High End Girlfriends No Longer Feeling Wall Street Pinch

from the Washington Post 

Power Shifts From N.Y. to D.C.
After Wall Street’s Quake, Manhattan Braces for Financial Tsunami
By Keith B. Richburg
Washington Post Staff Writer

There are signs that the sagging fortunes of the Wall Street titans are already being felt in myriad ways in the city.

Renowned defense lawyer Edward W. Hayes, a self-described night owl, long ago developed two measurements for gauging the ups and downs of Wall Street: the HEGI and the HESI, which stand for High End Girlfriend Index and High End Stripper Index. When the financial sector’s business is good, he said, the traders and bankers spend huge sums on high-end girlfriends and in the VIP rooms of Manhattan’s pricey strip joints.

Now, said Hayes, who represents many of the woman in the business, he is seeing evidence of the downturn.

“The strippers are getting killed — it’s terrible,” he said. “It really started in the last month. What they really need are the guys who go in and spend $500.”

In fact, while New York City has for years enjoyed the fruits of Wall Street’s decade of dizzying success — an estimated 10 percent of all tax revenue comes from the Street — the highflying traders and financiers are far from loved in this city. For many, who didn’t share in the spoils, there is a certain sense of schadenfreude — enjoying the new misery of the formerly wealthy.

“I do have a vengeful streak in me,” said Rachelle Pachtman, a public relations consultant who lives in an Upper West Side building heavily populated by some of the rich and privileged financial titans.

“I know that there’s going to be a glut of apartments that are going to be dumped in the multimillion-dollar range,” Pachtman said. “They pay a lot for their mortgages. They’ve all got their children in . . . private schools. They all have a lifestyle. How are they going to keep this up?

“It’s going to take their breath away, because they’re going to have to deal with the reality that all the rest of us do,” she added. “I think there’s going to be a lot of people on the therapist’s couch — a very typical New York thing. People are going to start drinking a lot.”

[ click to read full article at WaPo.com ]

Russian Government Steps Up to Protect Jews From Being Called Stupid

from Agence France-Presse The Times South Africa

Simpsons and friends face ban

MOSCOW — Pornographic, extremist and immoral — that’s how Russian prosecutors are describing popular US cartoons like The Simpsons, Family Guy and South Park.

 

The channel that carries them has been forced to suspend broadcasts of the offending programmes pending legal action and throngs of teenagers have taken to the streets to demand their favourite cartoons back.

Fans of the cartoons say critics just don’t get the joke and are engaging in Soviet-style moral censorship, while opponents say the cartoons are poisoning the minds of Russia’s young.

“I’ve got no problem with my sense of humour but any satire has its limits,” said Konstantin Bendas, a Pentecostal pastor and father of three who is heading the campaign and has written a formal complaint to prosecutors.

“If a character in a cartoon says ’All Jews are stupid’ is that funny? If Christian communion is compared to eating faeces, is that funny?,” he asked, referring to some of the 20 episodes of South Park he has watched.

South Park – Good Times With Weapons
 

Following Bendas’s complaint, channel 2×2 now also faces a criminal investigation under strict new Russian legislation against extremism for broadcasting the notoriously foul-mouthed South Park.

“The cartoons broadcast by 2×2 propagandise violence, cruelty, pornography and anti-social behaviour,” the statement said.

“They are full of scenes of mutilation and infliction of physical and moral suffering that evoke fear, panic and terror in children.

“This media product is of low moral and ethical content and has an extremely negative effect on children, it perverts their moral orientation and increases the danger of panic and neurotic ailments.”

       

Prosecutors also said the channel was in breach of legislation for the protection of children and rules against “the proliferation through the media of material propagandising pornography, a cult of violence and cruelty.”

[ click to read full article at The Times SA ]

Shifty Eyes Fool

from New Scientist

Shifty eye movements behind famous optical illusion

  • 12:12 23 September 2008
  • NewScientist.com news service
  • David Robson

The cause of an optical illusion, made famous by a 1981 painting, has finally been solved.

Neuroscientists have shown that the way our eyes constantly make tiny movements is responsible for the way concentric circles in Isia Leviant’s painting ‘Enigma’ (see image, right) seem to flow before onlookers’ eyes.

