Aaron Taylor-Bond

from The U.S. Sun

LICENCE TO KICK-ASS: British hunk formally offered role of James Bond and ‘will sign contract this week’ to take over from Daniel Craig

We first revealed in 2022 that the Marvel actor had emerged as a surprise frontrunner

by Howell Davies / Ellie Henman

Here’s what Aaron Taylor-Johnson could look like as the next 007 amid news he’s been formally offered the role of James Bond

BRIT actor Aaron Taylor-Johnson is taking his martinis shaken, not stirred, after being formally offered the job as the new James Bond.

Insiders said the Kick-Ass movie star is expected to accept the role as 007, taking over from Daniel Craig, who has played MI6’s most famous spy for 15 years.

Eon Productions, which makes the spy thriller films, is on course to start shooting this year.

A source said: “Bond is Aaron’s job, should he wish to accept it. The formal offer is on the table and they are waiting to hear back.

“As far as Eon is concerned, Aaron is going to sign his contract in the coming days and they can start preparing for the big announcement.”

The next Bond movie had been delayed because of last year’s Hollywood strikes.

[ click to continue reading at The Sun ]

M. Emmet Walsh Gone

from Deadline

M. Emmet Walsh Dies: Prolific Actor In ‘Blade Runner’, ‘Ordinary People’, Coen Brothers Pics & Hundreds More Was 88

By Erik Pedersen

M. Emmet Walsh, the familiar character actor in Blade Runner, Blood Simple, Best Picture Oscar winner Ordinary People, Knives Out, My Best Friend’s Wedding, Slap Shot and more than 200 other films and TV shows spanning a half-century, died Tuesday, his rep said. He was 88.

Walsh himself is quoted as saying: “I approach each job thinking it might be my last, so it better be the best work possible. I want to be remembered as a working actor. I’m being paid for what I’d do for nothing.”

Born on March 22, 1935, in Ogdensburg, NY, Walsh was raised in rural Vermont. He began his screen career guesting on late-1960s TV series before landing bit parts in films including Alice’s Restaurant, Little Big Man and Escape from the Planet of the Apes. He continued to guest-star in episodes of popular 1960s and ’70s series including Bonanza, All in the Family, Ironside, The Bob Newhart Show, McMillan & Wife, The Rockford Files, The Waltons, Starsky and Hutch, James at 16, Mary Hartman, Mary Hartman and many more.

He also appeared on the big screen in such ’70s hits as Serpico, The Jerk, They Might Be Giants, Straight Time, What’s Up, Doc? and Slap Shot, in which he played sportswriter Dickie Dunn, who was “Just trying to capture the spirit of the thing.”

He continued to work regularly into the 1980s up to the 2020s, appearing in popular pics including the Coen brothers’ 1984 debut Blood Simple, for which won the inaugural Independent Spirit Award, and their sophomore feature Raising Arizona (1987). He also appeared in the Robert Redford prison drama Brubaker (1980), Academy Award winner Ordinary People (1980), Best Picture Oscar nominee Reds (1981), Ridley Scott’s sci-fi classic Blade Runner (1982), Chevy Chase comedy Fletch (1985), horror pic Critters (1986) and more.

[ click to continue reading at Deadline ]

FRIGHT KREWE Season Two

from SyFy

EXCLUSIVE FIRST LOOK AT SEASON 2 OF ELI ROTH’S ANIMATED HORROR SERIES FRIGHT KREWE

Watch the new DreamWorks Animation trailer for Fright Krewe, the second season of James Frey and Eli Roth’s animated teen horror series.

By Tara Bennett 

a’ll, it’s time to get scared again by the good and bad juju mixing it up in the DreamWorks Animation original series, Fright Krewe. The animated series is set in contemporary New Orleans and was created by long-time friends James Frey and Eli Roth. Their first animation collaboration, Fright Krewe is their original contribution to the growing category of entry-level horror, meant to welcome tweens and teens into the genre. 

‘We wanted to do a show for parents that love horror movies and want their kids to get into horror movies. Where they could show them something that’s new, something that’s modern, but also beautifully animated,” Roth told SYFY WIRE about he and Frey’s intentions with the series. 

Fright Krewe returns March 29 on Peacock with 10 new episodes. Watch the brand-new trailer that teases Belial reanimating an even scarier collection of monsters so he can conquer and reign over New Orleans. 

