{"id":994,"date":"2008-10-17T11:44:14","date_gmt":"2008-10-17T18:44:14","guid":{"rendered":"http:\/\/bigjimindustries.com\/wordpress\/index.php\/2008\/10\/freuds-bacon\/"},"modified":"2008-10-17T11:45:34","modified_gmt":"2008-10-17T18:45:34","slug":"freuds-bacon","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2008\/10\/17\/freuds-bacon\/","title":{"rendered":"Freud&#8217;s Bacon"},"content":{"rendered":"<p><span class=\"Apple-style-span\" style=\"font-style: italic\"><a href=\"http:\/\/www.bloomberg.com\/apps\/news?pid=20601088&amp;sid=azzFU6IlaLpE&amp;refer=home\" target=\"_blank\">from Bloomberg<\/a><\/span><\/p>\n<p><span class=\"Apple-style-span\" style=\"font-family: Verdana; font-size: 12px; line-height: 16px\"><span class=\"news_story_title\" style=\"font: normal normal bold 12pt\/normal verdana, sans-serif; color: #000000; line-height: 140%\">Freud&#8217;s Bacon Portrait Recalls Bohemian Soho: Martin Gayford\u00a0<\/span><\/span><\/p>\n<p style=\"margin-top: 8px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px\">Preview by Martin Gayford<\/p>\n<p style=\"float: left; margin-top: 0px; margin-right: 5px; margin-left: 0px; margin-bottom: 1.4em\">\u00a0<\/p>\n<table align=\"left\">\n<tr>\n<td>\n<p id=\"newsphoto\" style=\"position: relative; width: 220px; height: auto; background-color: #000000; color: #ffffff; text-align: left; font-family: Verdana, sans-serif; font-size: 10px; line-height: normal; border-width: 5px; border-color: #000000; border-style: solid; padding: 0px; margin: 0px\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.bloomberg.com\/apps\/data?pid=avimage&amp;iid=ieuMBHBzdizQ\" width=\"220\" height=\"162\" border=\"0\" \/><\/p>\n<p id=\"photolink\" style=\"float: left; background-color: #000000; height: 15px; width: 225px; padding-left: 5px; margin: 0px\"><a href=\"http:\/\/www.bloomberg.com\/apps\/news?pid=photos&amp;sid=azzFU6IlaLpE\" onclick=\"window.open('\/apps\/news?pid=photos&#038;sid=azzFU6IlaLpE','BloombergPhoto','width=490,height=445,status=no,toolbar=no,menubar=no,location=no,scrollbars=no,resizable=yes,titlebar=no');return false;\" target=\"_blank\" style=\"font-weight: bold; text-decoration: none; color: #006b99\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/images.bloomberg.com\/r06\/news\/enlarge_details.gif\" alt=\"Enlarge Image\/Details\" border=\"0\" height=\"10\" width=\"95\" class=\"photoenlarge\" style=\"margin-top: 2px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px; float: left\" \/><\/a><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<p style=\"margin-top: 8px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px\">Oct. 17 (Bloomberg) &#8212; Great British artists, it seems, are like buses. None comes along for ages, then two arrive together.<\/p>\n<p style=\"margin-top: 8px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px\">In the early 19th century there were Constable and Turner, then &#8212; with the arguable exception of Sickert &#8212; no painter of truly international stature until\u00a0<a href=\"http:\/\/search.bloomberg.com\/search?q=Lucian+Freud&amp;site=wnews&amp;client=wnews&amp;proxystylesheet=wnews&amp;output=xml_no_dtd&amp;ie=UTF-8&amp;oe=UTF-8&amp;filter=p&amp;getfields=wnnis&amp;sort=date:D:S:d1\" onmouseover=\"return escape( popwSearchNews( this ))\" style=\"font-weight: bold; text-decoration: none; color: #006b99\" target=\"_blank\">Lucian Freud<\/a>\u00a0and\u00a0<a href=\"http:\/\/search.bloomberg.com\/search?q=Francis+Bacon&amp;site=wnews&amp;client=wnews&amp;proxystylesheet=wnews&amp;output=xml_no_dtd&amp;ie=UTF-8&amp;oe=UTF-8&amp;filter=p&amp;getfields=wnnis&amp;sort=date:D:S:d1\" onmouseover=\"return escape( popwSearchNews( this ))\" style=\"font-weight: bold; text-decoration: none; color: #006b99\" target=\"_blank\">Francis Bacon\u00a0<\/a>appeared in the 1940s.<\/p>\n<p style=\"margin-top: 8px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px\">On Oct. 19, one of only two painted portraits of Bacon by Freud will go under the hammer at\u00a0<a href=\"http:\/\/www.christies.com\/\" onmouseover=\"return escape( popwOpenWebSite( this ))\" target=\"_blank\" style=\"font-weight: bold; text-decoration: none; color: #006b99\">Christie&#8217;s International<\/a>\u00a0in London, with an estimate range of 5 million pounds ($8.6 million) to 7 million pounds. The other picture of Bacon by Freud was stolen from a Berlin show 20 years ago and has never been recovered. Bacon also painted Freud on numerous occasions, but for reasons that can only be guessed at never with such intensity.<\/p>\n<p style=\"margin-top: 8px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px\">In the past few years those two have come to bestride the contemporary art world like twin colossi. This year, Freud took the title of the world&#8217;s most expensive living artist at auction, with the sale of &#8220;Benefits Supervisor Sleeping&#8221; (1995) for $33.6 million at Christie&#8217;s in New York on May 13.<\/p>\n<p style=\"margin-top: 8px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px\">A mere 24 hours later Bacon, who died in 1992, achieved the title of the most expensive contemporary artist when &#8220;Triptych&#8221; (1976) sold for $86.3 million at\u00a0<a href=\"http:\/\/www.bloomberg.com\/apps\/quote?ticker=BID%3AUS\" onmouseover=\"return escape( popwQuoteShort( this, 'BID:US' ))\" style=\"font-weight: bold; text-decoration: none; color: #006b99\" target=\"_blank\">Sotheby&#8217;s<\/a>\u00a0in New York.<\/p>\n<p style=\"margin-top: 8px; margin-right: 0px; margin-bottom: 8px; margin-left: 0px\">Bacon, born in 1909, was 13 years Freud&#8217;s senior, but was only just emerging as a major talent when Freud first encountered him. They met through a common friend, Graham Sutherland.<\/p>\n<p><span class=\"Apple-style-span\" style=\"font-family: Verdana; font-size: 12px; line-height: 16px\"><\/span>[ <a href=\"http:\/\/www.bloomberg.com\/apps\/news?pid=20601088&amp;sid=azzFU6IlaLpE&amp;refer=home\" target=\"_blank\">click to continue reading at Bloomberg.com<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>from Bloomberg Freud&#8217;s Bacon Portrait Recalls Bohemian Soho: Martin Gayford\u00a0 Preview by Martin Gayford \u00a0 Oct. 17 (Bloomberg) &#8212; Great British artists, it seems, are like buses. None comes along for ages, then two arrive together. In the early 19th century there were Constable and Turner, then &#8212; with the arguable exception of Sickert &#8212; [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-994","post","type-post","status-publish","format-standard","hentry","category-culture-art"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=994"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/994\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}