Susana Martinez-Conde and her team from the Barrow Neurological Institute in Phoenix, Arizona, tested whether the effect was down to tiny, involuntary jerks of the eyes, known as microsaccades. Their purpose is not fully understood, but the rate of these movements is known to vary naturally.

In the team’s experiment, while three subjects viewed Enigma, cameras recorded their eye movements 500 times every second. The subjects were asked to press a button when the speed of the optical “trickle” of the illusion appeared to slow down or stop, and release it when the trickle seemed faster.

“We can now rule out the idea that the illusion originates solely in the brain,” she told New Scientist.

Martinez-Conde adds that their research may also explain other similar illusions, such as Bridget Riley’s Fall, or the Ouchi illusion. “It would be unexpected if Enigma is the only illusion affected by eye movements,” she says.

See a slideshow of that illusion and others. 

[ click to read full article at New Scientist ]

American Psycho On The Great White Way

from Variety

‘American Psycho’ heads to stage

Musical adaptation in development 

By GORDON COX

 

“American Psycho” has begun the development process and is aiming for Broadway.

Legit version of the 1991 Bret Easton Ellis novel, about a 1980s Wall Street banker who is also a serial killer, will come from the Johnson-Roessler Co., management-production company the Collective and XYZ Films. The three shingles have partnered to acquire the rights to develop and produce the stage incarnation.

“Psycho” was previously adapted into a 2000 Lionsgate pic that starred Christian Bale.

Development team has just begun the selection process for creatives to pen the score and the book. No timeline has been set for what is envisioned as a large-scale musical.

Graphically bloody novel, which juxtaposes Reagan-era decadence and gruesome killings, includes prominent references to bands of the era, a fact that contributed to the idea of musicalizing the story. Sounds of the time will influence the new show’s score.

click to read full article at Variety.com ]

Academia Killed David Foster Wallace

from Prospect Magazine

America’s universities sheltered David Foster Wallace—and almost ruined his writing
Julian Gough

Like James Joyce, David Foster Wallace will be remembered—and, by some, fiercely loved—for a book which 99.999 per cent of the world’s population will never read to its end.

Wallace hung himself in his home in California on 12th September 2008, aged 46. So Infinite Jest (1996), his second novel, turns out to be his final one, and lines and paragraphs throughout its 1,079 pages now flash in neon: “Help me, I’m depressed.” The neon will fade. It will be a magnificently ambitious book again. But right now it reads like a suicide note.

Crucially, he was unplugged from electric, living America, by a life spent in the university system. His father was a professor of philosophy, his mother a professor of English. He majored in English and philosophy at Amherst, did an MFA in creative writing in Arizona, turned his English thesis into his first novel, studied philosophy at Harvard, got a job in the English department of Illinois State University, which he left to teach creative writing at Pomona College in California, where he died.

He was an immensely gifted and original writer, with a brilliant, hyper-analytical mind. The two things such people should avoid are marijuana and universities. He was aware of the dangers of the former (which was not just a threat to his prose—after his first novel he checked into rehab and asked to be put on suicide watch). But he couldn’t escape the warm, welcoming trap of the latter. Only universities will give a job for life and full health insurance to a novelist with heavy-metal hair and a history of depression. He was, as ever, aware of the risk to his fiction. In a brilliant, painful television interview with Charlie Rose in 1997, he said, “Oh boy, don’t even get me started on teaching… The more time and energy spent on teaching, which is extraordinarily hard to do well, the less time spent on your own work… I find myself saying this year the same thing I said last year, and it’s a little bit horrifying.” He looked like a trapped animal. He’d been teaching for four years. Eleven years later, still teaching creative writing, never having written another novel, he killed himself.

[ click to read full piece at Prospect Magazine ]

‘This is the painting the impressionists warned us against…’

from the Washington Post

The Beaux-Arts Indians of George Brush
By Paul Richard
Special to The Washington Post, Wednesday, September 24, 2008; C01

In 1882, when young George de Forest Brush — who was born in 1854 or ’55 (the records disagree) and died in 1941 — rode into the West, he wasn’t an ethnographer or a champion of the underdog or a traveling reporter or any kind of cowboy. He was a painter with a purpose, a Paris-trained professional seeking subjects for his art.