[ click to continue reading at SyFy ]

It’s Beginning

from AP

Private lander makes first US moon landing in more than 50 years

BY MARCIA DUNN

CAPE CANAVERAL, Fla. (AP) — A private lander on Thursday made the first U.S. touchdown on the moon in more than 50 years, but managed just a weak signal back until flight controllers scrambled to gain better contact.

Despite the spotty communication, Intuitive Machines, the company that built and managed the craft, confirmed that it had landed upright. But it did not provide additional details, including whether the lander had reached its intended destination near the moon’s south pole. The company ended its live webcast soon after identifying a lone, weak signal from the lander.

“What we can confirm, without a doubt, is our equipment is on the surface of the moon,” mission director Tim Crain reported as tension built in the company’s Houston control center.

Added Intuitive Machines CEO Steve Altemus: “I know this was a nail-biter, but we are on the surface and we are transmitting. Welcome to the moon.”

[ click to continue reading at AP ]

Coyote vs. Warner Bros.

from The Wrap

The Final Days of ‘Coyote vs. Acme’: Offers, Rejections and a Roadrunner Race Against Time | Exclusive

Warner was seeking $75 – $80 million but rejected offers from Netflix, Amazon and Paramount, insiders tell TheWrap

by Drew Taylor

coyote-vs-acme-image
An exclusive image from “Coyote vs. Acme” (Warner Bros.)

In early January, â€œCoyote vs. Acme” producer Chris DeFaria got a startling phone call from a Warner Bros. executive. “They just want to get this behind them,” the executive told DeFaria. “They want to close the books.”

In the words of the Roadrunner: Meep.

The movie, a live-action/animated hybrid that stars Will Forte and the “Looney Tunes” gang, had been earmarked for demolition on Nov. 9. But following the announcement that the movie would be canceled, a firestorm of outrage and indignation erupted. It was heightened by a friends-and-family screening that had already been planned before the cancellation announcement was made. The screening brought more goodwill and an even louder public outcry.

“What was so exciting was that it felt like the film captured the voice of the Looney Tunes that we love in a way none of the other feature versions have ever done,” Paul Scheer, who was at that screening, told TheWrap. (The last movie to feature the characters, 2021’s “Space Jam: A New Legacy,” was pilloried by critics and lost money.)

[ click to continue reading at The Wrap ]

Carl Weathers Gone

from NBC News

Carl Weathers, Apollo Creed from ‘Rocky’ and ‘Mandalorian’ star, dies at 76

The beloved actor, who also had roles in “Happy Gilmore” and “Predator,” died in his sleep, his family said.

By Diana Dasrath and Antonio Planas

LOS ANGELES — Carl Weathers, the actor best known as Apollo Creed in the “Rocky” movies and more recently for his role in the hit “Star Wars” series “The Mandalorian,” died Thursday in his sleep, according to his family.

He was 76.

Weathers got his big-screen break in 1976, when he landed the role of Creed in “Rocky,” according to his bio on IMDb. He continued his role in three other “Rocky” movies. Weathers also landed parts in 1987’s “Predator,” starring Arnold Schwarzenegger, in Adam Sandler’s “Happy Gilmore” in 1996 and on the small screen in “The Mandalorian.”

Weathers also was the voice for Combat Carl in “Toy Story 4” and other shorts in the beloved Disney-Pixar franchise.

He also earned comedy cred by playing a bizarro version of himself in the cult sitcom “Arrested Development.” Other TV acting credits include “Law & Order: Special Victims Unit,” “Magnum P.I.” and “Chicago P.D.”

[ click to continue reading at NBC ]

Battle of New Canaan

from Hamlet Hub

Gates Battle of the Bands FINALE

by Rachel Lampen

This year’s Battle of the Bands finalists includes – Pretty Nasty (top left) Mind The Gap (top right) Rock Paper Soul (bottom left) and Herman & Company.

Gates Restaurant is celebrating 5-years of championing local music and raising money for Meals on Wheels – in 2023 they presented a check for $4.3k. This highly charged production consists of 4-weekly heats and an electrifying final, hosted by radio presenter Jon Kamal.

