{"id":6963,"date":"2015-11-12T13:32:10","date_gmt":"2015-11-12T20:32:10","guid":{"rendered":"http:\/\/BigJimIndustries.com\/wordpress\/?p=6963"},"modified":"2015-11-23T16:30:31","modified_gmt":"2015-11-23T23:30:31","slug":"the-hateful-eight-exhibited-right-thanks-qt","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2015\/11\/12\/the-hateful-eight-exhibited-right-thanks-qt\/","title":{"rendered":"THE HATEFUL EIGHT Exhibited Properly &#8211; Thanks, QT"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.nytimes.com\/2015\/11\/12\/movies\/tarantinos-the-hateful-eight-resurrects-nearly-obsolete-technology.html\" target=\"_blank\">from The New York Times<\/a><\/em><\/p>\n<h1>Tarantino\u2019s \u2018The Hateful Eight\u2019 Resurrects Nearly Obsolete Technology<\/h1>\n<p>By\u00a0BEN KENIGSBERG<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/static01.nyt.com\/images\/2015\/11\/12\/arts\/12ROADSHOW1\/12ROADSHOW1-superJumbo.jpg\" alt=\"\" width=\"480\" data-mediaviewer-caption=\"Jennifer Jason Leigh and Kurt Russell in \u201cThe Hateful Eight,\u201d scheduled to be released on 100 screens in 70-millimeter projection.\" \/><em>Jennifer Jason Leigh and Kurt Russell in \u201cThe Hateful Eight,\u201d scheduled to be released on 100 screens in 70-millimeter projection.\u00a0PHOTO:\u00a0Andrew Cooper\/SMPSP\/The Weinstein Company<\/em><\/p>\n<p>LOS ANGELES \u2014 When\u00a0<a class=\"meta-per\" title=\"More articles about Quentin Tarantino\" href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/t\/quentin_tarantino\/index.html?inline=nyt-per\" target=\"_blank\">Quentin Tarantino<\/a>\u2019s \u201cThe Hateful Eight\u201d is released in a special roadshow version (with overture, intermission and additional footage) on Dec. 25, it will represent a feat worthy of the heist in the director\u2019s \u201cJackie Brown.\u201d<\/p>\n<p>The film is scheduled to open on 96 screens in the United States and four in Canada, all in 70-millimeter projection, a premium format associated with extravaganzas of the 1950s and 1960s.<\/p>\n<p>Yet from a theatrical standpoint, the technology is nearly obsolete. Last year, \u201cInterstellar\u201d opened in 70 millimeter at only 11 comparable locations. There were only 16 in 2012 for \u201cThe Master,\u201d which renewed interested in the format. No film has opened with 100 70-millimeter prints since 1992. According to the National Association of Theater Owners, 97 percent of the 40,000 screens in the United States now use digital projection.<\/p>\n<p>Over a period of a year and a half, the Weinstein Company, which will distribute the film, arranged for old projectors to be procured, purchased and refurbished and new lenses to be made for theaters.<\/p>\n<p>[ <a href=\"http:\/\/www.nytimes.com\/2015\/11\/12\/movies\/tarantinos-the-hateful-eight-resurrects-nearly-obsolete-technology.html\" target=\"_blank\">click to continue reading at The New York Times<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>from The New York Times Tarantino\u2019s \u2018The Hateful Eight\u2019 Resurrects Nearly Obsolete Technology By\u00a0BEN KENIGSBERG Jennifer Jason Leigh and Kurt Russell in \u201cThe Hateful Eight,\u201d scheduled to be released on 100 screens in 70-millimeter projection.\u00a0PHOTO:\u00a0Andrew Cooper\/SMPSP\/The Weinstein Company LOS ANGELES \u2014 When\u00a0Quentin Tarantino\u2019s \u201cThe Hateful Eight\u201d is released in a special roadshow version (with overture, [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-6963","post","type-post","status-publish","format-standard","hentry","category-culture-art"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/6963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=6963"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/6963\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=6963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=6963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=6963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}