Amazon.com Widgets
James Frey Official Website
Join the JAMES FREY mailing list
Click

A TRUE HERO – Give this man every award and accolade available

Posted on April 24, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Miloš Forman Gone

from The LA Times

Miloš Forman, Oscar-winning Czech director of ‘One Flew Over the Cuckoo’s Nest,’ dies at 86

By GINA PICCALO

Miloš Forman came of age as a filmmaker under the watchful eyes of the Soviets in postwar Czechoslovakia. And though he blossomed in exile in 1970s America, his memory of totalitarianism would forever be his muse.

In every one of his films, from “One Flew Over the Cuckoo’s Nest,” “Ragtime” and “Amadeus” to “The People vs. Larry Flynt” and “Man on the Moon,” Forman celebrated real-life outsiders and eccentrics who challenged the establishment with heroic self-expression.

Forman died Friday at age 86 at Danbury Hospital, near his home in Warren, Conn., according to a statement released by his agent. A winner of two Academy Awards for directing “One Flew Over the Cuckoo’s Nest” (1975) and “Amadeus” (1984), Forman was nominated again in 1997 for “The People vs. Larry Flynt.” His earlier films “The Fireman’s Ball” and “Loves of a Blonde” were nominated for best foreign language film.

Born Feb. 18, 1932, outside Prague, Forman was the youngest of three brothers. His father, a Jewish army reservist from World War I and university teacher, was arrested for disseminating banned books to his students. His Protestant mother was arrested after shopping at a local grocery where anti-Nazi propaganda was found. Both died in concentration camps, making Forman an orphan at age 10.

[ click to continue reading at LAT ]

Posted on April 14, 2018 by Editor

Filed under Culture Music Art | | No Comments »

All Hail HAL!

from The New York Times

What ‘2001’ Got Right

By Michael Benson

FRANKFURT, Germany — It’s a testament to the lasting influence of Stanley Kubrick and Arthur C. Clarke’s film “2001: A Space Odyssey,” which turns 50 this week, that the disc-shaped card commemorating the German Film Museum’s new exhibition on the film is wordless, but instantly recognizable. Its face features the Cyclopean red eye of the HAL-9000 supercomputer; nothing more needs saying.

Viewers will remember HAL as the overseer of the giant, ill-fated interplanetary spacecraft Discovery. When asked to hide from the crew the goal of its mission to Jupiter — a point made clearer in the novel version of “2001” than in the film — HAL gradually runs amok, eventually killing all the astronauts except for their wily commander, Dave Bowman. In an epic showdown between man and machine, Dave, played by Keir Dullea, methodically lobotomizes HAL even as the computer pleads for its life in a terminally decelerating soliloquy.

Cocooned by their technology, the film’s human characters appear semi-automated — component parts of their gleaming white mother ship. As for HAL — a conflicted artificial intelligence created to provide flawless, objective information but forced to “live a lie,” as Mr. Clarke put it — the computer was quickly identified by the film’s initial viewers as its most human character.

This transfer of identity between maker and made is one reason “2001” retains relevance, even as we put incipient artificial intelligence technologies to increasingly problematic uses.

[ click to continue reading at NYT ]

Posted on April 2, 2018 by Editor

Filed under Culture Music Art | | No Comments »

29 Pastas

Posted on March 6, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Geeks On Acid

from The Miami Herald

LSD is ‘harmonizing’ for the brain — and can change your personality for years, studies find

BY JOSH MAGNESS

Two recently released studies show how LSD can affect the brain.Two recently released studies show how LSD can affect the brain. Wikimedia Commons

Your brain on LSD is kind of like jazz improvisation.

That’s according to Selen Atasoy, a research fellow at the Center for Brain and Cognition at the Pompeu Fabra University in Spain. She was among the authors of a study published in the journal Scientific Reports that found the psychedelic drug can reorganize your brain in a “harmonizing” way.

“Just like improvising jazz musicians use many more musical notes in a spontaneous and non-random fashion,” she told PsyPost in an interview, “your brain combines many more of the harmonic waves (connectome harmonics) spontaneously yet in a structured way.”

Twelve people were examined for the study, with some taking LSD and some a placebo drug. Researchers examined their brain with an MRI scan both during and after the subjects listened to music.

[ click to continue reading at Miami Herald ]

Posted on March 3, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Dark Age Sex

from AEON

The salacious Middle Ages

Medieval people feared death by celibacy as much as venereal disease, and practiced complex sexual health regimens

by Katherine Harvey

In the popular imagination, the history of sex is a straightforward one. For centuries, the people of the Christian West lived in a state of sexual repression, straitjacketed by an overwhelming fear of sin, combined with a complete lack of knowledge about their own bodies. Those who fell short of the high moral standards that church, state and society demanded of them faced ostracism and punishment. Then in the mid-20th century things changed forever when, in Philip Larkin’s oft-quoted words, ‘Sexual intercourse began in 1963 … between the end of the Chatterley ban and the Beatles’ first LP.’

