{"id":10054,"date":"2019-08-01T12:23:17","date_gmt":"2019-08-01T19:23:17","guid":{"rendered":"https:\/\/BigJimIndustries.com\/wordpress\/?p=10054"},"modified":"2019-08-08T12:28:17","modified_gmt":"2019-08-08T19:28:17","slug":"i-could-puke-every-time-i-hear-it","status":"publish","type":"post","link":"https:\/\/bigjimindustries.com\/wordpress\/2019\/08\/01\/i-could-puke-every-time-i-hear-it\/","title":{"rendered":"&#8220;I could puke every time I hear it.&#8221;"},"content":{"rendered":"\n<p><em><a href=\"https:\/\/www.theguardian.com\/books\/2019\/aug\/01\/the-catcher-in-the-rye-fans-jd-salinger-holden-caulfield\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"from the Guardian (opens in a new tab)\">from the Guardian<\/a><\/em><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">From everyteen to annoying: are today&#8217;s young readers turning on The Catcher in the Rye?<\/h1>\n\n\n\n<p>JD Salinger\u2019s Holden Caulfield once seemed the universal voice of teenage angst, but now he\u2019s too quaint for young people. Can we learn to love it again, asks Dana Czapnik<\/p>\n\n\n\n<p>by Dana Czapnik<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/7d6b456b15abff7818b2ffdc5a492dbd99352e8b\/559_1073_1557_934\/master\/1557.jpg?width=620&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=515ce1909e7ae0795efe0e440d3ef122\" alt=\"A first edition from 1951.\"\/><figcaption>&nbsp;Falling out of favour \u2026 A first edition from 1951. Photograph: Roberto Brosan\/Time &amp; Life Pictures\/Getty<\/figcaption><\/figure>\n\n\n\n<p>ere\u2019s a thought. Teen angst, once regarded as stubbornly generic, is actually a product of each person\u2019s unique circumstances: gender, race, class, era. Angst is universal, but the content of it is particular.<\/p>\n\n\n\n<p>This might explain why Holden Caulfield, once the universal everyteen, does not speak to this generation in the way he\u2019s spoken to young people in the past.&nbsp;<a href=\"https:\/\/electricliterature.com\/the-catcher-in-the-rye-is-fired\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Electric Literature<\/a>&nbsp;gave this explanation of The Catcher in the Rye\u2019s datedness: \u201cIf you\u2019re a white, relatively affluent, permanently grouchy young man with no real problems at all, it\u2019s extraordinarily relatable. The problem comes when you\u2019re not. Where\u2019s The Catcher in the Rye for the majority of readers who are too non-young, non-white, and non-male to be able to stand listening to Holden Caulfield feel sorry for himself?\u201d<\/p>\n\n\n\n<p>On the one hand,<em>&nbsp;Yes!&nbsp;<\/em>On the other,<em>&nbsp;Oof!<\/em><\/p>\n\n\n\n<p>I\u2019ve had conversations about Catcher with undergraduate students in creative writing classes I\u2019ve taught, and every one has complained about disliking Holden. In my limited network of young people, Catcher is not only no longer beloved, it has become something even more tragic:&nbsp;<em>uncool<\/em>.<\/p>\n\n\n\n<p>But is it as simple as Electric Literature posits \u2013 that if you\u2019re not white, privileged and male, it\u2019s hard to see yourself in Holden? After all, this is partly why I wrote my coming-of-age novel The Falconer, told from the perspective of a young woman in early 1990s New York. Maybe hating on Holden has turned into its own form of adolescent rebellion. Catcher was an incendiary novel when it was first published and was banned from many school districts. Reading it once felt subversive; now it\u2019s a reliable presence on most curriculums. And once adults tell you something\u2019s good, aren\u2019t you supposed to hate it?<\/p>\n\n\n\n<p>But it\u2019s not just girls and kids of colour who are turned off by Holden; I have found that my white, male students didn\u2019t like him either.<\/p>\n\n\n\n<p>[ <a href=\"https:\/\/www.theguardian.com\/books\/2019\/aug\/01\/the-catcher-in-the-rye-fans-jd-salinger-holden-caulfield\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"click to continue reading at The Guardian (opens in a new tab)\">click to continue reading at The Guardian<\/a> ]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>from the Guardian From everyteen to annoying: are today&#8217;s young readers turning on The Catcher in the Rye? JD Salinger\u2019s Holden Caulfield once seemed the universal voice of teenage angst, but now he\u2019s too quaint for young people. Can we learn to love it again, asks Dana Czapnik by Dana Czapnik ere\u2019s a thought. Teen [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-10054","post","type-post","status-publish","format-standard","hentry","category-literary-news"],"_links":{"self":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/10054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/comments?post=10054"}],"version-history":[{"count":0,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/posts\/10054\/revisions"}],"wp:attachment":[{"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/media?parent=10054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/categories?post=10054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bigjimindustries.com\/wordpress\/wp-json\/wp\/v2\/tags?post=10054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}