{"id":1524,"date":"2009-04-13T14:19:13","date_gmt":"2009-04-13T21:19:13","guid":{"rendered":"http:\/\/bigjimindustries.com\/wordpress\/index.php\/2009\/04\/the-entirely-cerebral-genius-who-just-about-abandoned-art-in-favor-of-chess\/"},"modified":"2009-04-13T14:19:13","modified_gmt":"2009-04-13T21:19:13","slug":"the-entirely-cerebral-genius-who-just-about-abandoned-art-in-favor-of-chess","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2009\/04\/13\/the-entirely-cerebral-genius-who-just-about-abandoned-art-in-favor-of-chess\/","title":{"rendered":"&#8220;The entirely cerebral genius who just about abandoned art in favor of chess.&#8221;"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2009\/04\/06\/AR2009040603866.html\" target=\"_blank\">from The Washington Post<\/a><\/em><\/p>\n<h1>Face Value<\/h1>\n<p><em>At Portrait Gallery, Duchamp&#8217;s Teasing Puzzles of Identity<\/em><\/p>\n<p>Who is Marcel Duchamp? He&#8217;s the man who, in 1912, made the masterpiece of modern painting titled &#8220;Nude Descending the Staircase, No. 2.&#8221; Except when he&#8217;s the virulently anti-painting guy who, just five years later, took a standard urinal and declared it to be a work of art.<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.chess-theory.com\/images1\/70123_portrait_marcel_duchamp.jpg\" height=\"276\" width=\"430\" border=\"0\" \/><\/p>\n<p>Duchamp is the entirely cerebral genius who just about abandoned art in favor of chess. Except when he&#8217;s the aging letch who worked in secret on &#8220;Etant Donn\u00e9s,&#8221; a laboriously crafted peep show that&#8217;s far too crude for us to present in this paper.<\/p>\n<p>Just when you think you know Marcel Duchamp, he slips away again. And that may be the most important thing about him. At least, that&#8217;s the strong impression left by &#8220;Inventing Marcel Duchamp: The Dynamics of Portraiture,&#8221; an ambitious show at the National Portrait Gallery. The exhibition adds yet another, little-acknowledged dimension to Duchamp: It argues that the art of portraiture &#8212; in Duchamp&#8217;s self-portraits and also in images he let others make of him &#8212; was central to his whole career. And it shows that, for Duchamp, portraiture was all about demolishing our stale ideas about an artist &#8212; or a person &#8212; as a single, stable thing. In the 100 portraits in this show, Duchamp can be male one minute, female the next. He can be a European man of letters or an outlaw from the Wild West. He can be a fleshy prizefighter or a champagne glass full of inanimate scraps.<\/p>\n<p>[ <a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2009\/04\/06\/AR2009040603866.html\" target=\"_blank\">click to continue reading at wapo.com<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>from The Washington Post Face Value At Portrait Gallery, Duchamp&#8217;s Teasing Puzzles of Identity Who is Marcel Duchamp? He&#8217;s the man who, in 1912, made the masterpiece of modern painting titled &#8220;Nude Descending the Staircase, No. 2.&#8221; Except when he&#8217;s the virulently anti-painting guy who, just five years later, took a standard urinal and declared [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-1524","post","type-post","status-publish","format-standard","hentry","category-culture-art"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/1524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1524"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/1524\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}