In reality, the history of human sexuality is far more interesting and wild. Many prevailing presumptions about the sex lives of our medieval ancestors are rooted in the erroneous belief that they lived in an unsophisticated age of religious fanaticism and medical ignorance. While Christian ideals indeed influenced medieval attitudes to sex, they were rather more complex than contemporary prejudices suggest. Christian beliefs interacted with medieval medical theories to help shape some surprising and sophisticated ideas about sex, and a wide variety of different sexual practices, long before the sexual revolution.

The case of the French cleric Arnaud de Verniolle illustrates the sophistication of medieval sexuality. One day in the early 14th century, when Arnaud was a student, he had sex with a prostitute. Several years later, he confessed this lapse to the Inquisition, explaining that:

At the time they were burning the lepers, I was living in Toulouse; one day I did it with a prostitute. And after I had perpetrated this sin my face began to swell. I was terrified and thought I had caught leprosy; I thereupon swore that in future I would never sleep with a woman again.

Arnaud’s tale is not unusual. Many medieval men found themselves with undesirable symptoms after a brothel visit, and attributed their plight to their sexual behaviour. Among the various medical miracles attributed to St Thomas Becket, for example, was the cure of Odo de Beaumont, who became leprous immediately after a late-12th-century visit to a prostitute. Much has been made of the medieval tendency to interpret disease as a product of sexual sin. Too much. In fact, the medieval tendency to see disease as sexual sin was not solely based on moral judgments – there were also strong medical elements.

[ click to continue reading at AEON ]

Posted on March 1, 2018 by Editor

Filed under Culture Music Art | | No Comments »

E=MCwhat?

from Forbes

The Three Meanings Of E=mc^2, Einstein’s Most Famous Equation

by Ethan Siegel

The particle tracks emanating from a high energy collision at the LHC in 2014. Composite particles are broken up into their components and scattered, but new particles

For hundreds of years, there was an immutable law of physics that was never challenged: that in any reaction occurring in the Universe, mass was conserved. That no matter what you put in, what reacted, and what came out, the sum of what you began with and the sum of what you ended with would be equal. But under the laws of special relativity, mass simply couldn’t be the ultimate conserved quantity, since different observers would disagree about what the energy of a system was. Instead, Einstein was able to derive a law that we still use today, governed by one of the simplest but most powerful equations ever to be written down, E = mc2.

There are only three parts to Einstein’s most famous statement:

  1. E, or energy, which is the entirety of one side of the equation, and represents the total energy of the system.
  2. m, or mass, which is related to energy by a conversion factor.
  3. And c2, which is the speed of light squared: the right factor we need to make mass and energy equivalent.

What this equation means is thoroughly world-changing. As Einstein himself put it:

“It followed from the special theory of relativity that mass and energy are both but different manifestations of the same thing — a somewhat unfamiliar conception for the average mind.”

Here are the three biggest meanings of that simple equation.

[ click to continue reading at Forbes ]

Posted on February 28, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Degas On The Bus

from The Telegraph

Stolen £700,000 Degas painting found on a bus near Paris

by Rory Mulholland

Edgar Degas was a leading Impressionist. CREDIT: HERVE LEWANDOWSKI/AFP/GETTY IMAGES)

French customs officers making a random check on a bus at a motorway layby found a painting by 19th century Impressionist master Edgar Degas that was stolen nine years ago from a museum in Marseille.

The 1877 painting Les Choristes, or The Chorus Singers and sometimes called  The Extras, was found in a suitcase in the vehicle’s luggage compartment during a stopover in Marne-la-Vallée to the east of Paris.

Its value is estimated at €800,000 (£700,000).

But when the officers asked passengers who the case belonged to, they were met with a stony silence, the culture ministry said in a statement.

“Its disappearance represented a heavy loss to the French impressionist heritage,” said Culture Minister Françoise Nyssen, who issued a statement saying she was delighted at “the happy rediscovery of a precious work.”

[ click to continue reading at The Telegraph ]

Posted on February 23, 2018 by Editor

Filed under Culture Music Art | | No Comments »

“Wait till you start running into motherfuckers with three or four dicks! Bug-eyed motherfuckers!”

from Rolling Stone

The Last Word: George Clinton on Alien Encounters, Trump’s Lack of Funk

The Parliament-Funkadelic legend also discusses the perils of LSD, the death of doo-wop and how to find great musicians

By

Parliament-Funkadelic leader George Clinton talks to Rolling Stone about the essence of funk, his alien encounter, the dangers of LSD and more. Mark Summers for Rolling Stone

Parliament-Funkadelic founder George Clinton is an irreplaceable walking museum of American musical history, with a career that began in Fifties doo-wop (the Parliaments were originally a Newark, N.J., singing group), and continues all the way to Kendrick-era hip-hop and beyond. Clinton put out an excellent, memorably titled memoir, Brothas Be, Yo Like George, Ain’t That Funkin’ Kinda Hard on You?, in 2014, and he suggests he’s already done enough additional living for another book – though he’s more focused on an upcoming documentary and a new album. He called in for a characteristically amusing and enlightening Last Word interview while on the road for his latest tour, which is set to run through April.

Who are the funkiest people who ever lived?
When I’m just tryna funk, it’s gonna be the Staple Singers, man – Pop Staples. And Ray Charles. Ray could take “Eleanor Rigby” and make that funky. He ends up doing that to anything – to me, that’s raw funk. And then [Motown session bassist] James Jamerson – that is a musician.