The ticketed final on Saturday, February 3rd, will see 4-bands play a 20-minute set from 8pm. Special guest judges have been recruited to decide their fate. This year it is Brooklyn based Paul Green – Founder of School of Rock, PG Academy. His wife Kim France, editor, music writer and author. Renowned international author James Frey and local musician Michael Louis-Smith. Organizer Rachel Lampen says: “The competing bands work so hard and it’s an important time of year to raise money and encourage community spirit. It’s a huge production and I want to personally thank Todd Grosberg for sound, the judges for giving up their time and to Jen and Jay, Owners of Gates Restaurant for putting their trust in me five years ago. Everyone plays an integral part.”

[ click to continue reading at Hamlet Hub ]

Norman Jewison Gone

from Deadline

Norman Jewison Dies: ‘Fiddler On The Roof,’ ‘Moonstruck’ & ‘In The Heat Of The Night’ Director Was 97

By Tom Tapp

Norman Jewison, who directed Best Picture Oscar winner In the Heat of the Night and nominees Fiddler on the Roof, A Soldier’s Story, Moonstruck and The Russians Are Coming, The Russians Are Coming, also producing the latter four, died peacefully Saturday, January 20. He was 97.

Jewison’s film career spanned more than four decades and seven Oscar nominations — three for Best Director (In the Heat of the Night, Fiddler on the Roof and Moonstruck) and the four for Best Picture. His films received a total of 46 nominations and 12 Academy Awards. In 1999, Jewison was honored with the prestigious Irving G. Thalberg Award at the Academy Awards. He also collected three Emmy Awards for his work in television.

[ click to continue reading at Deadline ]

Production Bowl

from The New York Times

Behind the Scenes of the Most Spectacular Show on TV

Months of preparation, hundreds of staff, convoys of cutting-edge gear: inside the machine that crafts prime time’s most popular entertainment.

By Jody Rosen

A room filled with screens.
One of NBC’s’ production trucks outside Arrowhead Stadium. Credit: Brian Finke / New York Times

Arrowhead Stadium, the home of the Kansas City Chiefs, the N.F.L.’s defending champions, is a very loud place. Players say that when the noise reaches top volume, they can feel vibrations in their bones. During a 2014 game, a sound meter captured a decibel reading equivalent to a jet’s taking off, earning a Guinness World Record for “Loudest crowd roar at a sports stadium.” Chiefs fans know how to weaponize noise, quieting to a churchlike hush when the team’s great quarterback, Patrick Mahomes, calls signals but then, when opponents have the ball, unleashing a howl that can even drown out the sound of the play call crackling through the speaker inside the rival quarterback’s helmet.

There are others whose work is complicated by the din. Around 11 a.m. on Thursday, Sept. 7, Brian Melillo, an audio engineer for NBC Sports’ flagship N.F.L. telecast, “Sunday Night Football,” arrived at Arrowhead to prepare for that evening’s Chiefs-Detroit Lions game. It was a big occasion: the annual season opener, the N.F.L. Kickoff game, traditionally hosted by the winner of last season’s Super Bowl. There would be speeches, fireworks, a military flyover, the unfurling of a championship banner. A crowd of more than 73,000 was expected. “Arrowhead is a pretty rowdy setting,” Melillo said. “It can present some problems.”

Melillo was especially concerned about his crowd mics — three stereo microphones intended to catch the ambient oohs and aahs of fans, mounted atop 16-foot-high painters’ poles that he and a colleague had secured to the railing separating the seats from the field. These needed to be kept at a distance from exploding pyrotechnics and angled away from the blare of the stadium’s public-address system. A perhaps greater hazard was overzealous fans, who are prone to shaking the poles or even pulling them down. “You’ll get people who’ve been tailgating for five hours,” Melillo said. “I might have to bribe some people to stay off those poles.”

[ click to continue reading at NYT ]

Social Divorce

from The Guardian

The zeitgeist is changing. A strange, romantic backlash to the tech era looms

by Ross Barkan

painting of a man on a mountain above a sea of fog
‘The 19th-century romantics feared an inhuman future – hence their rebellion. Today’s romantics, still nascent, sense something similar.’ (Painting: Wanderer above the Sea of Fog, Caspar David Friedrich, 1818.) Photograph: IanDagnall Computing/Alamy

Empiricism, algorithms and smartphones are out – astrology, art and a life lived fiercely offline are in.

