{"id":12296,"date":"2022-12-01T18:27:13","date_gmt":"2022-12-02T01:27:13","guid":{"rendered":"https:\/\/BigJimIndustries.com\/wordpress\/?p=12296"},"modified":"2022-12-02T18:29:29","modified_gmt":"2022-12-03T01:29:29","slug":"sight-sound-2022","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2022\/12\/01\/sight-sound-2022\/","title":{"rendered":"Sight & Sound 2022"},"content":{"rendered":"\n

from indiewire<\/em><\/p>\n\n\n\n

\u2018Jeanne Dielman\u2019 Tops Sight & Sound\u2019s 2022 Poll of the Best Films of All Time<\/h1>\n\n\n\n

Other films to land in the top 10 include “In the Mood for Love,” “Beau Travail,” “Mulholland Drive,” “Vertigo,” and “Citizen Kane.”<\/h2>\n\n\n\n

By\u00a0Wilson Chapman<\/a>\u00a0and\u00a0Christian Blauvelt<\/a><\/p>\n\n\n\n

\""Jeanne
\u201cJeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles\u201d \/ FilmStruck<\/figcaption><\/figure>\n\n\n\n

Another decade, another Sight & Sound poll. On Thursday, the British magazine unveiled the 2022 edition of its long-running critics\u2019 poll on the greatest films of all time, with \u201cJeanne Dielman<\/a>, 23 Quai du Commerce, 1080 Bruxelles\u201d taking the top spot \u2014 the first film from a female director to achieve the honor since the poll began in 1952.<\/p>\n\n\n\n

Directed by Belgian filmmaker Chantal Akerman and released in 1975, \u201cJeanne Dielman\u201d is a three-hour, 20-minute film following the title character (Delphine Seyrig), a single mother and prostitute, as she carries out a monotonous daily routine that slowly breaks apart and collapses. Since its premiere, the film has been highly acclaimed as a landmark of feminist cinema. Previously, it ranked 36 on Sight & Sound\u2019s 2012 edition of the poll, where it was one of only two films in the top 100 from a female filmmaker; the other, \u201cBeau Travail\u201d by Claire Denis, is now ranked at number seven.<\/p>\n\n\n\n