And who is the least funky person alive?
Oh, my God! [Laughs] Probably Trump. Can’t be no funk in the Trump! [Pauses] He ain’t gonna like that.

[ click to continue reading at Rolling Stone ]

Posted on February 22, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Roman Boxing Gloves

from BBC

Roman boxing gloves unearthed by Vindolanda dig

The gloves on a mannequinImage copyrightVINDOLANDA TRUST

Image captionThe gloves were “skilfully made” about 2,000 years ago

Roman boxing gloves unearthed during an excavation near Hadrian’s Wall have gone on public display.

Experts at Vindolanda, near Hexham, in Northumberland, believe they are “probably the only known surviving examples from the Roman period”.

Dr Andrew Birley, Vindolanda Trust director of excavations, described the leather bands as an “astonishing” find.

The gloves were discovered last summer along with a hoard of writing tablets, swords, shoes and bath clogs.

Made of leather, they were designed to fit snugly over the knuckles and have the appearance of a protective guard.

[ click to continue reading at BBC ]

Posted on February 20, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Bubble Ice

from Smithsonian

Why Curling Ice is Different Than Other Ice

There is a science to preparing ice for the shuffleboard-like sport. It’s all about the pebbling

By Erica R. Hendry

20140214-130128.jpgAn ice maker pebbles the 2014 Olympic curling rink in Sochi. (Rich Harmer)

Let’s be honest: the fervor around curling in the 2014 Olympic Games has been mostly driven, so far, by the return of Team Norway’s outrageous pants.

When it comes to knowing as much about the sport, plenty of people fall a little short. And if you don’t know the rules, odds are you aren’t thinking much about the actual surface across which athletes push 44-pound stones for a shot at Olympic glory.

It’s just a hockey rink, right?

Well, not quite. Trying to curl on untreated ice “would be like a pro golfer going from putting at Augusta to putting on his back lawn,” says Derek Brown, USA Curling’s director of high performance.

If curling ice was flat, the stone would move barely halfway across the “sheet,” or curling lane. And that’s assuming the curler is hurling it as hard as possible. Friction would halt the rock within seconds. So, to make the ice more amenable to the sport, devoted ice makers employ a technique called “pebbling.” More or less what it sounds like, pebbling involves freezing small droplets of water across the playing surface between each match.

[ click to continue reading at Smithsonian ]

Posted on February 14, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Mr. Ventimiglia

from The LA Times

He’s America’s TV dad. Get to know ‘This Is Us’ star Milo Ventimiglia

By YVONNE VILLARREAL

He's America's TV dad. Get to know 'This Is Us' star Milo VentimigliaActor Milo Ventimiglia, from the NBC hit, “This Is Us,” is photographed at his Los Angeles home with some of his hat collection, including the show’s Big Three Homes. (Jay L. Clendenin / Los Angeles Times)

It’s just after 1 a.m. and Milo Ventimiglia, finally settling into his Minneapolis hotel room after a climactic Super Bowl night, can at long last sleep with one less secret to keep.

“I’m happy everyone is in the know,” he says by phone.

As flawed-but-nearly-perfect patriarch Jack Pearson on NBC’s megahit “This Is Us,” Ventimiglia has joined the roster of TV’s most beloved dads. So beloved, in fact, that the character’s death, revealed in the show’s debut season, and the mystery surrounding it, kindled the question, “How did Jack die?” It quickly became a pop culture phenomenon rife with conspiracy theories.

On Sunday, the answer came. (This is … where the spoilers start.)

[ click to continue reading at LAT ]

Posted on February 8, 2018 by Editor

Filed under Culture Music Art | | No Comments »

KATERINA UK

from The Bookseller

New James Frey novel from John Murray

by Katherine Cowdrey

James Frey, author of A Million Little Pieces (John Murray), is publishing a new novel with John Murray called Katerina.

Katerina, pitched as a sweeping love story that alternates between 1992 Paris and 2017 Los Angeles, will be published in September this year. John Murray acquired UK and Commonwealth rights through Jenny Meyer of Jenny Meyer Literary Agency on behalf of Eric Simonoff at WME.

At the centre of the novel is protagonist Jay, who is 21 when he moves to Paris to live the artist’s life, and falls in love for the first time. Cut to 25 years later: he is a middle-age family man living in California when he receives an anonymous message that draws him back to the life, and possibly the love, he abandoned years before.

North American rights have sold to Scout Press, an imprint of Simon & Schuster, while the film rights to the book have been pre-emptively acquired by Makeready, the new production outfit launched in 2017 by former New Regency c.e.o Brad Weston. Frey will write the script and be executive producer. Guymon Casady is producing through Entertainment 360, the production arm of Management 360. WME negotiated the sale.

[ click to continue reading at TheBookseller.com ]

Posted on February 7, 2018 by Editor

Filed under Bright Shiny News, Culture Music Art, Literary News, Projects | | No Comments »

Odessa Young To ‘A Million Little Pieces’

from Variety

‘Assassination Nation’ Star Odessa Young Joins ‘A Million Little Pieces’ (EXCLUSIVE)

By Justin Kroll

Odessa Young12th Annual Tribeca Film Festival Artists Dinner hosted by Chanel, Arrivals, New York, USA - 24 Apr 2017WEARING CHANEL SAME OUTFIT AS CATWALK MODEL *6082168bgCREDIT: STEPHEN LOVEKIN/REX/SHUTTERSTOCK

After a breakout role in the Sundance hitAssassination Nation,” Odessa Young is boarding Sam Taylor-Johnson’s “A Million Little Pieces.”

