Fulton Ryder Redux

from artnet

Wet Paint: Richard Prince to Reopen His Secret Gallery, the Shocking Story Behind the Odeon’s Missing French Fries, & More Juicy Art-World Gossip

Which hot new artist did Anderson Cooper visit in the studio? Which Hamptons gallery is opening a space in Chelsea? Read on for answers.

by Nate Freeman

Richard Prince selling copies of his edition of <em>The Catcher in the Rye</em> on September 29, 2011, as author James Frey takes a picture of the books. Photo by Bill Powers.
Richard Prince selling copies of his edition of The Catcher in the Rye on September 29, 2011, as author James Frey takes a picture of the books. Photo by Bill Powers.

SLIGHT REBELLION OFF MADISON

In 2014, Richard Prince closed Fulton Ryder, the mysterious bookstore-slash-gallery that he clandestinely ran out of a space at a never-repeated address—though, reader, if you can keep a secret, it was on East 78 Street between Park and Madison. Fulton Ryder (which is a name that Richard Prince has used as a pseudonym) had a pretty solid two-year run, selling the now-infamous edition of J.D. Salinger‘s The Catcher in the Rye that read, on the cover, “a novel by Richard Prince.” It also hosted the debut solo show of current market star Genieve Figgis, whom Prince discovered on Instagram, and published books by artists such as Dan ColenMarilyn MinterJohn Dogg, and Howard Johnson (the latter two names are, again, pseudonyms of Richard Prince).

And so it was a bit of a surprise to see Prince, the great American artist, getting back into the book publishing business this year. In May, during the peak of lockdown, Prince sat down on a bench near Central Park—the same bench, in fact, where he first sold copies of his cover-sleeve remix of the Salinger classic—and offered his edition of Truth Vs. Lies, a book penned by the UnabomberTed Kaczynski. Turns out Prince purchased the one and only proof of the math-professor-turned-domestic-terrorist’s manuscript in 2014.

[ click to continue reading at artnet ]

Jessica Esquivel Rocks

from Nautilus

What a Real Superhero Looks Like

Particle physicist Jessica Esquivel on diversity, perseverance, and the search for a new understanding of our universe.

By Mary Ellen Hannibal

19-0216-09
Jessica Esquivel with some of the equipment at the Muon g-2 project. 

The physics of superheroes is more than a fun exercise in the world of Jessica Esquivel. A particle physicist in the Muon Department of Fermi National Accelerator Laboratory, Esquivel works at what she calls “the bleeding edge” of the known universe. In the world of physics, Esquivel is frequently the “only.” The only woman, the only Mexican, the only black person, and the only lesbian. 

Recently she brought her experience to Wakandacon, the comic book conference based on the African-centric world of Black Panther. Making her own costume, Esquivel cosplayed as Shuri, the technological genius who designs weaponry for her brother, Black Panther. Esquivel also organized a panel of black scientists and was on hand to answer questions at Fermilab’s booth at the conference. To many women of color interested in the hard sciences, Esquivel herself is a superhero.

You knew you wanted to be an astrophysicist from a young age. How did you get the idea? 

My aunt babysat for me when I was really young and we watched a lot of sci-fi shows on television. One featured an astronaut in space fighting aliens while an astrophysicist back at NASA directed him to press this or that button, go right, go left—it was very dramatic. I thought the astrophysicist was the actual hero in the story, so I walked around saying I was going to be one. I grew up in Texas, and when I was about 12 my family took me to NASA in Houston. They sprang for the VIP tour, but I was bored! There was no astronaut floating in space on the screen, and everyone was typing on their keyboards and drinking coffee.

On that same trip we saw astronauts and a space shuttle in a big pool, simulating the absence of gravity in space. The scientists working on this were engineers, so I changed my ambition and said, “okay, I’ll be an engineer and work on that.”

[ click to continue reading at Nautilus ]

Old School Audiophiles Return

from Executive Traveller

This weekend, why not build a stereo from scratch?

The old-fashioned appeal of audio kits never goes away – especially during a pandemic.

