Friedrich Kunath’s “One Man’s Ceiling is Another Man’s Floor” at Blum & Poe, New York
Blum & Poe at New York is presenting “One Man’s Ceiling is Another Man’s Floor,” Friedrich Kunath’s sixth solo exhibition with the gallery, which is on view through December 22.
This show follows Kunath’s “Frutti di Mare” (2017) —a carpeted, scented, multi-room installation flecked with tie-died tube socks and outfitted with mirrored floors, a mechanical spinning canvas, and a vertical piano.
According to the gallery press note, Kunath carries on his study of a dichotomous human condition—an exploration in happiness and sadness, romanticism, nostalgia, longing, the fetish of authenticity, and the myth of genius. This exhibition negotiates the facets of personal experience registered on a psycho-emotional pendulum that swings between the search for deep existential meaning and purpose, and a frenetic, nonsensical and humorous nihilism.
The gallery reveals that in conjunction with this exhibition, a new major monograph devoted to the last fifteen years of Kunath’s work will be released by Rizzoli Electa. Entitled “I Don’t Worry Anymore,” this book offers new insights into the artist’s work across media, organized conceptually rather than chronologically in eight chapters.
The book features new writing by four contributors—art historian James Elkins takes an historical approach to Kunath’s work, linking him to both recent and older traditions of European painting; Ariana Reines contributes a poem inspired by the artist’s work; James Frey offers a short essay motivated by Kunath’s persona; and the artist and John McEnroe, the famed tennis player, have a spirited conversation about their shared passion for the game of tennis.