Cultural upheavals can be a riddle in real time. Trends that might seem obvious in hindsight are poorly understood in the present or not fathomed at all. We live in turbulent times now, at the tail end of a pandemic that killed millions and, for a period, reordered existence as we knew it. It marked, perhaps more than any other crisis in modern times, a new era, the world of the 2010s wrenched away for good.

What comes next can’t be known – not with so much war and political instability, the rise of autocrats around the world, and the growing plausibility of a second Donald Trump term. Within the roil – or below it – one can hazard, at least, a hypothesis: a change is here and it should be named. A rebellion, both conscious and unconscious, has begun. It is happening both online and off-, and the off is where the youth, one day, might prefer to wage it. It echoes, in its own way, a great shift that came more than two centuries ago, out of the ashes of the Napoleonic wars.

[ click to continue reading at The Guardian ]

Ken Block’s Finale

from The Drive

Ken Block’s Final Gymkhana Video Is a Spectacular Showcase of What He Did Best

Elecktrikhana Two: One More Playground is an epic exhibition of car control and cinematography.

BY ANDREW P. COLLINS

Before we tragically lost driving and racing legend Ken Block at the beginning of this year, he had already filmed one last Gymkhana-style video with his Hoonigan crew. That video finally dropped today, and it’s absolutely epic.

“Electrikhana Two: One More Playground; Mexico City in the Audi S1 Hoonitron” features, of course, Block’s incredible driving talents, Hoonigan’s delightful attention to detail, and this bizarre electric Audi that’s somewhere between a rally car and a spaceship going wild in Mexico’s capital.

[ click to continue reading at The Drive ]

Always and Forever

from The Wall Street Journal

That Scannable Spotify Tattoo Sounded Like a Good Idea at the Time

It’s becoming popular to get inked with a barcode so you can flash your flesh to turn on music. But the codes can stop working as skin sags and ink fades.

By Megan Graham

PHOTO ILLUSTRATION BY CAM POLLACK/WSJ; ISTOCK, SPOTIFY (2)

Mary Haley has the perfect party trick: a barcode-like tattoo of nearly two dozen fine lines that, when scanned with a Spotify music app, prompts a phone to play “Mambo No. 5” by Lou Bega. 

Haley, who is 33 and runs a marketing agency in Skowhegan, Maine, got the Spotify tattoo in early 2022. When she moonlights as a waitress at a local snowmobiler bar, guests will sometimes ask her what song it plays. She often tells them, ‘You have to scan it.’ If they do, they are rewarded with lyrics that include the line, “A little bit of Mary all night long.”

Just how long the tattoo will perform as advertised is a painful subject. A growing cadre of music fans have joined the Spotify tattoo craze as a conversation starter or a way to commemorate sentimental favorites like wedding first-dance songs. But while many on social media tout the tats and how well they scan, some are starting to discover that nothing in life is permanent, even tattoos. Over time, ink fades. As skin ages it may warp the lines.

Haley said her tattoo artist tried to ward off the ravages of time by making the lines thinner than normal. “Eventually, they will get fuzzy, like regular tattoos,” said Haley, who also has eight other tattoos.

[ click to continue reading at WSJ ]

America Now

from the Financial Times

America’s cultural supremacy and geopolitical weakness

The notion of ‘decline’ is too crude to capture what is happening to the US in the 21st century

by JANAN GANESH

The Premier League’s two top teams, Arsenal and Liverpool, are US-owned © Phil Noble/Reuters

When the top two teams in the Premier League go at each other this weekend, America can’t lose. Arsenal and Liverpool, like AC Milan, Roma, Marseille, Lyon, Chelsea and (for now) Manchester United, are both US-owned. In 1994, when the nation last hosted the World Cup, it didn’t even have a domestic league. When it next does so in 2026, it should have a major proprietorial role in at least three European ones. The planet’s favourite game is being steered to a considerable extent from American boardrooms.

Perhaps your test of cultural influence is higher-minded than that. Well, consider that US universities continue to dominate world rankings. Or that America accounts for 45 per cent of art sales by value, according to UBS, which is more than Britain and China, the next two markets, combined. To attend the Venice Biennale now is to enter a new Jazz Age in which experts from all over the world vie to advise American patrons on how to spend the spoils of their economic boom.