By Bloomberg Pursuits

Brad Breedlove never considered himself an audiophile. The project manager for an Indianapolis-area industrial piping company has been collecting vinyl for about five years, and the records in frequent rotation on his midrange Audio-Technica turntable include the well-worn now-classics that belonged to his parents when he was growing up.

It’s a good stereo system – but not obsessively so – that includes SVS Ultra Bookshelf speakers and an SVS SB 4000 subwoofer powered by a Schiit Vidar amp.

In September, however, Breedlove took a step into the deeper waters of the sonically serious and ordered a US$369 Reduction 1.1 phono preamplifier from Bottlehead, an audio kit maker in Washington state.

When it arrived, the box contained slabs of unfinished alder wood, carefully packed circuit boards, vacuum tubes, and bags full of capacitors and resistors.

Before he could turn on his preamp, he would have to put it together.

In the golden age of hi-fi in the 1950s and ’60s, building your own stereo equipment was almost as common as buying it.

Entire magazines dedicated to the craft were full of black-and-white halftone depictions of Brylcreemed dads hunched over disemboweled sound systems from companies such as Heathkit and Dynaco, soldering irons in hand.

These days, it’s often the warm glow of vacuum tubes on Instagram – and a surfeit of time – that draws in people.

[ click to continue reading at Executive Traveller ]

Dark Soul Good

from The Guardian

Into the night: why walking in the dark is good for the soul

by Lizzie Enfield

The sun setting behind Mount Caburn, near Lewes, in the South Downs. Photograph: Peter Cripps/Alamy

The lights from the cottage windows recede, all too rapidly, as we walk along an unlit country lane and take a footpath through a field into open countryside. Thick cloud cover prevents the moonlight from illuminating the way ahead. Yet, as my eyes begin to get used to the darkness, the landscape around me reveals itself in a new light – albeit a shady one.

The contours of Mount Caburn, an iron-age hill fort, are like shadows against the sky. On the horizon, a tree bent by the wind is silhouetted, and the rocky outcrop at the top of the field turns out to be a flock of sleeping sheep. A fox cries, a pheasant crows and the air is full of a heady earthy scent.

[ click to continue reading at The Guardian ]

Dead Not Dead

from Real Clear Science

Could Schrödinger’s Cat Exist in Real Life?

By Stefan Forstner

Dhatfield

Have you ever been in more than one place at the same time? If you’re much bigger than an atom, the answer will be no.

But atoms and particles are governed by the rules of quantum mechanics, in which several different possible situations can coexist at once.

Quantum systems are ruled by what’s called a “wave function”: a mathematical object that describes the probabilities of these different possible situations.

And these different possibilities can coexist in the wave function as what is called a “superposition” of different states. For example, a particle existing in several different places at once is what we call “spatial superposition”.

It’s only when a measurement is carried out that the wave function “collapses” and the system ends up in one definite state.

Generally, quantum mechanics applies to the tiny world of atoms and particles. The jury is still out on what it means for large-scale objects.

In our research, published today in Optica, we propose an experiment that may resolve this thorny question once and for all.

[ click to continue reading at RCS ]

Sarcophagi Conspiracy

from The Observer

Is a Conspiracy Theory Behind the Mass Vandalism of Art in Berlin?

By Helen Holmes

Damage to a sarcophagus of the prophet Ahmose in Neues Museum on Berlin’s Museum Island. Bernd von Jutrczenka/picture alliance via Getty Images

When people vandalize art in museums, they usually do it either for deeply personal or backwards reasons, or it was an accident. Neither of these options seem to sufficiently explain a bizarre instance of vandalism in Berlin that took place earlier this month, but which was only just now revealed to the press. According to the German media, over 70 artworks in the Pergamon Museum, the Alte Nationalgalerie and the Neues Museum on Berlin’s museum island were smeared with a mysterious oily substance on October 3. Among the items damaged are Egyptian sarcophagi, 19th-century paintings and stone statues scattered throughout the three museums.

