{"id":6753,"date":"2015-09-04T14:00:24","date_gmt":"2015-09-04T21:00:24","guid":{"rendered":"http:\/\/BigJimIndustries.com\/wordpress\/?p=6753"},"modified":"2015-09-13T14:05:33","modified_gmt":"2015-09-13T21:05:33","slug":"keith-richards-disses-black-sabbath","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2015\/09\/04\/keith-richards-disses-black-sabbath\/","title":{"rendered":"Keith Richards Disses Black Sabbath"},"content":{"rendered":"<p><em><a href=\"http:\/\/observer.com\/2015\/09\/keith-richards-is-wrong-heavy-metal-is-not-a-great-joke\/\" target=\"_blank\">from The Observer<\/a><\/em><\/p>\n<h1>Keith Richards Is Wrong\u2014Heavy Metal Is Not a \u2018Great Joke\u2019<\/h1>\n<p>By <span class=\"author vcard\"><a class=\"url fn n\" title=\"View All Posts by Tim Sommer\" href=\"http:\/\/observer.com\/author\/tim-sommer\/\" target=\"_blank\" rel=\"author\">Tim Sommer<\/a><\/span><\/p>\n<p><a href=\"https:\/\/nyoobserver.files.wordpress.com\/2015\/09\/11183526165_e63710af87_o.jpg?quality=80\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-541683 size-large\" title=\"Keith Richards Is Wrong\u2014Heavy Metal Is Not a Great Joke\" src=\"https:\/\/nyoobserver.files.wordpress.com\/2015\/09\/11183526165_e63710af87_o.jpg?quality=80&amp;w=479\" alt=\"Tales of horror based on the gruesome EC horror comics of the 1950's.\" width=\"479\" height=\"600\" data-lazy-loaded=\"true\" \/><\/a><em>Keith Richards protecting the black magic that keeps him alive. (Photo: Flikr Creative Commons)<\/em><\/p>\n<p><strong>By dismissing Black Sabbath and Metallica, a Rolling Stone reveals his distinct rock and roll philosophy<\/strong><\/p>\n<p>This past week in an interview with Jim Farber for the <em>Daily News<\/em>, <a href=\"http:\/\/www.nydailynews.com\/entertainment\/music\/keith-richards-plenty-plenty-article-1.2346653\" target=\"_blank\">Keith Richards made some ornery, old-guy cranky statements<\/a> about the Beatles, Rap, and Heavy Metal. First of all, there\u2019s no reason to waste any ink discussing what he said about Rap. His comments echo the thoughts of any senior citizen in a cop bar in Staten Island, and can be explained by indifference, lack of familiarity with the genre and generational confusion. No big deal. Seriously, I would assume any 72-year-old guy who claimed to \u201cget\u201d rap was just lying.<\/p>\n<p>However, Richards\u2019 comments about Black Sabbath and Metallica being \u201cgreat jokes\u201d are worth (far) deeper examination. This two-word slur is both completely unsurprising yet remarkably revealing.<\/p>\n<p>To parse Richards\u2019 comment, we have to go back to the dawn of British rock, and it\u2019s spiral into diversity (and differing interpretations) in the 1960s and early 1970s.<\/p>\n<p>Obviously, The Rolling Stones were a blues-based band. The Stones, the arguably superior Pretty Things, and John Mayall\u2019s Bluesbreakers (to name three) personify one branch of the early Britrock leviathan; this limb was almost completely devoted to interpreting Chicago and Delta blues in an amped up and English-accented fashion. Let\u2019s call this Group A.<\/p>\n<p>The other branch is, well, characterized by the more simplistic gory glory of the Kinks, the Who, and the Troggs. These groups certainly shared some of the same basic influences as Group A, but inflected it with lusty teenage primitivism fueled by barre chords. Significantly, although these Group B bands drew from Chicago blues and the straightforward I\/IV\/V forms of Chuck Berry, they did <em>not<\/em> draw from the Delta in any real way, which is why you virtually never hear an open-tuned slide part on records by any Group B band. To put it a little more simply, all these bands\u2014the Stones faction <em>and<\/em> the Kinks faction\u2014listened to Bo Diddley, but only the Group A branch integrated Robert Johnson and Elmore James into their work. This was on your SATs, right?<\/p>\n<p>[ <a href=\"http:\/\/observer.com\/2015\/09\/keith-richards-is-wrong-heavy-metal-is-not-a-great-joke\/\" target=\"_blank\">click to continue reading at The Observer<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>from The Observer Keith Richards Is Wrong\u2014Heavy Metal Is Not a \u2018Great Joke\u2019 By Tim Sommer Keith Richards protecting the black magic that keeps him alive. (Photo: Flikr Creative Commons) By dismissing Black Sabbath and Metallica, a Rolling Stone reveals his distinct rock and roll philosophy This past week in an interview with Jim Farber [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-6753","post","type-post","status-publish","format-standard","hentry","category-culture-art","category-mirth"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/6753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=6753"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/6753\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=6753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=6753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=6753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}