He knew what he was looking for. The figures he was seeking would be thrillingly exotic, distinctively American, conveniently unclothed. Indians would do fine. Those in Brush’s paintings have all the right accessories (beadwork on their moccasins, silver-studded belts, stone arrowheads, canoes), but they aren’t convincing Indians. That’s because they’re stand-ins. Brush looked on them as “actors.” They are stand-ins for the youths he meant to show us all along, the figures of the Renaissance, the gods of Greece and Rome.

This is the painting the impressionists warned us against: French academic art.

[ click to read full review at WaPo.com ]

Mommy Columbine

from the NY Daily News

US mom admits helping son build weapons cache

Tuesday, September 23rd 2008, 3:12 PM

Bower/AP

Michele Cossey arrives at the Montgomery County Courthouse in Norristown, Pa., in 2007.

 Dillon Cossey, 14, is lead in shackles into the same courtroom. Bower/AP

Dillon Cossey, 14, is lead in shackles into the same courtroom.

NORRISTOWNPennsylvania – A woman admitted she helped her troubled, bullied 14-year-old son build a cache of weapons by buying him a rifle and gunpowder, but investigators still don’t know if she was aware her son was planning a deadly school attack.

Michele Cossey, 46, pleaded guilty Tuesday to one count of child endangerment. She admitted that she bought him a rifle with a laser scope and gunpowder, which investigators said he was using to build grenades.

Prosecutors said her son, Dillon, came to idolize the Columbine High School shooters, who killed 12 classmates and a teacher before committing suicide in 1999 in Colorado, and was planning an attack last year on Plymouth Whitemarsh High School, which some former schoolmates attended.

Cossey, bullied over his weight, had left public school half way through middle school and was being home-schooled. Over time, violent Internet sites fueled his revenge fantasies, his defense lawyer said after his juvenile court plea.

Assistant District Attorney Christopher Parisi said he thought purchasing the weapons was “an attempt to boost his self-esteem, and in some way help the child, as misplaced as those thoughts may have been.”

Michelle Cossey’s sentencing hearing won’t happen until after she undergoes a psychiatric evaluation.

 

[ click to read full article at NYDailyNews.com ]

Merchant Of Death Soon To Become National Treasure

from the NY Daily News

US tries to extradict Russian ‘Merchant of Death’

Monday, September 22nd 2008, 11:56 AM

Alleged Russian arms dealer Viktor Bout looks at photographers while sitting in custody at criminal court in Bangkok, Thailand, Monday.Weerawong/AP

Alleged Russian arms dealer Viktor Bout looks at photographers while sitting in custody at criminal court in Bangkok, Thailand, Monday.

BANGKOKThailand – A Russian man whose extradition is being sought by the United States is one of the world’s biggest arms dealers, a U.S. agent testified Monday in Thai court.

Alleged arms trafficker Viktor Bout has been indicted in the U.S. on four terrorism-related charges. He was arrested in Thailand on March 6.

The 41-year-old Russian has been dubbed “The Merchant of Death,” by the media, but he denies any involvement in illicit activities. He was purportedly the model for the arms dealer portrayed by Nicolas Cage in the 2005 movie “Lord of War.”

[ click to continue reading at NYDailyNews.com ]

For Those Who Like It Fleshy

from the Los Angeles Times 

Recipe: Monday meatballs

Meatballs 

Gary Friedman / Los Angeles Times

DELICIOUS: Monday meatballs elevates the simple to the extraordinary

 

Monday meatballs

Total time: 2 hours, 15 minutes

Servings: 6

Note: Adapted from “A16: Food + Wine,” by Nate Appleman and Shelley Lindgren with Kate Leahy. Grana is an Italian cow’s milk cheese similar to but less expensive than Parmigiano-

Reggiano; it’s available at many cheese shops, Trader Joe’s and Whole Foods markets. You can substitute Parmigiano. A meat grinder or food processor is needed for this recipe.