Young will be joining the previously announced cast of Aaron Taylor-Johnson, Billy Bob Thornton, Charlie Hunnam, and Giovanni Ribisi.

The story follows a young man who awakens on an airplane to Chicago with no recollection of his injuries or of how he ended up on the plane. He then heads to a rehab and begins his journey to sobriety. Young will play Lilly, a crack and heroin addict who falls in love with the man.

[ click to continue reading at Variety ]

Posted on February 6, 2018 by Editor

Filed under Bright Shiny News, Culture Music Art, Projects | | No Comments »

Fake Computer How-to

from Vice

How the Fake but Really Cool Computers in Movies Get Made

Whether it’s a DNA database in ‘Blade Runner 2049’ or the heads up display in Iron Man’s suit, real world user interface designers are hard at work making sure characters have a way to operate their fictional tech.

by Justin Caffier

Images courtesy of Cantina Creative

In the Iron Man films and comics, we’ll often see super-genius Tony Stark furiously churning out lines of code to make sure his latest suit upgrade can fly on auto pilot, harness a deadly new source of power, or pair with Bluetooth speakers. What we never see, however, is Tony mulling over font options, window sizes, and all the other variables that go into designing a user interface (UI) that doesn’t suck.

In the real world, tech behemoths like Apple pour billions into UI development, tweaking countless iterations of text bubbles and screen sensitivity to the point of perfection. But for the creators of fictional UIs of the silver screen who are working with mere slivers of a Silicon Valley budget, the path to a believable, elegant UI design is trickier process. At best, the work of these artists goes by unnoticed, seamlessly propelling the story while maintaining the aesthetic of the universe. At worst, it pulls the audience out of the moment, leaving them to wonder why future humans are using papyrus to announce an airlock breach.

We spoke with Alan Torres, a design supervisor at LA-based VFX studio Cantina Creative, to see what sort of process goes into this under appreciated bit of cinematic artistry. While at Cantina, Torres has helped design the God’s Eye device in the latest Fast and the Furious, created a dystopian DNA database in Blade Runner 2049 and, yes, even put the display in Iron Man’s helmet.

[ click to continue reading at Vice ]

Posted on February 3, 2018 by Editor

Filed under Culture Music Art | | No Comments »

One More Scroll To Go

from Atlas Obscura

One of the Last Two Dead Sea Scrolls Has Been Decoded

Israeli researchers found an ancient calendar by piecing together fragments of the text.

BY NATASHA FROST

A larger Hebrew scroll found in the cache in the West Bank caves.A larger Hebrew scroll found in the cache in the West Bank caves. PUBLIC DOMAIN

SOMETIME AROUND THE CUSP OF 1947, a teenage shepherd in the West Bank threw a rock, possibly to scare an animal out from a cliffside cave, and triggered one of the most incredible archaeological discoveries of the past century. Instead of a thud, a splash, or even a crash, he heard a shattering noise from within the cave, where the rock had hit a cache of large clay jars. In them were leather and papyrus scrolls. Later discoveries in caves in this area would shore up fragments of some 900 manuscripts in Hebrew, Aramaic, and Greek.

These texts, known as the Dead Sea Scrolls, have proven a source of fascination to scholars. But their precise origins remain opaque, beyond that they seem to have been written by an ancient Judean sect, the Essenes, and date to at least the 4th century BC. Now, Israeli researchers claim to have “solved” one of the final two scrolls, piecing together 60 of these tiny fragments and, in the process, identifying the name of a festival marking the changes between seasons: tekufah.

Speaking to Haaretz, Dr. Eshbal Ratzon and Professor Jonatan Ben-Dov from the Bible Department at Haifa University explained that by decoding and reconstructing one of the final two scrolls, they were able to uncover a 364-day calendar used by the ascetic sect. Their work was recently published in the Journal of Biblical Literature. This calendar seems to have been a source of struggle between the sect and the Temple, Ratzon said. “But this calendar was disputed, which may be one of the reasons this sect left the Temple and went to the desert. They had many disputes and this was one of them—they couldn’t celebrate holidays together.”

[ click to continue reading at Atlas Obscura ]

Posted on February 1, 2018 by Editor

Filed under Culture Music Art | | No Comments »

David Dastmalchian To ‘A Million Little Pieces’

from DEADLINE

David Dastmalchian Joins ‘A Million Little Pieces’ & ‘Die in a Gunfight’

by Amanda N’Duka

REX/Shutterstock

EXCLUSIVE: Ant-Man And The Wasp actor David Dastmalchian has landed two back-to-back projects. He’s set for A Million Little Pieces, the Sam Taylor-Johnson directed film adaptation of the James Frey book, which is currently in production. The pic stars Aaron Taylor-Johnson, Billy Bob Thornton, Carla Juri, Charlie Hunnam, and Giovanni Ribisi.

