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Hallucinatory Collages in Culver City

from The LA Times

Object Lesson: Hallucinatory collages tell the story of the U.S.-Mexico border

by Carolina A. Miranda

Rites of Passage, 2014 by Einar and Jamex de la TorreCross-border brother artist team Einar and Jamex de la Torre are known for creating wild collages and assemblages that fuse the high and the low, such as this 2014 lenticular piece, “Rites of Passage,” which takes on the U.S.-Mexico border as its subject. (Einar and Jamex de la Torre / Koplin Del Rio)

As far as art forms go, it doesn’t get more lowbrow than lenticulars, the 2-D printed pictures that, with the aid of a rippled, plasticized coating, appear three dimensional, often with animated effects. Think of those thrift store portraits of Jesus that appear to be winking.

Artists Jamex and Einar de la Torre have used this technology — generally reserved for popular religious art and advertising campaigns — to fantastic effect.

In fact, a current show of their work at Koplin Del Rio in Culver City offers a bounty of pieces that employ the device. Among them: a mandala-type design studded with images of skulls, anatomical sketches and religious iconography and a Last Supper-style scene in which the disciples’ faces have been replaced with those of the artists. (I made a Vine of the former, to capture the trippy sense of movement these pieces have when you see them in person.)

Among the most elaborate works are a pair of lenticulars that take on the U.S.-Mexico border as their subject: “Rites of Passage,” shown at top, and “Border Park of Earthly Delights,” both of which were made in 2014. (Unfortunately the images shown here don’t capture the works’ psychedelic effects, which is why it’s best to see them in person.)

[ click to continue reading at LATimes.com ]

Posted on August 20, 2015 by Editor

Filed under Culture Music Art, Los Angeles | | No Comments »