{"id":204,"date":"2008-03-25T13:25:06","date_gmt":"2008-03-25T20:25:06","guid":{"rendered":"http:\/\/bigjimindustries.com\/wordpress\/index.php\/2008\/03\/the-man-who-defined-white-suburban-partying\/"},"modified":"2008-03-25T13:28:43","modified_gmt":"2008-03-25T20:28:43","slug":"the-man-who-defined-white-suburban-partying","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2008\/03\/25\/the-man-who-defined-white-suburban-partying\/","title":{"rendered":"The Man Who Defined White Suburban Partying"},"content":{"rendered":"<p><em>from the <a href=\"http:\/\/www.latimes.com\/entertainment\/news\/la-et-goldstein25mar25,0,5529532.story?track=ntothtml\" target=\"_blank\">Los Angeles Times<\/a><\/em><\/p>\n<h2 style=\"border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-family: inherit; font-size: 200%; font: normal normal normal 30px\/normal Arial !important; color: #666666 !important; border-width: 0px; padding: 0px; margin: 0px !important\">John Hughes&#8217; imprint remains<\/h2>\n<p style=\"color: #333333 !important; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 100%; font-family: inherit; font: normal normal bold 12px\/normal arial, verdana, sans-serif !important; border-width: 0px; padding: 0px; margin: 0px\" class=\"storysubhead\">He&#8217;s still revered in Hollywood, but whatever happened to the king of the teens?<\/p>\n<p style=\"margin-right: 0px; margin-bottom: 0px; margin-left: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 100%; font-family: inherit; font: normal normal normal 11px\/normal arial, sans-serif !important; color: #666666 !important; margin-top: 5px !important; border-width: 0px; padding: 0px\" class=\"storybyline\">By Patrick Goldstein, Los Angeles Times Staff Writer<\/p>\n<\/p>\n<p>JOHN HUGHES hasn&#8217;t set foot in Hollywood for years, but his influence has never been more potent. The king of 1980s comedy, Hughes now qualifies as something of a Howard Hughes-style recluse &#8212; he doesn&#8217;t have an agent, doesn&#8217;t give interviews and lives far away, somewhere in Chicago&#8217;s sprawling North Shore suburbs where most of his films were set.<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/uncoolkids.com\/reviews\/wp-content\/uploads\/2007\/04\/anthonymhall.jpg\" height=\"265\" width=\"450\" border=\"0\" alt=\"Check out that rack\" \/>\u00a0<\/p>\n<p>But he has an entire generation of fans in the industry who grew up infatuated with his films, especially a string of soulful mid-1980s teen comedies that helped capture the eternal drama of modern teenage existence. They include &#8220;Sixteen Candles,&#8221; &#8220;Pretty in Pink,&#8221; &#8220;Ferris Bueller&#8217;s Day Off&#8221; and &#8220;The Breakfast Club,&#8221; which no less an authority than Courtney Love once called &#8220;the defining moment of the alternative generation.&#8221; Any number of successful actors and filmmakers, from Judd Apatow and Kevin Smith to Vince Vaughn, Ben Stiller and Wes Anderson, are fans, having soaked up Hughes&#8217; keen observational humor, love of mischief and shrewd dissection of social hierarchies.<\/p>\n<p>&#8220;John Hughes wrote some of the great outsider characters of all time,&#8221; says Apatow, the writer-director-producer whose new film, &#8220;Drillbit Taylor,&#8221; is loosely based on an old Hughes story idea. &#8220;It&#8217;s pretty ridiculous to hear people talk about the movies we&#8217;ve been doing, with outrageous humor and sweetness all combined, as if they were an original idea. I mean, it was all there first in John Hughes&#8217; films. Whether it&#8217;s &#8216;Freaks and Geeks&#8217; or &#8216;Superbad,&#8217; the whole idea of having outsiders as the lead characters, that all started with Hughes.&#8221;<\/p>\n<p>[ <a href=\"http:\/\/www.latimes.com\/entertainment\/news\/la-et-goldstein25mar25,0,5529532.story?track=ntothtml\" target=\"_blank\">read rest of article in the LA Times<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>from the Los Angeles Times John Hughes&#8217; imprint remains He&#8217;s still revered in Hollywood, but whatever happened to the king of the teens? By Patrick Goldstein, Los Angeles Times Staff Writer JOHN HUGHES hasn&#8217;t set foot in Hollywood for years, but his influence has never been more potent. The king of 1980s comedy, Hughes now [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-204","post","type-post","status-publish","format-standard","hentry","category-culture-art"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=204"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/204\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}