Aaron Taylor-Johnson and Sam Taylor-Johnson adapted the book, loosely based on Frey’s life. It follows a young drug-addled writer, who enters a treatment center in Minnesota. Makeready’s Pam Abdy is producing with The Picture Company partners Andrew Rona and Alex Heineman. Makeready is also fully finance the film with eOne distributing Sierra/Affinity is handling international sales.

[ click to continue reading at DEADLINE ]

 

Posted on January 31, 2018 by Editor

Filed under Culture Music Art, Projects | | No Comments »

Goodbye, Graydon

from Vanity Fair

GRAYDON CARTER RECALLS HIS FONDEST MEMORIES (AND TRICKS OF THE TRADE) FROM 25 YEARS ATOP VANITY FAIR

The author recounts the key to his longevity, and some of his greatest hits along the way.

BY GRAYDON CARTER

editors-letter-annie-leibovitz-graydon-carter-vf.jpgPhotograph by Annie Leibovitz.

All good things—certainly in my case this month—eventually come to an end. This is my final issue of Vanity Fair. I won’t bore you with the details of my complex emotions right now, but I will say that being the editor of Vanity Fair may well be one of the most extraordinary professional experiences there is. I will have been here for more than a quarter of a century, which, in magazine years, is more than a few eternities. It’s 9,200 days of covering presidential terms (eight of them) and countless terrorist episodes, foreign wars, financial meltdowns, weather disasters, and societal upheavals. What have I left out? Oh yes, Washington scandals, Wall Street scandals, Hollywood scandals, Silicon Valley scandals, Westminster scandals, and Kremlin scandals. Plus Deep Throat and Caitlyn Jenner. I could go on. (On a more personal level, Vanity Fairpaid considerably better than my previous jobs, the result being that I had the wherewithal to afford to have more children, and was blessed with the addition of two daughters to the brood of three sons I had coming into the job.)

When I arrived at the magazine, Cheers, Murphy Brown, and Seinfeld were among the big television hits. George H. W. Bush was president and Bill Clinton would soon become the president-elect. It was the year that The Tonight Show Starring Johnny Carson went off the air. Taylor Swift was just out of diapers: she hadn’t even broken up with anyone yet—at least not to my knowledge. No one had heard of e-mail, and the Internet as we know it was still in the future. Back then I looked like one of the male assistants here now—clear eyes, dark hair, and a waist smaller than a yardstick. As I leave, I gaze in the mirror and, save for the absence of a twinset and pearls, I see the Queen Mother.

The crumbling husk that lies before you aside, not a week went by when I didn’t mention to one or more of the staff I saw every day—Chris Garrett, Aimée Bell, Jane Sarkin, Beth Kseniak, Sara Marks—just what goddamn fun this all was. And how could it not have been? After an exhilarating life at Spy and a giddy, shoestring year at The New York Observer, being given the editorship of Vanity Fair was truly like being given the keys to an almost fictional magazine kingdom. Back in the day we didn’t even have budgets. S. I. Newhouse, Jr., our legendary proprietor, just said to spend what you needed. In the late 90s, we were having lunch and I told him that I had some good news and some bad news. He said, “What’s the bad news?” I told him that the Hollywood Issue cover we had just shot might well be the most expensive magazine cover ever. Si thought for a moment, then asked, “Well, what’s the good news?” I said it lookedlike the most expensive magazine cover ever. Only Si would have smiled at such news.

[ click to continue reading at VF ]

Posted on January 29, 2018 by Editor

Filed under Culture Music Art, Literary News | | No Comments »

Hereditary

Posted on January 27, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Juliette Lewis Joins Billy Bob Thornton in ‘A Million Little Pieces’ Cast

from WWD

Juliette Lewis Takes Over Acne Studios Instagram

The actress was spotted filming other guests, among which Isabelle Huppert, Sara Forestier and Stephen Jones

By Lily Templeton

Juliette Lewis front row at Acne StudiosJuliette Lewis front row at Acne Studios / Stephane Feugere/WWD

Juliette Lewis was busy capturing the scene at the first Acne Studios women’s show to be held during couture week in Paris on Wednesday, before sitting in the front row alongside Sara Forestier, Isabelle Huppert, Stephen Jones and Michel Gaubert.

The actress caught Casey Spooner jumping up on a bench to shake things up. Earlier in the week, he and partner-in-crime Violet Chakchi had joked about wanting to have their own reality TV crew.

“I’m doing the Instagram takeover for Acne Studios,” said Lewis, known for such films as “Cape Fear” and “From Dusk Till Dawn.”

Lewis hinted at further projects with Acne, and then clammed up. In the meantime, she is flying back to Los Angeles to start filming on Monday a screen adaptation of “A Million Little Pieces,” the infamous James Frey book, with Billy Bob Thornton.

[ click to continue reading at WWD ]

Posted on January 25, 2018 by Editor

Filed under Bright Shiny News, Culture Music Art, Projects | | No Comments »

Spice World Redux

from Interview

CREW MEMBERS EXPLAIN WHY SPICE WORLD IS STILL SO WEIRD, 20 YEARS ON

By Rachel Hodin

Turn on Spice World today, and I promise it will confound you. So many things about the movie don’t make sense. So many things defy the basic rules of narrative, with characters left unexplained and subplots unresolved—but that’s what makes it so captivating and fun. How exactly did this poppy, cinematic romp get made? It’s one of the greatest mysteries of pop culture, and one that, on the occasion of the movie’s 20th anniversary, I’m determined to resolve.