[ click to continue reading at FT ]

A Wave Pulse On A String

from WIRED

School of Rock: The Physics of Waves on Guitar Strings

Playing the guitar is an art form. But the good vibrations you hear are a science.

PERHAPS THE MOST iconic instrument in modern rock is the guitar. It’s really just a bunch of strings stretched across a board, which you can strum to make awesome tunes, thanks to the physics of waves and sound.

Let’s start with a demo you could probably repeat at home. Get a nice string—one that’s sort of thick—and lay it out in a straight line on the floor. Now grab one free end and give it a side-to-side shake. Here’s what it might look like….

[ click to continue reading at WIRED ]

More Number Four

from Stanford Arts Review

No Sign of ‘I Am Number Four 2’ Sequel Yet Despite Continued Fan Demand for Next Alien Thriller Installment

by Krishan Mehra

I Am Number Four was a teen sci-fi movie released in 2011 by Dreamworks Pictures. Based on the novel of the same name by Pittacus Lore (a pseudonym for co-authors James Frey and Jobie Hughes), the story followed John Smith, one of nine alien children hiding on Earth from villainous extraterrestrials out to kill them.

The movie starred Alex Pettyfer as John/Number Four alongside Dianna Agron, Teresa Palmer, and Timothy Olyphant. It was directed by D.J. Caruso and produced by Michael Bay. Reviews were mixed but it performed decently at the box office, earning about $150 million globally.

Its ending clearly set up sequels, with John and his guardian Henri escaping the carnage to find more of the nine alien children scattered across Earth. The book it was based on was also the first in a series, making a movie franchise seem likely.

[ click to continue reading at Stanford Arts Review ]

Atouk of the Morning

from The New York Times

Morning Person? You Might Have Neanderthal Genes to Thank.

Hundreds of genetic variants carried by Neanderthals and Denisovans are shared by people who like to get up early.

by Carl Zimmer

Neanderthals were morning people, a new study suggests. And some humans today who like getting up early might credit genes they inherited from their Neanderthal ancestors.

The new study compared DNA in living humans to genetic material retrieved from Neanderthal fossils. It turns out that Neanderthals carried some of the same clock-related genetic variants as do people who report being early risers.

Since the 1990s, studies of Neanderthal DNA have exposed our species’ intertwined history. About 700,000 years ago, our lineages split apart, most likely in Africa. While the ancestors of modern humans largely stayed in Africa, the Neanderthal lineage migrated into Eurasia.

About 400,000 years ago, the population split in two. The hominins who spread west became Neanderthals. Their cousins to the east evolved into a group known as Denisovans.

The two groups lived for hundreds of thousands of years, hunting game and gathering plants, before disappearing from the fossil record about 40,000 years ago. By then, modern humans had expanded out of Africa, sometimes interbreeding with Neanderthals and Denisovans.

And today, fragments of their DNA can be found in most living humans.

[ click to continue reading at NYT ]

Amazon Placing Lasers In Space!

from CNBC

Amazon to connect Kuiper satellites with laser links to boost space internet network

by Michael Sheetz

Amazon will include a key speed-boosting technology in its coming Project Kuiper internet satellites, the company announced Thursday.

Amazon says it tested the laser link tech successfully during its recent Protoflight mission. Traditionally, satellites are limited to sending data between an individual spacecraft and the ground. Laser links connect satellites to each other.

The Kuiper satellites’ “optical inter-satellite links,” also known as OISLs, serve as a way to transmit data through space. Laser links are a feature that Elon Musk’s SpaceX began introducing in later generations of its Starlink satellites. The links help improve both the latency and speed of these networks.

“With optical inter-satellite links across our satellite constellation, Project Kuiper will effectively operate as a mesh network in space,” Rajeev Badyal, Amazon’s Project Kuiper vice president of technology, said in a statement.

[ click to continue reading at CNBC ]

Apocalypse Shower

from The Washington Post

The massive meteor shower that convinced people the world was ending

By Dave Kindy

Leonid meteor shower over rural town in 1833. (Bettmann Archive/Getty Images)

This week’s Geminid meteor shower is expected to be one of the most impressive of the year. According to astronomers, this stellar show — peaking Wednesday night — could produce up to 150 “shooting stars” per hour in white, yellow and even green hues.

