{"id":481,"date":"2008-05-25T13:04:33","date_gmt":"2008-05-25T20:04:33","guid":{"rendered":"http:\/\/bigjimindustries.com\/wordpress\/index.php\/2008\/05\/blood-on-paper-publishing-as-art\/"},"modified":"2008-05-25T13:12:05","modified_gmt":"2008-05-25T20:12:05","slug":"blood-on-paper-publishing-as-art","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2008\/05\/25\/blood-on-paper-publishing-as-art\/","title":{"rendered":"Blood On Paper: Publishing As Art"},"content":{"rendered":"

from This Is London<\/a><\/span><\/p>\n

BLOOD ON PAPER: THE ART OF THE BOOK\u00a0<\/span><\/p>\n

<\/span><\/p>\n

REVIEW: CHAPTERS AND VERSE\u00a0Ben Lewis, Evening Standard<\/span><\/span><\/h1>\n\n\n
\n

There’s only a drop or two of blood on paper, in this unassuming but exquisite show of artists\u2019 books. You\u2019ll find the red stuff in Stains, an ultra-ironic, methodical volume of marks on the white stuff produced by various everyday substances from the cult American conceptual painter Ed Ruscha.<\/p>\n

Still, to make up for the shortage of blood there is gunpowder on paper from the Chinese artist Cai Guo Caing, cracked earth on paper from Anselm Kiefer, dried mud on paper from Richard Long, fabric as paper from Louise Bourgeois, a laser-cut fissure through a pile of paper by Anish Kapoor and plenty of lithographer\u2019s ink on paper from a fairly inclusive list of the 20th century\u2019s greatest artists.<\/p>\n

This bold display of work ranges from Matisse to Rauschenberg to Hirst. It includes great surprises, such as the saturated totemic prints of abstract Basque sculptor Eduardo Chillida. There isn\u2019t an overriding theme but the curators have selected works which demonstrate great craftsmanship, which is appropriately so very V&A.<\/p>\n

The book has been a hugely popular medium for modern artists but exhibitions of them are rare. It\u2019s a broad genre which ranges from fragile portfolios in tiny editions, collected then stored in a dark place by obsessive collectors, to mass-produced artist\u2019s catalogues, which, if out of print, have recently soared in value.<\/p>\n

Among the greatest pleasures of the exhibition are the illustrated books of poetry. The conjunction of artist and poet inspires thoughts about the shared cultures of different eras \u2014 opposite Allen Ginsberg\u2019s anti-war poem, \u201cWhom bomb? We bomb them!\u201d, is a print of explosions by Roy Lichten-stein; a play by Antonin Artaud, the inventor of the Theatre of Cruelty, is accompanied by some tor tured lithographs by German Neo-Expressionist Georg Baselitz.<\/p>\n

Until 29 June. Open Sat-Thurs 10am-5.45pm, Fri 10am-10pm; admission free. Information: 020 7942 2211, www.vam.ac.uk<\/em><\/p>\n<\/td>\n

<\/td>\n\"DamienIn the moment: Damien Hirst’s I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now, 1997<\/span><\/span>\u00a0<\/p>\n

<\/span>\"Detritus\"<\/p>\n

Suitcase: Detritus by Francis Bacon<\/span><\/p>\n

\"Steigend\"<\/p>\n

Artistic licence: Anselm Kiefer’s Steigend<\/span><\/p>\n

\"Le<\/p>\n

No shame: Joan Miro’s Le Courtisan Grotesque<\/span><\/p>\n

\u00a0<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

from This Is London BLOOD ON PAPER: THE ART OF THE BOOK\u00a0 REVIEW: CHAPTERS AND VERSE\u00a0Ben Lewis, Evening Standard There’s only a drop or two of blood on paper, in this unassuming but exquisite show of artists\u2019 books. You\u2019ll find the red stuff in Stains, an ultra-ironic, methodical volume of marks on the white stuff […]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-481","post","type-post","status-publish","format-standard","hentry","category-culture-art"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=481"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/481\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}