As pointed out on the podcast How Did This Get Made?, Spice World got away with ignoring the most basic tenets of moviemaking and screenwriting. Spice World has no real plot, and no end goal—there’s no real story arc at all, for that matter. The girls pinball from place to place, studio to studio, and rehearsal to rehearsal, each one suited up in her respective coat of character armor. Then, with 10 minutes to go in the movie, the band’s “first live show at the Royal Albert Hall”—fleetingly mentioned in one of the film’s first scenes—becomes the movie’s climactic narrative. Will they or won’t they pull off their first live concert? Thing is, the girls have already performed live only a couple scenes prior—not to mention in the first scene—but this is the grand finale, the moment we’ve all been waiting for. Apparently.

Then, there’s the Spice Bus—which, while certainly a sight to impress even Austin Powers, tricked-out with fairytale ’90s-era gadgets and toys—is also about 12 times the absolute maximum size that any bus interior could feasibly be. It’s a full-on dreamscape, and one that production designer Grenville Horner remembers fondly. “The Spice Bus was fantastic,” he told me over the phone. “It was just fun. You totally invent it; it’s not like anything you’ve ever come across.”

[ click to continue reading in Interview ]

Posted on January 24, 2018 by Editor

Filed under Culture Music Art | | No Comments »

A MILLION LITTLE PIECES Casts Billy Bob Thornton, Carla Juri, Charlie Hunnam, Giovanni Ribisi

from DEADLINE

Billy Bob Thornton, Carla Juri & Charlie Hunnam Join Aaron Taylor-Johnson In ‘A Million Little Pieces’

by Mike Fleming Jr

Billy Bob Thornton A Million Little PiecesREX/Shutterstock/Nan A. Talese

EXCLUSIVE: A Million Little Pieces, the screen adaptation of the James Frey book, is fast assembling for a January 25 production start. Billy Bob Thornton has joined Aaron Taylor-Johnson and director Sam Taylor-Johnson for the first film to go into production for Brad Weston’s producing/financing company Makeready. Thornton will be joined by Carla Juri, who emerges from Blade Runner 2049 to play the female lead, and Charlie Hunnam. Giovanni Ribisi was already set. Makeready’s Pam Abdy is producing with The Picture Company partners Andrew Rona and Alex Heineman.

Thornton plays the role of Leonard, whom fans of Frey’s book will recall as a mysterious tough guy who became the guardian angel at a rehab facility for the protagonist, who tried to end his addiction problems before they killed him. Frey later wrote Leonard’s life story in a followup book.

[ click to continue reading at DEADLINE ]

Posted on January 23, 2018 by Editor

Filed under Bright Shiny News, Culture Music Art, Literary News, Projects | | No Comments »

Sunset

from The New York Times

Where the Real Los Angeles Meets the Dream

On Sunset Boulevard, two Californias — the lived place and the one seen on screen — run parallel for 22 snaking miles.

Photographs by Jake Michaels / Text by  / Produced by

Like Broadway in New York and Ocean Drive in Miami, Sunset Boulevard in Los Angeles is both a real street and a myth. It’s where you go to gas up at the Arco station (5007 Sunset Boulevard) or grab a meal at In-N-Out Burger (7009 Sunset), and also to chase the dream of fame and eternal sunshine. Remarkably, Sunset lives up to the postcard.

Drive east to west, from where the street begins downtown to where it ends 22 twisting miles later at the Pacific Ocean, and at any point along the route, you will see the images that movies, TV shows and magazines have implanted in your brain.

In hip and historically Mexican Echo Park and Silver Lake, you’ll find trendy boutiques beside a 99 Cents Only store (3612 Sunset), and cool kids scarfing down tacos at Guisados (1261 Sunset).

In Hollywood, there are always weird Hollywood people, and tourists hoping to see weird Hollywood people, walking around near where Sunset meets Vine.

Moving west into Beverly Hills and Bel-Air, the street becomes wide and lush and curving. The sidewalks and pedestrians disappear, and the wealthy residents in their mansions hide from the celebrity-home bus tours behind walls of hedgerow — the Sunset of “Sunset Boulevard” and “Million Dollar Listing Los Angeles.”

[ click to continue reading at NYT ]

Posted on January 22, 2018 by Editor

Filed under Culture Music Art, Los Angeles | | No Comments »

Bocuse Gone

from Reuters

‘Nouvelle cuisine’ pioneer Bocuse dies at 91

Reuters Staff

PARIS (Reuters) – Paul Bocuse, one of France’s most celebrated chefs, has died at the age of 91, the interior minister said on Saturday.

Bocuse was an early exponent of “nouvelle cuisine”, which reinterpreted traditional French cooking using less butter and cream and focusing on fresh ingredients and stylish presentation.

[ click to continue reading at Reuters ]

Posted on January 20, 2018 by Editor

Filed under Culture Music Art | | No Comments »

747 Gone

from The New York Times

The 747 Had a Great Run. But Farewell Doesn’t Mean the End.