10 ounces boneless pork shoulder, about 1 1/3 cups ground

10 ounces beef chuck, about 1 1/3 cups ground

6 ounces day-old country bread

2 ounces pork fat, finely chopped

2 ounces prosciutto (4 to 5 slices), chilled in the freezer for 15 minutes and then finely chopped

 

[ click to see if there are any vegetables in this recipe ]

Pee Wee Mariachi

from the San Jose Mercury News

Foot-stomping pee wee mariachi takes center stage at annual San Jose festival

ANNUAL MUSIC FESTIVAL OPENS WITH CRASH COURSE FOR THE 5-AND-UNDER SET

By Joe Rodriguez Mercury News 

How do you teach traditional Mexican music, a complex and unique sound ever since the first Aztec and Spaniard put their flute and guitar together five centuries ago, to the modern American pee wee set?

“You start with the songs, use lots of language and engage their parents,” says Maria Luis Colmenarez, director of the Pee Wee Mariachi program.

The refashioned San Jose Mariachi and Latin Music Festival threw a fiesta Sunday at the city’s Children’s Discovery Museum, kicking off the big week of events for the annual mariachi celebration. The big hit appeared to be the 45-minute crash courses in musica y danza folklorica for children 5 and younger.

Midway into the morning’s first session, 3-year-old Rocco Marron had his zapateado, or footwork, down pat. The band was playing, “La Iguana,” a tune from Veracruz that asks dancers, young or old, to get down on all fours and mimic a dancing reptile. His little brother, 1-year-old Nico, liked that part better than the fancy footwork.

Nevermind that “Iguana” is not a mariachi tune or that the band members were wearing tropical, white guayabera shirts and not huge sombreros. The band, El Mosquito, played jarocho music from coastal Mexico, but when you’re 3 years old and having a good time, who’s going to split musical hairs?

 

Pee Wee Mariachi is a new, ongoing program run by Mexican Heritage Corp., the festival sponsor which lately has added modern Latino music to the event and moved it downtown from its former base in East San Jose. Wishing to reach very young children, the organization found a natural venue and host at the children’s museum and a financial sponsor in “First 5,” Santa Clara County’s health education program focused on families with youngsters 5 and younger.

 

[ click to continue reading at the SJ Mercury News ]

Crumley and Milo and C.W. Gone

from the Los Angeles Times

James Crumley dies at 68; author of gritty but poetic crime novels

James Crumley

Bill Wittliff / Texas State University-San Marcos

James Crumley, seen in 1989, wrote seven poetic but hard-boiled detective tales, including “The Last Good Kiss.” “There was something about the beauty, the elegance of the prose that I think is the most important thing about Crumley,” says Otto Penzler, founder of Mysterious Press.

 

By Dennis McLellan, Los Angeles Times Staff Writer
September 20, 2008

 

James Crumley, a revered and influential crime novelist whose hard-boiled detective tales set in Montana and other Western locales were praised for both their grittiness and the lyrical quality of their prose, has died. He was 68.

Crumley died of complications from kidney and pulmonary diseases Wednesday at a hospital in Missoula, Mont., said his wife, writer and artist Martha Elizabeth.

A self-described “bastard child of Raymond Chandler,” Crumley wrote seven crime novels featuring two detectives who were set not in the mean streets of L.A. but in what he called “my twisted highways in the mountain West.”

Crumley’s private eyes, C.W. Sughrue and Milo Milodragovitch, were, as Dallas Morning News writer Jerome Weeks wrote in 2001, “sullen, violent men whose drug use and carnal antics would stagger a rhino.”

To tell his two detectives apart, Crumley suggested remembering that “Milo’s first impulse is to help you; Sughrue’s is to shoot you in the foot.”

The opening line to his 1978 Sughrue novel “The Last Good Kiss,” which many consider his masterpiece, is considered classic — and fans would often recite it to him at book signings:

“When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.”

[ click to continue reading at the LA Times ]

VvG’s Nocturnal Emissions

from the New York Times

ART REVIEW | VAN GOGH

Nocturnal van Gogh, Illuminating the Darkness

Devoting an exhibition to Vincent van Gogh, among the world’s most beloved artists, may not seem like much of a reach for the Museum of Modern Art. On paper, at least, “Van Gogh and the Colors of the Night” reads like an obvious play for big box office and increased membership.