As dramatic as that might be, it can’t hold a candle to the Leonid Meteor Shower of 1833. On the night of Nov. 12-13, so many meteors burned through the Earth’s atmosphere that they seemed to turn the night sky into morning. Eyewitnesses claimed the air was filled with brilliant “snowflakes,” while newspapers dubbed it “the shower of stars.” In oral histories, Native American tribes referred to it as “the night the stars fell.”

“It appeared so grand and magnificent as to be truly exhilarating,” Joseph Harvey Waggoner, a Pennsylvania teenager, recalled later. “It was a sight never to be forgotten.”

[ click to continue reading at WaPo ]

Fight Pub

from The Free Press

The Fight for the Future of Publishing

Ideological fanatics and fear have crippled the major houses. But new book publishers are rising up to take the risks they won’t.

By Alex Perez

Illustration by Monsieur Collage for The Free Press

On September 19, 2022, Elle Griffin, a freelance writer in Salt Lake City, published the first installment of her new fantasy novel, Oblivion, on Substack, under the title “We will create a more beautiful world.” 

Since then, Griffin, who has written for Esquire and Forbes, has picked up a few hundred paid subscribers. She’s now earning more than $30,000 annually from her writing—more than she’s ever made. 

By contrast, if she’d gone the traditional route and landed an agent and a major publisher, Griffin said, the best she could have hoped for would have been a $10,000 advance, and she would have been lucky to sell 1,000 copies—meaning no extra money. 

Plus, serializing the novel on her newsletter means she can include her 11,000-plus subscribers in the creative process. 

“They can comment on each chapter,” Griffin told me. “I’m crowdsourcing my wisdom from them.” 

[ click to continue reading at The Free Press ]

Why Dogs Are Better

from The Daily Mail

New study suggests having a pet cat increases the risk of schizophrenia – experts say it could be due to toxic parasites that pets carry

By CAITLIN TILLEY

Could owning a cat double your risk of schizophrenia?

That’s the conclusion of a new review of 17 studies by researchers from the University of Queensland, Australia.

The team conducted a meta-analysis of existing research from 11 countries, including the US and UK, published over the last 44 years.

They found individuals exposed to cats before the age of 25 had approximately twice the odds of developing schizophrenia. 

In the paper, scientists pose that the link is likely due to a parasite found in pet cats called Toxoplasma gondii, also known as T. gondii, which can enter the body via a bite.

They say the parasite can enter the central nervous system and affect neurotransmitters in the brain, leading to personality changes, psychotic symptoms and psychiatric disorders such as schizophrenia. 

[ click to continue reading at The Daily Mail ]

Auctioning Leo’s Lambos

from InsideHook

The $2 Million Conundrum of “The Wolf of Wall Street” Lamborghinis

One is wrecked, the other is still drivable, but separate auction companies have valued them at the exact same price

BY ALEX LAUER

What makes a collector car valuable? The scarcity of the model, the record of ownership, the authenticity of the parts, the current condition and whether or not it still drives are all obvious factors in assessing the price of a noteworthy vehicle. For auction companies, it’s not quite an exact science, but it’s close. When you add Hollywood into the mix, though, the formula can go haywire.

In recent months, two identical Lamborghinis that were used in The Wolf of Wall Street have been put up for auction. One, which is in pristine condition, has been valued by its seller at $1.5 to $2 million. The second, which was smashed, dented and wrecked during filming to the point that it’s no longer drivable, has been valued by a different auction house at the exact same price: $1.5 to $2 million. How could that be? 

The car in question is a 1989 Lamborghini Countach 25th Anniversary Edition. Only some 650 models of this special-edition supercar were ever made, but despite its rarity, The Wolf of Wall Street director Martin Scorsese apparently wanted to use the real things for filming (this kind of exacting standard has helped propel the movie to be considered one of the greatest of his career). Using the authentic car makes sense, as it got a close-up during a memorable scene when Jordan Belfort (played by Leonardo DiCaprio) crawled into the white sports car and drove it while high on Quaaludes, crashing it into other cars, a golf cart and street signs.

