Hard Body Plays an Old Softie (Himself)
PeaceArch Entertainment
Jean-Claude Van Damme in “JCVD,” in which he plays a washed-up, aging movie star named Jean-Claude Van Damme.
by DENNIS LIM
ON the phone the other day Jean-Claude Van Damme, the martial artist and action hero known in his heyday as the Muscles from Brussels, was sounding anxious and apologetic. He had canceled a trip to New York — missing a host of engagements, including an in-person interview with this writer — to remain in Bangkok, where he recently finished shooting a movie. And he wanted to make clear that he had a very good reason.
“I adopted seven dogs here, and one of them had a heart attack,” Mr. Van Damme said. “I’m sleeping with him every night at the clinic. If I leave him, he’s going to go back into a coma. He’s a very sensitive dog.” The others — all strays, some disabled (he built “a little wheelchair” for one of them) — have been sent to his home in Belgium.
It might be odd to think of Mr. Van Damme, a veteran of steroidal exploitation cinema and a virtuoso of the bone-crunching split kick, as an old softie, but it is also perfectly consistent with the image overhaul implicit in his latest vehicle, “JCVD,” which opened on Friday. Directed by the French filmmaker Mabrouk El Mechri, it allows its namesake to reveal new facets to his screen persona basically by playing himself. A jokey hall-of-mirrors movie with a melancholic streak, it stars Mr. Van Damme — who turned 48 last month and whose last film to open theatrically in the United States was the 1998 flop “Knock Off,” — as Jean-Claude Van Damme, a washed-up middle-aged movie star.
Thanks in part to a widely circulating online trailer “JCVD” has garnered more attention for Mr. Van Damme than he has received in years. (The last time he made even a remote impact on pop-culture consciousness was when he appeared on “Friends” as himself in 1996 and boasted that he could crush a walnut with his buttocks.) “JCVD” was a word-of-mouth hit at Cannes, and it had its North American premiere at a raucous midnight screening at the Toronto International Film Festival.