lived in Los Angeles for more than sixty years. Though he is surely one of our brightest art world luminaries, his work has done far more than just shape the meaning of L.A. art—Ruscha has fundamentally shaped the way we see the city itself, making art of our vernacular landscape and sanctifying the California mundane. We truly seeour palm trees, dingbat apartment buildings, billboards and gas stations in large part because Ruscha showed them to us.
In Ed Ruscha: Buildings and Words, a new short documentary commissioned by MOCA, director Felipe Lima presents the story of Ruscha’s art practice and immersion in Los Angeles, from his word paintings to his photographing of Los Angeles apartment buildings.
Narrated by Owen Wilson—who promises that he isn’t going to try and explain Ruscha’s work to us, just show us what there is—the mini-doc blends archival footage and personal photographs with new interviews, taking viewers on a rapid-fire, immersive tour through the work and obsessions of one of America’s most iconic living artists.
The Revolution Is Really Here! Yeah, baby!
7-Eleven Just Used a Drone to Deliver a Chicken Sandwich and Slurpees
Image by Flirtey
Another milestone in drone deliveries.
A 7-Eleven customer’s order for Slurpees, a chicken sandwich, donuts, hot coffee, and candy will forever go down in history.
What makes it remarkable is that the convenience store chain used a drone to deliver the order to a family in Reno, Nev., 7-Eleven said on Friday. The company partnered with drone startup Flirtey for the delivery, which the companies said was the first time a drone has legally delivered a package to a U.S. resident who placed an order from a retailer.
But the drone delivery wasn’t a casual affair.
“This delivery required special flight planning, risk analysis, and detailed flight procedures ensuring residential safety and privacy were equally integrated,” Chris Walach, the director of operations for the Nevada Institute for Autonomous Systems (NIAS), said in a statement. The NIAS is a Nevada government-backed non-profit autonomous vehicle advocacy group that helped oversee the delivery.
Ka-boom Over Argentina
What was that explosion? A meteor, it turns out
BUENOS AIRES, Argentina – Residents of a city in southern Argentina got a scare when a series of powerful explosions shook homes and buildings Wednesday, but the cause turned out to be a natural wonder: a meteor disintegrating overhead.
It was an ordinary Wednesday afternoon in General Roca, a city of 85,000 people, when suddenly a series of loud blasts caused buildings to shake and windows to rattle.
“Everything trembled,” said Martin Soria, the local mayor.
Police, firefighters and emergency workers rushed to the scene, but found no evidence of a bomb, earthquake or calamity.
Finally, scientists pieced together the reason: A meteor had entered the Earth’s atmosphere some 10,000 meters (33,000 feet) overhead, traveling at 2,400 kilometers (1,500 miles) per hour.
“It took everyone by surprise because it entered the atmosphere over an inhabited area. If it had fallen over the desert, the sea, Antarctica, we would never have known,” said astronomer Roberto Figueroa, head of the nearby Neuquen observatory.
“A blob of light that’s about 4,500 times brighter than it should be…”
The Scientist Who Thinks He Found Proof of a Parallel Dimension
Not sci-fi, just science.
Mapping cosmic radiation: the different colors indicate 3.77 billion year old temperature fluctuations. (Photo: NASA/WMAP Science Team/Public Domain)
Parallel universes have long been a staple of superhero comic books, where they usually go hand-in-hand with stories about bizarro worlds just like ours, gone terribly wrong.
But despite their place in science fiction, scientists have taken the idea of parallel universes seriously for quite awhile now. And a mysterious blob discovered in 2015, in a map of our own universe’s glow, might actually be a cosmic bruise—a sign that our universe has collided with another one.
How does this work? First, you need to understand the cosmic microwave background, or CMB—the oldest light in the cosmos. Essentially, it’s a steady, persistent background radiation filling the universe, left over from the Big Bang. (It’s believed to be the vestigial result of recombination, the moment when neutrons and electrons first combined to create hydrogen.)
After mapping and analyzing the CMB using data from the European Space Agency’s Planck telescope, Ranga-Ram Chary, a cosmologist at the California Institute of Technology, thinks that he’s spotted a telling inconsistency in the pattern: a blob of light that’s about 4,500 times brighter than it should be, based on our existing understanding of the early universe. As Phys.org explains it, the blob’s signature is “more consistent with a universe whose ratio of matter particles to photons is about 65x greater than our own.”
Billy Name Gone
Billy Name, Who Glazed Warhol’s Factory in Silver, Dies at 76
Stephen Shore
Andy Warhol’s New York loft on East 47th Street in Midtown Manhattan, called the Silver Factory because every surface was embellished with aluminum foil and silver paint, was to the social life of postwar art what Gertrude Stein’s Rue de Fleurus apartment in Paris or the Royal Academy of Art’s drawing rooms in London were to previous eras.
But the Silver Factory wouldn’t have been the hallowed salon it was had Warhol, in 1959, not run into a handsome, brooding waiter named William Linich Jr., a refugee from the middle-class straits of Poughkeepsie, N.Y., who had moved to the city and plunged into its ferment as the Beat years gave way to the counterculture.
When Warhol later went to get a haircut at Mr. Linich’s apartment, he was so wowed by its obsessive reflective décor (“I even painted the silverware silver,” Mr. Linich once recalled) that he invited Mr. Linich uptown to decorate the loft the same way — an act that came to symbolize an entire Pop worldview that Warhol would invent.