At the present moment, there are reportedly no concrete leads on who might have committed the crime, and no definitive evidence left behind pointing authorities to a particular motive. “This is a variety of objects that do not have any immediate connection in terms of context,” Carsten Pfohl, the head of Berlin Police’s Art Crime Unit, told NPR news. “We have no self-incriminating letter or anything like that, so we have to assume for now that the motive is completely unclear.” However, upon breaking the news, members of the German media were quick to connect the oily vandalism to certain conspiracy theorists who might have influenced the crime in some way.

[ click to continue reading at Observer ]

Jet-pack Man

from The U.S. Sun

Another ‘man in jet pack’ seen above LAX as China Airlines crew ‘spots mysterious flier at 6,000ft’ and FAA alerts cops

by Neal Baker / Fionnuala O’Leary

ANOTHER apparent sighting of a man in a jet pack flying above Los Angeles International Airport was made on Wednesday – with a China Airlines crew reporting seeing the mystery flier at 6,000ft.

The Federal Aviation Administration has alerted law enforcement and is investigating the report, which is the second such sighting in weeks.

An FAA spokesman told The Sun: “A China Airlines crew reported seeing what appeared to be someone in a jet pack at an approximate altitude of 6,000 feet, about seven miles northwest of Los Angeles International Airport around 1:45 pm [on] Wednesday. 

“The FAA alerted local law enforcement and will look into the report.”

[ click to continue reading at The U.S. Sun ]

United States of A-holes

from The Daily Beast

The new documentary “Assholes: A Theory” examines the assholing of America, a nation ruled by the biggest asshole of them all: Donald J. Trump.

by Nick Schager

https://www.youtube.com/watch?v=T3s5WrfjHkY

As U.S. Marshal Raylan Givens (Timothy Olyphant) famously opined on Justified, “You run into an asshole in the morning, you ran into an asshole. You run into assholes all day, you’re the asshole.” Yet in a 2020 America on the precipice of a monumental presidential election, it seems that assholes are not only everywhere you turn—in newspapers, on cable TV, at political rallies and protests, and all over social media—but that they, and their behavior, has been normalized. It’s this “rising tide of assholery” that’s the focus of director John Walker’s Assholes: A Theory, which adapts philosophy professor Aaron James’ 2012 non-fiction book into a documentary aimed at both precisely defining the term “asshole,” and investigating how those who fit that bill have increasingly come to dominate key spheres of modern public life.

Donald Trump isn’t seen or mentioned once by name in Assholes: A Theory. Nonetheless, his specter looms large over Walker’s film (in theaters Oct. 30, and on VOD Nov. 6), whether during conversations about corrupt Italian Prime Minister Silvio Berlusconi—the forerunner of the media-manipulating populist-criminal-strongman trend that’s recently swept through Western nations—or passages discussing Facebook, Twitter and Google’s prioritization of profit over their responsibility to safeguard democracy from hate speech and disinformation. Without once bringing him up, Walker makes clear that Trump is the embodiment of this problem, given that his election to the highest office—and subsequent flouting of rules and standards of common decency—has made it appear acceptable, and in fact rewarding, to act in the worst possible manner as a means of achieving one’s selfish ends. He is, the film silently contends, the apex of American assholery.

[ click to continue reading at TDB ]

Go Schmidt!

from Yahoo! Finance

Former Google CEO Calls Social Networks ‘Amplifiers for Idiots’

by Gerrit De Vynck

(Bloomberg) — Former Google Chief Executive Officer Eric Schmidt said the “excesses” of social media are likely to result in greater regulation of internet platforms in the coming years.

Schmidt, who left the board of Google’s parent Alphabet Inc. in 2019 but is still one of its largest shareholders, said the antitrust lawsuit the U.S. government filed against the company on Tuesday was misplaced, but that more regulation may be in order for social networks in general.

“The context of social networks serving as amplifiers for idiots and crazy people is not what we intended,” Schmidt said at a virtual conference hosted by the Wall Street Journal on Wednesday. “Unless the industry gets its act together in a really clever way, there will be regulation.”

