from The Observer

New Biography ‘Warhol’ Separates the Man From the Myth

By David D’Arcy

Andy in Studio, New York, Union Square, 1976. Michael Childers

Warhol, by Blake Gopnik, begins moments after the militant feminist and Factory hanger-on Valerie Solanas shot the artist in June 1968. Warhol, then 39, lost his heartbeat and a lot of blood, and had gone into cardiac arrest. A bullet that passed through his body punctured a lung. It was thanks to an Italian surgeon who happened to be visiting another patient that the presumed DOA was saved.   

Gopnik’s staggering description of opening up the Warhol’s chest reads more like a slaughterhouse dismemberment than anything medical.    

For Andy Warhol (1928-87), who attended church every week, coming out alive was a miracle. By that fall, despite painful permanent damage to his stomach and esophagus, he turned the slashes on his body into a fashion joke—“I’m so scarred I look like a Dior dress,” he said upon returning to work. Richard Avedon photographed his lacerated midriff as if Warhol were St. Sebastian—a martyr who survived.

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