Read below for the rest of Sight & Sound\u2019s top 100 list.<\/p>\n\n\n\n

The Critics\u2019 Top 100 Greatest Films of All Time<\/strong><\/p>\n\n\n\n

1. \u201cJeanne Dielman, 23, quai du Commerce, 1080 Bruxelles\u201d (Chantal Akerman, 1975)
2. \u201cVertigo\u201d (Alfred Hitchcock, 1958)
3. \u201cCitizen Kane\u201d (Orson Welles, 1941)
4. \u201cTokyo Story\u201d (Ozu Yasujiro, 1953)
5. \u201cIn the Mood for Love, Wong Kar-wai, 2001)
6. \u201c2001: A Space Odyssey\u201d (Stanley Kubrick, 1968)
7. \u201cBeau travail\u201d (Claire Denis, 1998)
8. \u201cMulholland Dr.\u201d (David Lynch, 2001)
9. \u201cMan with a Movie Camera\u201d (Dziga Vertov, 1929)
10. \u201cSingin\u2019 in the Rain\u201d (Stanley Donen and Gene Kelly, 1951)
11. \u201cSunrise: A Song of Two Humans\u201d (F.W. Murnau, 1927)
12. \u201cThe Godfather\u201d (Francis Ford Coppola, 1972)
13. \u201cLa R\u00e8gle du Jeu\u201d (Jean Renoir, 1939)
14. \u201cCl\u00e9o from 5 to 7\u201d (Agn\u00e8s Varda, 1962)
15. \u201cThe Searchers\u201d (John Ford, 1956)
16. \u201cMeshes of the Afternoon\u201d (Maya Deren and Alexander Hammid, 1943)
17. \u201cClose-Up\u201d (Abbas Kiarostami, 1989)
18. \u201cPersona\u201d (Ingmar Bergman, 1966)
19. \u201cApocalypse Now\u201d (Francis Ford Coppola, 1979)
20. \u201cSeven Samurai\u201d (Akira Kurosawa, 1954)
21. (TIE) \u201cThe Passion of Joan of Arc\u201d (Carl Theodor Dreyer, 1927)
21. (TIE) \u201cLate Spring\u201d (Ozu Yasujiro, 1949)
23. \u201cPlaytime\u201d (Jacques Tati, 1967)
24. \u201cDo the Right Thing\u201d (Spike Lee, 1989)
25. (TIE) \u201cAu Hasard Balthazar\u201d (Robert Bresson, 1966)
25. (TIE) The Night of the Hunter\u201d (Charles Laughton, 1955)
27. \u201cShoah\u201d (Claude Lanzmann, 1985)
28. \u201cDaisies\u201d (V\u011bra Chytilov\u00e1, 1966)
29. \u201cTaxi Driver\u201d (Martin Scorsese, 1976)
30. \u201cPortrait of a Lady on Fire\u201d (C\u00e9line Sciamma, 2019)
31. (TIE) \u201cMirror\u201d (Andrei Tarkovsky, 1975)
31. (TIE) \u201c8\u00bd\u201d (Federico Fellini, 1963)
31. (TIE) \u201cPsycho\u201d (Alfred Hitchcock, 1960)
34. \u201cL\u2019Atalante\u201d (Jean Vigo, 1934)
35. \u201cPather Panchali\u201d (Satyajit Ray, 1955)
36. (TIE) \u201cCity Lights\u201d (Charlie Chaplin, 1931)
36. (TIE) \u201cM\u201d (Fritz Lang, 1931)
38. (TIE) \u201c\u00c0 bout de souffle\u201d (Jean-Luc Godard, 1960)
38. (TIE) \u201cSome Like It Hot\u201d (Billy Wilder, 1959)
38. (TIE) \u201cRear Window\u201d (Alfred Hitchcock, 1954)
41. (TIE) \u201cBicycle Thieves\u201d (Vittorio De Sica, 1948)
41. (TIE) \u201cRashomon\u201d (Akira Kurosawa, 1950)
43. (TIE) \u201cStalker\u201d (Andrei Tarkovsky, 1979)
43. (TIE) \u201cKiller of Sheep\u201d (Charles Burnett, 1977)
45. (TIE) \u201cNorth by Northwest\u201d (Alfred Hitchcock, 1959)
45. (TIE) \u201cThe Battle of Algiers\u201d (Gillo Pontecorvo, 1966)
45. (TIE) \u201cBarry Lyndon\u201d (Stanley Kubrick, 1975)
48. (TIE) \u201cWanda\u201d (Barbara Loden, 1970)
48. (TIE) \u201cOrdet\u201d (Carl Theodor Dreyer, 1955)
50. (TIE) \u201cThe 400 Blows\u201d (Fran\u00e7ois Truffaut, 1959)
50. (TIE) \u201cThe Piano\u201d (Jane Campion, 1992)
52. (TIE) \u201cNews from Home\u201d (Chantal Akerman, 1976)
52. (TIE) \u201cFear Eats the Soul\u201d (Rainer Werner Fassbinder, 1974)
54. (TIE) \u201cThe Apartment\u201d (Billy Wilder, 1960)
54. (TIE) \u201cBattleship Potemkin\u201d (Sergei Eisenstein, 1925)
54. (TIE) \u201cSherlock Jr.\u201d (Buster Keaton, 1924)
54. (TIE) \u201cLe M\u00e9pris\u201d (Jean-Luc Godard 1963)
54. (TIE) \u201cBlade Runner\u201d (Ridley Scott 1982)
59. \u201cSans soleil\u201d (Chris Marker 1982)
