{"id":974,"date":"2008-10-08T12:49:10","date_gmt":"2008-10-08T19:49:10","guid":{"rendered":"http:\/\/bigjimindustries.com\/wordpress\/index.php\/2008\/10\/paint-by-numbers\/"},"modified":"2008-10-08T12:52:43","modified_gmt":"2008-10-08T19:52:43","slug":"paint-by-numbers","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2008\/10\/08\/paint-by-numbers\/","title":{"rendered":"Paint By Numbers"},"content":{"rendered":"<p><span class=\"Apple-style-span\" style=\"font-style: italic\"><a href=\"http:\/\/www.portfolio.com\/culture-lifestyle\/culture-inc\/arts\/2008\/09\/18\/Louis-Vuitton-in-Art-Controversy\" target=\"_blank\">from Portfolio<\/a><\/span><\/p>\n<p><span class=\"Apple-style-span\" style=\"color: #444444; font-family: helvetica; font-size: 11px; line-height: normal\"><span class=\"Apple-style-span\" style=\"color: #000000; font-family: georgia; font-size: 25px\">Repro Man<\/span><\/span><\/p>\n<p><span class=\"Apple-style-span\" style=\"color: #444444; font-family: helvetica; font-size: 11px; line-height: normal\"><span class=\"Apple-style-span\" style=\"color: #000000; font-family: georgia; font-size: 25px\"><\/span>by Michael Kaplan\u00a0<img decoding=\"async\" src=\"http:\/\/www.portfolio.com\/images\/site\/gfx\/accent-dotted-pipe.gif\" class=\"pipe\" style=\"border-style: initial; border-color: initial; display: inline; margin-top: 0px; margin-right: 2px; margin-bottom: 0px; margin-left: 2px; border-width: 0px; padding: 0px\" \/>\u00a0<a href=\"http:\/\/www.portfolio.com\/in-this-issue-oct-2008\" style=\"text-decoration: none; color: #ec5219\" target=\"_blank\">October 2008 Issue<\/a><\/span><\/p>\n<p style=\"text-align: center\"><img decoding=\"async\" src=\"http:\/\/bigjimindustries.com\/wordpress\/wp-content\/numb.png\" alt=\"numb.png\" \/><\/p>\n<p><span class=\"dropCap\" style=\"float: left; padding-top: 0.1em; padding-right: 2px; padding-bottom: 0px; padding-left: 0px; font-family: georgia, serif; font-size: 45px; line-height: 0.8em; text-transform: uppercase\">T<\/span>he opening night of \u201c\u00a9Murakami,\u201d Takashi Murakami\u2019s retrospective at the Museum of Contemporary Art in Los Angeles, outshone the standard high- culture shindig. Luxury-goods giant\u00a0<a href=\"http:\/\/www.portfolio.com\/resources\/company-profiles\/Louis-Vuitton-575249\" onmouseout=\"unPopOver(this);\" onmouseover=\"popOver(this);\" id=\"COMPANY_575249\" style=\"text-decoration: none; color: #ec5219\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.portfolio.com\/images\/site\/icn\/icon-popNote.gif\" class=\"popOverLink\" style=\"padding-top: 0px; padding-bottom: 0px; padding-left: 0px; border-style: initial; border-color: initial; display: inline; padding-right: 2px; border-width: 0px; margin: 0px\" \/>Louis Vuitton<\/a>, whose Murakami-designed purses, wallets, and scarves have helped propel the brand, subsidized the $1,000-a-plate gala. Kanye West performed, and the guest list\u2014from Tobey Maguire to Christina Ricci\u2014read like that of an Oscar-night fete. Outside, fireworks exploded.At the exhibit, revelers shopped at a temporary Louis Vuitton boutique, the first of its kind, selling lv-monogrammed bags and wallets that had been Murakamied with squat-faced cartoon characters. That Vuitton had set up a retail shop in a museum was unusual enough, but equally notable were the artworks Vuitton was selling: 500 \u201climited- edition\u201d prints priced at either $6,000 or $10,000.By any definition, sales were brisk. Hundreds of prints were snatched up by fans of the goateed artist. The trouble started when one of them, collector Clint Arthur, noticed that two of his Murakamis weren\u2019t numbered, even though the accompanying certificates said they were. (Limited-edition works usually bear both the artist\u2019s signature and a number to help establish authenticity and value.) The discrepancy was \u201ca translation problem between Louis Vuitton and Takashi Murakami,\u201d Arthur says a salesclerk told him.<\/p>\n<p>But when Arthur wrote Murakami asking that the proper numbers be added, he received an answer from the legal department of Louis Vuitton North America. If Arthur was dissatisfied with his purchase, the letter said, he could return the artwork and be refunded his money plus interest.\u00a0<\/p>\n<p>But Arthur wanted to keep the pieces and have them numbered. Surfing the internet, he discovered a California law stating that dealers who willfully provide certificates of authenticity that contain incorrect information are liable for damages that total three times the cost of the print. He filed a class-action lawsuit against Vuitton, arguing that the company intentionally tried to pass off faulty documentation. While he was at it, Arthur slapped MOCA with a suit charging that the museum breached the same statute by selling Murakami prints without certificates in its gift shop.\u00a0<\/p>\n<p><span class=\"Apple-style-span\" style=\"color: #444444; font-family: helvetica; font-size: 12px; line-height: 22px\"><\/span>[ <a href=\"http:\/\/www.portfolio.com\/culture-lifestyle\/culture-inc\/arts\/2008\/09\/18\/Louis-Vuitton-in-Art-Controversy\" target=\"_blank\">click to continue reading at Portfolio.com<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>from Portfolio Repro Man by Michael Kaplan\u00a0\u00a0October 2008 Issue The opening night of \u201c\u00a9Murakami,\u201d Takashi Murakami\u2019s retrospective at the Museum of Contemporary Art in Los Angeles, outshone the standard high- culture shindig. Luxury-goods giant\u00a0Louis Vuitton, whose Murakami-designed purses, wallets, and scarves have helped propel the brand, subsidized the $1,000-a-plate gala. Kanye West performed, and the [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-974","post","type-post","status-publish","format-standard","hentry","category-culture-art"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=974"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/974\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}