[ click to continue reading at Yahoo! ]

Does The Dog Die

from BUSTLE

A Website Called “Does The Dog Die” Is For Anyone Who Hates Sad Dog Movies

By Brittany Bennett

Any death in a movie, book, or TV show is upsetting and can be very disturbing. The Lion King? My sobs are unstoppable. I don’t even watch Game of Thrones — don’t @ me — but I know all about the Red Wedding and felt how emotionally distraught you all were. So, in case you want to avoid surprise human and animal deaths that would warrant approximately five tissue boxes, and who has the space in their purse for that, there’s a website for that. This website lets you know if the dog dies at the end of the movie, and honestly thank you.

[ click to continue reading at BUSTLE ]

Alfa’s @ Sotheby’s

from artnet

Sotheby’s Two Evening Sales Bag a Muted $283.9 Million, Fueled by the Scene-Stealing Inclusion of Three Futuristic Alfa Romeos

by Nate Freeman

Alfa Romeo, Berlina Aerodinamica Tecnica B.A.T. Photo by Ron Kimball © 2020 RM Sothebys

Before the sales even began, a shocking announcement turned the entire evening into an extended anti-climax. At the last minute, the Baltimore Museum of Art pulled works it had consigned by Clyfford Still and Brice Marden after donors threatened to withhold millions of dollars in horror and more than a dozen institutional bigwigs signed letters decrying the sell-off.

It was a shocking about-face from BMA director Christopher Bedford, a singular figure in the ranks of American museums who is steadfastly committed to the idea that deaccessioning old works from a homogeneous collection is the most efficient way to fill its holdings with new work by young artists of color. In an interview with the Baltimore Sun this week, Bedford accused anyone against his brash approach of making an “investment in a system of operating institutions that is very deeply centered in white power and white privilege.”

Weeks after Christie’s made a splash by selling a T. Rex for $31.8 million in its postwar and contemporary art sale, Sotheby’s embraced the stunt of slotting non-art objects into its auction. The big lot of this portion of the night was not an artwork (or a dinosaur), but a trio of automobiles: three futuristic unique Alfa Romeos, which sold as a group for a hammer price of $13.25 million, short of the $14 million low estimate. With fees, the price was $15.5 million, and it was purchased for a client by Barney Ruprecht, the RM Sotheby’s senior specialist. (His father, Bill Ruprecht, was CEO of the auction house until 2014.)

[ click to continue reading at artnet ]

Asteroid Grab

from Science Alert

Watch Live: A NASA Spacecraft Is About to Land on an Asteroid And Grab a Sample 

by ELIZABETH CANTWELL

Imagine parallel parking a 15-passenger van into just two to three parking spaces surrounded by two-story boulders. On October 20, a University of Arizona-led NASA mission 16 years in the making will attempt the astronomical equivalent more than 200 million miles (320 million kilometres) away.

A NASA mission called OSIRIS-REx will soon attempt to touch the surface of an asteroid and collect loose rubble.

[ click to continue reading at Science Alert ]

Brilliant Legal Hack

from the New Hampshire Union Leader

Woman accused of impersonating prosecutor, dropping criminal charges against herself

By Mark Hayward

A Littleton woman allegedly impersonated a Hillsborough County prosecutor when she filed bogus documents with court officials declaring that the drug possession and stalking case against her had been dropped, according to recently released indictments.

Lisa Landon, 33, of Railroad Street, Littleton, faces one charge of false personation and six charges of falsifying physical evidence, according to Hillsborough County grand jury indictments handed up earlier this month.

The indictments allege that Landon submitted the fake documents in three different court cases last November and December. In several instances, she used the New Hampshire court system’s electronic system to file documents.

[ click to continue reading at the Union Leader ]

The Amazing Randi Gone

from Deadline

James Randi Dies: ‘The Amazing Randi’ Performer And Paranormal Skeptic Was 92

By Bruce Haring

James Randi, a magician whose many TV appearances led him to a second career as a respected paranormal investigator, has died at 92. The James Randi Foundation confirmed his death in a tweet on Tuesday, saying he died of “age-related causes.”

Born Randall James Zwinge in 1928, he entered show business as a teenager, touring with a carnival and working nightclubs in his native Toronto, Canada. Initially billed as The Great Randall: Telepath, he parlayed that name into a mind-reading act and a knack for predicting the future.