But this exhibition largely dodges such charges. Small and quirky, it is an anti-blockbuster. Instead of the usual are-we-done-yet marathon followed with ordeal by gift shop, it quietly displays 23 paintings, 9 drawings and several letters by van Gogh in six intimate galleries. The final gallery features a dense display of books that he read, most open to poems about the night.

Organized with the Van Gogh Museum in Amsterdam, this show has been overseen by Joachim Pissarro, adjunct curator in the Modern’s department of painting and sculpture and a professor of art history at Hunter College; Sjraar van Heugten, head of collections at the Van Gogh Museum; and Jennifer Field, curatorial assistant in painting and sculpture at the Modern.

Van Gogh discovered new colors everywhere, especially at night. Peripatetically, briefly yet fulsomely, this show explores his special relationship with darkness. It provides a view of the tenderness, urgency and brilliance at the core of his art, as well as the openness to nature that set it aflame.

Van Gogh accepted the night as a distorting condition, almost the way later modernists like Marcel Duchamp and Jean Arp would use chance to experiment and to break habits. Unable to see clearly, he painted what he saw, ultimately pitting his colors against one another as if they were antagonists in a visual drama. He egged on their clashes with exaggerated daubs of paint, bringing backgrounds forward and giving each inch of canvas its own sense of life. In Western art before him, only the semi-Western mosaics of Ravenna achieved such complete articulation.

[ click to continue reading at NYTimes.com ]

“Tell the waitress I’ll come back to Zanzibar”

from Shelf-Awareness

Here are some proverbs dealing with books and reading from As They Say in Zanzibar: Proverbial Wisdom from Around the World – a compilation of more than 2,000 proverbs gathered by David Crystal:

Books

  • A book holds a house of gold (China)
  • It is better to be entirely without a book than to believe it entirely (China)
  • Many books do not use up words; many words do not use up thoughts(China)
  • Scholars talk books; butchers talk pigs (China)

Reading and Writing

  • After three days without reading, talk becomes flavourless (China)
  • The wise read a letter backwards (Germany)
  • Learn to handle a writing-brush, and you’ll never handle a begging-bowl(China)
  • A love-letter sometimes costs more than a three-cent stamp (U.S.)

Literature

  • Life without literature is death (Latin)
  • Poets are fathers of lies (Latin)
  • Poets and pigs are appreciated only after their death (Italy)
  • Those that begin the play must continue it (Turkey)

Marilyn Dahl

[ click to read at Shelf-Awareness.com ]

Angel Laid To Rest

from the San Francisco Chronicle

Hells Angels touched by a mentor

Mourners console each other after the funeral for slain F... The club's funeral procession for Mark Guardado makes it'... Mourners console each other after the funeral for slain F... Hells Angels chapters from around the world help bury the... More…

(09-15) 18:41 PDT — Papa’s final ride was a Viking funeral, his body borne to his final resting place by a river of chrome and thunder.

Mark “Papa” Guardado, 46, was killed Sept. 2 outside a Mission District bar. At the time, he was president of the Frisco Hells Angels, royalty of the outlaw biker realm. He was shot to death, police say, by Christopher Ablett, 37, of Modesto, a member of the rival Mongols Motorcycle Club, whose bad blood with the Hells Angels goes back in history. Ablett is still being sought.

But there was little talk of the Mongols as the Hells Angels gathered to remember Guardado at a vigil Sunday night and funeral Monday morning; little more than a passing, irritated reference to a Sonoma County prosecutor who had charges pending against Guardado stemming from a bar fight and who called him a dangerous gang member with an assault conviction on his record.

Instead, those gathered remembered their Guardado, the friend or surrogate father, the man who many said bought them their first Harley-Davidson – or helped them get the job they needed to buy their own.

“To me, and everyone that knew him, he was the epitome of Hells Angels,” said Richard Goldammer, who rode from his home in British Columbia to honor the man he called his mentor.

“He set an example for a lot of people, being straight up, honest and respectful to everyone,” he said. “People form their own opinion about our club … we are who we are. We stand in our own social circle.”

It is a circle with many intersecting rings that pulled together in Daly City for what many hailed as an event of unprecedented scale.