[ click to continue reading at InsideHook ]

The Last Adult Standing

from the Los Angeles Times

Inside the last porn theater in Los Angeles

Story by Angie Orellana Hernandez

A cyclist rides past the entrance to the Tiki Theater on Santa Monica Boulevard. ((Brian van der Brug / Los Angeles Times))
A cyclist rides past the entrance to the Tiki Theater on Santa Monica Boulevard. ((Brian van der Brug / Los Angeles Times))© (Brian van der Brug / Los Angeles Times)

After a long and tiring day at work, Mark headed to an East Hollywood movie theater that he called “always a fun, chill” time — and bought an eight-hour ticket.

At this cinema house, there were no movie posters touting “Barbie,” no IMAX screens, no buckets of buttery popcorn. This month’s curated selections include “Tiny & Tight Size Queens 2” and “Stepmom Seductions.”

Mark had come to the Tiki Theater: the last porn theater in Los Angeles.

It is a place that has outlasted more vaunted film houses such as the ArcLight Hollywood and its historic Cinerama Dome, which shuttered during the COVID-19 pandemic.

“I just want to feel free here, watching something very primal,” said Mark, 34, during a recent screening at the Tiki.

“I think sex is beautiful, and I like sharing it with others — whether the energy is weird or not,” said Mark, who described himself as “gay with a side of bi” and declined to share his last name because, well, he had come to watch porn.

[ click to continue reading at LAT ]

Norman Lear Gone

from Variety

Norman Lear, TV Legend, Dies at 101

By Chris Morris

Writer-producer-developer Norman Lear, who revolutionized American comedy with such daring, immensely popular early-‘70s sitcoms as “All in the Family” and “Sanford and Son,” died on Tuesday. He was 101.

Lear had already established himself as a top comedy writer and captured a 1968 Oscar nomination for his screenplay for “Divorce American Style” when he concocted the idea for a new sitcom, based on a popular British show, about a conservative, outspokenly bigoted working-class man and his fractious Queens family. “All in the Family” became an immediate hit, seemingly with viewers of all political persuasions.

Lear’s shows were the first to address the serious political, cultural and social flashpoints of the day – racism, abortion, homosexuality, the Vietnam war — by working pointed new wrinkles into the standard domestic comedy formula. No subject was taboo: Two 1977 episodes of “All in the Family” revolved around the attempted rape of lead character Archie Bunker’s wife Edith.

Their fresh outrageousness turned them into huge ratings successes: For a time, “Family” and “Sanford,” based around a Los Angeles Black family, ranked No. 1 and No. 2 in the country. “All in the Family” itself accounted for no less than six spin-offs. “Family” was also honored with four Emmys in 1971-73 and a 1977 Peabody Award for Lear, “for giving us comedy with a social conscience.” (He received a second Peabody in 2016 for his career achievements.)

[ click to continue reading at Variety ]

Post-pandemic Puppies

from MSN

‘We’re inundated’: Animal shelters across the U.S. are overflowing

Story by Alene Tchekmedyian, Alexandra E. Petri

The Inland Valley Humane Society shelter in Pomona has resorted to housing dogs in stacked kennels on wheels. Here, animal care technician Eric Lopez relocates a pit bull. ((Irfan Khan / Los Angeles Times))© (Irfan Khan / Los Angeles Times)

n the lobby of the Inland Valley Humane Society & SPCA shelter in Pomona, Nikole Bresciani gestured toward rows of kennels erected a few months ago to house an influx of stray cats. In another area, pop-up crates for dogs were stacked on wheels.

To Bresciani, the president and chief executive of the shelter, it was more evidence of the flood of animals coming into the facility since the COVID lockdown.

“We’re inundated,” she said of her organization, which provides shelter services for a dozen cities in the region. “We’ve never had kennels in the lobby for cats.”

An overcrowding crisis has gripped animal shelters across the state and nationwide, exacerbated by a shortage of veterinarians, the high cost of pet care and the overwhelming of rescue organizations, which traditionally take on the overflow from shelters and largely rely on volunteers to foster animals in their homes.

The Animal Care Centers of New York City, which runs the city’s public animal shelters, announced in October that it was closed for most dog surrenders because it was too full. Earlier this year, shelters in North Carolina and Texas also temporarily suspended most intakes for similar reasons.

“We are out of space for new arrivals,” the New York City organization said on its website, requesting that people take stray dogs into their homes instead of to a shelter.

[ click to continue reading at MSN ]

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