Unlike many magicians and performers, Randi was not averse to letting fans know that he was a trickster, relying on subterfuge and sleight of hand to pull off his tricks. As his career grew, adding escape artist to his bag of stunts, he grew increasingly worried about the people who refused to embrace the fact that it was all an act.

[ click to continue reading at Deadline ]

Elysium Realism

from SPACE

The Elysium effect: The coming backlash to the billionaire ‘NewSpace’ revolution

By Rick Tumlinson

In the 2013 science fiction film “Elysium” starring Matt Damon, Earth’s wealthiest 0.01% move to the ultimate gated community, a luxurious orbiting space colony, leaving a poverty-stricken humanity to fend for themselves on a ravaged planet.

Interestingly, it is indeed some of today’s 0.1% who are leading the way into space to build communities beyond Earth. However, quite the opposite of the movie, their goals are of the highest order, from democratizing access to space by lowering costs, to creating new products and ideas, to helping save the planet and opening space to future generations.

As in any good social movement, there is a need for bad guys, and these guys are easy icons of evil to many. And there may be no easier target they could present than a shiny private rocketship or space station — even if it is for a good cause.

Though they have many flaws, including the accumulation of lots of money, these space pioneers are actually trying to do something good for humanity and the planet. And while they may not be the cuddliest of people, just look at their other projects and goals: Musk builds electric cars and solar power systems, Bezos wants to move polluting heavy industry off planet – even as Amazon pushes towards zero emissions, and Branson is a long time champion of social and environmental causes

Yet these visionaries, who author Christian Davenport called “The Space Barons” are often portrayed as rich boys with fancy toys.

Things will get worse when the next wave of terribly branded “space tourists” begin to fly. Bezos’ Blue Origin and Branson’s Virgin Galactic will charge over $200,000 for excursions to the edge of space, while newcomer Axiom Space Systems and SpaceX will offer flights to and beyond the International Space Station for a few tens of millions, and even loop the Moon for a just few hundred million more.

[ click to continue reading at SPACE.com ]

Cannonball Renaissance

from GQ

The Incredible Story of the Great Cannonball Boom

When the country shut down and the highways thinned out, a stealthy group of amateur car obsessives glimpsed an opportunity to revive the fabled cannonball run—the highly daring, absurdly illegal cross-country endurance race. And in the record-breaking frenzy that followed, they became legends of the unlikeliest pastime of the pandemic age.

BY ALEX W. PALMER
PHOTOGRAPHY BY PELLE CASS

The Ford Mustang that Fred Ashmore rented, modified, and then drove to Cannonball glory.

Fred Ashmore was just outside Needles, California, in the parched low desert where the jagged southern point of Nevada meets the Arizona-California border, when he felt it wash over him. A kind of confusion melting into panic. He was exhausted, which he knew was making everything worse. It was about 1 a.m., and he’d been at the wheel for almost 24 hours now, rocketing west at speeds well over 100 miles per hour. For lucky stretches, when the road opened up and Ashmore punched the throttle, he could get his silver Ford Mustang GT up to 159 mph—the car’s top speed, he’d discovered. Now, ahead of him in the inky-black night, he could see the flash of brake lights, a river of travelers funneling into a slow-moving line.

Before long, Ashmore was inching along the desert highway, feeling crucial minutes tick by and craning to see what was ahead. That’s when he noticed trunks popping open and a new fear took hold. Officials from the California Department of Food and Agriculture were searching vehicles entering the state. He watched a car in front of him stop and then get looked over from top to bottom. If they do that to my car, Ashmore thought, I’m probably not getting it back.

On the outside, his Mustang looked pretty much like any other car on the road. Inside was another story. Splayed across Ashmore’s dashboard was an array of devices, including a CB radio, a mounted tablet operating Waze and Google Maps, and an iPhone running a timer. Stuck to the inside of the windshield was a radar detector; on the front grille and back bumper were the sensors for a laser jammer. Even more conspicuously, strapped beside and behind Ashmore, where the front and rear passenger seats should have been, huge fuel tanks sloshed with gasoline. A series of hoses connected them—along with another enormous tank, this one in the trunk—to the car’s main fuel tank. An officer inspecting Ashmore’s rig could have been forgiven for concluding that he was driving a giant gasoline bomb.