[ click to read full article at the Chronicle ]

Mongols At War

from the San Jose Mercury News

San Jose pipe bombing linked to rival biker gangs

Mongols-Hells Angels feud blamed; no injuries reported

By Denis C. Theriault, Sean Webby and Lisa Fernandez
Mercury News

A cluster of pipe-bomb blasts shook a small San Jose neighborhood from its sleep early Thursday, turning a tiny cul-de-sac a few miles from downtown into what police fear is the latest battleground between two bitterly feuding biker gangs: the Mongols Motorcycle Club and the Hells Angels.

mongols.png

San Jose police identified the target in the 3:38 a.m. blasts as Robert Rios, an upper-echelon member of the Mongols’ San Jose chapter, and confirmed that suspicion is falling heavily on their often bloody rivals, the notorious Hells Angels. Mark “Papa” Guardado, 46, president of the Frisco Hells Angels chapter, was gunned down Sept. 2; the suspect, a Mongol from Modesto, remains at large.

“It’s either the Hells Angels are sending a message, or this is a calculated, but ill-advised move,” said Sgt. Larry Day, the San Jose Police Department’s in-house expert on outlaw motorcycle gangs.

Federal law enforcement officials are assisting San Jose’s investigation into Thursday’s attack, described by shaken neighbors as a series of blasts that roused them from their beds. Officials are probing for any links between the two incidents and how they might fit into the wider, ongoing clash between the Mongols, primarily based in Southern California, and the Hells Angels, long an iconic group in Northern California.

 

[ click to continue reading at the SJ Merc ]

Another Crazy Cheerleader Mom

from the NY Daily News

Mom, that’s my cheerleading outfit! Wisconsin woman steals daughter’s identity to join pom-pom squad

 

Wendy Brown couldn't just be content with a Halloween costume once a year. She stole her own daughter's identity to attend high school and become a cheerleader.

AP

Wendy Brown couldn’t just be content with a Halloween costume once a year. She stole her own daughter’s identity to attend high school and become a cheerleader.

GREEN BAYWis. – A 33-year-old woman is charged with stealing her daughter’s identity to attend high school and join the cheerleading team.

Wendy Brown, of Green Bay, faces a felony identity theft charge after enrolling in Ashwaubenon High School as her 15-year-old daughter, who lives in Nevada with Brown’s mother.

“The defendant stated she wanted to get her high school degree and be a cheerleader because she had no childhood and was trying to regain a part of her life she missed,” according to the complaint.

She allegedly attended cheerleading practices before school started, received a cheerleader’s locker and went to a pool party at the cheerleading coach’s house.

A high school employee, Kim Demeny, told authorities that the woman, posing at the teen, seemed very timid, told her she was not good in math and even cried when she talked about moving from Pahrump Valley High School in Pahrump, Nev. Although she looked older than a student, Demeny said she believed her demeanor was consistent with that of a high school girl.

A school liaison officer started investigating Monday after Brown only showed up for the first day of classes last week, the complaint said.

[ click to read full article at NYDailyNews.com ]

Kate Shepherd: Stack Shack @ Glenn Horowitz Bookseller

from Glenn Horowitz Bookseller


Kate Shepherd: Stack Shack - New Gallery Exhibit at Glenn Horowitz Bookseller

Kate Shepherd: Stack Shack
September 20 to November 10, 2008

Please join us at a reception for the artist
Saturday, September 20th from 6 to 8 pm

 

Walk into an art gallery and it goes without saying that a “Don’t Touch” rule will be rigidly enforced. Stores are a more hands-on experience – browse, and paw the merchandise a bit as you make up your mind. Kate Shepherd had the looser rules of a retail environment in mind as she went about making work to exhibit amidst the first editions, artist’s books and other wares available at Glenn Horowitz Bookseller. She has made a group of works that come with an open invitation to violate the don’t touch rule: stackable painted block toys, wooden jigsaw puzzles, and a group of utilitarian-looking boxes that even have built-in hand holds. Alongside these are more traditional paintings, prints, and drawings that, though not designed to be handled, nonetheless have a definite tactile dimension. Visit our website for more information.