60. (TIE) \u201cDaughters of the Dust\u201d (Julie Dash 1991)
60. (TIE) \u201cLa dolce vita\u201d (Federico Fellini 1960)
60. (TIE) \u201cMoonlight\u201d (Barry Jenkins 2016)
63. (TIE) \u201cCasablanca\u201d (Michael Curtiz 1942)
63. (TIE) \u201cGoodFellas\u201d (Martin Scorsese 1990)
63. (TIE) \u201cThe Third Man\u201d (Carol Reed 1949)
66. \u201cTouki Bouki (Djibril Diop Mamb\u00e9ty 1973)
67. (TIE) \u201cThe Gleaners and I\u201d (Agn\u00e8s Varda 2000)
67. (TIE) \u201cMetropolis\u201d (Fritz Lang 1927)
67. (TIE) \u201cAndrei Rublev\u201d (Andrei Tarkovsky 1966)
67. (TIE) \u201cThe Red Shoes\u201d (Michael Powell & Emeric Pressburger 1948)
67. (TIE) \u201cLa Jet\u00e9e\u201d (Chris Marker 1962)
72. (TIE) \u201cMy Neighbour Totoro\u201d (Miyazaki Hayao 1988)
72. (TIE) \u201cJourney to Italy\u201d (Roberto Rossellini 1954)
72. (TIE) \u201cL\u2019avventura\u201d (Michelangelo Antonioni 1960)
75. (TIE) \u201cImitation of Life\u201d (Douglas Sirk 1959)
75. (TIE) \u201cSansho the Bailiff\u201d (Mizoguchi Kenji 1954)
75. (TIE) \u201cSpirited Away\u201d (Miyazaki Hayao 2001)
78. (TIE) \u201cA Brighter Summer Day\u201d (Edward Yang 1991)
78. (TIE) \u201cS\u00e1t\u00e1ntang\u00f3\u201d (B\u00e9la Tarr 1994)
78. (TIE) \u201cC\u00e9line and Julie Go Boating\u201d (Jacques Rivette 1974)
78. (TIE) \u201cModern Times \u201c(Charlie Chaplin 1936)
78. (TIE) \u201cSunset Blvd.\u201d (Billy Wilder 1950)
78. (TIE) \u201cA Matter of Life and Death\u201d (Michael Powell & Emeric Pressburger 1946)
84. (TIE) \u201cBlue Velvet\u201d (David Lynch 1986)
84. (TIE) \u201cPierrot le fou\u201d (Jean-Luc Godard 1965)
84. (TIE) \u201cHistoire(s) du cin\u00e9ma\u201d (Jean-Luc Godard 1988-1998)
84. (TIE) \u201cThe Spirit of the Beehive\u201d (Victor Erice, 1973)
88. (TIE) \u201cThe Shining\u201d (Stanley Kubrick, 1980)
88. (TIE) \u201cChungking Express\u201d (Wong Kar Wai, 1994)
90. (TIE) \u201cMadame de\u2026\u201d (Max Oph\u00fcls, 1953)
90. (TIE) \u201cThe Leopard\u201d (Luchino Visconti, 1962)
90. (TIE) \u201cUgetsu\u201d (Mizoguchi Kenji, 1953)
90. (TIE) \u201cParasite\u201d (Bong Joon Ho, 2019)
90. (TIE) \u201cYi Yi\u201d (Edward Yang, 1999)
95. (TIE) \u201cA Man Escaped\u201d (Robert Bresson, 1956)
95. (TIE) \u201cThe General\u201d (Buster Keaton, 1926)
95. (TIE) \u201cOnce upon a Time in the West\u201d (Sergio Leone, 1968)
95. (TIE) \u201cGet Out\u201d (Jordan Peele, 2017)
95. (TIE) \u201cBlack Girl\u201d (Ousmane Semb\u00e8ne, 1965)
95. (TIE) \u201cTropical Malady\u201d (Apichatpong Weerasethakul, 2004)<\/p>\n\n\n\n

[ click to continue reading at indiewire<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"

from indiewire \u2018Jeanne Dielman\u2019 Tops Sight & Sound\u2019s 2022 Poll of the Best Films of All Time Other films to land in the top 10 include “In the Mood for Love,” “Beau Travail,” “Mulholland Drive,” “Vertigo,” and “Citizen Kane.” By\u00a0Wilson Chapman\u00a0and\u00a0Christian Blauvelt Another decade, another Sight & Sound poll. On Thursday, the British magazine unveiled […]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-12296","post","type-post","status-publish","format-standard","hentry","category-culture-art"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/12296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=12296"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/12296\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=12296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=12296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=12296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}