[ click to continue reading at GQ ]

When Eddie Loved Dave

from The LA Times

An unlikely Pasadena love story: The high-school bromance of Eddie Van Halen and David Lee Roth

By GREG RENOFF

Eddie Van Halen shredding with his band in 1975.
Eddie Van Halen shredding with his band in 1975.(Kevin Estrada Archives)

Early in the summer of 1973, singer David Lee Roth and guitarist Eddie Van Halen performed together for the first time. Playing in front of an audience of buzzed students from John Muir, Blair and Pasadena high schools in an east Pasadena backyard, this embryonic version of Van Halen, then called Mammoth, blasted out songs by Black Sabbath, Grand Funk Railroad and Cream, rattling windows and shattering eardrums while party attendees chugged keg beer.

Last week, Eddie Van Halen died from cancer, at age 65, and tributes to his transformational musical contributions poured in from around the world. But long before anyone outside of the San Gabriel Valley had heard of the band, this pairing of two aspiring musicians who had little in common save their long hair drew together a generation of hard-rock-loving SoCal teens.

[ click to continue reading at LAT ]

Cow Hugging

from Fox 5 New York

Cow-hugging is the new animal therapy trend we all need

By Catherine Park

Therapy animals are not a new concept, but in a world where mental health is being tested by an ongoing pandemic, people are searching for comfort it what might seem like unusual places.

A practice that originated in the rural town of Reuver in the Netherlands, “koe knuffelen,” which means “cow hugging” in Dutch, is gaining global popularity, according to a BBC report.

It’s not just the act of hugging a cow that helps relieve stress and lower anxiety, but making contact with any furry critter could help improve one’s mental health.

Cows are the optimal cuddling buddy, and it’s not just because they’re adorable.

A 2007 study in the journal Applied Animal Behaviour Science states that cows “show cues of deep relaxation, stretching out and allowing their ears to fall back when massaged in particular areas of their neck and upper back.”

“Cow cuddling is believed to promote positivity and reduce stress by boosting oxytocin in humans, the hormone released in social bonding. The calming effects of curling up with a pet or emotional support animal, it seems, are accentuated when cuddling with larger mammals,” according to the BBC.

The need for companionship during a socially-distanced time is steadily increasing.

[ click to continue reading at Fox 5 NY ]

Marbles

from AP

Torlonia Collection of ancient marbles displayed in Rome

ROME (AP) — One of the most important private collections of ancient Greek and Roman marble sculptures is going on display in Rome as part of the Eternal City’s 150th anniversary celebrations.

The 90 works from the Torlonia Collection were opening Monday in the newly refurbished Villa Caffarelli, one of the Capitoline Museum’s exhibition spaces overlooking the ancient Roman Forum. Organizers said there were plans to offer to lend the works to other museums, but said the coronavirus pandemic had put those plans on hold for now.

The 620-piece Torlonia Collection is considered one of the greatest private collections of classical art, featuring marble busts, reliefs, sarcophagi and statues. It was begun by one of Rome’s 19th century patricians, Prince Alessandro Torlonia, and was created in part from archaeological excavations of the Torlonia family’s various estates in Rome.

[ click to continue reading at AP ]

21st Century Saint

from France 24

Teen one step from becoming first millennial saint

The Basilica of Saint Francis of Assisi, who 15-year-old Carlo Acutis idolised
The Basilica of Saint Francis of Assisi, who 15-year-old Carlo Acutis idolised  Tiziana FABI AFP

A British-born Italian teenager who dedicated his short life to spreading the faith online and helping the poor will be beatified by the Catholic Church Saturday.

That leaves him just one miracle away from becoming the world’s first millennial saint.

Internet and computer-mad youngster Carlo Acutis, who died of leukaemia in 2006 aged 15, was placed on the path to sainthood after the Vatican ruled he had miraculously saved another boy’s life.

The Vatican claims he interceded from heaven in 2013 to cure a Brazilian boy suffering from a rare pancreatic disease.