----------

87 Newtown Lane
East Hampton, NY 11937
P: 631.324.5511
www.ghbookseller.com

Art Gallery & Bookshop
Mon thru Sat: 10am to 5pm
Sun: 12pm to 4pm
Closed Wed & Thurs, Oct thru April

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Brisbane Fest Boss Welcomes Frey Controversy

from ABC News

Writers festival boss welcomes Frey controversy

By Rebekah van Druten

 

A Million Little Pieces author James Frey admits taking liberties to make the story better.

A Million Little Pieces author James Frey admits taking liberties to make the story better. (Getty Images: Andrew H Walker, file photo)

The organiser of this year’s Brisbane Writers Festival has defended his decision to include controversial author James Frey in the line-up.

Frey is best known for his 2003 memoir A Million Little Pieces. Promoted as a true tale of his time in drug and alcohol rehabilitation, it rocketed up bestseller lists the world over after Oprah Winfrey selected it for her bookclub.

But in 2005, The Smoking Gun website outed Frey for having highly embellished and partially made up large parts of the book.

The scandal raised questions about whether memoirs have to be factually true; artistic director Michael Campbell says these questions can and should be discussed at writers’ festivals.

“First and foremost, he [Frey] is a terrific writer … Even just prior to Oprah getting upset with him live on air, she commended his writing,” Campbell said.

“And I think one of the most interesting areas of writing at the moment is this, sort of, line between fact and fiction. We’ve seen it here in Australia over a number of years through the ‘history wars’. In that sort of context it’s been about the making of history; the story of history. It’s been about how you bring about the ‘facts’ or ‘accounts’ and how you give them a certain amount of weight or not, how you draw connections between different facts and how you bring that together to get a story of history.

“Then once you come to memoir, there’s an awful lot of quite innovative writing about revealing yourself; about what you chose to say and reveal and what you chose to keep hidden. How you do that, how you present that.”

Frey doesn’t deny he took artistic liberties with A Million Little Pieces, but the author also doesn’t feel he did anything wrong.

“I wrote a book that I said for years should be considered literature; should be considered art. Frankly, I’m the first and really the only memoirist to be held to this standard,” Frey told ABC News Online.

“The presidential candidates in America who have both written memoirs that have been proven to have the same issues in them as mine had are not being held to the standard that I’ve been held to.

“The media seems to have some sort of double standard – where it’s ok for some people to do things, but it’s not ok for others … It’s a book, it’s a work of art and it’s a piece of literature. I took liberties in making the story better. There are many things in the book that are toned down, but again the media isn’t interested in that. They’re interested in frankly holding me to a standard that they don’t hold themselves to.

“If you look in the average newspaper on the average day, there’s as many lies in it as there are in any of my books. There’s as many embellishments and fabrications, and I think people who aren’t seeing that are very naive.”

Frey rebukes suggestions that readers of A Million Little Pieces may have felt betrayed or duped by him, and says he’s expecting a warm reception at the Brisbane Writers Festival.

“I know I get a lot of letters from Australian readers who have been very, very supportive of me. And I think it’ll probably, hopefully be like it is in most places – people have been moved by the words that I write and they understand that I create art, that I create literature and that I have taken liberties along the way to do that,” he said.

New work

As well as discussing the genres of memoir and biography at the festival, Frey will be promoting his third novel – Bright Shiny Morning, the story of four lost souls living in Los Angeles.

So far, it has not been received well by the critics. David L Ulin, a reviewer for the LA Times, says it’s one of the worst books he’s ever read.

Frey takes the criticism on the chin, saying his only concern is how his readers receive the book.

“The reviews tend to be either really great reviews or really, really terrible reviews. And frankly, if they [the critics] are judging me based on the past they’re not doing their jobs, because journalists are supposedly objective. You know, this is just another indication that they’re not,” he said.

“If they want to shred the book, so be it.

“What matters to me is how my readers feel about the book, how the people who spend their money and their time with the book feel about it – and so far that response has been great.”

And despite his very public dressing down, it seems Frey hasn’t lost his sense of humour – yet.

Bright Shiny Morning starts with the declaration nothing in the novel should be considered as “accurate or reliable”.

“It’s meant to be a joke. It’s meant to be a statement of defiance,” Frey said.