By

MARANA, Ariz. — There may be no airliner as recognizable as the Boeing 747, the world’s first jumbo jet, with its iconic hump of an upper deck. For aviation fans, the introduction of the “Queen of the Skies” was a triumph of engineering and grace: unprecedented size and speed with spiral-staircase international glamour.

But the airline business has changed, and the giant plane has become more expensive to operate. A couple of weeks ago, the final 747 flight by any commercial United States airline took to the sky.

Like so many others before it, the plane was heading to the Southwest to retire.

A passer-by at Atlanta’s Hartsfield-Jackson International Airport might have noticed something unusual as Boeing 747 No. 6314 pushed back from the gate for the last time. Onlookers in the terminal waved farewell as the plane, operated by Delta Air Lines, taxied out to the runway. Undeterred by the chilly weather, even members of the ground crew pulled out their phones to memorialize this flight in photos.

[ click to continue reading at NYT ]

Posted on January 18, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Dad Rap

from The Wall Street Journal

Hip-Hop’s Generation Gap: ‘Emo’ vs. ‘Dad’ Rap

As the music genre has become a commercial juggernaut, some worry about a cultural divide between younger and older artists

By Neil Shah

Rap has become the most-consumed music in America, according to industry data, but with its growth comes a new concern: a widening generation gap.

Just as rock ‘n‘ roll splintered in the 1970s when punk arrived, a beef between some young hip-hop artists and “dad rappers” is dividing fans. Some music insiders worry that the schism will hurt the unity of the hip-hop community when its music is at its cultural and commercial peak by splitting fans into opposing camps.

[ click to continue reading at WSJ ]

Posted on January 17, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Dolores O’Riordan Gone

from The New Yorker

The Ferocious, Sublime Dolores O’Riordan, of the Cranberries

By Amanda Petrusich

The Irish singer Dolores O’Riordan, who fronted the alt-rock band the Cranberries since 1989, died on Monday, at the age of forty-six. O’Riordan was managing several health issues at the time of her death—she was diagnosed with bipolar disorder in 2015 and had been suffering from back pain, which resulted in the cancellation of a Cranberries reunion tour last year. Her body was found in a hotel on Park Lane, in central London; her death was described as sudden and unexplained.

O’Riordan was born in Ballybricken, in County Limerick, in 1971. She was the youngest of seven children and just eighteen when she joined the Cranberries. Her folks were strict: as a teen-ager, she wasn’t allowed to wear makeup or buy her own clothes. In an interview with the Irish Times, she recalled how the guitarist Noel Hogan brought her a pair of Doc Martens to wear for the band’s first photo shoot. “They were too big for me, but I put them on anyway,” she said. “Suddenly I looked like an indie girl.”

Like many people, the first time I heard her sing was on “Linger,” an early single that ended up in fairly heavy rotation on MTV in 1993. The black-and-white video, directed by Melodie McDaniel, was based loosely on Jean-Luc Godard’s “Alphaville,” a film that considers the potency of desire. It’s a hazy, sentimental song about realizing that you’re on the bummer end of a lopsided relationship. “You know I’m such a fool for you,” O’Riordan sings. She’s asking, in a way, for mercy—a final show of kindness: “You’ve got me wrapped around your finger / Do you have to let it linger?” I wasn’t old enough to understand the particular humiliation of being duped and strung along by someone you loved and trusted, but I nonetheless recognized the deep agony and confusion in her voice when she asked, “Why were you holding her hand?”

Still, it wasn’t until “Zombie,” the first single from the band’s second album, “No Need to Argue,” that the sublime recklessness of O’Riordan’s voice became fully evident. By then, the Cranberries were the most successful Irish rock band since U2. Most of the other rock singers I admired at the time (Kim Gordon, of Sonic Youth; Kim and Kelley Deal, of the Breeders; Kathleen Hanna, of Bikini Kill) sounded plainly and hopelessly cool—disaffected, vaguely antagonistic, and aloof. O’Riordan sounded like a maniac. “Zombie” was written as a memorial for two children—the twelve-year-old Jonathan Ball and the three-year-old Tim Parry—who were killed in an I.R.A. street bombing, in Warrington, England, in 1993 (the explosives were hidden in garbage cans). She goes feral on the chorus: “Zombie-ie-ie-ie-oh-oh-oh-oh!” It’s all terrifically guttural—ugly, wild, and paralyzing. For an American kid, her round Irish accent made the word seem even stranger, as if she were conjuring something otherworldly, only to vanquish it.

[ click to continue reading at The New Yorker ]

Posted on January 16, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Stick History

from Nautilus

The Stick Is an Unsung Hero of Human Evolution

Stone’s silent sister in the archaeological record.