He will be beatified in Assisi, the home of his idol Saint Francis, who dedicated his life to the poor. Some 3,000 people are expected to follow the ceremony on giant screens set up in five squares in the central Italian city.

[ click to continue reading at France 24 ]

Robot Beetle Cool

from Republic World

Robot Beetle Faces A Real Beetle In This Jaw Dropping Fight Between Nature And Machine

Written By Gladwin Menezes

In a video that surfaced recently, a robot beetle can be seen going up against a real beetle. The fight between the two has caused netizens to react in awe and amusement. The insect wrestled the machine while being filmed and the results were spectacularly astonishing.

The video begins with the mechanical beetle fidgeting and poking the real beetle. Unaware of what is happening, the real beetle tries its level best to reason out with the situation he is in. The shiny black beetle is the live beetle whereas the dark black beetle is the mechanical one. Upon first glance, one can easily notice that the mechanical or robotic beetle is much larger and seems way too stronger in terms of size and might. The real beetle, on the other hand, seems of a regular size and not as intimidating as the robot beetle.

[ click to continue reading at Republic World ]

How To Bait A Whale

from The New York Post

Sex, drugs and rare pooches: How casino hosts lure in big gamblers

By Michael Kaplan

Getty Images

You’d think it would be simple to drop millions of dollars at a casino.

But extracting that kind of dough tends to require a delicate dance between casino, player and host: the person charged with luring gamblers to bet big and lose big. It can involve private jets, exotic hotel suites, bottles of Cristal, Cuban cigars and pretty much anything the gambler wants. It’s a perfect environment for squeezing out the massive losses that keep casino chandeliers burning.

[ click to continue reading at NYP ]

糟糕!

from BBC

Stolen Mao Zedong scroll ‘worth millions’ found cut in half

GETTY IMAGES

A stolen calligraphy scroll said to be worth millions has been found in Hong Kong, after it was cut in half.

Thieves had stolen the scroll by Chinese communist leader Mao Zedong from an art collector’s home in a burglary last month.

They then sold it at a fraction of its value. It was apparently cut up as the 2.8m-long (9ft) scroll was deemed too long to display, said Hong Kong police.

The original owner says the artwork’s value has been “definitely affected”.

The scroll contains stanzas of poetry handwritten by the founder of the People’s Republic of China. Its owner has claimed it is estimated to be worth around $300m (£230m), though it is not known how the valuation was obtained.

The scroll was stolen in a massive heist on 10 September, when three men broke into the home of Fu Chunxiao, a well-known collector of stamps and revolutionary art. 

They also made off with antique stamps, copper coins and other pieces of calligraphy by Mao. The total haul was worth HK$5bn ($645m; £500m) according to Mr Fu, who was reportedly in mainland China when the burglary took place.

[ click to continue reading at BBC ]

Island of Nowhere

from Hakai Magazine

The Island That Humans Can’t Conquer

A faraway island in Alaska has had its share of visitors, but none can remain for long on its shores.

Text by  Sarah Gilman / Photos by  Nathaniel Wilder

St. Matthew Island is said to be the most remote place in Alaska. Marooned in the Bering Sea halfway to Siberia, it is well over 300 kilometers and a 24-hour ship ride from the nearest human settlements. It looks fittingly forbidding, the way it emerges from its drape of fog like the dark spread of a wing. Curved, treeless mountains crowd its sliver of land, plunging in sudden cliffs where they meet the surf. To St. Matthew’s north lies the smaller, more precipitous island of Hall. A castle of stone called Pinnacle stands guard off St. Matthew’s southern flank. To set foot on this scatter of land surrounded by endless ocean is to feel yourself swallowed by the nowhere at the center of a drowned compass rose.

My head swims a little as I peer into a shallow pit on St. Matthew’s northwestern tip. It’s late July in 2019, and the air buzzes with the chitters of the island’s endemic singing voles. Wildflowers and cotton grass constellate the tundra that has grown over the depression at my feet, but around 400 years ago, it was a house, dug partway into the earth to keep out the elements. It’s the oldest human sign on the island, the only prehistoric house ever found here. A lichen-crusted whale jawbone points downhill toward the sea, the rose’s due-north needle.