“It’s meant to say that I make the rules and that you can get mad at me for doing something but that doesn’t mean I’m going to stop doing it, and it doesn’t mean I’m going to follow your rules.

“I don’t think that rules should be imposed on works of art or works of literature, you know. Artists should be allowed to do whatever they want, however they want and call it whatever they want.”

The Brisbane Writers Festival starts tomorrow and runs till September 21.

[ click to read at ABC.net.au ]

Lehman Bros. Responsible For Collapse of Art in America

from the Washington Post

Arts Groups Fret the Woes Of Big Donors 

By David Segal and Jacqueline Trescott

Washington Post Staff Writers and Washington Post Staff Writers
Thursday, September 18, 2008; Page C01 

Katy Clark knows that this is a deeply awkward moment to ask Lehman Brothers for $50,000 — a bit like showing up in the smoldering aftermath of a Road Runner explosion and asking for a match.

But two years ago, the then-flush investment bank gave Manhattan’s Orchestra of St. Luke’s 50 grand for a music education program, and as the organization’s vice president of operations, Clark is hoping that in its death throes, the company just might cut one last check. She has traded a few e-mails with her Lehman contacts in recent days, but she hasn’t raised the subject.

“Timing is everything,” she said. “They need time to figure what’s coming next.”

With Wall Street in a shame spiral, “What’s coming next?” is a question that has everyone in the arts community taking big, anxious gulps. Lehman may never hand out another charitable dime; the immediate future of the firm’s philanthropic foundation, like everything else about it, is now a matter of bankruptcy law. But the fear isn’t limited to those groups that were getting money from corporate America’s recently deceased and badly wounded. There’s agita all around.

[ click to continue reading at WaPo ]

Untitled Books

from UntitledBooks.com

James Frey
Friday, September 05, 2008

james_frey

James Frey, author of A Million Little Pieces, My Friend Leonard, and the new Bright Shiny Morning, tells us how he writes.

Where are you right now?  

Amagansett, NY. At my desk.

Where do you write?

Sometimes here, sometimes New York City. Have desks in both places. Sometimes I sit on a couch in front of the TV.

How do you write?

Just sit down and work. Focus on one sentence at a time. Never self-edit, never go back. I don’t use outlines figure everything out as I go.

What keeps you writing?

I love it, and it’s my job.

Who do you write for?

For myself, and for the readers who support me.

Do you discuss your work with anyone?

Not really. At least not while I’m writing something. I end up discussing it when it’s finished because that’s part of the job.

How do you know if your work is good?

I just believe it is.

Do you have any unwritten characters in mind?

Hundreds.

Which book do you wish you’d written?

A Season in Hell, by Arthur Rimbaud

What is your literary guilty pleasure?

Detective books. I love detective books. Chandler, Hammett, Spillane, Simenon.

Which writer made you want to write?

Many, but Henry Miller probably had the most influence. He lit me up. Still does.

Who’s the most exciting author writing today?

Most are pretty boring. I’d probably say Michel Houellebecq. One of the few who invites controversy, instead of hiding from it.

If you weren’t writing you’d be…?

No idea. Can’t imagine another life.

What next?

The Final Testament of the Holy Bible. And I’m not joking.

[ click to visit Untitled Books ]

Poetry a-Twitter

from The Telegraph UK

Poetry’s popularity soars online

By Stephen Adams

Poetry, long thought of as an art form in terminal decline, is taking off on the internet according to new figures.

 
Andrew Motion
Recognising the potential of the internet for poetry: Andrew Motion

The British-based Poetry Archive has released statistics that visitors to its website are now viewing a total of more than one million pages a month.

More than 125,000 individuals – or unique users – have visited the site, which hosts poems and audio readings by the poets themselves.

Andrew Motion, the British Poet Laureate, who co-founded the Poetry Archive in 2005, said of the figures: “It’s giving the lie to the idea that nobody reads poems any more.”

He thought the internet was providing a better medium for poetry than books. “Either books have not been doing the job or they are being outmanoeuvred by the internet.”

Emily Warn, editor of the Poetry Foundation, added: “Andrew Motion was one of the first to recognise that the internet is allowing millions of people to experience poetry in its oldest form — as an oral art form.

click to read full article at The Telegraph ] 

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