“Why he loved silver so much I don’t know,” Warhol wrote of the man who later rechristened himself Billy Name. “But it was great. It was the perfect time to think silver.” It was the future, he said, the space age, and also the past, the silver screen and old Hollywood. “Maybe more than anything,” he added, “silver was narcissism — mirrors were backed with silver.”
Billy Name, who became Warhol’s lover, muse and court photographer, leaving behind a monumental visual record of the 1960s art world in and around the Silver Factory, died in Poughkeepsie on Monday at 76. His agent and executor, Dagon James, said the cause was heart failure.
THE KICKS Streams on Amazon Starting August 26
The Kicks starts streaming in August
The soccer-themed live-action series, based on books written by U.S. Olympic gold medalist Alex Morgan, will make its Amazon debut on Aug. 26.
Brand-new Amazon original kids live-actioner The Kicks is set to launch Aug. 26 on Prime Video in the U.S., U.K., Germany and Austria. The show is based on a book series by U.S. Olympic gold medalist and current U.S. Women’s National Team soccer player Alex Morgan.
Aimed at kids ages six to 11 years, the series follows young female soccer star Devin Burke (Sixx Orange), who, after moving to California with her family in the middle of the school year, must cope with turning around her struggling new team.
The series’ pilot episode is available to stream from today and nine additional episodes will debut exclusively for Prime members via the Amazon Video app for TVs, and internet-connected devices including Fire TV, mobile devices and online on Aug. 26.
Full Fathom Five novelist James Frey (I Am Number Four), Todd Cohen (Lumen), David Babcock (Twisted) and Andrew Orenstein (Malcolm in the Middle) are the series’ executive producers.
The Kicks is co-executive produced by Nastaran Dibai (According to Jim) and written by Orenstein, David Steinberg (Space Racers), Taylor Cox (King Julien Stand Up) and Jacquie Walters (Building Wild).
AMERICAN GOTHIC @ Comic-Con
Comic-Con 2016: American Gothic panel ponders the killer
As CBS’ summer murder mystery thriller American Gothic heats up, the cast was on hand at Comic-Con on Thursday to tease the identity of the killer.
On the series, the wealthy Hawthorne family discovers that not only was their now-deceased patriarch (Jamey Sheridan) possibly a serial killer, but he could’ve been aided by one of their own. Was it the steely matriarch (Virginia Madsen), the black sheep prodigal son Garrett (Antony Starr), the ambitious eldest daughter Alison (Juliet Rylance), the innocent younger school teacher Tessa (Megan Ketch), or the former junkie cartoonist Cam (Justin Chatwin)?
During Wednesday’s episode, Cam was seemingly cleared since his DNA didn’t match the blood found on the Silver Bells Killer belt, but there was a familial match, which means one of the Hawthornes was definitely the killer. So who is it? Chatwin, Starr, and Ketch stayed mum during the panel, though they have finally discovered the answer since American Gothic is currently shooting the finale in which fans will discover the truth.
THE KICKS (Official Trailer)
Stream with Prime 8/26 on Amazon Video: http://amzn.to/29Bnlam
Based on a book series by US Olympic Gold Medalist and current US Women’s National Team soccer player Alex Morgan
The Real American Tragedy
Half of all US food produce is thrown away, new research suggests
The demand for ‘perfect’ fruit and veg means much is discarded, damaging the climate and leaving people hungry
By Suzanne Goldenberg US environment correspondent
Discarded food is the biggest single component of US landfill and incinerators, according to the Environmental Protection Agency. Photograph: Dan Tuffs/for the Guardian
Americans throw away almost as much food as they eat because of a “cult of perfection”, deepening hunger and poverty, and inflicting a heavy toll on the environment.
Vast quantities of fresh produce grown in the US are left in the field to rot, fed to livestock or hauled directly from the field to landfill, because of unrealistic and unyielding cosmetic standards, according to official data and interviews with dozens of farmers, packers, truckers, researchers, campaigners and government officials.
From the fields and orchards of California to the population centres of the east coast, farmers and others on the food distribution chain say high-value and nutritious food is being sacrificed to retailers’ demand for unattainable perfection.
“It’s all about blemish-free produce,” says Jay Johnson, who ships fresh fruit and vegetables from North Carolina and central Florida. “What happens in our business today is that it is either perfect, or it gets rejected. It is perfect to them, or they turn it down. And then you are stuck.”
Yes, there were.
Were There Aliens Before Us?
By ADAM FRANK
University of Rochester/Courtesy of Adam Frank
Are we the only civilization-building intelligent species that has ever occurred in the universe?
It’s one of science’s oldest questions. Earlier this year, my colleague Woody Sullivan and I published a paper in the journal Astrobiology presenting new results that, I believe, throw new light on the ancient question. And, based on that work, last month I wrote an OpEd in The New York Times that ran with provocative title “Yes, There Were Aliens.” The Times piece found a large audience and generated strong responses running from agreement to dissent to folks telling me I really should look into UFOs (sorry, not my thing).
Today, I would like, once again, to present our argument and dive a little deeper into its meaning and its limits. In particular, I want to address two excellent rebuttals written by Ross Andersen in The Atlantic and Ethan Siegel in Forbes. Neither Andersen or Siegel was buying some of my contentions and they both made good points. The thing about science (take note climate deniers) is that it’s really a call and response. Both Andersen and Siegel are great writers. Their skepticism made me think even harder about the ideas in our paper and that was really helpful.
One note before we begin. This piece is a tad long because I need to introduce some of the background for the rest of my argument to make sense. Those familiar with the “Drake equation” and its history can skip the next section.