BY ALEXANDER LANGLANDS

In April 1997, at the snooker world championship held at the Crucible Theatre in Sheffield, Ronnie O’Sullivan stepped up to the table to play a frame in what was expected to be a routine victory in his first-round match against Mick Price. What happened in the next 5 minutes and 20 seconds sent shock waves through the world of snooker and ripples of respect through the wider world of professional sport. To the uninitiated, there is a sequence of 36 balls that must be potted in order to achieve the highest score possible in a frame: 147—what aficionados call a “maximum break.” Up until 1997, this had been achieved in official competition snooker on a handful of occasions, in a sport that had effectively turned professional in the late 1960s. It was only a matter of time before the gifted O’Sullivan scored his first competition 147, but it was the manner in which he did it that created such a stir. As he glided around the table he played with a pace and confidence that belied his 21 years. A man at one with the stick in his hands and in a trancelike engagement with his art, he was demonstrably thinking four or five shots ahead and, in playing with such fluidity of movement, O’Sullivan had found a new zone within which the game could be played.

It may seem crude, but to put the achievement into context, it can be compared on pure financial terms with other sports. For a frame that lasted a mere 320 seconds, O’Sullivan was awarded bonus prize money of £165,000. Few can brag that they’ve ever earned £515.63 per second for the work they do—especially at such a tender age. At its most basic, he makes his money with a length of polished wood and a lump of chalk. For many people, earnings aside, O’Sullivan’s feat ranks among the very best sporting achievements in the world. But for me, it’s a celebration of mankind’s perfection at stick usage: a poetically beautiful combination of craft, genius, nerve, and swagger.

[ click to continue reading at Nautilus ]

Posted on January 11, 2018 by Editor

Filed under Culture Music Art | | No Comments »

The First Animations

from Nautilus

Early Humans Made Animated Art

How Paleolithic artists used fire to set the world’s oldest art in motion.

BY ZACH ZORICHILLUSTRATION BY MIKO MACIASZEK

Stone steps descended into the ground, and I walked down them slowly as if I were entering a dark movie theater, careful not to stumble and disrupt the silence. Once my eyes adjusted to the faint light at the foot of the stairs, I saw that I was standing in the open chamber of a cave.

Where the limestone wall arched into the ceiling was a line of paintings and drawings of animals running deeper into the cave. The closest image resembled a bison, with elongated horns and U-shaped markings on its side. The bison followed several horses painted solid black like silhouettes; above them was an earthy-red horse with a black head and mane. In front of that was a very large bison head that was completely out of scale with respect to the other images.

It was the summer of 1995, and in the dim glow, I gazed at the ghostly parade just as my ancestors did roughly 21,000 years ago. Radiocarbon dates from Lascaux cave suggest the art is from that period, a time when wooly mammoths still roamed across Europe and people survived by hunting them and other large game. I stood in silence as I tried to decode the work of the ancient people who had come here to express something of their world.

When Lascaux cave was discovered in 1940, more than 100 small stone lamps that once burned grease from rendered animal fat were found throughout its chambers. Unfortunately, no one recorded where the lamps had been placed in the cave. At the time, archeologists did not consider how the brightness and the location of lights altered how the paintings would have been viewed. In general, archeologists have paid considerably less attention to how the use of fire for light affected the development of our species, compared to the use of fire for warmth and cooking. But now in Lascaux and other caves across the region, that’s changing.

[ click to continue reading at Nautilus ]

Posted on January 9, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Anderson .Paak

Posted on January 7, 2018 by Editor

Filed under Culture Music Art | | No Comments »

The Deadliest Car In History

from Inside Hook

THE DEADLIEST RACE CAR IN HISTORY HAD LOOKS THAT COULD KILL, TOO

Let’s hope this one handles better than the original

BY EVAN BLEIER

The Deadliest Race Car in History Had Looks That Could Kill, Too

At the 1955 edition of Le Mans, a ‘53 Austin-Healey 100 was at the center of a horrific crash that left 85 people dead and dozens more maimed and injured. The Austin-Healey that RM Sotheby’s is putting up for auction next month in Arizona is not that car, which holds the ignonimous title of being the world’s deadliest.

But it is modeled after it.

Manufactured in February of 1956 and one of only 640 factory-built Healey 100 Ms ever made, the roadster is built to the specifications of the 100s that were first raced successfully — and safely — at Le Mans in 1953.

[ click to continue reading at Inside Hook ]

Posted on January 6, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Scratch Chocolate

Posted on January 5, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Freddie’s Bash

from INTERVIEW

Freddie Mercury’s Saturday Night in Sodom

a night of debauchery

In the colossal Imperial Ballroom inside the Fairmont New Orleans, Freddie Mercury—expert partier who lived by the mantra “excess all areas”—overwhelmed 400 guests at the launch of Queen’s fourth album, Jazz. This party had it all: “voluptuous strippers who smoked cigarettes with their vaginas, a dozen black-faced minstrels, dwarfs, snake charmers, and several bosomy blondes who stunned party revelers by peeling off their flimsy costumes to reveal that they were, in fact, well-endowed men,” it was described in Pamela Des Barres’s Rock Bottom: Dark Moments in Music Babylon.

It was Halloween 1978. The ballroom was outfitted with 50 dead trees rented especially for the occasion, which made it look like “a skeletal forest. It had a kind of witchcraft theme,” said EMI’s Bob Hart. Bourbon Street’s biggest freaks and eccentrics were hired to entertain, leaving other bars and clubs forced to close for the night.

 [ click to read at INTERVIEW ]

Posted on January 4, 2018 by Editor

Filed under Culture Music Art | | No Comments »

Next Page »