Compared with more sheltered bays and beaches on the island’s eastern side, it would have been a relatively harsh place to settle. Storms regularly slam this coast with the full force of the open ocean. As many as 300 polar bears used to summer here, before Russians and Americans hunted them out in the late 1800s. Evidence suggests that the pit house’s occupants likely didn’t use it for more than a season, according to Dennis Griffin, an archaeologist who’s worked on the archipelago since 2002. Excavations of the site have turned up enough to suggest that people of the Thule culture—precursors to the Inuit and Yup’ik who now inhabit Alaska’s northwestern coasts—built it. But Griffin has found no sign of a hearth, and only a thin layer of artifacts.

[ click to continue reading at Hakai ]

They’re Getting Closer

from CBS Pittsburgh

‘It’s Been A Long Time Since We’ve Seen Something Like This’; Meteor That Lit Up Pittsburgh Skies Was Seen In 15 States

The meteor that flew over the Pittsburgh area on Wednesday morning has now been reported as having been seen over 700 times.

By: KDKA-TV News Staff

(Photo Credit: KDKA)

PITTSBURGH (KDKA) — When the skies above Pittsburgh lit up early Wednesday morning, social media was abuzz trying to figure out what it was or what had just happened.

At 6:24 a.m., the skies lit up with what appeared to be a fireball flying through the atmosphere.

KDKA spoke with Jay Reynolds, a Research Astronomer at Cleveland State University, who is now in his sixteenth year there, says that it was a meteor.

[ click to continue reading at KDKA ]

BDSM Going Viral

from The Daily Beast

A Dominatrix on Why BDSM Business Is Booming During Trump and COVID

Mistress Iris writes about the reasons why people are turning to dominant/submissive roleplay during these chaotic times. 

by Mistress Iris

Oscar Wilde famously said, “Everything in the world is about sex except sex. Sex is about power.” It’s a wonderfully worded quote but a bit mistaken about sex, power, and the rest. In Wilde’s Victorian England, power was obvious and everywhere; sex was repressed. The world we live in today is far more suffused in sex, but a bit less comfortable with the omnipresence of power (which is why addressing privilege and oppression is commonly met with such reactionary vitriol and/or tear gas).

“But why are you talking about politics, professional dominatrix?” you might ask. Some people want to cordon off the sexual world, and pretend that it doesn’t interact with the broader world we all live in, but in my work as a pro-domme I’ve often gotten to see the intricate ways that peoples’ sexual fantasies reflect and respond to the stressors and freedoms they experience in their outside life. When Donald Trump won the 2016 election, I saw a surge in female, racial, and religious minorities who contacted me; people who, because of external events, were required to be unyielding and resolute in their day-to-day struggles, seeking heavy play that helped them break down within the context of a safe and trusting environment. I’ve seen a similar response during COVID-19, and wanted to deconstruct it a bit.

[ click to continue reading at TDB ]

Bart/Easton-Ellis: COVID Could Bring Back Film

from MovieMaker

Peter Bart Predicts 1960s-Style ‘Reinvention’ of Movies


By Tim Molloy

Peter Bart The Godfather

Peter Bart, who helped oversee films including Rosemary’s Baby and The Godfather, says he believes cinema is ready for a “reinvention” like the one of the late 1960s that spawned the brilliant films of the following decade.

Bart, who helped his friend Robert Evans lead Paramount in a bold new direction after audiences dwindled in the mid-1960s, says on the latest Bret Easton Ellis Podcast that the movie business is in a similarly dark place now to the one it was in then.

“Due to the pandemic and other factors, the movie business has simply lost its audience… because of the virus, but also the movies were beginning to lose interest. And I think now, as then, there will be a reinvention situation,” said Bart, 88.

“The difference, of course, and this is an importance difference, is the mid-60s were characterized by certain amazing developments,” Bart said. “Society was beginning to change, and the movies had to come along and somehow change in a way that showed understanding of that societal change.”

[ click to continue reading at MovieMaker ]

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