The Rise of the Selfish Plutocrats
Instead of pursuing philanthropy, many now seek to evade social responsibility.
By Brian Klaas
In the early 1500s, an unknown wealthy patron is said to have commissioned Leonardo da Vinci to produce the Salvator Mundi, a striking ecclesiastical masterpiece in which Jesus is shown blessing humanity with his right hand while holding an orb representing the Earth in his left. The patron’s identity has been lost to history, and whether da Vinci actually painted it is still debated among scholars, but such commissions were common during the medieval and Renaissance periods: Medici-like benefactors, uncomfortable with the potential sinfulness of their extravagant wealth, sought to offset their guilt and enhance their prestige by sponsoring magnificent works of art and architecture for the public to enjoy.
Da Vinci’s Salvator Mundi changed hands countless times through the ensuing centuries. Mistaken as a comparatively commonplace artwork, it was owned by a 17th-century heir to the Scottish crown who was later beheaded, passed to the illegitimate son of an 18th-century duke, and then languished in obscurity for more than a century. An unknown buyer acquired the painting at auction for £45, or about $1,300 today, and it ended up in Houston. The painting later passed to Basil Clovis Hendry Sr., who ran a Baton Rouge, Louisiana, sheet-metal company. Then, in 2005, on suspicion that there was more to the painting than met the untrained eye, an art consortium bought the painting for just over $1,000. Years of restoration, cleaning, research, and speculation yielded a shocking announcement: The painting was Da Vinci’s lost Salvator Mundi.